Tag: Morocco

  • MOROCCAN MUSINGS by Anne B. Barriault – Travelogue, Moroccan History, Multi-Cultural

     

    Anne B. Barriault’s Moroccan Musings is a creative blend of personal journal, travelogue, and historical narrative about an ancient culture and civilization.

    The slim three-part volume delivers contemplative vignettes that showcase Barriault’s draw to the intoxicating beauty of this North African country and the openness and sincerity of its people. Early on Barriault relates that her story was born of wanderlust, curiosity, ignorance, yearning, and desperation. In the aftermath of the tragic events of 9/11, her quest for knowledge about the Middle East grew, along with a desire to better understand Islam and the Muslim world.

    Inspired by a trip to Italy where Arab-Islamic cultures had been present in the 13th and 14th centuries, Barriault ultimately joined a “Moroccan Discovery” museum tour group. The experience gave a voice to her writing as she described her visit to a region that was “sensuous, intoxicating, spiritual, and earthbound.” From olive groves, cork tree orchards, and dogs rooting for flavorful white truffles, to the contrast of an unremarkable Moroccan home exterior and its interior of marble floors, colorful tiles, filigree arches, silk & brocade fabrics, and calligraphic Koranic blessings, Barriault invites readers along on her excursion.

    She reflects on the beauty, friendliness, and curiosity of the young people she meets in a place where adolescent boys are taught the art of selling and trading, as they entice visiting foreigners to speak bits of the Arabic language. Meanwhile, three generations of women in the central marketplace show the changing culture, the covered elders, their daughters in European attire wearing the hijab head scarf, and a granddaughter defying tradition by choosing clothing inspired by pop stars.

    In part two of this travel memoir, Barriault showcases her solo journey to Fes.

    Here she notes that her first trip to Morocco was “through the lens of a five-star hotel.” “This time around was the lifting of the romantic veil.” She details an ancient city with shops, houses, and astonishing artisanship. Free concerts in the public square, along with a sacred music festival offer enticement with their carnival-like atmosphere. Lunch with a hosting family features an array of delectables from salads and couscous to roasted meat, along with fresh fruit and the ritual of mint tea. Unfortunately, she puts future travel plans on hold due to the restless discontent in the country.

    Part three in this trilogy of essays finds Barriault on a family trip to Marrakesh for Christmas of 2018.

    With time’s passing, the area is now home to 2 million people. A new museum has opened to preserve the city’s heritage, and the Moroccan King and Queen are now divorced. Barrialult spends Christmas in the desert, artfully describing the beauty of the sand dunes changing color with the light, a flavorful tagine lunch at camp, and a precarious ride aboard a long-lashed camel with its “camelicious thoughts and sideways glance of bemusement.” From the ancient Berber influence that permeates the city and the five times daily call to prayer, to the Western presence that finds Marrakesh a modern-age mecca for the likes of expatriates, rock stars, and hippies, Barriault’s revelations are rich, sensory, and alive.

    Moroccan Musings by Anne B. Barriault won First Place in the 2014 CIBA Journey Awards for Narrative Non-Fiction.

     

    5 Stars! Best Book Chanticleer Book Reviews

  • MOROCCAN MUSING by Anne B. Barrialut – Non-Fiction/Memoir/Travel/Morocco

    MOROCCAN MUSING by Anne B. Barrialut – Non-Fiction/Memoir/Travel/Morocco

    Anne B. Barriault fell under the spell of Morocco on a tour of Moorish ruins in Italy. She joined an organized museum group excursion called “Moroccan Discovery” and later would return on her own for an 8-day stay in Fes under the caring eye of a resident family. Morocco, she says in her rich recollections of those journeys, is “sensuous, intoxicating, spiritual, and earthbound.” Here is the memoir-travelogue of Barriault’s, a museum professional, visits Morocco, recording colorful impressions in prose with accompanying pencil sketches by illustrator Shawna Spangler.

    In the first part of this rhapsodic tribute to the country, Barriault describes the various, sometimes chaotic events of the group tour: a first glimpse of the storied mirages of the desert, camel rides in the sand dunes that magically change color, a somber visit to Chellah, the sacred ruins outside Rabat where storks and eels guard the spirits of the dead.

    A scholar as well as author and observer, Barriault explains the meaning and history of the harem, where men protect their women by isolating them, and the hajiba, the ancient laws that require women to enter the homes of their husbands and never again step outside. She examines the veil in all its significant stages through the ages and contemplates the compromises that women must make, whether Muslim or not, veiled or not. She recalls the stares of young Moroccan girls and women at her unveiled freedom, circumspect looks that may hide disapproval or envy. Boys, too, are an important part of her writing. She describes the young men hanging about in city streets and shops, sometimes selling something or simply hoping for some recognition of their open, friendly chatter and attempts to speak English and teach a few Arabic words to the gaggle of foreigners.

    In the second part of the book, she visits on her own, in Fes, where she can immerse herself ever more deeply into the Moroccan culture. Having come to the city particularly for a sacred music festival, she finds herself forgetting all about her concert tickets on an afternoon when her hosts  — an ancient patriarch and his eight grown children all living together — treat her to a homely feast. Dish after dish –salads, couscous, roasted beef, fruits and finally fresh mint tea served with the aroma of incense — are brought forth, climaxed by a gift of a bracelet made of green glass bead, “the color of Islam.”

    She constantly reminds the reader that the Moroccan people, whose history and political life she carefully details, are friendly, open and sincere, happy in the happiness of their visitors, whether tourists on a short trek through the souk (shops) or coming for a longer stay, as she did, to plumb the depths. 

    Barriault writes with verve and emotion, almost poetic at times in her wish to convey the mystical beauty of this North African Muslim civilization. Illustrations by artist Shawna Spangler provide visual souvenirs drawn from the lush, illustrative narrative. Later the reader feels Barriault’s frustration as she realizes that, owing to the continued upheaval in the region, she will not soon be able to return to the Moroccan she loves.

    5 Star Best Book Chanticleer Reviews round silver sticker