Tag: Chanticleer Authors Conference

  • LARAMIE Book Awards – SPOTLIGHT Focus on ALL Works of Western Fiction and Uniquely American Tales

    LARAMIE Book Awards – SPOTLIGHT Focus on ALL Works of Western Fiction and Uniquely American Tales

    Welcome to our SPOTLIGHT on LARAMIE Book Awards, the stories that stick!

    Western Pioneeer Civil War Fiction Award

    The Laramie Book Awards recognize emerging new talent and outstanding works in the Americana / Western, Pioneer, Civil War, Frontier, and First Nations Novels. The Laramie Book Awards is a division of the Chanticleer International Book Awards.

    Charles M. Russell painted the cowboy scene on Chanticleer’s very own Laramie Book Awards badge. It is one of many such paintings he did that encompassed the Old American Wild West. He was an advocate for the Northern Plains Indians. Charles M. Russell also helped establish a reservation in Montana for the Chippewa people.

    *More interesting facts about Laramie, Wyoming, and its historical icons are immediately after the Laramie Hall of Fame listing below. A fun read! 

    The Laramie Book Awards for American Western Fiction Hall of Fame First Place and Grand Prize winners!


    The 2018 Laramie Book Awards Grand Prize:

    Blood Moon: A Captive’s Tale by Ruth Hull Chatlien

    Laramie Book Awards

     2018 Laramie Book Awards for American Western Fiction First in Category Winners

     

     


    The 2017 Laramie Book Awards Grand Prize Winning Book also won the OVERALL Prize! Best book of 2017:

    HOUR GLASS by Michelle Rene

    2017 Laramie Book Awards for American Western Fiction First in Category Winners


    The 2016 Laramie Book Awards Grand Prize:

    Hot Work in Fry Pan Gulch: Honey Beaulieu – Man Hunter #1
    by Jacquie Rogers

    2016 Laramie Book Awards for American Western Fiction First in Category Winners

     


    The 2015 Laramie Book Awards Grand Prize:

    Widow (formerly known as Doctor Kinney’s Housekeeper) by Sara Dahmen

    2015 Laramie Book Awards for American Western Fiction First in Category Winners

     


    The 2014 Laramie Book Awards Grand Prize:

    Not on My Mountain Jared McVay

    Not On My Mountain by Jared McVay

    2014 Laramie Book Awards for American Western Fiction First in Category Winners


    The 2013 Laramie Book Awards Grand Prize:

    Unbroken Horses by Dale B. Jackson

    Unbroke Horses clean

    Congratulations to the Laramie Awards 2013 1st Place Category Winners:

    • Mystery:  Double or Nothing by Meg Mims
    • Action/Adventure:  Haunted Falls by Ken Farmer & Buck Stienke
    • Historical Fiction: Because of the Camels by Brenda Blair
    • Civil War:  Ford at Valverde by Anita Melillo
    • Prairie Pioneer:  They Rode Good Horses by Dale B. Jackson
    • Literary Western:  Unbroke Horses by Dale B. Jackson
    • First Novel:  Confessions of  a Gunfighter by Tell Cotten
    • Best Manuscript: Lick Creek by Deborah Lincoln


    HOW DO YOU HAVE YOUR BOOKS COMPETE? Submit them to the Chanticleer International Book Awards –Click here for more information about The CIBAs! 

    Western Pioneeer Civil War Fiction Award

    Want to be a winner next year? The deadline to submit your book for the 2020 Laramie awards is July 31, 2020. Enter here!

    Grand Prize and First Place Winners for 2019 will be announced during our Virtual Conference in early September 2020.

    Any entries received on or after July 31, 2020, will be entered into the 2021 Laramie Book Awards. The Grand Prize and First Place for 2020 CIBA winners will be held on April 17, 2021.

     As our deadline draws near, don’t miss this opportunity to earn the distinction your American Western readers deserve!  Enter today!

    The LARAMIE Book Awards is a division of the Chanticleer International Book Awards – the CIBAs.

    The 2020 winners will be announced at the CIBA  Awards Ceremony, which will take place during the 2020 Live/Online Chanticleer Authors Conference. All Semi-Finalists and First Place category winners will be recognized, the first place winners will be virtually whisked up on “stage” to receive their custom ribbon and wait to see who among them will take home the Grand Prize. Covid19 has made our celebrations a bit different this year, but we still will celebrate!

    Don’t delay! Enter today!  

    As always, please do not hesitate to contact us with questions, concerns, or suggestions at Chanticleer@ChantiReviews.com

    [20] McDougall, Walt, “Pictures in the Papers,” American Mercury, 6:21 (September 1925), 72.


    What’s a Laramie?

    We thought you’d never ask!

    We titled the Chanticleer International Book Awards (CIBAs) division for Western American Fiction and all things that gather around the campfire singing a lonesome tune, the Laramie Awards, after the county and city in Wyoming. You know the one, tucked into the lower right-hand corner of the state between the Snowy Mountain Range and the Laramie Mountain Range.

    Yes, but why Laramie? 

    The small outpost was changed almost overnight when the Union Pacific Railroad moved their “Hell on Wheels” tent town from Cheyenne, Wyoming to Laramie after building the rails over the Sherman Summit at an elevation of 8,200 feet all the way to Laramie on May 4, 1868. Lawlessness and the Wild West ruled in Laramie. Luckily, “Hell on Wheels” moved on West as more track was laid down.

    But where did that name Laramie come from? 

    Laramie was named after Jacque LaRamie, a French or French-Canadian trapper who disappeared in the mountain range that was later named for him in the early 1810s. LaRamie was one of the first Europeans to visit the area. Laramie is a French name much like DuBois, Wyoming. And, yes, it is pronounced Doo – Boys (and NOT Du Bwai).

    There are several reasons we chose Laramie for our iconic Americana Book Awards. For us, and those in the know, Laramie, Wyoming immediately calls to mind the image of a Wild West town filled with rough-and-tumble cowboys. At one point, the only law in Laramie was “lawlessness. Wild Bill Hickok was even known to visit from time to time.

    Here’s a picture of the man, himself, on the left with his friends, Texas Jack Omohundro (center), and Buffalo Bill Cody on the right.

    Butch Cassidy and the Wild Bunch robbed trains and passengers with the first recorded train robbery taking place on June 2, 1899 in Wyoming. Butch was known to be very polite and dislike violence.

    But that’s not the only reason we chose Laramie.

    And, yes, there is yet one more reason we love Laramie! 

    The WOMEN!

    Calamity Jane hails from Laramie, Wyoming – a skilled sharpshooter who was born to a gambler and a prostitute. She cared for her five younger siblings in Utah before traveling on to Wyoming in search of a better life. There she found work as a dance hall girl and then as a prostitute at Fort Laramie. It was there that she reinvented herself by wearing buckskins and dressing like a man. She was also known for her swearing and hard-drinking ways, but Calamity Jane was also known even more for her kind heart and helping folks out of calamities–thus her nickname.

    Calamity Jane — She was the inspiration for Michelle Rene’s HOURGLASS novel.

    While the men were wrestling in the streets and shooting up the place, it was really the women who brought civilization to Laramie and Wyoming Territory. They established the first school in 1869, served on a formal jury in the Spring of 1870,  and were the first to gain the vote; which is exactly what Louisa Swain and 92 of her friends did on September 6, 1870 –150 years ago!

    Louisa Swain, the first woman to cast a ballot and she did it in Laramie, Wyoming!

    Louisa Swain – she was made of stern stuff!

    Early in the morning on September 6, 1870 in Laramie, Wyoming Louisa Swain became the first woman in the world to cast a ballot under democratically enacted laws granting women equal political rights with men. In the fall of 2008, 138 years later, the U.S. Congress passes a resolution proclaiming September 6th as “Louisa Swain Day” in recognition of this historic event.The Louisa Swain Foundation

    In 1870, Esther Hobart Morris (59 years old) became the first female Justice of the Peace. She served in South Pass City, Wyoming, which is to the northwest of Laramie.

    Esther Morris "to pettifoggers she showed no mercy." Wyoming Tribune
    Esther Morris, first female Justice of the Peace — Wyoming

    Esther Morris “to pettifoggers she showed no mercy.” Wyoming Tribune

    The Union’s first all-female jury was assembled in Wyoming in 1870.

    Later, in 1894, Estelle Reel Meyer became Superintendent of Public Instruction, the country’s first female statewide elected official.

    And the grand coup d’etat was when in 1889 when Wyoming vied for statehood—and refused to join the Union if the laws giving equality to women were not upheld, telling Congress (which wanted the suffrage law rescinded) via telegram,

    “We will remain out of the Union 100 years rather than come in without the women.”

    Wyoming is also the first state in the USA to allow women to own property and sign legal documents.

    In 1910, Mary Godat Bellamy became the first woman to be elected to the Wyoming Legislature. Two other western states, Colorado and Idaho, elected women legislators in 1895 and 1899, respectively. Wyoming was third in the nation.

    Quotes are from the Smithsonian Magazine
    Read more: https://www.smithsonianmag.com/travel/women-voting-wyoming-150-years-here-how-state-celebrating-180971263/#6UKzMfMeCQsmbIIQ.99
    Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
    Follow us: @SmithsonianMag on Twitter

    {https://www.wyohistory.org/encyclopedia/brief-history-laramie-wyoming}

     

  • Continuity and Story Bibles – by Your WorldKeeper Diane Garland – A Chanticleer Writer’s Toolbox post

    Continuity and Story Bibles – by Your WorldKeeper Diane Garland – A Chanticleer Writer’s Toolbox post

    Tools of the Authors’ and Screenwriters’ Trade: Continuity and Story Bibles

    Building a story bible is much like building a house. I know as I am currently going through the very stressful and time-consuming process of having a house built. I’ve found myself agonizing over the rooms (do we really need a formal living room?), the hinges of the windows (9 choices of style, 7 choices of color), the light switches and outlets (how many and where do they go?), and many, many more things I had never even thought about (my favorite being how many caissons should be drilled for the foundation).

    When I’m not overseeing the house, I’m creating story bibles for authors who write series. I’ve been doing this for a variety of authors in multiple genres. Both endeavors require a tight organization of details, an insight into what the finished product should look like and how it all started.

    The major thread that runs through both of my projects is continuity.

    The Importance of Continuity

    Continuity is one of the most under-rated yet, far-reaching aspects of writing a series. It’s the one that is easily glossed over and forgotten in the mad dash to get words on the paper or the screen. It takes a backseat to the development of the world, the characters, the story arcs, and the action. And yet, it is one of the things readers remember most when reading a book. Continuity in a series includes everything from the attributes of the characters to the placement of buildings in the world. It covers the timeline and storylines from book to book, along with the rules of the world. Like building a house, an author needs to include the correct nuts and bolts as needed to plan the best possible design of the world she is creating. And, yes, even pantzers need to do this at some point before typing The End.

    Nuts and Bolts to Include

    Readers thrive on details. They crave information on the setting, the characters, buildings, outdoor spaces and more. These elements create a living, breathing world for the reader to experience. A few basic elements are standard when writing characters–a name, their age and physical characteristics for example. More details will appear over the course of the series i.e. family relationships and a love of animals. An author will also add details to enrich the storyline, a childhood anecdote for example.

    The same goes with the development of the world. Tell the reader what the buildings or outdoor spaces look like, where they are located, and what they are used for. Description provides the reader with more color and more ways of imagining the setting. Remember to take your buildings beyond the four walls. Give them not only structure, but dress them up a bit. When building a house, more happens than naming the rooms. We create a home by filling the rooms with furniture, artwork, blinds on the windows, and paint on the walls. Do the same with the buildings and spaces in your story world. Bring your world to life.

    Not having ambiance or a sense of place in a work is called “the white room syndrome.”  White room syndrome is what our editors note that can be a major weakness found in manuscript evaluations.  There is little or no immersion  for readers in a “white room” and this will cause the dreaded lost of interest in a work. ~Kiffer Brown

    Organizing the Nuts and Bolts

     Organizing the myriad of details of a story world is a necessary evil. Continuity demands this. Writing a series is stressful enough without struggling to recall details from previous books or spending hours searching for that one fact that was mentioned in book 2 (or maybe book 3, or maybe only existed in your thoughts and wasn’t actually mentioned on the page.) Too many authors rely on memory or scraps of notes here and there to keep them on the straight and narrow. Finding a system that works is an important tool in an author’s box of tricks. A story bible is one such tool.

    Creating a Story Bible -not just for Scifi writers

    If you want to pitch your book for a TV series or film or gaming, you will need to create a story bible. Screenwriters depend on it and so should serious authors. The story bible holds all of the tiny pieces of information such as cultural phrases, potential plotting ideas, dialogue, emotions, memories, does the character like dry wines or takes her bourbon neat, coffee black or macchiatos only, and a myriad of other ideas or details. And then there or the locations, timelines, character details, …

    Old school — perhaps

    Creating a story bible requires attention to detail and a lot of patience. The minutiae of a story world can be quite tricky to record. Choosing a structure for the bible that will work best for the author is crucial. Many find various word and writing programs to work best. All information regarding the characters, spaces, timelines, rules of the world, and what makes your story world unique should be listed and arranged in a manner easy to access. Without a good system, continuity across books will suffer, the reader will flounder and the author will inevitably hear about it in letters and reviews.

    It is important for each writer  to find a system that works for her/him per project. One size definitely does not fit all.  

    Specifics on what to include in your story bible along with different systems will be discussed at the 2020 Chanticleer Authors Conference in Diane Garland’s session Your Story World: Beyond Eye Color and the Weather. And we will interview Diane for an OnWord Talks podcast soon!


    Learn from the BEST!

    Diane is always on the go! We invite you to visit the YOUR WORLDKEEPER website at https://yourworldkeeper.com/

    Diane Garland will teach several sessions on planning book series, world building, and creating story-bibles at  CAC20 in Bellingham, Wash.

     

    Her clients include USA Today Bestselling Author Ann Charles, Winner of four Will Rogers Gold Medallions and the Laramie Award, Jacquie Rogers, NY Times and USA Today bestselling author Sharon Hamilton, USA Today bestselling author Leslie Langtry among others.

    Diane will help you create and write your series efficiently by maintaining continuity and fluidity. Diane, with her crackerjack proficiency in tracking details, locations, timelines,  characters, and more will allow you, the author, to spend your time being creative, and not on tracking details that give works their all-important story construct.” – Kiffer Brown, publishing consultant and CEO of Chanticleer Reviews

    Did you know that Chanticleer offers editorial services? We do and have been doing so since 2011.

    And that our professionals (like Diane) are top-notch and our editors are  experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillan, Thomas Mercer, Penguin Random House, etc.). If you would like more information, we invite you to email Kiffer or Sharon at KBrown@ChantiReviews.com or SAnderson@ChantiReviews.com.

    Click  here to learn more about Chanticleer Editorial Services.

    A great way to get started is with our manuscript evaluation service. Here are some handy links about this tried and true service:

    https://www.chantireviews.com/manuscript-reviews/

    We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis. Contact us today! BookEditor@ChantiReviews.com

    Writer’s Toolbox

    Thank you for reading this Chanticleer Writer’s Toolbox article. 

  • Links to All 17 Divisions of the Chanticleer International Book Awards 2019 Semi-Finalists

    Links to All 17 Divisions of the Chanticleer International Book Awards 2019 Semi-Finalists

    Official Announcement of the Chanticleer International Book Awards 2019 Semi-Finalists (the 2019 #CIBAs)

    We have just completed the final sweep of all seventeen divisions of the 2019 Chanticleer Int’l Book Awards submissions. All of the divisions’ Semi-Finalists have been announced.

    Each one of the Semi-Finalists has been notified by email from the president of Chanticleer Reviews, Kathryn “Kiffer” Brown at  KBrown@ChantiReviews.com.

    Additionally, all 17 divisions’ Semi-Finalists have been posted on the Chanticleer Reviews website (see links below), have been sent out in  e-newsletters to our entire subscriber list, and have been announced on Chanticleer’s Facebook page and on Twitter social media platforms.

    We always check for stragglers, the inevitable stray, and late ratings coming in from judges (they do this as a labor of love for books and authors), and other anomalies that are just the nature of tracking the thousands of entries that we receive despite our state of the art integrated software program for tracking, DRM, and interactions with the judges.

    The works that made it to the 2019 SEMI-FINALIST are currently in the final rounds of judging to determine which ones will move forward to the limited First Place Categories and the coveted grand prize position for each division. The Overall Grand Prize for Best Book will be determined from the 17 divisions’ grand prize winners.


    An Important Announcement from KIFFER – the Chanticleer Authors Conference has been postponed until September 3 -6, 2020 (from the original date of April 16-19, 2020) due to the Coronavirus (Covid-19) situation. This postponement was decided on March 12, 2020.  Thank you for your patience and understanding as we are scrambling with the rescheduling and the logistics. All registrants have been notified by individual emails. We will post updates as we know more.


    We are currently working on the schedule of CAC events and CIBA announcements for the new dates. Thank you for our patience and understanding during this  unique event that is presenting new challenges on many  fronts for everyone. 

    All Semi-Finalists in attendance at the 2020 Chanticleer Authors Conference that is scheduled to take place April 16 -19, 2020 will be recognized. CAC 20 is the sponsor of the Chanticleer International Book Awards banquet and ceremony. The First Place Category Winners and Grand Prize winners for all seventeen divisions will be announced at the banquet and ceremony that will take place the evening of Saturday, April 18, 2020. The Overall Grand Prize Winner will be announced and presented with the cash prize of $1,000 USD on that exciting evening.

    (We’ve added a division, so standby for the new graphic — thanks!).

    Levels of Achievements for Book Awards

    Here are the links to the 2019 Chanticleer International Book Awards SEMI-FINALISTS for All 17 Divisions.

    These are the OFFICIAL and FINAL LISTINGS for the 2019 CIBAs SEMI-FINALISTS. 


     

     

    The CYGNUS Book Award for Science Fiction Semi-Finalists

     

     


     

     

    The JOURNEY Book Award for Narrative Non-Fiction Semi-Finalists

     

     


     

     

    The M&M Book Awards for Mystery & Mayhem Semi-Finalists

     

     


     

     

    The GERTRUDE WARNER Book Awards for Middle-Grade Readers Semi-Finalists

     

     


     

    The DANTE ROSSETTI Book Awards for Young Adult Fiction Semi-Finalists

     

     

     


     

     

    The CHAUCER Book Awards for Pre-1750s Historical Fiction Semi-Finalists

     

     


     

     

    The GOETHE Book Awards for Post-1750s Historical Fiction Semi-Finalist

     

     


     

     

    The LARAMIE Book Awards for Americana Fiction Semi-Finalists

     

     


     

     

    The CHATELAINE Book Awards for Romantic Fiction Semi-Finalists

     

     


     

    The CLUE Book Awards for Suspense & Thriller Fiction Semi-Finalists

     

     

     


     

     

    The LITTLE PEEPS Book Awards for Early Readers and Picture Books Semi-Finalists

     

     


     

     

    The OZMA Book Awards for Fantasy Fiction Semi-Finalists

     

     


     

     

    The PARANORMAL Book Awards for Supernatural Fiction Semi-Finalists

     

     


     

    The GLOBAL THRILLERS Book Awards for High Stakes Suspense Novels Semi-Finalists

     

     

     


     

     

    The SOMERSET Book Awards for Literary, Contemporary, and Satire Fiction Semi-Finalists

     

     


     

    The I & I Book Awards for Instruction and Insight Semi-Finalists

     

     

     


     

    The NELLIE BLY Book Awards for Journalistic Non-Fiction Semi-Finalists

     

     

     


    INFORMATION

    Each of the Semi-Finalists has been notified by email from the president of Chanticleer Reviews, Kathryn “Kiffer” Brown at  KBrown@ChantiReviews.com.

    Additionally, all 17 divisions’ Semi-Finalists have been posted on the Chanticleer Reviews website (see above links), sent out in  e-newsletters to our subscriber list, announced on Chanticleer’s Facebook page and on Twitter social media platforms.

    We will send the second and final round of email notifications to the 2019 Semi-Finalists starting before Wednesday, March 11, 2020.

    The email includes links to Semi-Finalists Digital Badges, Semi-Finalists Book Stickers, a discount code for CAC20, and other information along with a significant discount code for CAC20 registration packets.

    The 2020 Chanticleer Authors Conference is scheduled to take place on April 17, 18, & 19, 2020.

    The Master Classes taught by Jessica Page Morrell and Robert Dugoni will take place on Thursday, April 16, 2020. Registration is required. 

    There are five different registration packages available for CAC20.  Don’t delay. Register today! 

    The 2019 CIBA Banquet and Ceremony will take place on the evening of April 18th, 2020. For more information, please visit the latest web post for the latest information, status, and updates about timing, photo opportunities, etc.

    Registration is required to attend the CAC20 and the CIBA Banquet and Awards Ceremony* and tickets are required for admittance.

    Good luck to all of the 2019 CIBA Semi-Finalists as their works compete in the final rounds of judging.

    Each of the authors whose works made it into the CIBA Semi-Finalists should be very proud!  Congratulations! You definitely have something to crow about! 

    *And, finally, you do not have to be present at the conference or the awards ceremony to win, but it sure is a lot more fun!

    Btw, the Submissions Deadline for the 2020 CYGNUS, JOURNEY, and M&M Book Awards is April 30, 2020! Don’t delay. Enter today!

  • WRITING a SERIES PRIMER by award-winning author Wendy Delaney – a Chanticleer Writer’s Toolbox article

    WRITING a SERIES PRIMER by award-winning author Wendy Delaney – a Chanticleer Writer’s Toolbox article

    “I think I could develop this into a series.”

    That was what an author colleague of mine said to me shortly after I helped her brainstorm what came to be her first published book.

    She had created a unique story world in which there was a problem (a danger element driving the plot) that could not be resolved in the short time-span of her book. Since this author knew I wrote a mystery series, she wanted my opinion or at least a nudge from someone who’s “been there” that she should take the plunge and commit to writing a series.

    At the time, this seemed like a no-brainer. If the story arc needs two or three (or more) books, write them. Solve the over-arching story problem, giving the reader a satisfying ending, not just to each book but to the series itself.

    Kiffer’s Note: Wendy Delaney is the author of the Working Stiffs awarding-winning cozy mystery series that is set in the fictional town of Port Merritt, Washington, across the Sound from Seattle, where Wendy lives. There are seven published titles in the series and counting. I always look forward to reading what kind of trouble Char, the truth-wizard sleuth, is going to find herself in.

    The first book in her series, Trudy, Madly, Deeply, has garnered more than 582 reviews on Amazon with the rest of the mysteries bringing in hundreds of stellar Amazon consumer reviews.

    But there’s a larger question to be asked when considering writing a series: What does the reader want? That’s a very loaded question, and the answer sure isn’t one size fits all. There are all sorts of variables as to why some books shoot to the top of the charts and others don’t, also why some series have staying power while others lose their momentum. It’s totally dependent upon the preferences of the reader, the genre or subgenre, the curb appeal of the cover, and what’s “hot,” as well as the series decisions the author makes.

    Developing a Sustainable Series

    EXAMPLES & INTERESTING TO NOTE

    • Looking at some genre fiction series with wide appeal, there’s a reason why Sue Grafton’s Kinsey Millhone series spanned almost all 26 letters of the alphabet and why there are over 30 Stephanie Plum novels: huge readership that got hooked on the continuing, well-written stories.
    • Of the ten top-selling ebooks on Amazon for 2019, three of them were part of a series—one of them a fabulously successful series: Harry Potter. This information comes as no surprise to this author and avid reader. I get hooked on certain series and can’t wait for the next book to be released, especially when there is a cliffhanger like in the last mystery/suspense I read. Oy!

    Books with engaging characters and continuing storylines that capture our imaginations have great potential in the ever-growing sea of genre fiction. Those waters can be quite crowded, especially now in this digital publishing age, but don’t be disheartened. There’s an even vaster sea of voracious readers searching to binge on that next, new-to-them, entertaining series. That series could be yours.

    Want to enhance the potential of that happening? This is something that continuity editor extraordinaire, Diane Garland, and I will be discussing in depth at the 2020 Chanticleer Authors Conference, but in a nutshell …

    In short, go into this venture with a plan.

    Assuming that you’ve been pursuing your publishing goals for a while and you know your craft, I would recommend that you research the market to make sure that there will be reader interest in your werecat Dystopian space opera/legal thriller hybrid (if you’re not aiming at a currently, well-established genre fiction category), and then, and only then, invest the time and effort into developing your series. You may not want to sink two or three years worth of hard work into a series of books if they can’t find an audience.

    Do your research, make sure you have enough story for a series, think about the details of your fictional world and who you will be populating it with. Give yourself some “think time” before diving in.

    Take it from me, a planner. I thought I had a plan. I had pages and pages of notes. Beyond the basic plot for Trudy, Madly, Deeply (book 1 of my Working Stiffs Mystery series), I had some ideas for future story situations and book titles. I knew that I was going to loosely base my story world on a real place not far away from where I live, Port Townsend. I did my research and everything was coming together beautifully, I thought as I wrote book 1 and set up what would become two continuing series subplots.

    I sold that book to a small press publisher and believed that I was good to go. My series was well on its way. As it turned out, a somewhat bumpy way.

    Make a plan. Develop a long range strategy.

    What I Didn’t Have

    What I didn’t have was a Plan with a capital P because one book into this multiple book series, I had established an abundance of story details … many only in my head—not the most reliable place to store the descriptive detail that I made up along the way, as I discovered when Diane alerted me of a continuity error in book two. I also hadn’t considered how much time I wanted to pass between events in the series before I started writing Sex, Lies, and Snickerdoodles (book 2). I was able to make it work, but having a well thought-out Plan would have saved me from introducing a little timing problem I had to rewrite my way out of.

    Pantzer or Planner

    The bottom line: Even if you’re a pantser—a fly-by-the-seat-of-your-pants writer—if you want to write a series of connected stories that will intrigue and satisfy readers for the life of that series while avoiding writing yourself into problematic corners, unless you’re a super-human with perfect recall, it’s going to take a bit of planning.

    For example: You may need a map of your story world so that you as the author know how far a favorite restaurant (or series “watering hole”) is from your protagonist’s house, or you may need a story bible that lists the distance as ten minutes away, so that the time factor to get there is the same in book one as it is in book ten.

    Inconsistency is usually the kiss of death in a series. Our readers may expect our main characters to grow and change, but if a recurring character who is six feet tall with brown eyes when we first meet him becomes six-three with blue eyes several books later, that’s a problem! Whatever speech pattern or language unique to your characters, once established, needs to travel with them throughout the series. The continuity of all the details you provide about your story people, places, and things is key. So develop a plan to record those details—at least the basic details at the outset of your series—and keep track of them in a series bible as your story universe expands with every book you add to it.

    The Time Element

    Do what I didn’t do before I started in on book two of my series: As you plan the path you want your series to take, consider how you will use the element of time.

    • How many months or years will your series span?
    • Do you want your characters to age? Get married or divorced? Have children?
    • Experience the death of an aging loved one?

    The things we experience over time in our lives can provide tremendous fodder for a lengthy series of books.

    How much time passes between your books is a choice you as the writer need to make, especially if (like me with my cozy mystery series) you will be regularly killing off characters in a community that is not densely populated. Murder mysteries obviously require a murder to be solved, but if your sleuth is called upon to solve a murder on a monthly basis and your setting isn’t an urban one, your reader might think that there’s something in the water in your small town world!

    On the subject of time, don’t shortchange yourself as you plan your series. Spend time mapping out your future books with a multi-year calendar. What do you want to have happen when? Maybe a certain story idea would play out best in Winter, when it’s darker and the days are short, or in the Summer when it’s hot and there is an undercurrent in your story that you want to bring to a boil. Maybe a secondary character is pregnant. Do you want her to have the baby before, during, or after the time period of the next book?

    Decisions, decisions. Make them with a focus on the critical details that will guide the path of your series.

    Develop that Plan with a capital P. Then, you don’t have to wonder if you can develop your story into a series, you will know that you can.


    Wendy Delaney is the author of the award-winning Working Stiffs Mystery series. With over twenty years in the business of being an author, Wendy speaks at regional writers’ conferences and has coached writers to help them map out their stories as well as their author goals. As a veteran of both the traditionally published and indie author worlds, she has a wealth of experience she loves to share with other writers.

    Wendy is presenting with Diane Garland, long-time continuity editor and founder of Your WorldKeeper, at the 2020 Chanticleer Authors Conference, they will do a deep dive into the essential information for authors to know before writing book one of a multiple book series.

    Don’t Delay. Register Today! 

     


    Did you know that Chanticleer offers editorial services? We do and have been doing so since 2011.

    And that our professional editors are top-notch and are experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillan, Thomas Mercer, Penguin Random House, etc.). If you would like more information, we invite you to email Kiffer or Sharon at KBrown@ChantiReviews.com or SAnderson@ChantiReviews.com.

    A great way to get started is with our manuscript evaluation service. Here are some handy links about this tried and true service:

    https://www.chantireviews.com/manuscript-reviews/

    We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis. Contact us today!

    Writer’s Toolbox

    Thank you for reading this Chanticleer Writer’s Toolbox article. 

  • The Semi-Finalists Announcement for the Little Peeps Book Awards for Early Readers and Picture Books – a division of the 2019 CIBAs

    Early Readers and Picture booksThe Little Peeps Book Awards recognize emerging new talent and outstanding works in Early Readers and Children’s Picture Books. The Little Peeps Book Awards is a division of the Chanticleer International Book Awards (The CIBAs).

    Chanticleer International Book Awards is looking for the best books featuring stories of all shapes and sizes written to an audience for Early Readers. Storybooks, Beginning Chapter Books, Picture Books, Activity Books & Educational Books that appeal to children to compete in the Little Peeps Awards that discover today’s best children’s books.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 LONG LIST to the Little Peeps Shortlist and have now advanced to the Little Peeps Semi-Finalists positions.

    Congratulations to all of these 2019 Little Peeps Book Awards for Early Readers and Picture Books Semi-Finalists

    • Sylva Fae and Katie Weaver – Elfabet
    • Lauren Mosback – In Grandpaw’s Pawprints
    • Lauren Mosback – My Sister’s Super Skills
    • Dawn Marie Thompson – Double Trouble
    • Trevor Young & Eleanor Long – Galdo’s Gift: The Boovie
    • Norma Lewis – Let All Things Now Living
    • Norma Lewis – Totem Pole
    • Kizzie Jones – A Tall Tale About Dachshunds in Costumes: How MORE Dogs Came to Be
    • Robert Wright Jr – Mummy in the Museum
    • Marianne Andresen Magin – The Legend of Santa’s Sleighbells
    • Angie McPherson – My Mom Is Sick and It’s Okay
    • Justine Avery – What Wonders Do You See… When You Dream?
    • Lucy Patterson Murray – Dream Island
    • Shana Hollowell – When the Squirrel Sings 
    • Oleg Kush – 1 & 0, Lion & Mouse, Aries the Sheep and Other Fairy-Tales
    • Kasey J. Claytor – Pinky and The Magical Secret He Kept Inside
    • Juliette Douglas – We Are Awesome Possums
    • Johnny Ray Moore – Anthill for Sale
    • Melodie Tegay – Hannah’s Two Homes: life in a “blended” family; a 5-year-old’s perspective

    These titles are now in the running for the First Place positions of the 2019 Little Peeps Book Awards for Early Readers and Picture Books.

    Semi-Finalists will be recognized at the 2020 Chanticleer Authors Conference and the 2019 CIBA banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash.

     

    The 16 divisions of the 2019 CIBAs’ Grand Prize Winners and the Five First Place Category Position award winners along with recognizing the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash.

    We are now accepting entries into the 2020 Little Peeps Book Awards.

    As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.

  • The SOMERSET Book Awards for Literary, Contemporary, and Satire Fiction – the SHORTLIST for the 2019 CIBAs

    The SOMERSET Book Awards for Literary, Contemporary, and Satire Fiction – the SHORTLIST for the 2019 CIBAs

    The SOMERSET Book Awards recognize emerging talent and outstanding works in the genre of Literary, Contemporary, and Satire Fiction. The Somerset Book Awards is a genre division of the Chanticleer International Book Awards (The CIBAs).

    Chanticleer International Book Awards is looking for the best books featuring contemporary stories, literary themes, adventure, satire, humor, magic realism or women and family themes. These books have advanced to the next judging rounds. The best will advance. Which titles will be declared as winners of the prestigious Somerset Book Awards?

    Congratulations to the following titles who have advanced to the 2019 SOMERSET Book Awards SHORTLIST!

    • Susan Dobson – The Sea Glass Road 
    • Stephen F. Frost – The Alaskan Alibi
    • Joanne Jaytanie – Salvaging Truth, Hunters & Seekers, Book 1
    • Beth Burgmeyer – The Broken Road
    • Judith Kirscht – End of the Race
    • Leonide Martin – The Prophetic Mayan Queen: K’inuuw Mat of Palenque
    • John Herman – The Counting of Coup
    • R. Barber Anderson – The Sunken Forest, Where the Forest Came out of the Earth
    • Domenick Venezia – Liberator Legacy
    • Larry Brill – Deja vu All Over Again
    • Domenick Venezia – Suriname Legacy
    • Alexandrea Weis with Lucas Astor – Damned (A Magnus Blackwell Novel Book 1)
    • Donna LeClair – The Proprietor of the Theatre of Life 
    • Bob Holt – Firebird
    • Gail Avery Halverson – The Skeptical Physick
    • Lis Anna-Langston – Crucifix Built for Two
    • Alison Ragsdale – The Art of Remembering
    • Dd Jaseron – Wheelboys
    • Janet K Shawgo – Legacy of Lies
    • Santiago Xaman – After Olympus
    • Sara Stamey – Pause
    • Patricia Averbach – Resurrecting Rain
    • Hannah Edington Tekle – Conflict
    • C. E. Porch – From the Halls of Cuba
    • Leanne Treese – The Language of Divorce
    • Maggie St. Claire – Martha
    • Ted Neill – Reaper Moon: Race War in the Post Apocalypse
    • Alexandrea Weis & Lucas Astor – Death by the River
    • Lisa Reddick – The Same River
    • Nick Mancuso – Fever
    • David Pearson – Upon a Peak in Darien
    • Jeanne McWilliams Blasberg – The Nine
    • Claire Fullerton – Little Tea
    • Theo Czuk – The Black Bottom: The Measure Of Man
    • Hy Brett – The Hitman of Avenue U
    • Mitchell Allen – Count It All Joy
    • Elizabeth Crowens – Dear Bernie, I’m Glad You’re Dead
    • Linda Bledsoe – Through the Needle’s Eye
    • Carl Roberts – The Trial of Connor Padget
    • Patrick Finegan – Cooperative Lives
    • Mike Murphey – Section Roads
    • Jamie Zerndt – Jerkwater
    • Prue Batten – Passage
    • Nagihan Os – Hilda and Nadin: Dry Leaves in the Wind
    • Tikiri Herath – Abducted – A Red-Heeled Rebels novel
    • Kay Bell – Ella’s Secret Family Recipes
    • Patricia Suprenant – Journey to the Isle of Devils
    • St John Karp – Quake City
    • Michael Bowe – The Weight of a Moment
    • Lynn Brentnall – Hope
    • David B. Seaburn – Gavin Goode
    • Gary Driver – God Answers Science
    • Michael T. Tusa Jr – Chasing Charles Bukowski
    • James M Roberts – The Crossroads of Logan Michaels
    • Jarvis Cutter – Speak Loudly and Carry a Flamethrower
    • Adam Cliff – Exposure 

    These entries are now in competition for the 2019 SOMERSET Semi-Finalists Positions. Good Luck to all!

    Information about the #CIBAs Long Lists and Short Lists and Announcement Rounds.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 Long List (aka the Slush Pile Survivors) and have now advanced to the SHORTLIST. These entries are now in competition for the 2019 SOMERSET Semi-Finalists positions.

    The coveted First Place Category Winners of the 2019 SOMERSET Book Awards will be selected from the Semi-Finalists in the final rounds of judging. The First Place Category Winners will be announced at the Chanticleer Awards Banquet and Ceremony, which is hosted by the Chanticleer Authors Conference.

    The First Place Category winners will automatically be entered into the SOMERSET GRAND PRIZE AWARD competition. The 16 CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse. First Place Category and Grand Prize Awards will be announced and recognized at the Chanticleer Awards Banquet and Ceremony on Saturday, April 18th, 2020, Bellingham, Washington. Hosted by the Chanticleer Authors Conference.

    We are now accepting entries into the 2020 CIBAs. https://www.chantireviews.com/contests/

    Don’t delay. Enter today!

  • The Semi-Finalists Announcement for the CLUE Book Awards for Suspense & Thriller Fiction – a division of the 2019 CIBAs

    Thriller Suspense Fiction Award

    The CLUE Book Awards recognize emerging new talent and outstanding works in the genre of Suspense and Thriller Fiction. The Clue Book Awards is a division of the Chanticleer International Book Awards (The #CIBAs).

    Chanticleer International Book Awards is seeking the best books featuring suspense, thrilling adventure, detective work, private eye, police procedural, and crime-solving, we will put them to the test to discover the best! (For lighter-hearted Mystery and Classic Cozy Mysteries please check out our Mystery & Mayhem Awards).

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 LONG LIST to the CLUE Shortlist and have now advanced to the CLUE Semi-Finalists positions. Semi-Finalists will be recognized at the 2020 Chanticleer Authors Conference and the 2019 CIBA banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash.

    Congratulations to all of the 2019 CLUE Book Awards for Suspense & Thriller Fiction Semi-Finalists

    • J.J. Clarke – Dared to Return
    • RIP Converse – Maelstrom Part One
    • L. J. Martin – The Blue Pearl
    • Nancy Adair – RABYA
    • J.P. Kenna – Joel Emmanuel
    • J.P. Kenna – Toward a Terrible Freedom
    • Lonna Enox – Untold Agony  
    • Stephen F. Frost – The Alaskan Alibi
    • Russell Heath – Rinn’s Crossing
    • John W Feist – Blind Trust
    • Liese Sherwood-Fabre – The Adventure of the Murdered Midwife
    • Richard Conrath – Blood Moon Rising
    • Marian Exall – A Splintered Step
    • Joanne Jaytanie – Salvaging Truth, Hunters & Seekers, Book 1
    • Edgar Swamp – Amber Hollow
    • Janet K. Shawgo – Legacy of Lies
    • Maureen Joyce Connolly – Little Lovely Things
    • Melodie Hernandez – Forgotten Rage
    • Chris Norbury – Straight River
    • Barb Warner Deane – And Then There Was You
    • V. & D. Povall – Jackal in the Mirror
    • Matt Witten – The Necklace
    • M. J. Simms-Maddox – Mystery in Harare
    • Michelle Cox – A Veil Removed
    • Kevin G. Chapman – Righteous Assassin: A Mike Stoneman Thriller
    • Kaylin McFarren – High Flying
    • Wally Duff – bada-BOOM!
    • Alexandrea Weis and Lucas Astor – Death by the River
    • Steve Dimeo – The Magic Cape Caper
    • Joni M Fisher – West of Famous
    • D. J. Adamson – Let Her Go
    • Kirk Millson – Serpents of Old

    Good Luck to all as your works move on to the next rounds of judging

    Register today for the 2020 Chanticleer Authors Conference and the 2019 CIBA ceremony and banquet that will be held in Bellingham, Wash. at the luxury waterfront Hotel Bellwether, April 17 – 19, 2020. Seating is limited. Reservations are required.

    We are now accepting entries into the 2020 CLUE Book Awards for Suspense/Thriller Novels.

  • A Valentine’s Writing Contest – 560 words MAX -Win Cash Prizes and Promotion – Tellables

    A Valentine’s Writing Contest – 560 words MAX -Win Cash Prizes and Promotion – Tellables

    When you’re in the chocolate business—even if it digital chocolates—it’s never too early to start planning for Valentine’s Day. So, Tellables is ready to announce their Valentine’s Writing Contest. They are looking for double chocolates stories that tell a tale of romance, love, or affection and that come in two delicious parts.

    As with Tellables  Holiday Writing Contest, they’re looking for stories they can publish in their  “My Box of Chocolates” voice / audio experience on Amazon Alexa. And they are  offering cash prizes! No entry fees! 

    They’re looking for delicious double chocolate stories to include in our special Valentine’s assortment. Double chocolates are two-part stories, each part a maximum of 280 words, with conversational elements sprinkled in to engage the listener.

    Selected stories will be featured in Tellables My Box of Chocolates voice app on Amazon Alexa. Check out this link for details and official rules on our Valentines Writing Contest.

    Amazon Alexa – Is It Really For Authors?

    We often hear authors say they don’t have a smart speaker and they don’t trust them. We understand. But smart speakers and voice assistants are growing tremendously popular. Now’s the time to begin experimenting with the possibilities.

    You might have access to an Alexa-enabled device and not even know it. Alexa isn’t only available on an Echo, Echo Dot, or Echo Show. You can access the Alexa voice assistant from most newer model Kindle Fire tablets, from your Fire TV, and from the Amazon Alexa or Amazon Shopping mobile app. The common requirement is that you need to be logged in with an Amazon account.

    If you do have access to Alexa,  try out our “My Box of Chocolates” voice app. Ask Alexa to “open My Box of Chocolates.” If that doesn’t work as expected, try saying “Alexa, enable My Box of Chocolates” first.

    Note from Kiffer:  This is a great way to experiment with engaging readers with Voice-Driven Devices. Also, the Head of Amazon’s Alexa Code Labs (more than 100 million Alexa devices are in use), Paul Cutsinger, will present at the Chanticleer Authors Conference in April.

    The My Box of Chocolates Voice App – Stories on Alexa

    You can find out everything you need to know about Tellables’ conversational storytelling voice app experience by reading through our Author Tips page and the blog post on Writing a “Transformational” Story for the “My Box of Chocolates” Voice App.   

    The Valentine’s “Double Chocolate” Writing Contest

    The individual chocolate stories we publish in our voice app are “bite-size,” with a maximum of 280 words. Sometimes we publish stories in two parts. Part 1 and Part 2 are each represented in our virtual chocolate assortment by two pieces of the same type of candy. The listener needs to hear both candies in order to get the full story.

    Visit this link for more information and to submit your stories:  https://tellables.com/2019/12/writing-contest-valentines-double-chocolate-stories/

    Here are links to previous Tellables winners: 

    https://www.chantireviews.com/2019/12/13/and-the-winners-are-chanticleerians-take-home-the-tellables-holiday-box-of-chocolates-stories-contest/

    https://www.chantireviews.com/2019/10/30/tellables-voice-driven-stories-selects-4-chanticleerian-authors-for-spooky-halloween-micro-stories/

    Please feel free to forward this to any authors you know. Amy Stapleton is happy to answer any questions you might have. Just email her directly.

    Thanks and good luck!
    Amy Stapleton
    amy@tellables.com
    Tellables

  • 12 MUST-DO’s for AUTHORS for a Successful and Productive 2020 and Beyond. Number Two of Twelve – a Chanticleer Writer’s Toolbox Series by Kiffer Brown and Sharon Anderson

    12 MUST-DO’s for AUTHORS for a Successful and Productive 2020 and Beyond. Number Two of Twelve – a Chanticleer Writer’s Toolbox Series by Kiffer Brown and Sharon Anderson

    Number Two of Twelve Must-Do’s for Authors

    Creating Your Marketing and Promotion Calendar for 2020 and Beyond… Part One

    I’ve been in marketing a number of years (dare I say decades?). Marketing and Promotion have always been moving targets, but now with the internet they are targets that move at light speed.

    If you want to sell books and you want to have your author career advance, you will need to have a promotion and marketing plan that can pivot and is flexible.

    Plan for your Success!

    And if you have an M & P plan already, you will need to constantly update it, add to it, and evaluate what works and what doesn’t.

    First of all, the M & P Calendar is complex and integrated at many levels, which can make it overwhelming. But that is where Chanticleer can assist.

    Do keep in mind, that many of the moving parts are small and incremental steps that are not hard to do, but they will add up and add up substantially.

    Promotion of a book (or any product) is a continuous exercise of good marketing and promotional habits. Many are not difficult or time consuming but most be done on a regular basis. Marketing  and Promotion are NOT one trick ponies.

    Let us start at the beginning. Laying the Groundwork for your M&P calendar.

    Strategy – First start with the Big Picture.

    What I do is keep a notebook and a calendar. I tend to be old school and like paper and pencil for my reminders and calendar. I then add the information to my Google calendar so that it will remind me on my smart phone.

    Andy prefers to go all digital with no paper. He uses integrated digital calendars and custom project management software—thank goodness because that is how we track and manage the CIBAs.

    Here are 10 Points to consider and implement.

    We will then fill in with more detailed information in Part Two of this blog-post.

    One. Identify 10 best-selling author in your genre that you would like to ask for an author blurb? 

    It doesn’t matter if you are launching a new work or promoting your back list.

    Write their names down in your M&P notebook. We will come back to this in the next blog post. Promise.

    Two. Identify any seasons or holidays that are associated with your titles. 

    I always think of Love of Finished Years by Gregory Erich Phillips at Christmas time because of his touching WWI Christmas Eve scene that takes place in the heat of battle. It is book that I can read and reread.

    Gregory Erich Phillips Love of Finished Years won Chanticleer International Book Award for Best Book while it was still a manuscript.

    Or Ann Charles’ Deadwood Series that feature Violet Parker, real estate agent and single mom gets me in the mood for Halloween.

    Would your books make awesome vacation reads? Or cozy sit by the fire reads? Or perfect for traveling?

    Are your books page turning thrillers that will have readers consuming it at one sitting? Or something for a reader to look forward to reading a chapter or two a night?  Know your readers.

    A personal favorite cozy mystery series of mine that I like to read is Michelle Cox’s Henrietta and Inspector Howard mystery series because I enjoy tthe time frame that series takes place in, and I like the protagonists. Reading the series is a wonderful escape for me.

     

    What holidays or seasons can you target to promote your works? Write them down in that notebook.

    Three. Target Book Clubs – Online and Groups that meet in person

    Book clubs tend to chart out their reads months in advance if not a year in advance. Start getting “Top of Mind” share and getting on the “think about list.”

    Make sure that your website, author description, Facebook page, Twitter, blog posts, and any other media alerts readers that you are available for Skyping, showing up in person, supplying stimulating questions for the group, and that you just adore BOOK CLUBS. If there are libraries that have your books in their book club kits, list them on the Book Club section of your website.

    Keep a running list of Book Clubs that you want to reach out to and keep in contact with them. Put reminders in your calendar to continually reach out to book clubs of all types. They can propel an author and have far reaching affects on readership gains.

    The Roost at Chanticleer will have a running list of book clubs and how to contact them. This will be up and running before the end of January.

    Four. Author Events

    Again, dates fill up at book stores, retail outlets, book fairs, book conventions, libraries,  and specialty events. Chanticleerians have passed on to me that they have had great success at wine bars, grocery stores, flower shops, seasonal events such at the Lavender events in the PNW, comic cons, brewpubs, entertainment events if your work has a connection with them, re-enactments, hobbyists, the list can go on and on.

    The award-winning Janet Shawgo has presented sessions on this at the Chanticleer Authors Conference. All in attendance were inspired by her creativity and willingness to share.

    Janet Shawgo’s author event at a winery.

    And I have it good advice that one shouldn’t discount small events. It is better to be a big fish at a small event rather sitting idly by while a line a mile long forms for a celebrity author. I’ve seen this happen more times than I can count.

    Guerrilla marketing is the friend of aspiring authors. It can even the playing field with its unconventional interactions and surprises. Remember, readers are acquired one by one—which makes guerrilla marketing especially effective.

    Be creative. Be open. But get those gigs lined up and on the calendar. Pronto! And start on next year’s events.

    Make your list with the venue, date, date of contact, date of recontact, results. Continuously add venues and events as you discover them.

    Add the confirmed dates to your Promotion Calendar. There will be more work to be done.

    Jesikah Sundin, award-winning author of The Biodome Chronicles excels at  guerrilla marketing, branding, and author events that build loyal readership. And her books deliver and keep her readers coming back for more!

    Jesikah Sundin

    Five. Discover experts who will resonate with your books. (We call this SLANT in the marketing industry).

    Who is an expert in the field that your work is associated with?

    Ann Charles is a full-time author of mysteries. Her popular protagonist is Violet Parker, a real estate agent in Deadwood? Guess who her biggest fans are? Real Estate agents! And she has targeted them and they have become evangelical fans for her series. The real estate network is huge. And so is her fan-base.

    For instance, Pamela Beason writes mysteries that tend to take place in wilderness areas. She is a career author (making a living at writing) and a retired private investigator. Pam targets hikers, backpackers, wilderness protectors. One of her mystery series is focused around Neema, a communicating gorilla who can communicate using sign language. Pam targets these folks in social media. Her YA series has a rescued elephant. You get the picture?  Did I mention that I am a Neema fangirl?

    Pamela Beason’s wildly successful Sam Westin wilderness series.

    What are your books’ angles? What is the slant? (what is the voice? what is your underlying message?) 

    This exercise is one that you should repeat each year with your back list.

    If you can get an endorsement from experts that have a common interest in your books, you will be able to broaden your target market. It doesn’t matter if the expert is a real estate agent, or a barista, or is leader in a knitting circle… This is how word of mouth is created. Create these bonds. It will make your next book launch much more easy.

    Remember Jesikah from Point #Four. Her books crossover from fantasy, YA, cyber-punk, eco-punk, gaming, science fiction, steampunk, and … just imagine all the blurbs, recommendations, and READERS and their reviews that Jesikah’s marketing attracts.

    Six. Identify 10 Authors to Network within Social Media and in Real Life. 

    These should be authors whose readers will also enjoy your works and authors that your readers will enjoy their books.

    If you have ten, then add ten more. You can never have enough.

    This is called increasing your CIRCLE of INFLUENCE. The relationship should be reciprocal. We will circle back around to this.

    A good test is to determine if your works and the selected authors works would be shelved together at the book store or at the local library.

    Write this list down in your M & P book/ledger. Each year, continue to expand it.

    J.D. Barker, a masterful storyteller,  recommends that your genre should crossover… just imagine having your books shelved in more than one location at booksellers. Get the picture?

    Shameless self-promotion here … you should check out his interview in the last issue of the Chanticleer Reviews magazine.

    Order your copy today… 🙂

    Seven. Focus Your Author Brand. 

    Each and every visual element associated with you as an author should have focus and should move your author brand forward on your website, in your social media, in your type fonts, in the background imagery. A reader should be able to tell in less than three seconds what overall genre you are writing in. Are your books dark and mysterious? Fantastical? Sexy? Historical? Dystopian? Everything from the icon that marks your website in the browser to the background that coordinates with all of your internet and real marketing collateral (covers, book swag, business cards, etc.). Make sure that your author photos resonate with your works. That doesn’t mean you have to be brooding in person if your books are dark and mysterious, but you should have a persona, a brand that distinguishes you from the other millions of authors and writers. A visual brand.

    Ann Charles is a maestro at author branding. Visit her website and Facebook pages for inspiration (and to buy her U.S.A Today bestselling books).

    Ann Charles

    Eight. Become an Expert in Some Area of Publishing and Share Your Knowledge

    Writers by far make up the largest number of readers. We just can’t help ourselves. An excellent way to get on writers’ reading list is to present at writer’s conferences. It is widely known that after a writer gives a presentation, his/her/they see an increase in sales. Most would say a direct correlation.

    Many best-selling authors have gotten their start and created an ever increasing fan-base by sharing their knowledge and expertise with other authors and aspiring writers. Diane Gabaldon shared (and continues to) her knowledge for years by presenting at writers’ conferences. She is known for being extremely generous with her knowledge and expertise as is Robert Dugoni. The list goes on and on with international best-selling authors who share and mentor authors—authors such as J.D. Barker, C.C. Humphreys, Ann Charles, Ursula Le Guin, George R.R. Martin, Pamela Beason, are among the authors who believe in mentoring aspiring authors and giving back to the writing community.

    Robert Dugoni is one of our most popular speakers at CAC. Pam Beason is conducting the panel discussion.

    Discover your publishing expertise. Is it coming up with inciting incidents? Or world building? Or a knack for dialogue? Or social media  posts that garner attention? Or being creative in where to do book promotions? Or how to get that first draft out of your head and into black on white? Or discovering new platforms to sell works on? Or working ? Or posture while writing? Or?

    The main thing is to share your knowledge and expertise.

    So start asking to present or participate in panels at author events, in schools, at libraries, in your local writing groups, or the conferences that you are planning on attending.

    Write down your opportunities. Find out the deadlines for proposals. Keep a list and add to it.

    Nine. Podcasting and Video Blogging — Be the Interviewer or be the Interview-ee but be in the Podcast Airwaves

    With the advent of voice-driven assistants, podcasts are becoming more and more a part of daily life. Just like audio books. ( the fastest growing segment of publishing).

    Chanticleer has podcasts and video blogs. It is the new and latest that is certain to replace  “blog hopping.”  Make sure that you get your foot in the door! Even this blog post is converted to a podcast.

    As with any transition, you will need to do both: blogging and podcasting. Learn how to build your content pyramid at the Chanticleer Authors Conference 2020.

    Podcasting is going to be a feature at CAC20 this year with Hindenburg Systems (programs and apps to create podcasts and audio books) presenting sessions and podcast work shops.

    Paul Cutsinger, head of Amazon’s Alexa Code Labs will present and keynote.

    He will discuss

    • Why Voice Enabled Technology is Here to Stay 
    • The Publishing Industry and Voice Technology
    • StoryTelling and Voice Technology
    • Audiobooks and Voice 
    • Engaging Readers with Voice-driven Devices

    With more than 100 million Alexa devices in use, this a market segment that should not be overlooked in any author or publisher’s marketing plan.

    Time to start lining up your calendar with podcast and video blog events.

    Ten. Enter Your Works into Book Award Competitions and Contests

    Of course, we want to promote the Chanticleer International Book Awards with its 14 genre divisions and 2 non-fiction divisions.

    Book awards are a time honored tradition that help to distinguish best books and manuscripts from the millions of books that are written each year (and published).

    They give authors talking points, interviewers talking points, allow for point of sale marketing, social media marketing and so much more.

    Make sure to enter your works and see how they stack up against the others in your genre.

    Deadlines are closer than they appear! And there is nothing like a blue ribbon to help sell more books at a book fair or author event. #justsaying

    CIBA Grand Prize Ribbons!

    That calendar should be starting to fill in.

     

    Click here for a Handy Worksheet that you can print out to help  you to create your Market and Promotion Calendar.

     

    This Second Installment will take time to complete and you may need to work on it intermittently (but consistently) to get everything logged.

    Then the real work will begin.

    The next post will discuss implementing these first 8 Goals and creating discrete tasks to implement on a regular basis:

    Annually, Seasonally/Quarterly, Monthly, Twice a Month, Weekly, Almost daily.

    And social media postings, and blog postings, and articles, and…

    We elaborate on the first ten items and incorporate them into the calendar and create a schedule.

    Thank you for joining us in this Writer’s Tool Box series: The 12 MUST-Do’s for Authors Number Two of Twelve blog-post articles.We hope these were handy reminders or something new to consider. 

    If there is something we should add to this blog-post or you have an experience that you would like to share or a question that you would like to ask about this blog post, please contact us at KBrown@ChantiReviews.com or SAnderson@ChantiReviews.com

    We’d love to hear from you! 

    Thank you for joining us and please stay tuned for the next article!The Secret to Successful Publishing

     

     

  • The SOMERSET Book Awards for Literary, Contemporary, and Satire Fiction – the Long List for the 2019 CIBAs

    The SOMERSET Book Awards for Literary, Contemporary, and Satire Fiction – the Long List for the 2019 CIBAs

    The SOMERSET Book Awards recognize emerging talent and outstanding works in the genre of Literary, Contemporary, and Satire Fiction. The Somerset Book Awards is a genre division of the Chanticleer International Book Awards (The CIBAs).

     

    Chanticleer International Book Awards is looking for the best books featuring contemporary stories, literary themes, adventure, satire, humor, magic realism or women and family themes. These books have advanced to the next judging rounds. The best will advance. Which titles will be declared as winners of the prestigious Somerset Book Awards?

    The following literary, contemporary, and satire  fiction works have moved forward from the infamous Slush Pile to the Long List of the 2019 Somerset Book Awards:

    • Susan Dobson – The Sea Glass Road
    • Stephen F. Frost – The Alaskan Alibi
    • Joanne Jaytanie – Salvaging Truth, Hunters & Seekers, Book 1
    • Beth Burgmeyer – The Broken Road
    • Michael Aloysius O’Reilly – The Billionaire’s Daughter
    • Judith Kirscht – End of the Race
    • Leonide Martin – The Prophetic Mayan Queen: K’inuuw Mat of Palenque
    • John Herman – The Counting of Coup
    • R. Barber Anderson – The Sunken Forest, Where the Forest Came out of the Earth
    • Lou Dischler – Travel to Fierce Climes in Burning Buses
    • Domenick Venezia – Liberator Legacy
    • Larry Brill – Deja vu All Over Again
    • Domenick Venezia – Suriname Legacy
    • Domenick Venezia – Angel’s Salvation
    • Alexandrea Weis with Lucas Astor – Damned (A Magnus Blackwell Novel Book 1)
    • Donna LeClair – The Proprietor of the Theatre of Life
    • Bob Holt – Firebird
    • Gail Avery Halverson – The Skeptical Physick
    • Lis Anna-Langston – Crucifix Built for Two
    • Alison Ragsdale – The Art of Remembering
    • Dd Jaseron – Wheelboys
    • Janet K Shawgo – Legacy of Lies
    • Santiago Xaman – After Olympus
    • Sara Stamey – Pause
    • Patricia Averbach – Resurrecting Rain
    • Hannah Edington Tekle – Conflict
    • C. E. Porch – From the Halls of Cuba
    • Leanne Treese – The Language of Divorce
    • Maggie St. Claire – Martha
    • Ted Neill – Reaper Moon: Race War in the Post Apocalypse
    • Alexandrea Weis & Lucas Astor – Death by the River
    • Janet Olearski – A Traveller’s Guide To Namisa
    • Lisa Reddick – The Same River
    • Nick Mancuso – Fever
    • David Pearson – Upon a Peak in Darien
    • Jeanne McWilliams Blasberg – The Nine
    • Joanne Wilshin – The Findlings
    • Claire Fullerton – Little Tea
    • Jane Alessandrini Ward – Brilliant Rising
    • Theo Czuk – The Black Bottom: The Measure Of Man
    • Hy Brett – The Hitman of Avenue U
    • Mitchell Allen – Count It All Joy
    • Elizabeth Crowens – Dear Bernie, I’m Glad You’re Dead
    • Linda Bledsoe – Through the Needle’s Eye
    • Carl Roberts – The Trial of Connor Padget
    • Patrick Finegan – Cooperative Lives
    • Mike Murphey – Section Roads
    • Alison Ragsdale – The Art of Remembering
    • Jamie Zerndt – Jerkwater
    • Prue Batten – Passage
    • Nagihan Os – Hilda and Nadin: Dry Leaves in the Wind
    • Tikiri Herath – Abducted – A Red-Heeled Rebels novel
    • Kay Bell – Ella’s Secret Family Recipes
    • Patricia Suprenant – Journey to the Isle of Devils
    • St John Karp – Quake City
    • Michael Bowe – The Weight of a Moment
    • Lynn Brentnall – Hope
    • David B. Seaburn – Gavin Goode
    • Gary Driver – God Answers Science
    • Michael T. Tusa Jr – Chasing Charles Bukowski
    • James M Roberts – The Crossroads of Logan Michaels
    • Jarvis Cutter – Speak Loudly and Carry a Flamethrower
    • Adam Cliff – Exposure 

    Good luck to all as these works compete to advance to the Shortlist! 

    Information about the #CIBAs Long Lists and Short Lists and Announcement Rounds.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 Long List (aka the Slush Pile Survivors). We incorporate the Long List when the judges request an additional round of judging to accommodate the number and/or quality of entries received.  These entries are now in competition for the 2019 SOMERSET SHORTLIST. The Shortlisters will compete for the Semi-Finalists positions.

    The coveted First  Place Category Winners of the 2019 SOMERSET Book Awards will be selected from the Semi-Finalists in the final rounds of judging.  The First Place Category Winners will be announced at the Chanticleer Awards Banquet and Ceremony, which is hosted by the Chanticleer Authors Conference. 

    The First Place Category winners will automatically be entered into the SOMERSET GRAND PRIZE AWARD competition. The 16 CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse. First Place Category and Grand Prize Awards will be announced and recognized at the Chanticleer Awards Banquet and Ceremony on Saturday, April 18th, 2020, Bellingham, Washington. Hosted by the Chanticleer Authors Conference.

    We are now accepting entries into the 2020 CIBAs. https://www.chantireviews.com/contests/

    Don’t delay. Enter today!