Chanticleer Book Reviews

Tag: True Crime

Chanticleer 10 Question Author Interview Series with Kathryn Caraway – Grand Prize Award-winning Author of Unfollow Me

CHANTICLEER 10 QUESTION AUTHOR INTERVIEW SERIES with Award-Winning Author, Kathryn Caraway

Hello friends, we have another fabulous interview for you today, with author Kathryn Caraway! Her book Unfollow Me took home the Chanticleer 2024 CIBA Grand Prize Award in the Journey Division and we were excited to learn more about what inspired her to write her true crime novel and what she’s planning next. Take a minute or two and get familiar with Kathryn and her incredible journey to becoming award-winning author!

Chanti: Hi Kathryn, and thank you for making the time for this. Let’s start with the basics. How would you describe the genre you write in, and what drew you to it in the first place?

Caraway: I write exclusively in the thriller genre. My dad loved reading Stephen King novels, but I wasn’t allowed. Instead, I snuck them off the bookshelf once he finished the book and read it at night under the covers with a flashlight. I became addicted to the pulse pounding, page turning, can’t-wait-to-read-the-next-chapter hallmarks of the thriller genre that drew me in as a reader and now, challenges me as a writer.

Chanti: Something feels so right about the image of sneakily reading Stephen King under the covers. Like King, your writing is deeply compelling. Can you talk about where you draw inspiration from for you ideas?

Caraway: Aside from the nonfiction and its companion fictional sequel, I create stories rooted in experience. After writing the first two books, I was so emotionally taxed that I wasn’t sure I would write again. But ideas came at random. For example, while driving down the interstate, a sign captured my attention and planted the seeds for my third book. Five months later, the first draft was written.

Chanti: Inspiration really can strike anywhere! When it comes to actually sitting down to write, how structured is your approach?

Caraway: Not structured at all, especially if I’m writing a first draft. If I need to think through a particular scene, I’ll do laundry. If I’m trying to figure out a plot point, I’ll clean the bathroom or do the dishes. I’m also easily distracted by my pup. I don’t pay attention to the technical elements of writing (character arc, story arc, etc.) during a first draft. I bounce between different parts of my manuscript so much that I once broke the wheel on my mouse!

Chanti: Ha! You definitely give your mouse and computer quite a workout! Speaking of influences, every writer has their literary heroes. Which authors do you turn to for inspiration, and how have they shaped your work?

Caraway:

Stephen King: You never forget the first book that wowed you and I always turn back to how I felt reading his books. This has been a big influence on me because I work hard to create those pulse pounding scenes that makes readers want to inhale the words and turn the page.

Karin Slaughter: I binged a series she wrote many years before I started writing. I fell in love with the way she framed scenes that felt real, like I was living in the book with her characters. And that’s what I strive for in my writing.

John Steinbeck: Of Mice and Men was required reading when I was in school. We had to annotate each chapter as we read. I still have the original book which, for many years, was my go-to on the nightstand when I couldn’t sleep. His use of short chapters makes time spent reading feel irrelevant and the story moving forward at a quick pace. This is something I keep in mind when I’m organizing chapters, harnessing that tempo that will appeal to readers.

Marie Still: This is a newer author on the market that I had the good fortune to meet at a conference. She gifted me her book, We’re All Lying, and I devoured it. What captivated me was the way I connected with her main character because of my own life experiences. Since I was new at writing, I spent hours breaking down this character to understand the construction behind it. This is the experience I want to provide readers of Unfollow Me. While Marie’s character is fictional, I am the main character in Unfollow Me, so this meant I also had to get comfortable with revealing uncomfortable stuff to my readers.

Chanti: What a diverse group of influences! Every writer has their strengths. What aspect of writing do you feel most confident about, and what advice would you give to someone struggling in that same area?

Caraway: I feel the most confident in writing characters. I don’t really develop them until the second draft—once I have a big picture idea of their place in the story. One of the tricks I use is signs of the Zodiac. There’s so much information on each sign and the related personality that I give my characters birthdays. Before I write about them, I’ll read their horoscope and sometimes even get ideas from there. This method is especially helpful when I have multiple works in progress. If you’re struggling with a character, give them a birthday and read their horoscope!

Chanti: That’s a great idea! Do you have any other ways to work on your writing? How do you grow your author chops?

Caraway: Read, read, read! I read mostly in the thriller genre, but sometimes I need a break and will read something totally different. But it’s not just books you have to read, it’s reviews. To grow as an author, you have to understand your audience—what they want, what they’re looking for, what they’re turned off by. I’m not suggesting authors read their reviews, but I read the reviews of bestsellers in my genre to study the competition.

Chanti: Smart strategy for understanding your market! When you think about your ideal reader—the person who would absolutely love Unfollow Me—who comes to mind?

Caraway: Fans of true crime, as well as suspense/thriller fiction readers would be the best fit for my book. It is creative nonfiction which means it’s a true story written to read like fiction.

Chanti: The combination of true crime and thriller elements is certainly a natural one. What’s next on the horizon for you? What can your readers look forward to?

Caraway: Getting the Unfollow Me Duet out has been the sole focus on my daily activities. I have two other books fully written in draft form that I will eventually turn back to. Stay tuned!

Chanti: Exciting! Changing gears a little bit back to the mechanics of getting the work done—do you ever hit those dreaded writer’s block moments? And if so, what’s your secret for getting unstuck?

Caraway: Funny you should ask! The same question recently came up with a group of young writers in the Hey, Young Writers group.

Several years ago, when I first started writing, a friend of mine sent me an avatar that I named Pat/Patrick/Patricia. It’s framed and sits on my desk to represent my readers. When I get stuck, I think of what Pat/Patrick/Patricia might want to happen next and sometimes I even talk it out with the frame (yes, with an inanimate object). It doesn’t matter if it’s a silly idea because those often lead to the BEST ideas. The important thing I have to remind myself is not to force an idea to come. It always seems like when I push it from my mind, that’s when ideas on how to get unstuck hit me. Like, wham!

Chanti: I love the idea of having a reader avatar! Finally, writing can be emotionally intense work, especially given the nature of your stories. How do you unwind and recharge when you’re not writing?

Caraway: I am an avid scuba diver with quite a few dive certifications. I love to travel, dive, and experience new ecosystems. I love that when I’m underwater, nothing else in the world matters. And, of course, reading—especially on a rainy day.

If you would like to support Kathryn’s work, and get a pre-release copy of Unfollow Me and its sequel He Follows Me, her Kickstarter project is running through the end of June. Unfollow Me Duet Kickstarter

Kathryn Caraway has lived the life she now writes about. Targeted by a stalker, she’s traveled through the justice system seeking help, protection, and the conviction of the man who turned her world upside down. After he received only a short sentence for three separate charges, and added two probation violations to his record, Caraway chose to erase her presence from public view. She quit her job, changed her name, relocated, and deleted all her social media profiles, only to find out that he continued to violate the protective order by attempting to locate her.

To deal with the stress of the situation, Caraway turned to her education, a Bachelor of Arts in the English degree family, and began to write about her experience. She’s always been an avid reader and has been writing stories as a hobby since she was fourteen. With a new name, in a strange place and no job, writing her story quickly became her passion. In 2022, she wrote her true crime memoir, Unfollow Me, and later that year she followed it up with a fictional alternate ending to the same story. The thrill of writing plot twists with characters developed from her imagination became a thrill, and, after writing the first book, she created the pseudonym “Kathryn Caraway” and decided to venture down the dark, scary path of publishing.

June 6, 2025
The PARROT’S PERCH: A Memoir of Torture and Corruption in Brazil by Karen Keilt – Memoir, Dysfunctional Families, True Crime Biographies

Karen Keilt led a life of privilege, a life that most of us only dream of, but she turns the dream upside down in her memoir The Parrot’s Perch: A Memoir of Torture and Corruption in Brazil, where she exposes the seamy underside of that life and the corrupt government under which she lived. Keilt takes us from her childhood filled with the horses she loved, to her marriage to a man she adored, to the fatal incident that destroyed the world she knew.

The memoir moves between New York and Sao Paulo as Keilt sets the stage for an incident that occurs shortly after her marriage. Keilt places no blame, but tells her story with an objective eye, while expressing the confusion she held of her experiences: the kidnapping, torture, rape, and interrogation by the police for “…forty-five days of hell. Three million, eight hundred and eighty-eight seconds.”

Karen Keilt presents a memoir that is tough and unapologetic. She sandwiches her story within an interview at the UN, which is smart because some of the events are so intense and violent, they call for a breathing space where readers can decompress.

The sign of a good memoir, like any other piece of literature, is readers cannot put the work down. Here, Keilt has crafted her story in a plot that flows, and characters who are sympathetic and despicable. We follow her through her vivid, active setting in beautiful Brazil, to the prison, to New York, and California. Her struggles are heartfelt right up to the satisfying ending.

When she receives the call from the Truth Commission, she is willing to help her beloved Brazil in any way she can, even if it means resurrecting her past and the recurring nightmares. She’s interviewed by a political scientist and investigator who is building a case against the Brazilian government for crimes against human rights that had been perpetrated for decades by its savage police force and military dictatorship. These interviews, held at the UN in New York City, envelope the story she relates.

Keilt’s page-turning memoir takes readers on a journey we might be reluctant to travel, but compelling and essential, nonetheless. We must see how she gained her freedom from the oppression and how she lived the nightmare of those forty-five days. Her story is too real, too raw, too vital to simply set aside.

This action-packed memoir exposes international affairs, historical events, and human rights abuses. For some, Keilt’s story will hit a rather delicate nerve and serve to remind us why it is crucial to protect our democracy, to be vigilant and aware of those forces that seek to unravel our freedom of speech and freedom of the press. Indeed, we must all work towards a democracy that puts the lives of its citizens before those of a few powerful politicians who may have their own agendas.

In corresponding with the author, she reflects, “The truth is, I was sooo very lucky. I was, by the grace of God, a dual citizen. I was welcomed to the US when I made my escape. I had with me the only precious thing I could never have left behind. My son. Also a dual citizen. Today, when I hear the echo of those words, ‘Welcome home, Mrs. Sage,’ uttered by the passport control agent, I truly understand how blessed I was. My experience gives me more empathy for the agonizing fear of today’s immigrants who flee terror, starvation and tyranny often journeying through untold dangers for weeks or months only to finally arrive in the US and be turned away or worse, imprisoned and separated from their children. If that had happened to me, I would not have survived.”

Keilt shines a bright light on the horrors of what happens when corruption infiltrates the highest levels of a governing body, something we should all pay attention to and be outraged by. The Parrot’s Perch won Grand Prize in the 2020 CIBAs for Overcoming Adversity Non-Fiction works.

November 22, 2019
CURBCHEK RELOAD by Zach Fortier – True Crime/Police Memoir

Interspersed with surprising moments of dark humor, fervent police pranks, and told with unchecked language, CurbChek-Reload by Zach Fortier is an expose’ of the challenging and graphically violent situations that are reflections of his day-to-day experiences of his thirty-year career as a city police officer.

Fortier’s CurbChek-Reload is the third installment of his true-crime trilogy, The Curbchek Collection and takes readers on another ride through the arduous physical and emotional tribulations he experienced as a veteran police officer.

Fortier does not temper his prose when he describes the depth of indifference, cruelty, malice, and depravity people inflict upon themselves, their loved ones, or someone in the wrong place at the wrong time without regard to the consequences of all involved.

From the first sentence, the reader is positioned as a civilian who desires to witness the real underbelly of the mean streets and rides along in the patrol car. Fortier, who professes he hates ride along’s, recounts each story to you without emotion and in straightforward, curt exposition as if you’re watching over his shoulder. He articulates the benefits, downsides, and hazards of working the night shift, day shift, and with a four-legged partner armed with razor sharp teeth and a nasty independent streak.

The stories take place in an undefined location called Central City and do not have a time sequence. The book is somewhat of a hybrid as it does not follow the usual conventions of true crime or memoir and contains some minor craft issues. However, it shines in its representation of the hazardous and complex challenges faced by the police. Fortier admits that if the public actually knew how thinly spread the police department was at times (six officers for an entire city), there would have been absolute panic.

Fortier’s attitudes concerning some members of an apathetic society, duplicitous city leaders, inept police department management, and other officers are quite telling. He calls the people who drive into the city each morning to work Daywalkers.

Conversely, Fortier provides examples where he relied upon his ability to communicate to de-escalate dangerous situations such as domestic disturbances, suicidal gestures or attempts, a potential melee, insatiable drug abusers, and so on.

There is no overall plot or chronological framework to this story; rather, it’s a collection of episodic scenes without a story arc that occurred during the author’s law enforcement career. The writing style contains gives the impression this book is a transcription of the author’s recorded recollections of some of his intense situations that he experienced in his thirty-year career as a policeman.

Nevertheless, as written, this collection contains some indomitable, funny, freakish, sad, outlandish, and bizarre accounts that vividly reflects one police officer’s complex experiences that occur all in his line of duty to protect and to serve.

April 10, 2017