Eve’s Eden by Kate L. Lewis is a novelette, rich in tone and relevant to today’s audiences.
When Shelly Hart left for the Vanguard Drama House and Social Club, she expected an evening of theatrical entertainment. She was not expecting a protest. Muscling her way through the sign-toting, shouting crowd, Shelly witnesses hostilities toward the playwright, Fran Miller. After Shelly has found her seat inside and Miller steps out and onto the stage, Shelly sees why. With her controversial retelling of the traditional Adam and Eve story, Fran shows the struggle many women experience as she questions the role women play in a misogynistic society.
The theme within this short work is complex.
Misogyny and belonging seem paradoxical bedfellows; however, the two work together to create an engaging focus of the novelette. In an almost memoiric fashion, Fran Miller, the author of the play Eve’s Eden, takes center stage to recount her troubled personal experience with both. Some of her earliest memories are religious in nature. She learned at a young age that questioning the staunch beliefs of her community would lead to heartache.
When Fran finds it far-fetched that Eve, the first female, could be responsible for bringing all sin into the world, she is severely disciplined. She feels this was her first introduction to misogyny and cannot understand how people, especially women, can be punished perpetually for something she finds questionable. However, she learns to hide these feelings, and later, she even justifies the world, which represses her by saying these times are only temporary “bubbles” that will pass.
Fran refuses to believe what she has been taught – that people deserve the terrible things which happen to them – and moves past her abusive marriage and the sexual harassment in her workplace to find her voice by writing her play.
Many women will see themselves within her narrative, her struggles to be a woman in a male-dominated world, and her journey to belonging.
The Vanguard Drama House and Social Club is a place for all. Though some in this small city don’t like its “left-leaning tendencies,” criticism of the theater is rare, and Shelly finds her first visit a defining moment. It is here that she feels and understands the founder’s intent. P.T. Curtis brought his dream to fruition as a tribute to the many traveling shows of his youth. He built the theater and club as a place for free thinkers, a refuge where all could openly express themselves. No play was ever turned down based on content, and each generation after him held to the same beliefs.
Such a place is a beautiful idea, and it’s little wonder so many find it comforting. Eve’s Eden is a perfect read for those who love a unique storytelling approach and who enjoy the theatre.
An ordinary gray tabby discovers the behind-the-scenes magic of community theater in Peggy Sullivan’s, Tevye the Magical Theater Cat: Introduction to Community Theater.
