“You can’t become a Jedi at whatever it is you’re doing unless you know it.” Jeni Britton Bauer.
Take book marketing. A lot of students in the writing classes that I teach are really intimidated at the thought of marketing and promoting their book. But it’s not rocket science.
To get started, you can go to writers’ networking meetings, see what other authors are doing—maybe launch a blog or update your existing one, or join Goodreads and run a contest. You can attend events like the Chanticleer conference, and learn more about social media or refresh your marketing skill set—perhaps get up to speed with book clubs or the latest in online retailers’ promotions, or meet experts in book marketing you may want to collaborate with.
Once you’ve assessed your options, you can focus on the strategies that especially resonate with you. If you’re the adventuresome type, you can also try the proverbial “throw spaghetti at the wall and see what sticks” approach. Whatever you choose, you can make the most of your marketing funds if those tools not only fit your budget and available time, but are those you’re most likely to follow up on.
Whether you’ve published your book or you’re an aspiring author, keep your eyes open for inspiration in unexpected places. I recently came across a piece in More magazine about updating your elevator pitch. To take your pitch or tagline from generic to sparkling, don’t begin with your name. Instead, tell a personal mini-story, then use vivid language to briefly describe what sets you apart. (From Robin Hatcher of SpeakEtc., a company that focuses on communication and presentation skills.)
Ms. Bauer (see the Jedi quote, above) is an ice cream impresario, who not only makes ice cream but lives it. She isn’t talking about executing something perfectly, but mastering a skill until it comes organically to you. And having a great time doing it! Which brings us back to writing…
Many authors say the best marketing you can do is to write your next book. So…above all, reserve the mental bandwidth you need for storytelling, keep refining your editing talents, nurture your creativity and have fun! Hopefully, you’ll find a balance between writing, promotion, and cultivating an interesting and creative life.
May the Force be with you!
A note from Kiffer Brown:
I would like to thank Susan Colleen Browne for her guest blog-post. Susan will present several sessions at the Chanticleer Authors Conference that will be held on April 29, 30, & May 1, 2016 in Bellingham, Wash. She writes Irish stories about love, friendship, and family. You can find her books available for purchase at the Books By the Bay Fair that will be held in conjunction with the conference.
We invite you to visit Susan’s delightful website for more information and for links on how to order her books.
Pulpwood Queens Book Club’s Founder, Kathy Murphy, tells all!
Meet Kathy Murphy, the “Pulpwood Queen” who opened the only Hair Salon/Bookstore, Beauty and the Book in the country in Jefferson, Texas and in 2000, founded and now operates the 600+ chapter book club, The Pulpwood Queens, nationally and in 15 foreign countries. Have a question for the Queen? Bring it to the Chanticleer conference session!
What was your motivation to launch the Pulpwood Queens?
Shortly after opening my Hair Salon/Book Store, (Beauty and the Book), the local book club invited me to join them for a meeting. I thought they invited me to join and be a MEMBER, not!
Evidently, only eight members were allowed to join and as the hostess told me, “Unless someone dies or moves away, that is all that will fit around our table.”
I was secretly thinking, Who made up that RULE?! Anyway, I went home, sat down, and made a list on what I would do if I started my own book club. This book club would be inclusive, not exclusive. We would call ourselves The Pulpwood Queens, “where TIARAS are mandatory and reading OUR good books was the only Rule!”
By wearing the crown, we would tell the world that we were “beauty within” queens as we were real readers. So for nearly 16 years we have been meeting monthly, first with my charter chapter, The Pulpwood Queens of East Texas.
Since then we have made the news with appearances on The Oprah Winfrey Show, Good Morning America, we kicked off their “READ THIS” Book Club and other radio and print media with now over 600 chapters nationwide and in 15 foreign countries.
Timber Guy Sexy Reading Contest at the Pulpwood Queens’ Girlfriend weekend!
What will readers get out of being a member of a chapter and where/how can they hook up with an existing Pulpwood Queens or Timber Guys chapter?
Everything pertaining to membership is on our website, www.beautyandthebook.com but the difference our book club has over others is we bring the authors into the picture. Most of our authors will teleconference, SKYPE or even visit chapters and for sure be featured at our annual Pulpwood Queen Girlfriend Weekend. I know of no other book club where you have this kind of access to the authors.
I also make all the authors participate in ALL EVENTS at our Girlfriend Weekend. So it’s no secret that Pat Conroy has served Sweet Tea at our Author Dinner, where I make all the authors wait the tables in crazy costumes. You eat, drink, and the authors even stay in the same hotels and bed and breakfasts.
It’s full immersion into the Wonderful World of the Pulpwood Queens with the Grand Finale being our Great Big Ball of Hair Ball. The theme this year is ONCE UPON A TIME. All the authors dress up, too, and it’s the ultimate Kodak moment, so bring your cameras BIG TIME!
What is Kathy Murphy looking for in a good book? What speaks to you as a reader?
Since my book club is now international, here is what I am looking for:
An unknown author, one that is perhaps a first time/first book or one that hasn’t been discovered in a really big way. Yes, I want to pick a big name once in while but only if they can come and be a Keynote at my annual convention which we call Girlfriend Weekend. Example, Pat Conroy, Fannie Flagg, John Berendt, Jamie Ford, etc.
This is a given but it must be well written, free of flaws and my book club members do not like to read books with gratuitous violence or language, but I do make exceptions. I selected Girl with the Dragon Tattoo because it was just such a great, well written story.
Most important of all, the book must tell a story that has NOT been heard before or from a perspective that gives the reader a different view of a subject. Examples: The Sunday Wife by Cassandra King, The Dive From Claussen’s Pier by Ann Packer, Empty Mansions by Bill Dedman. Do not send me another queen book set in the south, particularly one that is also a hairdresser. I hold that card, DONE.
I want a book that changes people’s lives for the better. Examples: My Orange Duffel Bag, Same Kind of Different As Me, a book that is discuss-able and that includes book club discussion questions written by the author. My book club hates generated book discussion questions, too literary and not very personal. Authors tend to write questions that they answered.
I really don’t care who publishes a book, a good book is a good read no matter who publishes it.
Last, I want a real book to read, I’m on the computer so much, I want to cuddle with a book in bed!
Thank you Shari Stauch, CEO of Where Writers Win, for this informative interview with Kathy L. Murphy, the Pulpwood Queen!
Shari will present several sessions sharing her book marketing expertise at CAC16 along with Friday evening’s keynote presentation.
Tell Us About the Live Book Clubs YOU Know!
The WWW team and the Chanticleer Reviews team are reaching out regularly to bloggers, Twitter-ers, indie bookstores, readers at book festivals and more, once every few months we circle back to the coolest source –YOU– to ferret out the latest book clubs in cities around the world. Because, the club you know about might also be of value to one of our other emerging authors – and their club may be of value to you!
DreamWorks signed on to produce a movie about Kathy, though as she says, ”I did not do this alone and am not an overnight sensation,” Murphy said. “This came about through years of struggle and hard work and the incredible friendship and help of my Pulpwood Queens Book Club members and our authors and the love of my daughters, my sister and family. We — note that I say WE — have struck a film deal.”
The latest update regarding the film as of April 2016 is that the screenplay has been written and approved. Dreamworks has sent the script “out to talent,” so stay tuned to see who will play Kathy L. Murphy.
CEO of Where Writers Win, Shari Stauch, and Pulpwood Queens Book Club founder Kathy Murphy, will conduct a special session at the Chanticleer Conference, “Why Book Clubs Matter” – Here’s some great info to get you ready!
LIVE Book Clubs: Are You Reaching These Critical Influencers?
IBook clubs can be a defining moment in any author’s career. Fact is, the success of any book is accelerated if book clubs get hold of it and begin spreading the news. That’s why we call them “influencers” and that’s why book club listings are a key component of WWW’s Winner Circle.
We encourage every author to develop a list of at least 10-12 thoughtful questions that relate to their book(s). Here’s how to get going with your own set of book club questions, what to do with them once you have them, and how you can share book clubs you know about, too! My next article will share some special insights from Pulpwood Queen Kathy Murphy,
1. How to Write Your Book Club Questions
If you’re unsure where to begin, here are a couple sites to get you started. PLEASE note, these are generic questions and we strongly suggest you use these as your “starter dough” to establish thoughtful reader discussion questions that pertain directly to your own work:
Your book club questions, book discussion guide, or whatever else you want to call it, should be listed in the back of your book. Whether or not that’s possible, there are other places to share as well:
On your author website. Have a separate page/tab for your book club questions. We typically suggest that you paste them into the site, but also have a pdf of the questions, (perhaps nicely laid out with a graphic of your book’s cover), that readers can easily download and print for their next meeting.
Share this page widely on your social media outlets. You might also put up a question a day or one a week over the course of time to create more following and even encourage online discussion of your book.
Include your questions when pitching reviewers or book clubs. Make sure you let reviewers, clubs and conferences you may be pitching know that you have discussion questions. You needn’t list them out in each pitch, but do provide a link to where they can view and/or download your guide. One paid option we’ve seen ($200 and we don’t have feedback yet as to its worth to authors) is ReadingGroupGuides.com – you can visit this link for more info: http://www.readinggroupguides.com/how-to-add-a-guide.
With your help, our vetted list of LIVE book clubs in the Winner Circle, now already over 300 live clubs and thousands of readers strong, will offer emerging authors the best chance to expose your work to thousands of new readers. And book clubs will have the opportunity to read new work in the genres of their choice, and maybe even influence who the next best-seller will be… That may be you!
A note from the Chanticleer Reviews Team:
Thank you, Shari Stauch, CEO of Where Writers Win, for sharing this useful information with the Chanticleer Community. We are looking forward to hearing more from you about reaching out to book clubs at CAC16!
We would also like to mention that we have a special blog post just for connecting authors and readers on the homepage of the Chanticleer Reviews website. Be sure to check it out for the latest in specials and offerings just for readers!
To compete in the current book market, where millions of books are published each year, you have to find interesting new ways to get your books in front of potential readers.
[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”]Same old same old
Today, Janet Shawgo, award winning author of the Look for Me series, shares her experience with setting up book signings at wine bars—and how the right creative approach can help spread the word about your books.
Also, as an added advantage, your books will have more focused attention from potential readers. It is a great one-two promotional punch!
Setting Up Book Signings in Unique Places Other than Bookstores
Bookstore managers don’t always return calls or emails, dates may not be available, or dates may be reserved six months in advance.
But who says that you can only hold book signings in a bookstores?
If you can get the okay to set up a table with books, you can have a book signing wherever that may be. (Like a wine bar.) I know of one very successful western fiction author who has his best signings (read as sells more books) in grocery stores!
Another author whose romance novels have a natural healer as a protagonist holds some of her most successful signings in food co-ops and natural supplement stores. Yet another author holds her signings at outdoor equipment stores for her eco-mystery series.
The possibilities are endless.
The Point is to Engage Readers – Janet says:
“These days, you need to find something unique to get your books to new readers. But getting yourself in front of readers can be frightening. I get it! Making your book signing into an event where you can have more interaction than just signing books helps ease the awkwardness.”
“Think of what fits with the theme or genre of your book. If you have a cozy mystery about food, find a local restaurant. If you write romance, a little wining and dining might go a long way.”
Janet Shawgo shares info about her Wine Bar Book Signings
“In April, another Dallas-area author, Michelle Renee, and I are hosting a book signing at a wine bar in the Bishop Arts district. We contacted the owner to ask if we could set up a table and sell our books on a slow weeknight. In return, we will purchase a few bottles of wine (white, red, and rose). We’ll hand out tickets to people, which entitles them to a glass on us.”
“I’ve had huge success with signings at wine bars. At another signing, I sold a good number of books, people enjoyed the glass of wine, and the wine bar had one of its best nights and welcomed me back to hold another signing.”
How to Make the Most of Your Book Signing – More Info from Janet Shawgo, award winning author of the WAIT FOR ME series
“To make sure people get to your book signing, be sure to spread the word! We’re on social media, sharing information about our wine bar book signing, but we’re also telling people at work, as well as family and friends. Don’t be afraid to ask the place that is hosting you to post on social media about the event, too. Targeted Facebook ads to locals might also help spread the word.”
“At the signing itself, we have a signup sheet for our newsletters to capture emails, and we also choose two or three people from it for door prizes at the end of the evening.”
“Be sure that your table is appealing and inviting. Readers love free items, so we have pens, bookmarks, candy, magnets, and key chains. Items that have information about our books on them keep us in readers’ minds.”
Thank you, Janet Shawgo, for the sharing your great idea with other Chanticleer authors!
Kiffer Brown asks: Where do your books’ targeted readers hang out?
kitchen stores?
gardening centers?
yarn shops?
trivia nights at pubs?
comic book stores?
boat supply stores?
pet stores?
coffee shops?
outdoor recreation suppliers?
The possibilities are endless!
Expand your readership—make your list of author/book signing opportunities today!
The CLUE Awards Writing Competition recognizes emerging new talent and outstanding works in the genre of Suspense/Thriller Fiction. The CLUE Awards is a division of Chanticleer International Novel Writing Competitions.
We are pleased to announce the 2015 CLUE Awards Official First Place Category Winners. Good Luck to them as they compete for the 2015 CLUE Grand Prize Award.
Please note that Global Thrillers and Lab Lit fiction entries were moved to the newly offered Global Thrillers Awards 2016.
Congratulations to the 2015 CLUE Awards First In Category Award Winning Suspense/Thriller Fiction Novels:
Blended Genre: Timothy S. Johnston – The Tanner Sequence
Suspense/Thriller: K. J. Klemme – Tourist Trapped
Mystery/Crime: Patrick M. Garry – Blind Spots
Manuscript Mystery/Crime: Scott D. Smith – Guilty Deeds
Historical/Vintage Thriller: Michael Scheffel – St. Louis Affair: The Adventures of Herbert Falken
Legal/Medical/Police Procedural: Laurie Stevens for The Mask of Midnight
Courtroom Drama: Hubert Crouch for The Word
True Crime: Zach Fortier for CurbChek Reload
International Mystery & Crime: Marian Exall – A Dangerous Descent
More than $30,000 dollars in cash and prizes are awarded to Chanticleer International Blue Ribbon Awards Winners annually.
The CLUE First Place Category award winners will compete for the CLUE Grand Prize Award for the 2015 Suspense/Thriller Fiction Novel. Grand Prize winners, blue ribbons, and prizes will be announced and awarded on April 30, 2016 at the Chanticleer Authors Conference and Awards Gala, Bellingham, Wash.
The First In Category award winning titles will receive an award package including a complimentary Chanticleer Book Review of the winning title, digital award badges, shelf talkers, book stickers, and more.
We are now accepting entries into the 2017 CLUE Awards. The deadline is September 30, 2016. Click here for more information or to enter.
Congratulations to those who made the CLUE Awards 2015 FIRST PLACE official listing.
More than $30,000 worth of cash and prizes will be awarded to the 2015 Chanticleer Novel Writing Competition winners! Ten genres to enter your novels and compete on an international level.
Who will take home the $1,000 purse this coming April at the Chanticleer Awards Gala and Banquet?
The CLUE Awards Writing Competition recognizes emerging new talent and outstanding works in the genres of Thriller and Suspense Novels. The CLUE Awards is a division of Chanticleer International Novel Writing Competitions.
More than $30,000.00 dollars worth of cash and prizes will be awarded to Chanticleer Book Reviews 2015 writing competition winners at the Chanticleer Authors Conference April 30, 2016!
The CLUE Awards FIRST IN CATEGORY sub-genres are:
Suspense/Thriller
Detective/Crime
Private Eye/Noir
Legal/Medical/Police Procedural
Spy/Espionage
2015 — Amateur Sleuth/Cozy
The following titles will compete for the FIRST IN CATEGORY Positions and Awards Packages.
This is the OFFICIAL FINALIST POSTING of Authors and Titles that have made it to the Short-list of the CLUE 2015 Novel Writing Contest.
CG Fewston for A Time to Love in Tehran
K. J. Klemme for Tourist Trapped
Patrick M. Garry for Blind Spots
Shirley Worley for Easy Money
Sue Barnard for The Unkindest Cut of All
Michael A Smith for The Money Game
Timothy S. Johnston for The Void; The Freezer; & The Furnace
J.G. Schwartz for Inventing Madness
Timothy Smith for The Red House on the Hill
Antonio Commisso for Silent Partner
Dave Edlund for Relentless Savage
Joe Young for Indian Country
Hannah Warren for The Cottage on the Border
Gary Grossman for Old Earth
Joe Corso for Lafitte’s Treasure
Laurie Stevens for The Mask of Midnight
Virgil Alexander for The Baleful Owl
Matt Stewart for The Man from KNEW News
DL Koontz for Edging through Darkness
Mark Pople for Rogers Park
Ivan Light for Deadly Secret of the Lusitania
Megan Davidson for The Thundering
Carol Hedges for Death & Dominion
Lucy Carol for Hot Scheming Mess
John T. Young for The Princess of Poland
Keith Tittle for A Matter of Justice
Scott D. Smith for Guilty Deeds
K. J. Klemme for Tourist Trapped
Mimi Barbour for Special Agent Maximilian
Michele Daniel for The Red Circle
Zach Fortier for Landed on Black; Hero to Zero; Street Creds
Lonna Enox for Blood Relations
Rian Everest for The Tangerine Tigress & The Tangerine Trio
M. L. Rowland for Murder on the Horizon
Ken Oder for The Closing & Old Wounds to the Heart
Marilyn Ida Horowitz for The Book of Zen
Christine Benedict for Anonymous
Debra Erfert for Relative Evil
Joan Hall Hovey for The Deepest Dark
S.J. Dunn for Angry Enough to Kill
Hubert Crouch for The Word
Kent Politsch for Blood Anger
Stephen Kaminski for Murder, She Floats
Tom Dalgliesh for All Corpses on Deck
D. J. Adamson for Outre
J.A. Faura for Apex Predator
N.G. West for Nine Days to Evil
Vanessa Leigh Hoffman for Treasure
Chief John J. Mandeville for Pine Village Co-op Murders and Sherlockito
J.J. Chow for Seniors Sleuth
Vinnie Hansen for Black Beans & Venom
Marian Exall for A Dangerous Descent
The CLUE Finalists will compete for the CLUE Awards First In Category Positions, which consists of Four Judging Rounds. First Place Category Award winners will automatically be entered into the CLUE GRAND PRIZE AWARD competition, which has a cash prize of $250 or $500 dollars in editorial services. The CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse.
All First In Category Award Winners will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
First In Category winners will compete for the CLUE Awards Grand Prize Award for the $250 purse and the CLUE Grand Prize Ribbon and badges.
TEN genre Grand Prize winning titles will compete for the $1,000 purse for CBR Best Book and Overall Grand Prize.
A coveted Chanticleer Book Review valued at $345 dollars U.S. CBR reviews will be published in the Chanticleer Reviews magazine in chronological order as to posting.
A CBR Blue Ribbon to use in promotion at book signings and book festivals
Digital award stickers for on-line promotion
Adhesive book stickers
Shelf-talkers and other promotional items
Promotion in print and on-line media
Review of book distributed to on-line sites and printed media publications
Review, cover art, and author synopsis listed in CBR’s newsletter
Default First in Category winners will not be declared. Contests are based on merit and writing craft in all of the Chanticleer Writing Competitions.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.
Congratulations to the Finalists in this fiercely competitive contest!
Good Luck to all of the CLUE Finalists as they compete for the coveted First Place Category positions.
First In Category announcements will be made in our social media postings as the results come in.
The CLUE Grand Prize Winner and the First Place Category winners will be announced and recognized at the April 30th, 2016 Chanticleer Writing Contests Annual Awards Gala, which takes place on the last evening of the Chanticleer Authors Conference that will be held in Bellingham, Wash.
We are now accepting submissions into the 2016 CLUE Awards writing competitions for Western Fiction. Please click here for more information or to enter the contests.
Chanticleer Book Reviews is honored to announce the First Place Category Winners for the Cygnus Awards 2015, the science fiction, speculative fiction, and steampunk fiction genre division of the Chanticleer Blue Ribbon Award Writing Competitions.
The Cygnus Awards recognize emerging new talent and outstanding works in the genre of Science Fiction, Steampunk, and Speculative Fiction. The Cygnus Awards is a genre division of Chanticleer Book Reviews Blue Ribbon Awards Writing Competitions.
Please note that Fantasy, Myth & Legend, & Magical Systems entries were moved to the newly offered OZMA Awards for Fantasy Fiction. This contest will be awarded for the first time in 2016.
These First Place Category Winners will be recognized on stage at the Chanticleer Authors Conference on April 30, 2016 Awards Banquet. Good luck to them as they compete for the CYGNUS 2015 Grand Prize.
First Place Category Winners for the Cygnus Awards are:
John Yarrow for The Time Forward Project
James Wells for The Great Symmetry
C. A. Knutsen for Janus Unfolding: Emergence
Janine A. Southard for Cracked! A Magic iPhone Story
Jessica Schaub for Gateways
L.S. Kilroy for The Vitruvian Heir
Tommy Partl for Mechanized
Timothy S. Johnston for The Furnace
*This list is now complete 3/16/16
CONGRATULATIONS!
The 1st Place Category Winners compete for the CYGNUS AWARDS 2015 GRAND PRIZE position. The 2015 CYGNUS category winners will be recognized at the Chanticleer Authors Conference and Awards Gala on April 30, 2016. See the Grand Prize Winners from 2014.
The submission deadline for the 2016 CYGNUS Awards is now closed. We are accepting entries into the 2017 Cygnus Awards Novel Competition.
To compete in the 2017 CYGNUS Awards or for more information, please click here.
THE DEADLINE TO ENTER THE 2016 CYGNUS Novel Writing Competitions was January 31st, 2016.
Chanticleer Book Reviews & Media, L.L.C. retains the right to not declare “default winners.” Winning works are decided upon merit only. Please visit our Contest Details page for more information about our writing contest guidelines.
CBR’s rigorous writing competition standards are why literary agencies seek out our winning manuscripts and self-published novels. Our high standards are also why our reviews are trusted among booksellers and book distributors.
Please do not hesitate to contact Info@ChantiReviews.com about any questions, concerns, or suggestions about CBR writing competitions. Your input and suggestions are important to us.
Thank you for your interest in Chanticleer Book Reviews International Writing Competitions.
Kiffer Brown here reporting from the 16th Anniversary Weekend Author Extravaganza in Nacogdoches, Texas, home of the Pulpwood Queens and Timber Guys Book Club — the largest book club in the world’s annual weekend gathering!
The Pulpwood Queens Book Club was founded by Kathy (Patrick) Murphy sixteen years. Dreamworks Entertainment has announced plans to make a movie based on Murhpy’s life, and her book The Pulpwood Queens’ Tiara-Wearing, Book-Sharing Guide to Life along with the development of her international book club that has grownto 600-plus devoted chapters.
The Pulpwood Queens’ Book Club has be written about in the OxfordAmerican Magazine, The Magazine of Good Southern Writing, and along with Oprah Winfrey’s OXYGEN NETWORK feature, to The Oprah Winfrey Show, to kicking off Diane Sawyer and Charlie Gipson’s READ THIS Book Club on Good Morning America, and has been featured in The Los Angeles Times, Time Magazine, Newsweek, and The Wall Street Journal to name a few.
I met Kathy Murphy (formerly Patrick) at a conference last April and we had instant rapport, so we stayed in touch. Of course, I just had to attend the “Once Upon a Time in 2016,” Girlfriend Weekend that is being held right now (Jan. 14 – 17, 2016) in Nacogdoches, Texas.
The authors of the 2016 selections are in attendance for panel discussions, author signings, and meeting their readers. The GREAT BIG BALL of HAIR costume themed ball “Once Upon a Time” will be held this evening and the Timber Guy of the Year and the Ball Queen will be announced at this time.
But, most importantly, the 2016 Pulpwood Queen Book Club Selections will be officially announced at the gathering of authors and readers!
Kathy L. Murphy, the founder of the book club, selects all the books with great care and deliberation from stacks and stacks of books (fiction and non-fiction) that she, herself, has read. She lists selections for each month in five categories:
Main Selection of the Month
Backlist Book: This Is a book she feels did not receive the attention it so deserves and should not be missed.
Bonus Books selection is for voracious readers (like Kathy)
Pinecones: Young Adult & Teen Selections
Splinters: Children’s Selections
Selections have been made for January through September 2016, so far! Selections for October, November, and December 2016 have not yet been made.
And now we are honored and excited to announce: DRUM ROLL, please!
The Pulpwood Queens and Timber Guys just selected Chanticleer Reviews Grand Prize award winner J. L. Oakley’s latest book Timber Rose for their 2016 Book Club Selections for the month of February!
We are excited for Janet Oakley and her Timber Rose novel that is set in 1907 in the great timber forests of the Pacific Northwest and features timber roses, women who hike and climb mountains in skirts breaking rules and barriers.
Congratulations to J. L. Oakley for her historical fiction novel, Timber Rose, being selected for the reading list of the largest book club in the world! Now this is something to CROW about!
PULPWOOD QUEEN herself to attend and present at the Chanticleer Authors Conference 2016!
We are honored and excited that Kathy L. Murphy will be a keynote speaker at the Chanticleer Authors Conference 2016 that will take place on April 29, 30, and May 1, 2016. She will be present at the Chanticleer Awards Ceremony on Saturday evening and will be “Queen of the Books By the Bay Book Fair” on Sunday, May 1st, 2016.
You can read more information about CAC16 here! Don’t delay, seating is limited.
This is Kiffer Brown, founder of Chanticleer Reviews, signing off from The Girlfriend Weekend in Nacogdoches, Texas. [/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]
Authoring Is A Business and this is why Tom Wise Ph.D., project management consultant, advises authors to implement AGILE PROJECT MANAGEMENT METHODS to meet their publishing goals.
Recap of Three Steps to Using Your Writing Time More Effectively – Agile for Authors Article One
In the previous article, we discussed how to build a network to create a team. This requires relationships and understanding the skills and abilities of these people. Part One was setting the stage to prepare to work within a strong network of supporters. In this article, we are going to cover how to apply most effectively your network in your business.
Part 2. Authoring is a Business
Knowns
8,760 hours in a year.
Timelines and schedules are precious commodities. Each of us is given only twenty-four hours in the day and one hundred sixty-eight hours in a week. We only receive fifty-two of those weeks in a year filled with eight thousand seven hundred and sixty hours. We spend almost two thousand nine hundred of those hours in sleep and another one thousand hours commuting, shopping, and general time with family duties.
Hours In A Day Breakdown Of Activities
Note: Hours in the day are an estimate of an average person with a full-time job:
For the knowledge worker, that leaves a mere forty-five hundred hours to split between the remaining activities such as leisure and love, eating and playing, housework and writing. If we are lucky or good, and manage to split our time perfectly, that provides the author seven hundred fifty hours, or two potential hours of precious time to write in a twenty-four hour period. Now, I don’t know about you, but I rarely manage to focus for a full couple hours in a day, let alone seven hundred fifty hours straight.
Rework in authoring a novel or book is very costly in time, money, and confidence. The problem is often not the writing or the mechanics, but rather a process. A life-cycle may not be clear to us, but it does exist. Getting published historically took years to complete, but that has changed.
In the new millennium, some software experts developed a twelve-point manifesto for Agile principles to apply to writing novels. They discovered that a network of invested peers made their writing process more effective.
Realize, there is a difference between content writers and authors. Content Writing tends to be paid position or contracted. Authors, and especially Indie Authors, invest their time and money up front hoping for a return on work at the other end of the process. Authors hunker down, close themselves away, and work until they complete the manuscript. Then polish the work, send it off, and hold their breath, cross their fingers, hoping for someone to send a love letter of acceptance.
Top companies in the world understand the necessity of a more streamlined process. Hired consultants make billions of dollars teaching companies how to create processes for efficiency and economic savings. Experts measure, refine and reduce their product processes into effective work segments to complete the product. These techniques can be employed in your authoring efforts.
Some people have learned a family business, and others seem to instinctively know how to segment out their work and organize others to get work done and goals met. For the rest of us, this can be a learned skill.
Agile Manifesto’s Twelve Concepts
Agile authors have the ability to use the flexible methods. The idea, the method of agile, developed during the 1990’s by software developers with the simple focus of targeting the desires of their customers before the work begins. It includes building a team focused on customer satisfaction, a team with shared mission and participation of quality experts, engineers, analysts, and business people. These software developers gathered at The Lodge at Snowbird Ski Resort in the Wasatch Mountains in Utah and developed what is now known as the Agile Manifesto.
The Agile Manifesto expresses twelve concepts of a well working team that can be applied to the business of authoring.
Customer satisfaction is priority
Welcome changes
Deliver working software frequently
Business and Development work together daily
Motivation, Environment, and trust are needed
Face-to-face is best
Working software is the measure
Maintain a constant pace
Technical excellence and good design
Simplicity – maximize work not done
Self-organizing teams
Regular retrospection and adjustment
A Shift in Paradigm – A to Z no longer applies!
In segmenting work – A to Z no longer applies. Now, working on A to D, R to Z, and then E to H,is possible, getting feedback and input along the way, improving as the work progresses, to a thoroughly edited, refined product.
Consider what can be grouped, or segmented into independent units of work, and the need to include people with these skills in your team:
Division of responsibilities to make your group a team
Division of tasks into short phases of work (Sprints) characterized by division of tasks
Publishers
Cover design
Marketing
Bloggers – who and when
Social media
Beta readers
Developmental and line Editors – who and when
Identify who needs to work on what
Who needs what information – focus on that info with those people
Conferences and author signings
Teams and groups work differently. One of the key differences in the behaviors of teams is due to the separation of responsibilities. When an individual is assigned a unique task or given a goal, he/she can take on the leadership role when it comes to meeting the assigned objective.
When work is segmented into small chunks, called sprints, with a short duration and a clear goal, the team can move quickly to completion of a quality product. Prioritize small sprints of two to three weeks on a specific goal, and with the team members that are needed to complete that small chunk of work.
Short Sprints Win the Race
At the end of each sprint, take the time to discuss the past segment. Ask the team the hard questions. By continuous reassessment, your team will quickly become efficient at turning that crank and churning out quality work.
Frequent reassessment and adaptation
People – are they responsive to you and are you responsive to them, working well together.
Communication – are the tools and behaviors working?
Commitment – are you, and they dedicating the time and focus to getting work completed in the way and time agreed?
Time – are the estimates accurate? Is the time to meet convenient and sufficient to get the work done?
When the opportunity to write presents itself, an author must have options ready and prioritized. This requires the author to have a routine that enables them to move into the zone, one zone or another, quickly.
Creating that “zone” means understanding the priority, and what needs to be available that activates the muse. Identify the psychological triggers that engage your creative abilities.
Have a scent prepared that gets you in the mood to write (coffee? cinnamon? campfire smoke? brandy?)
Know the lighting that is needed to make you comfortable (candles? bright light? darkened writing cave?)
Identify the background sounds that move you (white noise? rain forest sounds? dance tunes? sultry Barry White? Western music?)
Choose a setting (busy coffee shop? attic studio? kitchen table? favorite bookstore? local pub? closed office with the door closed?)
Choosing a time of day is ideal (first thing in the morning? late night after everyone goes to sleep? immediately after exercise?)
Have needed ideas listed. (Always jot down or record anything that you think might be useful for writing projects. Don’t let these muse tidbits dissipate into the air.)
Choosing a specific time of day with no distractions is essential. If the author has a family, often this time is before the family awakens, or after the family retires for the night. Perhaps for you, it is after the children head out to school, or during your lunch break at work. Whatever time that is, set that time aside on your calendar and give it to yourself. Don’t allow excuses to infringe on the task. Perhaps you can arrive to work early, or stay late on a preset schedule. This provides the family, or significant other, the ability to support your time to write.
Stage your work area
Be organized and have everything together (prepared)
Know the psychologically stimulating triggers that jog your muse
Diane Gabaldon’s is lighting candles for her muse.
Robert Dugoni’s is reading the Green Mile by Stephen King — again!
[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”]“What my Coffee says to me” by Jennifer R. Cook
Moving from one role to another, both physically and mentally takes planning, skill, practice, and agility. As an author, if we have a team of people with unique skills and responsibilities, then your team can take a leadership role when necessary. This gives the author more opportunity to shift roles from writing text to editing, scheduling, and organizing for subjects such as cover designs, reviewing publishers, and marketing.
Parting Words
Allow yourself to have every benefit possible to make the transition to your creative self to take advantage of that precious time when it is just you and your story.
NOTES from the Editor:
The fun picture above titled “What My Coffee Says to Me” is by Jennifer R. Cook, a creative graphic design consultant and illustrator. Ms. Cook has been graciously given Chanticleer Reviews permission to use this picture with Tom and Nancy Wise’s AGILE for Authors series. We absolutely love her artwork and graphic designs!
“What my Coffee says to Me” is a daily, illustrated series which began January 1, 2012 by Jennifer R. Cook a strategic graphic designer and illustrator creating for mental health awareness, please visit www.catsinthebag.com”
Tom holds a Ph.D. in Organizational Management and teaches courses in project management and quality at Villanova University and DeSales University. He is currently developing curriculum at Eastern University based on his books: Agile Readiness and Trust In Virtual Teams.
Tom and Nancy are award winning authors. Their book, The Borealis Genome is the 2013 Dante Rossetti Grand Prize Winner and a 2014 Cygnus Award First In Category winner. Their books have won multiple awards including Finalist with the USA Best Book Awards and The International Book Awards.
The CHAUCER Writing Competition recognizes emerging new talent and outstanding works in the genre of Historical Fiction. The Chaucer Awards is a division of Chanticleer International Novel Writing Competitions.
More than $30,000.00 dollars worth of cash and prizes will be awarded to Chanticleer Book Reviews 2015 writing competition winners at the Chanticleer Authors Conference April 30, 2016!
We received an unprecedented amount of entries for the 2015 Chaucer Awards. Due to demand, we will divide the Chaucer Awards into two separate contests for 2016: The CHAUCER Awards for historical fiction prior to 1750 and the GOETHE Awards for Historical Fiction after 1750 until the 1970s.
This is the Official Finalists List of the Authors and Titles of Works that have made it to the Short-list of the Chaucer 2015 Novel Writing Contest.
The Chaucer Awards FIRST IN CATEGORY sub-genres are: Pre-Historical Fiction, Ancient Historical Fiction, World/International History (non-western culture historical fiction), Dark Ages, Medieval, Renaissance, Elizabethan/Tudor 1600’s, Historical Young Adult.
The following titles will compete for the FIRST IN CATEGORY Positions and Awards Packages
Marc Graham for Song of Songs: A Novel of the Queen of Sheba
Daniel K Gilbert for The Eternal Dream
Martha Conway for Thieving Forest
O.W. Shumaker for Anna’s Bear -5 Days of Moral Conflict and Fierce Pursuit – In Nazi Germany, 1939
Nicki Chen for Tiger Tail Soup, A Novel of China at War
Jim Fuxa for Zizka, The One-eyed
Russell Hill & Jeffrey Smith for Mesabi Pioneers
Robert Wright for Valhalla Revealed
David E. Huntley – Death Watch Beetle
Paul B McNulty for Spellbound by Sibella
Steve Doherty for Operation King Cobra
S. Thomas Bailey for Blood Lines-The Gauntlet Runner Book 4
Larry K. & Lorna Collins for The Memory Keeper
Michael Scheffel for St. Louis Affair: The Adventures of Herbert Falken
Andy Kutler for The Other Side of Life
Richard Carl Roth for Endangered Eagle
T. M. Carter for The Lion of the Cross: Tales of a Templar Knight
CG Fewston for A Time to Love in Tehran
Joyce DiPastena for The Lady and the Minstrel
Catherine A Wilson and Catherine T Wilson for The Order of the Lily
Troy B. Kechely for Stranger’s Dance
Glen Craney for The Yanks Are Starving: A Novel of the Bonus Army
Glen Craney for The Spider and the Stone: A Novel of Scotland’s Black Douglas
Leif Gregersen for Those Who Dare To Dream
Kelly-Lynne Reimer for Broken Glass
Amanda Frost for Provenance
Deborah Fleming for Without Leave
Marina Osipova for The Cruel Romance
Brigitte Goldstein for Death of a Diva-From Berlin to Broadway
Leon J. Radomile for The Spear of Lepanto
Patrick Gabridge for Steering to Freedom
Jocelyn Cullity for The Red Year
James Conroyd Martin for The Warsaw Conspiracy
Nancy Foshee for O’er the Ramparts
Susan Örnbratt for The Particular Appeal of Gillian Pugsley
E.A. Haltom for Gwendolyn’s Sword
K.S. Jones for Shadow Of The Hawk
Anjali Mitter Duva for Faint Promise of Rain
Joan Fallon for The Shining City
Joan Fallon for The Only Blue Door
Meredith Pechta for The Prejudice that Divides Us
Eleanor Tatum for Gray Lace
John Hallman for Punic Wars
Edmond G. Addeo for A Tale of the Yosemite
Bruce Macbain for Odin’s Child
Gregory Warwick Hansen for Pelsaert’s Nightmare
Jerrie Brock for Pawn to King’s Right
Nicole Evelina for Madame Presidentess
JD Slade for Last Children of the Valley
Jess Curry for Nixon And Dovey
Jayme Mansfield for Chasing the Butterfly
Ethel Morgan Smith for Out of Bone
Mary Kay Thill for The Uncrowned King: A Story of Lorenzo Medici
E.A. Haltom for Gwendolyn’s Sword
Sara Dahmen for Doctor Kinney’s Housekeeper
Joan Fallon for The Shining City
Anna Castle for Death by Disputation
James B. McPike for The Lost Prophet
Paula Butterfield for La Luministe
Diana Wilder for The City of Refuge
Glen Alan Burke for Jesse
Rose Seiler Scott for Threaten to Undo Us
McKendree Long for Higher Ground
Helena P. Schrader for Defenderof Jerusalem & Knight of Jerusalem
Christian Kachel for Spoils of Olympus: By the Sword
This is the complete listing of the 2015 Chaucer Finalists.
The Chaucer Finalists will compete for the Chaucer Awards First In Category Positions, which consists of Four Judging Rounds. First Place Category Award winners will automatically be entered into the Chaucer GRAND PRIZE AWARD competition, which has a cash prize of $250 or $500 dollars in editorial services. The CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse.
All First In Category Award Winners will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
First In Category winners will compete for the Chaucer Awards Grand Prize Award for the $250 purse and the Chaucer Grand Prize Ribbon and badges.
TEN genre Grand Prize winning titles will compete for the $1,000 purse for CBR Best Book and Overall Grand Prize.
A coveted Chanticleer Book Review valued at $345 dollars U.S. CBR reviews will be published in the Chanticleer Reviews magazine in chronological order as to posting.
A CBR Blue Ribbon to use in promotion at book signings and book festivals
Digital award stickers for on-line promotion
Adhesive book stickers
Shelf-talkers and other promotional items
Promotion in print and on-line media
Review of book distributed to on-line sites and printed media publications
Review, cover art, and author synopsis listed in CBR’s newsletter
Default First in Category winners will not be declared. Contests are based on merit and writing craft in all of the Chanticleer Writing Competitions.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.
Congratulations to the Finalists in this fiercely competitive contest!
Good Luck to all of the Chaucer Finalists as they compete for the coveted First Place Category positions.
First In Category announcements will be made in our social media postings as the results come in.
The Chaucer Grand Prize Winner will be announced at the April 30th, 2016 Chanticleer Writing Contests Annual Awards Gala, which takes place on the last evening of the Chanticleer Authors Conference that will be held in Bellingham, Wash.
We are now accepting submissions into the 2016 Chaucer Awards and the Goethe Awards writing competitions for Historical Fiction. Please click here for more information or to enter the contests.