Like most fifteen-year-olds, Sonnet McKay loves a good adventure. Still, when she, her siblings, and cousins discover a deserted Victorian mansion in the middle of the woods outside a ghost town near Seattle, they get much more than they bargained for. In an upstairs bedroom, Sonnet inadvertently steps inside a time travel portal and is whisked away to 1895. In her place stands Emma Sweetwine, an identical doppelganger for Sonnet.
Emma’s family was prominent when Monte Cristo was a booming mine town, but life is not what it seems for the oldest of the Sweetwine children. With a mother who seems to despise her and a secret engagement, Emma’s life is oppressive and controlled – a sharp contrast to the spirited, independent Sonnet. With no idea how or why they were switched, Sonnet and Emma must quickly adjust to their new environments and rely only on their closest friends and family. But like any good story, time is running out for the girls as both of their lives rush in opposite directions. They must find a way back to their own times before their chance is gone forever.
Family, both those of birth and those of choice, is a significant theme of this novel. Sonnet has a close familial support system in her twin brother Evan, older sister Jules, cousin Niki, and best friend and cousin Lia. She has been surrounded by a loving family her entire life and spends part of each summer with her Aunt Kate, her father’s sister. Without doubt or hesitation, Evan, Jules, Niki, and Lia spring into action to both cover Sonnet’s absence and find the impossible path back to 1895. Rapp, a boy who has only known Sonnet for a day before her disappearance, is also a seamless part of the rescue brigade. This group instantly takes Emma into their embrace and makes her feel safe and loved, a first in her life. Though Sonnet has little help from Emma’s family, she quickly builds that friendship network she enjoys in her modern life. It is only with the support of the sixteen-year-old Sweetwine family nanny Kerry; Maxwell the teenage family driver; and Tor Emma’s secret betrothed, that Sonnet will hatch an escape plan. Both groups vow to take care of each girl, respectively, and help them keep the faith to make everything possible.
The difference between Sonnet and Emma will highlight the struggle and growth of women in the world. Sonnet isn’t burdened by the many stifling rules, both spoken and unspoken, that Emma must endure. Emma is forced to hide her true self, her true feelings, none so much as those she has for Tor. As an immigrant tasked with a life of menial labor, Tor should never be a part of Emma’s social circle, much less her fiancé. She has no close female friends and must remain docile and meek even when her mother demeans and abuses her. She is stifled by all who should love and support her. Sonnet, with her modern mind and outspoken nature, fights all of those restrictions and leaves Emma’s life better.
Sonnet makes Emma stronger, and Emma teaches Sonnet how to appreciate love in her life. In the very oppression, Sonnet finds the enjoyment of her freedom, and Emma’s liberation will create a connection to Sonnet that she can’t even imagine.
But Not Forever won the CIBA 2019 Grand Prize in the DANTE ROSSETTI Division for Y/A novels.
A gentle and patient story, She Sees Ghosts is a unique addition to the historical fiction genre. Take a break from the hectic modern world and get transported to a simpler time where the full effect of the industrial revolution has yet to change America’s face forever.
After being charged with burglary and attempted arson, fifteen-year-old African American boxer, Curtis Jefferson, has been sent to Fort Grant, a juvenile detention area in Arizona in Vince Bailey’s Path of the Half Moon.
Twenty-two-year-old museum intern and unknown artist, Anne Gautier, has undertaken a significant project, restoring an elegant house on one of the most beautiful streets in New Orleans. The grand old Creole home has been in her family for many generations, and, when her grandfather died, he left her the house on Esplanade Avenue, where all the best French Creole families once lived.
During World War II “quisling” became a byword for a particular type of traitor, one who not only betrays their own country but also actively collaborates with the invaders. The origin of the term was taken from an actual person, a Norwegian named Vidkun Quisling, who didn’t merely cooperate with the Nazis but actually headed a collaborationist regime in his own country.
