Tag: Linda Cardillo

  • A PLACE Of REFUGE: Book Four of First Light by Linda Cardillo – Romance, Historical Fiction, Women’s Literature

     

    Izzy Monroe has lost herself. Three months after an accident that damaged a portion of her brain, she isolates herself in her parent’s home on Chappaquiddick Island, on the eastern end of Martha’s Vineyard.

    She has spent her life in the world of academia, working on a doctorate in literature at Harvard, but now with her short-term memory gone, she has to give up her dreams. Her emptiness and doubt have left her rudderless and deeply depressed.

    When her former college roommate, Maria, suggests she intern at Portarello, Maria’s grandfather’s self-sustaining farm in the Italian countryside, Izzy isn’t immediately convinced she can make the journey alone much less work at the successful inn and thriving farm. However, Izzy remembers the peace she felt there on the one visit she and Maria made years ago, and she knows this is her only chance to regain any sense of normalcy.

    Daniel Richetelli, a Jesuit priest and Maria’s cousin, is facing a crisis himself. After ten years of self-sacrifice, he has lost his faith and is desperate to find a new path.

    He knows his grandfather can help him find his way, so he leaves the Church and goes to Portarello. A chance encounter with Izzy leaves him reeling. In her, he feels he has found that for which he is searching, but the guilt of his physical attraction to her and the criticism of his sister, Linda, make him once again question who he really is. Meanwhile, Izzy hasn’t felt so much like her old self since the accident. The farm and Daniel are bringing her back to life, but she fears his past will forever stand in the way of their happiness.

    The search for self is the central theme of the novel.

    Izzy remembers the strength she had prior to the accident. She was adventurous and outgoing, a lifelong learner. Not even a disability left over from her bout with childhood polio could keep Izzy down. Half-Wampanoag, half-Irish, Izzy was a warrior from the beginning. She was fearless. Now, she knows she is hiding from this new Izzy, a woman who doubts herself and cannot see past her brain damage to the new life she must build. She is scared to risk the possibility of failure and pain, but Maria convinces her she cannot rediscover herself without taking the risk.

    When she does finally gather the courage to leave her hovering, protective family, she thinks she must keep her inability to remember a secret from the other interns and Maria’s family. She hopes to reinvent herself among strangers and the physical labor of farm life. That journey to self-discovery feels like stepping off the edge of the world, and finding to courage to take that step is a part of reclaiming her life.

    Though she cannot truly interact with the other interns or inn guests because of her memory, she plays the part in yet another step toward normalcy.

    Izzy is amazed by the power she finds in physical labor. Working in the vegetable gardens and tending to the pigs form a sense of connection as her brain begins to heal and form new pathways. This also leads to a deeper appreciation for her Native American heritage, a deeper contemplation of the natural world – a world so foreign to her after years spent in study and academics.

    Her immediate attraction to Daniel and the physical relationship they share also give her purpose.

    United in their vulnerability, the two draw on and strengthen each other. Daniel’s path to the farm began with a forced leave of absence from the Church. He struggles with Jesuit ideology to find God in everything. In fact, he can find his maker in nothing recently. He is not looking forward to the mental grilling his grandfather will give him, but he knows it is the only way to truly rediscover himself. He lacks Izzy’s courage, though, and doesn’t immediately face his indecision.

    Daniel recognizes a mystical power within Izzy, likely from her brush with death, and he is inexplicably drawn to that power. The guilt he feels over his fascination with her and his lack of courage nearly push him to self-destruction, and it is only her love that pulls him back from the brink. She gives him the freedom to be himself, and he gives her the freedom to face her new limitations.

    Just like the archaeological dig occurring on the farm, the two must uncover the treasures buried beneath layers of doubt and uncertainty, and just as those artifacts show a connection to the past, Daniel and Izzy must use their pasts to create a new future.

     

    5 Stars! Best Book Chanticleer Book Reviews

  • LOVE THAT MOVES the SUN by Linda Cardillo – Historical Fiction, Literary Fiction, Renaissance Fiction

       

      Blue and Gold Chaucer 1st Place BadgeLinda Cardillo debuts triumphantly into historical fiction with her novel, Love That Moves the Sun.

      Vittoria Colonna, an Italian noblewoman and poet born in 1490, lives with grief and isolation. As an adult, she meets and forms a deep friendship with the revered painter and poet Michelangelo. This meeting forms the center point of the novel that takes readers back and forth through time. The story traces Vittoria’s life from her childhood and betrothal to her future husband Ferrante, to her later years with Michelangelo.

      As a child, Vittoria leaves home for the island of Ischia. There, she lives with her betrothed Ferrante and his aunt Costanza d’Avalos.

      Vittoria and Ferrante’s future union will strengthen political alliances. Later, Vittoria becomes a widow and withdraws from public life for several years. One day, she meets Michelangelo, while he paints The Last Judgement in the Sistine Chapel. Their friendship changes each other’s lives forever.

      Cardillo takes great care with the novel’s front matter. She includes lots of material to help the reading experience.

      In the front sections of the book, readers will find a timeline, to help as the novel shifts around. The author also provides a list of historical figures, and fictional characters added for entertainment value. In her author’s note, Cardillo adds that while she followed facts as much as possible, she filled in the gaps with fiction. This shows respect to the life of Vittoria Colonna. Cardillos brings her to life in fiction as Vittoria did for her husband in poetry.

      A theme of polarity shapes Love That Moves the Sun.

      Michelangelo, an artist of paint and of words, “Sees humanity’s secrets and brings them to life on the page.” But the unwavering expectations of the public burden him. Vittoria struggles between staying in her self-imposed seclusion to pray and write, and the powerful pull towards rejoining society and her bond with Michelangelo. The events of the past and present also mirror each other. Events have a subtle organization that sees them building off the context of what happened before. As the past meets with the present, the gaps in Vittoria’s story come together.  Readers get the full picture of her life and feel like they know her strongly.

      Linda Cardillo’s Love That Moves the Sun keeps alive the memory of Vittoria Colonna’s life and work, as a woman who struggled between being a woman of God and a woman in love. Readers of historical fiction and romance should not miss Love That Moves the Sun.

      Love That Moves the Sun by Linda Cardillo won 1st Place in the 2019 CIBA Chaucer Book Awards for Pre-1750s Historical Fiction.

       

      5 Stars! Best Book Chanticleer Book Reviews