Author: chanti

  • At the Writing Desk with the Little Peeps Grand Prize for Children’s Books award winning author Denise Ditto

    At the Writing Desk with the Little Peeps Grand Prize for Children’s Books award winning author Denise Ditto

    Inspiration and Going Back to the Drawing Board – the making of The Tooth Collector Series

    a Little Peeps Book Awards Spotlight blog post featuring Denise Ditto and The Tooth Collector Series

    Do Early Reader Books and Picture Books Require Narrative Arcs? 

    The original story about Batina was intended to be a picture book.  It had 1078 words – words that I loved.  It was tentatively titled, The Real Tooth Fairy Story – What Happens to all those Teeth?  In this version, Batina did not have any unusual characteristics nor did she have any fairy friends.  The whole story centered on what happens to well-brushed teeth.  It introduced the concept that a well-brushed tooth makes fairy dust, the very dust that enables tooth fairies to fly.  Each fairy delivered a tooth to Mr. Gizmo for inspection.  All the teeth declared well-brushed were transferred to the manufacturing department.  They were placed into the Super-Duper Magic Dust-Making Machine where they underwent a magical transformation that produced canisters of rainbow-colored fairy dust – one tooth, one canister, for each fairy.   That was it.

    When I presented this story for a professional review, I learned that if I intended the story to be a picture book it would need to be cut in half because 1078 words were too many.  Ideally, a picture book should have around 500 words – give or take a few hundred.  The idea of cutting the story in half was more than I could handle.  Fortunately, there was a second option.  I was encouraged to increase the word count, add a narrative arc and make it a chapter book.  That was great advice – advice I decided to take.

    Batina’s Best First Day now has nine chapters, over 4000 words, and includes a narrative arc.  Below is the structure used to transform the original work into a chapter book.

     

    Denise Ditto’s Story Plot Diagram The Tooth Collector Series

    Timeless method for making the characters in your children’s book unique and interesting

    In the original short version of Batina’s Best First Day, discussed in an earlier blog post, Batina did not have any unusual characteristics.  When redeveloping the picture book to a chapter book I felt the need to give Batina a distinctive appearance – a feature that made her stand out from others – a feature to make her more interesting.   It was time to ponder ideas.  Here is what I came up with.

    There are many children’s books and movies with characters that are unique in their own way.  For example, look at Rudolph the Red-Nosed Reindeer.  You got a double dose of character uniqueness in this story.  Rudolph and his red nose.  Everyone knows that the other reindeer teased him and called him names.  And what about Hermey, the Elf.  He wanted to be a dentist, for goodness sake.  I guess it would be easy to conclude that this is where I got my inspiration considering my book has a dental element to it, as well, but I didn’t.

    I was inspired by the story Dumbo.  I’ll tell you why.

    First and foremost, as a child I loved Dumbo.  But there’s more to it than that.  Dumbo had large ears and people made fun of him.  With the help of his friend, Timothy the mouse, Dumbo learned how to use his ears as wings and he learned to fly.  WHAT?  Yes, an elephant learned to fly.  What an accomplishment!  Dumbo overcame his perceived defect and turned it into an asset.

    What an inspiration it would be to read about a little tooth fairy with oversized wings whose primary job was to fly. Consider how difficult would it be for her to navigate in the air with oversized wings. Consider how scary it would be to learn that she had the fear of being caught in a rogue gust of wind that could stand in the way of her completing her mission. How awesome it would be to learn that she was not deterred. My little Batina became a motivated fairy determined to do a good job no matter the obstacles. Like Dumbo, Batina overcame a perceived defect and turned it into an asset.

    Here’s the nugget – Embrace your differences because that’s what makes you, YOU! And no matter your differences, you can achieve your goals.

    PS – Dumbo was released on October 23, 1941. Many years later, I was born on that day, too. Another reason Dumbo was my inspiration. That’s the truth.

    Camelot and Tooth Fairies?

    The name of the place where your children’s story will take place should spark the imagination!

    Brushelot is the name given to the magical land where Tooth Collector Fairies live.

    You might think a name for a tooth fairy’s magical land would come easy but it didn’t. Originally, the name was to be Panteen – a little play on Peter Pan and Preteens. It was a wonderful name and quite clever if you ask me. However, after a handful of people read a draft of the story and said, “I thought it was going to have something to do with hair,” I knew I had to make a change. It seemed the name Panteen was too similar to Pantene – the shampoo. Hmmm. Back to the drawing board.

    After a long period of grieving the loss of this fabulous name, I found myself back to square one. How about Flossalot? Did you know there is a rapper named Flossalot? Really, there is. Can’t use that one. Brushalot came to mind. After a Google search, I learned that name was already taken, as well.

    Camelot

    How about simply changing the “a” to an “e” – to Brushelot? Brilliant idea. Now the question was, “Will that work?”

    A Google search did not turn up any other usage of this word. Visually, the name reminded me of Camelot so I set out to research Camelot. Could there be a sensible reason to suggest a comparison between the word Camelot and Brushelot? My research revealed several interesting facts. First, Camelot, as defined by Merriam-Webster, is a time, place, or atmosphere of idyllic happiness. So far so good. Second, I found that an Arthurian scholar named Norris J. Lacy wrote, “Camelot, located nowhere in particular, can be anywhere.” BINGO! I thought. This sounds exactly like the place where the tooth fairy’s magical land is located. And it was declared that its name shall be Brushelot!

    [Editor’s note: As authors and writers, sometimes we need to go back to the drawing board aka the writing desk to work out the little bits that will make our works stronger. -kb]

     

    Check out Parade Magazine’s article about Denise Ditto by Tamra Bolton   and how Denise is “changing the lives of thousands of children while enriching their imaginations.”

    Photo courtesy of the Ronald McDonald House near M.D. Anderson Hospital, Texas.

    To learn more about Denise Ditto and The Tooth Fairy, please visit her website:  https://toothcollectorfairies.com/

    The Tooth Collector Fairies series by Denise Ditto has the Little Peeps Book Awards Grand Prize.

    Early Readers and Picture books

     

     

     

     

     

     

     

    Congratulations to these Little Peeps Book Awards Hall of Fame Authors

    • The Tooth Collector Fairies by Denise Ditto
    • Yoga Fox by Sylva Fae
    • Oscar’s Christmas Wish by Veronica Ruth Fischer
    • The Universe a Work of Art by Eva Newermann
    • Midnight The One-Eyed Cat by Sheree K. Nielsen & Pat Wahler
    • Tevye the Magical Theater Cat by Peggy Sullivan
    • Lessons from a Cat: The Moon and Star; Midnight and Moonlight by Peggy Sullivan
    • A Tall Tale About a Dachshund and a Pelican: How a Friendship Came to Be by Kizzie Jones
    • Rainbow Monsters by Sylva Fae
    • Angel on Assignment by Wanda Carter Roush
    • Wishes and Kisses by Heather Pallotta   
    •  The Blue Beetle by Sara Dahmen
    • Rikki & the Rocket Twins Adventure 1: Discovering the Solar System by Kneko Burney
    • The Adventures of Frank and Mustard: Stuck in the Mud by Simon Calcavecchia
    • The Mouse and the Mole Hill by Donna Washington

    The submission deadline for the 2019 Little Peeps Book Awards is September 30, 2019 – midnight (Pacific Standard Time).

    To enter or to find out more information about the Little Peeps, please click here: https://www.chantireviews.com/services/Little-Peeps-Fiction-Writing-Contests-Chanticleer-Book-Reviews-p58078150

    The 2019 Little Peeps Book Awards winners will be announced on Saturday, April 18, 2020, at the Chanticleer International Book Awards ceremony and banquet that takes place during the Chanticleer Authors Conference that is held annually in Bellingham, Wash.

     

     

     

  • A 280-word Halloween Writing Contest for ALEXA VOICE –  WIN $$ and Promotion in this Emerging Platform

    A 280-word Halloween Writing Contest for ALEXA VOICE – WIN $$ and Promotion in this Emerging Platform

    Tellables is Sponsoring a Writing Contest for Halloween Micro-stories.

    I met Amy Stapleton, the CEO of Tellables, at the 2019 Digital Book World that took place in Nashville, Tenn. The Tellables’ exhibitor booth was adjacent to ours so we met and chatted. When she informed me about their contest for content, I knew that it would be a perfect opportunity for some Chanticleerians to experiment with Voice technology. So without further ado…

    VOICE-DRIVEN CONVERSATIONAL STORIES FOR TALKING DEVICES

    For those of you who are not familiar with Digital Book World conference, it is mainly a business-to-business conference that specializes in content distribution and platforms that includes books, ebooks, digital books, audiobooks, podcasts, audiovisual delivery, blockchain, voice, and other media delivery systems. And since Chanticleer prides itself expanding the authors who use our services digital footprint, we’ve found DBW to be indispensable for keeping us updated on the latest in publishing technologies.

    “Publishing is at the epicenter of digital disruption.” Paul Michelman, MIT & MIT Sloan

    Okay, back to Winning $$ and Tellables!

    (And, no, you do not need to own an Alexa to participate. And we love passing along these great opportunities to learn and perhaps win a little cash in the process. ) 

    Halloween Chocolate Stories

    It’s time for some spooky stories, or at least some Halloween action in the Tellables “chocolate shops.”

    For Tellables’ next assortment of conversational stories they are seeking haunting Halloween-themed tales, so they are offering a writing contest.

    And they are even offering cash prizes to the authors of the 1st and 2nd place stories.

    • Tellables is seeking stories that are short and sweet, just like a piece of Halloween candy.
    • The perfect story will be no more than 280 words, with the action set in or around a chocolate shop.
    • It can be any genre, but suitable for general consumption–much like you would hear on a radio station.
    • There is no entry fee. Two cash prizes will be awarded by Tellables.
    • Deadline for submissions is Saturday, October 19, 2019, at 12:00 a.m. Eastern Standard Time
    • Writing Tips for Voice Apps https://tellables.com/author-tips/
    • Link to Submission Form and more info here   https://tellables.com/2019/09/writing-contest-halloween-chocolate-story/

    So, what’s this Tellables all about? Tellables isn’t a traditional publisher. They don’t publish online or in print, or even in traditional audio format. Instead, they use Amazon Alexa to tell stories and engage listeners in a two-way conversation. 

    Writing Contest with Cash Prizes

    This Halloween writing contest is a great opportunity to dip your toe into the emerging world of voice technology. There’s no entry fee, and the best stories have a chance at one of two cash prizes, as well as inclusion in our next box of chocolate stories on Amazon Alexa.

    Perhaps your story starts out something like this, and is narrated by the chocolatier Coco:

    It was just three days before Halloween when a young woman came into my chocolate shop and started looking through the display cases. She had a surprisingly pale complexion, and I couldn’t help noticing that her eyes looked red and puffy. I was quite proud of my assortment of special Halloween treats and was anxious to point out my fresh batch of pumpkin spice truffles when the young lady suddenly burst into tears. I rushed off to find her a tissue, but when I came back just a few seconds later, she had vanished.

    What happens next?

    Visit Tellables blog post for complete details on the contest, online submission form, links to writing tips, and more sources of writing inspiration. Best of luck and Happy Halloween!

    Conversational Stories in an Imaginary Box of Chocolates

    Our newest experiment in conversational storytelling involves imaginary boxes of chocolate, where each chocolate represents a story. New assortments are published every month.

    Try out the stories by talking to Alexa on an Echo, a Fire tablet, the Alexa phone app, or anywhere Alexa resides. Use a friend’s if you don’t have one yourself. Just enable the free voice app–called “My Box of Chocolates”–by saying “Alexa, enable My Box of Chocolates.” 

    The stories in the My Box of Chocolates voice experience run less than two minutes. Each one is narrated by an imaginary chocolatier, using a synthetic text-to-speech voice (not human recordings). The storylines generally revolve around interesting or humorous occurrences involving the customers in the chocolate shop.

    A little bit more information about the Emerging Voice-Driven Devices and the Opportunities They Offer for Writers

    Voice assistants like Amazon Alexa are equipped with powerful speech recognition and language understanding. We leverage these technologies to help authors and storytellers engage audiences in new and exciting ways.

    While it’s still early days for voice technology, sales continue to grow for both the Amazon Echo and the Google Assistant line of smart speakers and smart displays. Consumers seem unfazed by media reports of privacy infringements, so it appears these devices are here to stay.

    Here is an article with 22 Takeaways for Authors from the Silicon Valley Annual Internet Trends Report – Kiffer Brown

    Voice technology offers new and exciting opportunities for storytellers and readers. Passive listening is no longer the only option. Now two-way communication between the storyteller and listener is possible. 

    Tellables has created a platform for “conversational storytelling,” where brief stories are followed by interactive questions. This two-way communication draws the listener more deeply into the story.

    As always, please email us at Chanticleer@ChantiReviews.com with any questions, concerns, or suggestions. Or leave a comment below.

  • CLUE AWARDS – Police Procedurals, Hard-Boiled Detectives, Thriller/Suspense/Mystery – in the SPOTLIGHT – CIBAS

    CLUE AWARDS – Police Procedurals, Hard-Boiled Detectives, Thriller/Suspense/Mystery – in the SPOTLIGHT – CIBAS

    So, how do you get a clue? 

    A hard-boiled detective pulls his overcoat a little closer, leans against the northern wall at Village Books in downtown Bellingham. Washington. The state.

    It’s late. It’s raining. It’s a typical Autumn night in the Pacific Northwest. So, what makes this night different than any other night?

    Glad you asked.

    Our gumshoe is hot on the trail of those killer stories that make you turn the page. You know the kind, police procedurals, good-man-gone-wrong tales, the who-dun-its and the why-didn’t-I-see-that-coming books that leave you breathless, reaching for the Alka-Seltzer or the next book in the series.

    Our gumshoe is nervous, see? He knows there’s more to discover out there, winners, maybe, that are just waiting to be discovered. That’s why he’s standing there, waiting. Oh, just a second… he’s gone now… Guess he got tired of waiting in the rain.

    But he left a message…

    “Get your manuscripts and novels ready, because the deadline to the 2019 CLUE Awards is coming before you know it. Submit your books and manuscripts to the best book awards on the planet by September 30, 2019, if you know what’s good for you.” 

    That was short and sweet. What are you waiting for?

    Chanticleer International Book Awards is looking for the very best books dealing with Detectives, P.I.s, Noir – stories that build suspense
    and pay off in spades. 

    The deadline for the 2019 CIBA CLUE Awards is September 30, 2019.

    Submit your work today right here.

     


    We thought you might enjoy some of our past winners…

    2018 CIBA Grand Prize Winner in CLUE – Timothy Burgess for California Son

    2018 1st Place Category Winners:  (Book reviews are slated for the ones without links). 

    • The Only One Left by Pamela Beason
    • Facing The Dragon by Philip Derrick
    • Forgotten Rage by Melodie Hernandez
    • Do Not Ask by Elaine Williams Crockett
    • Scare Away the Dark: A Stone Suspense by Karen Dodd
    • The Blind Pool by Paul McHugh
    • Hong Kong Central by Marilynn Larew

    2017 CIBA Grand Prize Winner in CLUE – Kaylin McFarren for Twisted Threads

    2017 1st Place Category Winners: (Book reviews are slated for the ones without links). 


    2016 CIBA Grand Prize Winner in CLUE – Keith Tittle for A Matter of Justice

    2016 1st Place Category Winners:


    2015 CIBA Grand Prize Winner in CLUE – Lonna Enox for Blood Relations

    Blood Relations by Lonna Enox

    2015 1st Place Category Winners:


    2014 CIBA Grand Prize Winner in CLUE – Rachel B. Ledge for The Red Ribbon

    The Red Ribbon by Rachel B. Ledge

    2014 1st Place Category Winners:


    Who is going to take home the Grand Prize for the 2019 CLUE Awards? It could be you! 

     

    The deadline is fast approaching!

    Submit your work today right here.

  • The MYSTERY & MAYHEM Book Awards for Cozy and Not So Cozy Mystery Novels – the SHORTLIST for the 2019 CIBAs

    The MYSTERY & MAYHEM Book Awards for Cozy and Not So Cozy Mystery Novels – the SHORTLIST for the 2019 CIBAs

    Cozy Mystery Fiction Award

    The M & M Book Awards recognize emerging new talent and outstanding works in the Cozy and Not-So-Cozy Mystery & Mayhem fiction genre.  The M & M Book Awards is a division of the Chanticleer International Book Awards (The CIBAs).

     

     

    Chanticleer International Book Awards is looking for the best books featuring “mystery and mayhem,” amateur sleuthing, light suspense, travel mystery, classic mystery, British cozy, not-so-cozy, hobby sleuths, senior sleuths, or historical mystery, perhaps with a touch of romance or humor, we will put them to the test and choose the best among them. (For suspense, thriller, detective, crime fiction see our Clue Awards)

    Congratulations to the M&M 2019 Shortlisters!

    • Lesley A. Diehl – Scream Muddy Murder
    • Susan Z. Ritz – A Dream to Die For
    • Michelle Cox – A Veil Removed
    • Chief John J. Mandeville – Sherlockito vs. The Trio From Hell
    • Alan Chaput – Savannah Secrets
    • Lucy Carol – Hit That, Madison Cruz  Mystery 4
    • B. L. Smith – Bert Mintenko and the Serious Business
    • Mollie Hunt – Cat Cafe
    • MJ O’Neill – The Corpse Wore Stilettos
    • JL Oakley – Hilo Bay Mystery Collection
    • Kate Vale – Fateful Days
    • Cindy Sample – Dying for a Diamond
    • Henry G. Brinton – City of Peace
    • Kaylin McFarren – High Flying
    • Virginia V. Kidd – Artifacts of Murder
    • Janet K. Shawgo – Legacy of Lies
    • Kari Bovee – Peccadillo at the Palace
    • Kari Bovee – Girl with a Gun – An Annie Oakley Mystery
    • M. J. Simms-Maddox – Mystery in Harare
    • Carolyn Haley – Killer Heart
    • Wally Duff – bada-BOOM!
    • Arlene McFarlane – Murder, Curlers & Cruises
    • Kirk Millson – Serpents of Old
    • Mary Seifert – Titanic Cocktail
    • JG Murphy – Flipping Rich Bastard
    • M. K. Graff – Death at the Dakota: A Trudy Genova Manhattan Mystery
    • Toni Kief – Mildred In Disguise With Diamonds
    • Vee Kumari – DHARMA, A Rekha Rao Mystery
    • Lori Roberts Herbst – An Instant Out of Time
    • Alexandrea Weis with Lucas Astor – BLACKWELL
    • D. J. Adamson – Let Her Go
    • Jean Rover – Ready or Not
    • Linda Hughes – Secrets of the Island
    • Jane Willan – The Hour of Death
    • Dr. Sandra Tanner – Sacks of Murder
    • Gerard Shirar – When the Rules Don’t Apply
    • Susan Lynn Solomon – Writing is Murder

    Which of these works will move forward in the judging rounds for the 2019 M&M Book Awards for Mystery & Mayhem?

    These titles are in the running for the Semi-Finalists of the 2019 M&M Book Awards novel competition for Mystery & Mayhem Novels!

    Good luck to all as your works move on to the next rounds of judging for the Semi-Finalists positions. 

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 M&M Book Awards LONG LIST and have advanced to the M&M Shortlist! These entries are now in competition for 2019 M&M Semi-Finalists positions. Semi-Finalists will be announced and will be  recognized at the CAC20 banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash.

    The M&M Grand Prize Winner and the Five First Place Category Position award winners along with the previously announced Semi-Finalists will be recogized at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

     

    We are now accepting submissions into the 2020 Mystery & Mayhem Book Awards. 

     

  • The CHATELAINE Book Awards for Romantic Fiction – the Long List for the 2019 CIBAs

    The CHATELAINE Book Awards for Romantic Fiction – the Long List for the 2019 CIBAs

    Romance Fiction Award

    The CHATELAINE Book Awards recognize emerging new talent and outstanding works in the genre of  Romantic Fiction and Women’s Fiction. The Chatelaine  Book Awards is a genre division of Chanticleer International Book Awards ( The #CIBAs).

    Chanticleer International Book Awards is looking for the best new books featuring romantic themes and adventures of the heart, historical love affairs, perhaps a little steamy romance, and stories that appeal especially to fans of affairs of the heart to compete in the Chatelaine Book Awards (the CIBAs). 

    These works have survived the infamous slush pile and are now competing to advance to the Chatelaine 2019 Shortlist!

    Good luck to all! 

    • Leslie Noyes – Willing
    • Karen Fitzpatrick – Sincerely, Amelia
    • Karen Fitzpatrick – After the Rain
    • J.P. Kenna – Toward a Terrible Freedom
    • Jule Selbo – Find Me in Florence
    • Gail Avery Halverson – The Skeptical Physick
    • Carolyn Haley – Wild Heart
    • Catherine Tinley – The Captain’s Disgraced Lady
    • Catherine Tinley – The Earl’s Runaway Governess
    • Kate Vale – No Dates for Elaine
    • Christine Brae – The Year I Left
    • Ellen Notbohm – The River by Starlight
    • Joanne Jaytanie – Salvaging Truth, Hunters & Seekers, Book 1
    • Barb Warner Deane – And Then There Was You
    • Elizabeth Crowens – Dear Bernie, I’m Glad You’re Dead
    • Pat Wahler – On a City Street
    • Heather Novak – Headlights, Dipsticks, & My Ex’s Brother
    • Heather Novak – Fire Trucks, Garter Belts, & My Perfect Ex
    • James G. Skinner – A Clash of Conscience
    • Cerella Sechrist – Tessa’s Gift
    • Ernesto H Lee – Walk With Me, One Hundred Days of Crazy
    • T.K. Conklin – Promise of Tomorrow
    • T.K. Conklin – Threads of Passion
    • Kari Bovee – Grace in the Wings
    • Anita Crocus – The Sicilian Love Song
    • Eileen Charbonneau – Seven Aprils
    • Michelle Cox – A Veil Removed
    • Patricia Suprenant – Journey to the Isle of Devils
    • Cathie Dunn – A Highland Captive
    • Mike Owens – Daisy’s Choice
    • Angie Vancise – Cry of An Osprey
    • Paullett Golden – The Earl and The Enchantress
    • L.E. Rico – Mischief and Mayhem

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 CHATELAINE Book Awards LONG LIST. These entries are now in competition for 2019 CHATELAINE Shortlist.  The ShortListers’ works will compete for the Semi-Finalists positions. Semi-Finalists will be announced and recognized at the CAC20 banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash. 

    Which of these works will advance? 

    The 16 divisions of the 2019 CIBAs’ Grand Prize Winners and the Five First Place Category Position award winners along with recognizing the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting entries into the 2020 Chatelaine Book Awards. Winners to be announced TBD April 2021.

  • The CYGNUS Book Awards for Science Fiction – Shortlist for the 2019 CIBAs

    The CYGNUS Book Awards for Science Fiction – Shortlist for the 2019 CIBAs

    Cygnus Award for Science FictionThe Cygnus Book Awards recognize emerging new talent and outstanding works in the genre of Science Fiction, Steampunk, Alternative History, and Speculative Fiction. The Cygnus Awards is a genre division of Chanticleer International Book Awards and Novel Competitions (The CIBAs).

    Chanticleer International Book Awards is looking for the best books featuring space, time travel, life on other planets, parallel universes, alternate reality, and all the science, technology, major social or environmental changes of the future that author imaginations can dream up for the CYGNUS Book Awards division. Hard Science Fiction, Soft Science Fiction, Apocalyptic Fiction, Cyberpunk, Time Travel, Genetic Modification, Aliens, Super Humans, Interplanetary Travel, and Settlers on the Galactic Frontier, Dystopian, our judges from across North America and the U.K. will put them to the test and choose the best among them.

    Congratulations to the 2019 Cygnus Book Awards SHORT LISTERS!

    • Lawrence Brown – David: Savakerrva, Vol. 1
    • Mart Sander – The Goddess Of the Devil
    • Jim Cronin – Aeon Rises
    • William X. Adams – Intelligent Things
    • Erick Mars & Mike Wood – A Legacy of Wrath
    • Richard Mann – Purpose
    • Brett A. Lawrence – Shadow Seers
    • Callie Smith and Maura Smith – Fort Snow
    • Andrew Lucas McIlroy – Earthling
    • Charis Himeda – CRISPR Evolution
    • Ian Cross – The Lights of Time
    • Robert M. Kerns – It Ain’t Over…
    • J. I. Rogers – The Korpes Agenda
    • Paul Werner – Mustang Bettie
    • V.L. Arias – The Expiration Date
    • Adam Boostrom – Athena’s Choice
    • Monica Harte – San Francisco
    • Rey Clark – Titan Code: Dawn of Genesis
    • Trever Bierschbach – Embers of Liberty
    • Tim Cole – Insynnium
    • Sandra J. Jackson – Playing in the Rain
    • Samuel Winburn – Ten Directions
    • Grace Goodwin – Rogue Cyborg
    • Jacques St-Malo – Cognition
    • Timothy S. Johnston – The War Beneath
    • Thomas McDaniel – Rekindled
    • John Bowie – The Houses of the Curious
    • Shami Stovall – Star Marque Rising
    • D G Lamb – The Deepest Cut (Driven to the Hilt Book 1)
    • Terry Persun – BIOMASS Rewind
    • N. Matthias Moore – CLOUD 9
    • Darrell Lee – The Apotheosis
    • William X. Adams – Reluctant Android
    • David C. Crowther – City of Drowned Angels
    • Stephen Martino – The Final Reality
    • K.N. Salustro – Light Runner

    Good luck to all as your works move on the next rounds of judging.

    The next round of judging will decide which books move on to the Semifinalist positions for the 2019 CYGNUS Book Awards for Science Fiction novels.

     

    The CYGNUS Grand Prize Winner and the Five First Place Category Position award winners along with the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

     

    We are now accepting submissions into the 2020 CYGNUS  Awards writing competition. The deadline for submissions is April 30th, 2020. The winners will be announced in April 2021.

    Please click here for more information.  

     

  • The LARAMIE Book Awards for American West Fiction – The Long List – 2019 CIBAs

    The LARAMIE Book Awards for American West Fiction – The Long List – 2019 CIBAs

    Western Pioneeer Civil War Fiction AwardThe Laramie Book Awards recognize emerging new talent and outstanding works in the Americana / Western, Pioneer, Civil War, Frontier, and First Nations Novels. The Laramie Book Awards is a division of the Chanticleer International Book Awards.

     

     

    Chanticleer Book Reviews is looking for the best books featuring cowboys, the wild west, pioneering, civil war, and early North American History, we will put them to the test and choose the best among them.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 Laramie Book Awards LONG LIST. These entries are now in competition for 2019 Laramie Shortlist. The ShortListers’ works will compete for the Semi-Finalists positions. Semi-Finalists will be announced and recognized at the CAC20 banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash.

    These titles are in the running for the SHORT LIST of the 2019 LARAMIE Book Awards for Western Fiction. Good luck to all as your works move on to the next rounds of judging.

    • Bert Entwistle – Leftover Soldiers – Life on the Western Frontier
    • E. Alan Fleischauer – Rescued
    • Rhonda Frankhouser – Escape from Ruby’s Ranch
    • Kit Sergeant – Underground: Traitors and Spies in Lincoln’s War
    • D.L. Andersen – Across Unstill Waters: The Stephenson House Chronicles Book 1
    • J. R. Collins – Spirit of the Rabbit Place
    • Gerald L. Guy – Chasing Gold
    • Gerald L. Guy – Chasing the Past
    • E. Alan Fleischauer – Rescued 
    • James Filomio Jr – My Wife’s Wishes
    • John West – Marshallville
    • Lynwood Kelly – The Gamble: Lost Treasures
    • David Fitz-Gerald – Wanders Far-An Unlikely Hero’s Journey
    • John Hansen – The Outfit
    • Eileen Charbonneau – Seven Aprils
    • Juliette Douglas – Bed of Conspiracy
    • Nina Romano – The Girl Who Loved Cayo Bradley
    • Michael T. Tusa Jr. – And Trouble Followed
    • Mike H. Mizrahi – The Unnamed Girl (The Woodard Chronicles)
    • Hayley Stone – Make Me No Grave: A Weird West Novel
    • Donna L.H. Smith – Meghan’s Choice
    • Suanne Schafer – A Different Kind of Fire

    Which of these works will move forward in the judging rounds for the 2019 LARAMIE Book Awards for Western Fiction?

     

     

    Laramie Book Awards

     

    The 16 divisions of the 2019 CIBAs’ Grand Prize Winners and the Five First Place Category Position award winners along with recognizing the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting submissions into the 2020 LARAMIE Book Awards for pre-1750s Western Fiction. The deadline for submissions is July 30, 2020. The  2020 winners will be announced in April 2021.

    As always, please contact us at Chanticleer@ChantiReviews.com with any questions, concerns, or suggestions!

  • The 2019 CHAUCER Book Awards for pre-1750s Historical Fiction–the Long List for the CIBAs

    The 2019 CHAUCER Book Awards for pre-1750s Historical Fiction–the Long List for the CIBAs

    The Chaucer Awards for Historical NovelsThe CHAUCER Book Awards recognize emerging new talent and outstanding works in pre-1750s Historical Fiction. The CHAUCER Book Awards is a division of the Chanticleer International Book Awards (The CIBAs).

    The Chaucer Book Awards competition is named for Geoffrey Chaucer the author of the legendary Canterbury Tales. The work is considered to be one of the greatest works in the English language. It was among the first non-secular books written in Middle English to be printed in 1483.

     

    Chanticleer International Book Awards is seeking for the best books featuring Pre-1750s Historical Fiction, including pre-history, ancient history, Classical, world history (non-western culture), Dark Ages and Medieval Europe, Renaissance, Elizabethan, Tudor, 1600s, we will put them to the test and choose the best among them.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 CHAUCER Book Awards LONG LIST. These entries are now in competition for 2019 CHAUCER Shortlist. The ShortListers’ works will compete for the Semi-Finalists positions. Semi-Finalists will be announced and recognized at the CAC20 banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash.

    These titles are in the running for the SHORT LIST of the 2019 CHAUCER Book Awards for pre-1750s Historical Fiction. Good luck to all as your works move on to the next rounds of judging.

    • James Conroyd Martin – Fortune’s Child: A Novel of Empress Theodora
    • Gail Avery Halverson – The Skeptical Physick
    • William S. Roberts – Hatchepsut, Female Falcon Over Egypt
    • Susanne Dunlap – Listen to the Wind
    • JC Corry – The Storyteller’s Reputation
    • K.M. Pohlkamp – Shadows of Hemlock
    • E. L. Diamond – The Wolf of God
    • Linda Cardillo – Love That Moves the Sun: Vittoria Colonna and Michelangelo Buonarotti
    • Alexander Geiger – Flood Tide: An Epic Novel of the Greek Invasion of Persia
    • Stephanie Renee dos Santos – Cut from the Earth
    • Cryssa Bazos – Severed Knot
    • Kate Murdoch – The Orange Grove
    • June Hall McCash – Eleanor’s Daughter: A Novel of Marie de Champagne
    • Michelle Toohey – Dark Madonnas
    • Catherine Mathis – Death in Coimbra
    • Patricia J. Boomsma – The Way of Glory
    • Brianna Nichole – The High Priestess and the Half-Blood Prince
    • A.L.Cleven – 26.2
    • C. K. Ruppelt – From Darkness – A Novel of the Ancient Roman World
    • Alexandrea Weis – Realm
    • F. Scott Kimmich – The Magdalene Malediction
    • Susan Heldt Davis – The Mother’s Tale
    • James Hutson-Wiley – The Sugar Merchant
    • Vince Pantalone – Incident on the Road to Canterbury
    • Robert Cole – The Falcons of Gebtu
    • Anna Belfrage – The Cold Light of Dawn

    Which of these works will move forward in the judging rounds for the 2019 Goethe Book Awards for post-1750s Historical Fiction?

    The 16 divisions of the 2019 CIBAs’ Grand Prize Winners and the Five First Place Category Position award winners along with recognizing the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting submissions into the 2020 CHAUCER Book Awards for pre-1750s Historical Fiction. The deadline for submissions is June 30, 2020. The  2020 winners will be announced in April 2021.

    As always, please contact us at Chanticleer@ChantiReviews.com with any questions, concerns, or suggestions!

  • What Literary Agencies and Acquisition Editors are Seeking in Manuscripts – Refreshing your Writer’s Toolbox from Jessica Morrell’s Editor’s Desk

    What Literary Agencies and Acquisition Editors are Seeking in Manuscripts – Refreshing your Writer’s Toolbox from Jessica Morrell’s Editor’s Desk

    What is it about a particular manuscript that makes it interesting to a literary agent (or the agent’s slush pile reader), acquisition editor, or professional reviewer?

    While it may take more than a crystal ball to figure out exactly what lit agents and publishing houses acquisition departments want and let alone reviewers, guidance can be had.  Line editors do understand what these gatekeepers want to see and, perhaps more importantly, what they do not want to see in a manuscript.

    Advice from line editors can be an author’s first line of defense in climbing out of the slush pile to gaining a gatekeeper’s interest. No crystal ball required.

    Jessica Morrell, a top-tier developmental editor for major authors and publishing houses, knows what these gatekeepers are seeking along with what makes them cringe.

    Editors, agents, and reviewers are word people, most were English or journalism majors in college and have a great love and respect for the written word. They will notice your level of craft within the first sentences, so your efforts must be polished, vivid and exceptional.

    Craft Tips & Techniques by Jessica Morrell, Editor

    (with Added Comments, from Kiffer Brown, publisher of Chanticleer Reviews magazine)

    • Your manuscript lives or dies on your opening sentences and each word must be perfect, precise, and weighted with meaning. 
      • (Most slushers (who work for agents and acquisition departments) do not read past the few pages of a manuscript. Don’t blame them for not reading more of your manuscript. Slushers have more works than they can possibly read in a month but have to slush in a given day. It is the writer’s job, neigh duty, to keep the slusher engaged. Slushers are professional readers who are panning for “gold and gems in the raw.”  This system is by design, btw.) 
    • Editors notice and are turned off by passive voice and wimpy verbs.
      • (Enough said.) 
    • Editors notice when the viewpoint jumps or shifts within a scene.
      • (This is a pet peeve of professional reviewers—an indication of lack of writing craft and skills.)
    • Editors notice too much telling (reporting or summary) and not enough showing in all types of writing including essays and memoir.
      • (A line editor can help with too much telling with comments and questions.) 
    • Editors notice when emotions are announced instead of dramatized.
      • (Reviewers call this “lazy writing.”)
    • Editors notice the frequent use of names in dialogue. Generally, leave out names.
      • (Multiple names, especially names that are similar, are irritating to reviewers. When the reviewer has to make notes about who is whom it had better be for furthering the plot significantly.) 
    • An editor notices sloppy punctuation such as excessive use of exclamation points, quote marks around inner thoughts, improper use of semicolons and ellipsis.
      • (Reviewers see this as the author not being professional about the work  (or his or her writing career) to have it professionally proofed – the most basic type of editing.) 
    • Editors notice protagonists who are not proactive, heroic in some way, and bigger than life. (
      • Reviewer’s Mantra – Novels are depictions of life without the boring bits.) 
    • Editors notice characters with a limited emotional range and expression.
      • (One-dimensional character and cardboard characters are uninteresting.) 
    • Editors notice large and small inaccuracies and inconsistencies—when the character has blue eyes on page 23 and green eyes on page 57; when a character drives an old, beat-up, pick-up truck that is inexplicably equipped with airbags; when an animal, plant, or species of any sort is misnamed or shows up in the wrong region of the country.
      • (Did the author care enough to do the background research for the work? These technical details’ correctness can make or break the construct of a story.)
    • Editors notice when technical details don’t ring true—such as in a mystery when police don’t follow standard arrest procedure; or when a yacht sinks from a single bullet hole; or explosive materials are used haphazardly.                  (See comment above.)
    • Editors notice vague descriptions (plant instead of ivy, a tree instead of oak) and generalities instead of details that bring the reader into a specific time and place.
      • (Vague descriptions are perceived as lazy writing which is not a reputation that an author would want to be known for.) 
    • Editors notice when writers don’t write for all the senses, especially leaving out smells.
      • (This is called the white room syndrome and it makes a manuscript about as boring to read as an old school telephone book.)
    • Editors notice small confusions such as misusing it’s and its, that and which, affect and effect, compliment and complement, lay and lie.
      • (With tools (apps) such as Grammarly and Grammar Girl, there is no reason for these misuses to occur. Additionally, these basics are covered thoroughly in The Elements of Style, a slim tome that is indispensable writers.) 
    • Editors notice overly long paragraphs and a general lack of white space. Generally, paragraphs are five or six sentences long and as taught in grade school introduce a topic, develop a topic, then conclude or lead on to the next paragraph.
      • (Edit, delete, cut your word count—as Stephen King says, “Kill your darlings.” The rule of thumb is that most manuscripts can be cut by 20 percent.)
    • Editors notice a lack of transitions—the words and phrases that announce a change in mood or emotion, time, and place so the reader can easily follow. They also know excess transitions as when you follow your characters across every room and along every sidewalk.
      • (Use transitions as you would salt and pepper—just enough but not too much. The correct amount of transitional phrases are the hallmark of solid writing.)  
    • Editors notice excess modifiers, purple prose, and too much description. The best writing is lean and economical and every word in every sentence has a job to do.
      • (Yes! Every word must move the story forward.) 
    • Editors notice a voice that is flat, inappropriate, or boring. Voice, whether it is the writer’s voice in an essay or the viewpoint character or narrator in fiction, must breathe life into the piece and hint at the person behind the words.
      • (Writing styles can mimick the guests at a cocktail party. There is always the bore who goes on and on and usually in too much detail also. The bore is the one guest who is the least tolerated even more so than the boisterous, the chatty, the tipsy, and even the know-it-all. But everyone loves the one who can tell a good story, or the who has a bit a mystery, and the one who is interested in others and respects others is always invited back. Respect your readers with your writing and your writing will earn respect.)

     

    Chanticleer Editorial Services

    Did you know that Chanticleer offers editorial services? We do and have been doing so since 2011.

    Our professional editors are top-notch and are experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillian, Thomas Mercer, Penguin Random House, etc.). If you would like more information, we invite you to email Kiffer or Sharon at KBrown@ChantiReviews.com or SAnderson@ChantiReviews.com for more information, testimonials, and fees.

    We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis. Contact us today!

    Chanticleer Editorial Services also offers writing craft sessions and masterclasses. Sign up to find out where, when, and how sessions being held.

    Writer’s Toolbox

     

    Thank you for reading this Chanticleer Writer’s Toolbox article.

    Keep writing, keep dreaming, have heart. Jessica

    Keep on creating magic! Kiffer

  • The 2019 GOETHE Book Awards for post 1750s Historical Fiction – the Long List

    The 2019 GOETHE Book Awards for post 1750s Historical Fiction – the Long List

    Post 1750s Historical Fiction AwardThe Goethe Book Awards recognize emerging new talent in post-1750s Historical Fiction. The Goethe Book Awards is a division of the Chanticleer International Book Awards (The CIBAs).

     

    The Goethe Book Awards competition is named for Johann Wolfgang von Goethe who was born at the dawn of the new era of enlightenment on August 28, 1749.

    Chanticleer International Book Awards is looking for the best books featuring Late Period Historical Fiction. Regency, Victorian,18th Century, 19th Century, 20th Century, World and other wars, history of non-western cultures, set after the 1750s, we will put them to the test and choose the best among them.

    These titles have moved forward in the judging rounds from SLUSH pile to the 2019 Goethe Book Awards LONG LIST. These entries are now in competition for 2019 Goethe Shortlist.  The ShortListers’ works will compete for the Semi-Finalists positions. Semi-Finalists will be announced and recognized at the CAC20 banquet and ceremony. The First Place Category Winners, along with the CIBA Division Grand Prize winners, will be selected from the 16 CIBA divisions Semi-Finalists. We will announce the 1st Place Category winners and Grand Prize Division Winners at the CIBAs Banquet and Ceremony on Saturday, April 18th, 2020 at the luxurious Hotel Bellwether in Bellingham, Wash. 

    These titles are in the running for the SHORT LIST of the 2019 Goethe  Book Awards for post-1750s Historical Fiction. Good luck to all as your works move on to the next rounds of judging.

    • James Anderson O’Neal – Riley and the Great War
    • Deborah Lincoln – The Trace of a Bird
    • Vanda Writer – Paris, Adrift
    • Louella Bryant – Cowboy Code
    • Lori Swerda – Star-Spangled Scandal
    • Kari Bovee – Peccadillo at the Palace
    • Kari Bovee – Girl with a Gun
    • Kari Bovee – Grace in the Wings
    • PJ Devlin – Wissahickon Souls
    • John Hansen – Out of Necessity
    • John Hansen – Hard Times
    • Patricia Suprenant – Journey to the Isle of Devils
    • GS Johnston – Sweet Bitter Cane
    • Mike Van Horn – Neil Down: A Shot at Immortality
    • Lee Hutch – So Others May Live
    • Lucinda Elliot – The Peterloo Affair
    • Mike Jordan – The Runner
    • Lisa Braver Moss – SHRUG: A Novel
    • Melissa Koons – Orion’s Honor
    • Marina Osipova – How Dare The Birds Sing
    • Sandra Wagner-Wright – Two Coins: A Biographical Novel
    • J.G. Schwartz – The Pearl Harbor Conspiracy
    • Marilyn Pemberton – The Jewel Garden
    • Rebecca Rosenberg – The Secret Life of Mrs. London

    Which of these works will move forward in the judging rounds for the 2019 Goethe Book Awards for post-1750s Historical Fiction?

    Goethe Book Awards Semi-Finalist Badge

     

    The 16 divisions of the 2019 CIBAs’ Grand Prize Winners and the Five First Place Category Position award winners along with recognizing the Semi-Finalists will be announced at the April 18th, 2020 Chanticleer International Book Awards Annual Awards Gala, which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

     

    We are now accepting submissions into the 2020 Goethe Book Awards for post-1750s Historical Fiction. The deadline for submissions is June 30, 2020. The  2020 winners will be announced in April 2021.