Tag: Contests

  • Three Rules for Writing Historical Fiction That Will Transport Readers Back in Time

    There is magic in historical fiction.

    Magic that takes you to another time and place. In a time machine, you might say, with a beautiful cover and pages in between.

    That’s what readers expect when reading historical fiction. A time machine. They want to immerse themselves in a world that once was and now can only be visited in their imaginations. But who is this storyteller, this weaver of time, and how, exactly, does this time machine transport readers into the past?

    Books, clock, purple, blue, red

    Let’s look under the hood of that writer’s time machine and get to know the rules of historical fiction!

    1. Immerse Readers in the Past

    Historical fiction requires authenticity. Placing the reader in a world that once existed means they have a sense of that world based on their own experiences and knowledge. This doesn’t mean you can’t shape their beliefs, but to do so you must adhere to the way that world existed. 

    Before you tap one key on your computer, do your research. Immerse yourself in your characters world. Be a reporter from that time and ask yourself the who, what, why, and how questions that will help you set the tone and create the authenticity to make your story ring true.

    Make sure your sources are relevant and reliable. Readers of historical fiction tend to be well-versed in the time periods they are interested in reading about, so it’s up to the writer to make sure the details they put into their story are as accurate as possible.

    2. Characters That Live in the Past and Thrive in the Present

    They say the more things change, the more they stay the same. This thought can be applied to the characters your readers will meet in your story. Styles change, trends evolve, and what was once acceptable in society no longer is, but some things never change. 

    To make relatable characters in historical fiction you must blend the societal norms of their era with issues that can still resonate with readers today. You see this in the anguish over someone’s death, or the joy of seeing your destination after a long, difficult journey. Humanity has always shared similar desires and calamities, use them to bridge the gap between readers and the characters in your imaginary world.

    Blending the past and present is also needed for other details within your story. Maybe it’s clothing or language, or a specific smell or sound that places the reader in the past. Slip inside your character’s skin, but keep in mind the thru lines that humans have always shared.

    Books, hand, sleeve

    3. Restrain Your Research

    If you enjoy writing historical fiction, there’s a good chance you love learning about the past, and that’s where our good intentions can derail our writing process. Each turn of the page generates a new idea for your story, and time slips away before you realize your research has sucked up all the time you’d set aside for actually working on the manuscript.

    To protect yourself from this fast road to nowhere we suggest blocking out dedicated time for the research portion of your designated work time. Set an alarm for a specific time and commit to ending that day’s research no matter where you are in the process so you don’t miss out on writing. That is what timers are for!

    Be clear in your goals for your research to ensure you get what you want from the time spent researching. Organize the appropriate resources and tools you’ll need before sitting down so they’ll be within reach, and write a list of the things you want to accomplish before getting started. If you find yourself straying from your goals, refer to the list to find your next subject to research.

    Create steps for your research to break down the work into manageable tasks. You could do it by subject matter, or resource material, or anything that fits your specific needs. The point is to make it less overwhelming as you move through the tasks. Prioritizing the tasks to get the most important or urgent ones done first will also help you to streamline the process further.
    Don’t forget to take breaks from your research to get out of your headspace and refresh. Sometimes we can become so involved in the worlds we are researching that it’s hard to get into the world of our imagination. By taking a break to refresh, it gives our brain time to process the information and see it anew to incorporate into a plot.

    book, glasses, old, buckles

    Buckle Up for a Long Ride

    There’s no way around it—good research takes time and effort. But the payoff can be amazing for your readers. The more you can place them in the time period of your story, the more the story will infiltrate into their imaginations. The devil is in the details, but the details need to make sense. So don’t rush the process. Set boundaries, work toward goals, and find good, reliable sources and you’ll surely find the valuable information that will take your readers back in time on a magical historical fiction ride all the way to the very last page!

    For more tips on streamlining your research check out these Chanticleer articles:


    The Last Man cover

    The Last Man
    Thomas Goodman
    CIBA Grand Prize Winner in the Laramie Division

    In The Last Man: A Novel of the 1927 Santa Claus Bank Robbery by Thomas Goodman, four men in a small, depression-era Texas town lay in wait to carry out their unique plan for a holiday heist.

    It’s December 23 and a man in a Santa Claus suit walks into a bank. But rather than his bag full of Christmas surprises, he’s brought a gun. With the element of surprise on their side, the robber and his two partners would collect the cash, while another partner waited in the getaway car. It all seemed so simple.

    At the time, Texas bankers—in order to deter crimes such as this—promised a $5,000 reward for any dead bandits, “and not one cent” for the capture of a live one. Should anything go wrong, the possibilities for disaster were clear as a Greek tragedy, but what could go wrong?

    Guns blaze within minutes of entering the bank.

    Read more here…

    The Brisling Code

    In The Brisling Code, a fast-paced first installment of her historical thriller series, Oakley weaves a brilliant portrayal of the perils met by the Norwegian Resistance during WWII.

    Layered perspectives—from resistance workers, traitors, and even an SS Officer—create a rich world through which readers can understand the sacrifices that were made to free our world from the tyranny of Nazi Germany.

    Immersed in volatile Nazi-occupied Bergen, Norway, fearless young intelligence agent Tore Haugland and his team of organizers work tirelessly to protect the essential work of the Norwegian resistance.

    Read more here…

    The Spoon Lisa Voelker

    The Spoon
    By

    Lisa Voelker’s historical fiction novel, The Spoon, takes us back to the 1950s in Hungary during the daring student uprising, and attempted revolution, in Buda and Pest. The author weaves historical facts with fiction in the form of family lore that has been handed down for generations.

    We follow scores of people whose lives intersected during this uprising of 1956. The revolution was, at its inception, a time of joyous upheaval, but in less than two weeks became one of devastating dissolution. People fled Hungary by the thousands, but not before giving the Soviet Union a taste of their discontent.

    Read more here..

    The Merchant from Sepharad

    Joshua Ibn Elazar, the eager son of a Jewish merchant, travels to al-Andalus (the Iberian Peninsula under Muslim rule) to prove himself in his father’s business. But he finds an unwelcoming, degrading society waiting for him, and begins a journey of misfortune and anger in James Hutson-Wiley’s historical fiction novel, The Merchant from Sepharad.

    Shortly after arriving in the city of Lishbunah, al-Andalus, Joshua is tricked out of the gold for his living expenses. Worse yet, he learns that Jews in Lishbunah suffer under oppressive laws, holding far less status than Muslim citizens. He can only find help in Lishbuna’s Jewish community, meeting Rabbi Hiyya al-Daudi and his son Yaish, who house and feed him.

    Read more here…

    A Siren Called Truth Cover

    A Siren Called Truth

    Patricia Roberts Wright’s A Siren Called Truth plunges into the fierce rivalry of the Bone Wars, a real-life scientific feud between paleontologists Edward Cope and O.C. Marsh. Blending history, ambition, and human drama, this gripping historical novel explores the cost of discovery and the lengths people will go to secure their legacy.

    A Siren Called Truth is a character-driven exploration of rivalry. Edward Cope, a self-taught genius, is determined to unearth America’s prehistoric past, but O.C. Marsh stands in his way, a well-funded and politically savvy adversary. Their battle for dominance in paleontology is not just about fossils—it’s about reputation, power, and the relentless pursuit of truth.

    A Siren Called Truth’s prose transports readers to the rugged landscapes where fossils lie buried beneath layers of time.

    Read more here…


    Recognition for Historical Fiction Excellence

    Chaucer, Goethe, Laramie, Hemingway, CIBA, Awards

    Don’t miss out on your chance to submit to these fabulous Historical Fiction Awards!

    Whether you’re writing pure historical fiction or adding bits of history into other genres, professional recognition celebrates the craft behind effective tales from the past. The Chanticleer International Book Awards recognize outstanding fiction across multiple divisions that dive into the past:

    Chaucer Awards ~ Perfect for Early Historical Fiction (Pre-1750s Historical Fiction Novels

    Goethe Awards ~ Ideal for Late Historical (Post-1750s Fiction Novels

    Laramie Awards ~ Excellent for Western, Pioneer, Civil War, First Nations Fiction Novels and other Historical Fiction Books 

    Hemingway Book Awards ~ Fitting for 20th & 21st century Wartime Historical Fiction Novels

    The 2025 deadline is August 31st! These awards recognize the skillful writing in genres that creates memorable, impactful historical fiction.

    Historical fiction is about creating emotional experiences that resonate in the modern world long after the final page. Whatever your primary genre, adding in great period details, creating relatable characters, and sticking to a good process all the way to the finish can transform good stories into unforgettable ones.

    Submit before August 31 and let professional judges recognize your skill in crafting compelling, historical fiction.

  • Writing Community Groups from the desk of David Beaumier

    Writing Community Groups from the desk of David Beaumier

    Authors Write in Community

    One of our favorite Writing Communities meets annually at the Chanticleer Authors Conference!

    How to Form a Writing Community

    No matter where you are in the writing journey, it’s never too late to join a Writing Community or form a Critique Group. We’ve talked to people who have ran book groups at our own local Village Books, those who ran the Skagit Valley Writers League, and those who have gone through graduate-level writing classes to bring you the best tips and tricks for your community needs.  

    Writing Communities and Critique Groups are often a wonderful and necessary step on the journey to becoming a professional author, not just someone scribbling into the void.

    So my Writing Community will fulfill all of my authorly needs?

    Commander Tuvok and Ensign Kim of the USS Voyager answering the question "Can one group meet all your needs?" with No and Yes respectively.
    Commander Tuvok and Ensign Kim of the USS Voyager. Kim is usually wrong.

    Probably not. Just like one person can’t fulfill all our needs for friendship, writing communities are diverse and can include your local bookstore to the writing group you found online during quarantine. It isn’t just one thing, but here we’ll talk about how to build one if you notice your needs aren’t getting met as well as they could be.

    First, we’ll focus on where to begin, then we’ll dive into actually running a critique group.

    Starting your Group

    Pick who you want to be in your Writing Community

    Two women talking in front of a computer

    When putting together a group it can be important to consider both experience and demographic. If you’re hoping to publish by the end of the year, it’s important to work with like-minded people as opposed to writers who are just discovering their voice. Of course, even a writer who is still working through their craft may be an excellent reader, so don’t be afraid to take a chance on someone!

    Likewise, while it’s helpful to have a variety of readers, ask yourself who the audience for your book is. Lee Child’s The Killing Floor has a pretty different audience from The City of Glass by Cassandra Clare. The best feedback will come from the people who would be interested in grabbing your work at the bookstore.

    If you’re looking for more on connecting with readers, and less on connecting with other writers, check out this article on reader engagement from Kiffer Brown here.

    Decisions in a Critique Group

    There are plenty of ways to run a writing group, but knowing if it’s open or closed and whether people come prepared to give feedback or if they’re expected to give feedback in the moment is key

    For a critique group though, start by asking if it’s going to be a closed or an open group. Even with an open group, it helps to recruit people to join it initially, so you set the tone and hopefully create something that will really serve your needs.  

    For an open group, you’ll have the great pleasure of extraordinary writers coming into your sphere, though on the other hand, you will also find writers whose work needs desperate help beyond what you can give to the work just being plain offensive. Despite that, the rewards of working in an open group are innumerable, as are the connections that will help expand your circle of influence.  

    In a closed group you don’t have the same level of variety in the people you work with, but the consistency can make up for that. Of course, if the people you invite in end up feeling hurt, this can negatively affect friendships that have been brought into the group.  

    Regardless of who you have in a group, it’s worth remembering that writing is a sensitive art, and it does well to treat people kindly, even when giving direct feedback.

    When is Feedback done?

    Whether or not you choose to do an open or closed group, you also need to pick whether or not work will be read in advanced so feedback can be ready to present at group. The other natural option is that the author will present their work at the group and receive feedback immediately after.

    I ran a group for 7 years that sent work in advance, and I found the extra time to comment and think about a book really helped! That said, the maximum word count suggestions and number of members we had meant we critiqued approximately 40,000 words a month! That’s a lot of novels!

    In contrast, Janet Oakley, a Chanticleer Overall Grand Prize Winner, is still in a group where the author reads the work aloud and then receives feedback in the moment. That group saves a lot of time and effort by keeping the focus on just what can be shared in the time that they meet. Both have great merits! – David

    Regardless of the choice you make, writers will be able to get a huge benefit from however feedback is delivered!

    Community is something we make at Chanticleer

    Here at Chanticleer we have our usual (or unusual) suspects in terms of people who live near us and are guaranteed to show up at our local events ready to cheer us on.

    To facilitate this, we’ve created The Roost, a private online community for serious authors looking for support. Not only does The Roost offer steep discounts on many Chanticleer services, there are weekly write ins, monthly workshops, author promotion projects, NaNoWriMo support, and of course pictures of our beloved pets (always a must).

    If you’re interested in joining the Roost, please reach out to AuthorOutreach@ChantiReviews.com

    One of Kiffer’s adorable kitty cats

    The Roost is a social community where authors can share their expertise and knowledge with fellow writers who take the craft and business of being an author seriously. Make posts and share photos just like any other social media, but better since the community is intentionally curated for writers!


    Thank you for joining us for this Writer Toolbox Article

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    There is so much to learn and do with Chanticleer!

    From our Book Award Program that has Discovered the Best Books since the early 2010s to our Editorial Book Reviews recognizing and promoting indie and traditional authors, Chanticleer knows your books are worth the effort to market professionally!

     

    When you’re ready, did you know that Chanticleer offers editorial services? We do and have been doing so since 2011.

    Our professional editors are top-notch and are experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillian, Thomas Mercer, Penguin Random House, Simon Schuster, etc.).

    If you would like more information, we invite you to email us at info@ChantiReviews.com for more information, testimonials, and fees.

    We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis. Contact us today!

    Chanticleer Editorial Services also offers writing craft sessions and masterclasses. Sign up to find out where, when, and how sessions being held.

    A great way to get started is with our manuscript evaluation service, with more information available here.

    And we do editorial consultations for $75. Learn more here.  

    Writer Toolbox Helpful Links: 

    Creating Shared Content to Engage Readers and Build a Fan Base

    The Second Blog Post of 2021 – ZOOM Primer – 12 Must Do’s for Writers and Publishers for 2021 by David Beaumier and Kiffer Brown

    The Third Blog Post of 2021 — Mastering the Zoom Meeting and Hosting! – A Chanticleer Writers’ Toolbox Post

    The traditional publishing tool that indie authors can use to propel their writing careers to new levels?  Check it out here!