Tag: Book Promotion

  • New Issue of Chanticleer Reviews Magazine — FALL 2016

    We are excited to present the latest issue of the Chanticleer Reviews e-magazine!

    Chanticleer Reviews Fall 2016 IssueThis issue features an exclusive interview with Kathy L. Murphy, the Queen of the Pulpwood Queens Book Club. Find out more about her 650 book club chapters in this article, written by Sean Dwyer, on page 7.

    What is your WRITER Horoscope? Check out page 38 to see what the stars have in line for your writing life.

    As a special treat for the cold Autumn days ahead, we have included a heartwarming short story by Sean Dwyer, The Mystery of the Little Match Girl.

    And, we are always excited to spotlight our Chanticleer Award Winners.

    The majority of the magazine is dedicated to our reviews, including some great new book discoveries from Historical Fiction to Children’s Books to Westerns to Cozy Mysteries and chilling Thrillers. Not to mention some reviews of Chic-lit, Science Fiction, and Self-Improvement. And, with Halloween right around the corner, we had to include reviews of top Paranormal reads!

    We want to thank award-winning author and artist, Nancy Canyon, for allowing us to feature her artwork on the cover, “Pink Adler.”

    Hint: You can always find saving discount codes in every issue! 

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    Enjoy this latest issue of Chanticleer Reviews magazine and be sure to subscribe, by finding the “Follow Publisher: chantireviews” just below the bottom left corner of the magazine. We also appreciate “hearts” and shares!

    Special Offer: Those who subscribe now will receive a free paid one year subscription when we take the magazine from an e-zine to a print magazine.

    We hope you enjoy reading this new issue of the Chanticleer Reviews Magazine. Don’t delay! Subscribe today!

     

     

     

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  • Using Public Relations to Get Your Book Extra Recognition by Sara Dahmen, award winning author

    Using Public Relations to Get Your Book Extra Recognition by Sara Dahmen, award winning author

    “The End” is the first step

    There’s that moment when you write the words “The End” that every writer achieves. It feels good, right? Then comes the next thought that edges almost immediately into our consciousness: “Now what?” It’s an eating type of thought that chews away at our sense of accomplishment with finishing a writing project. “The End” is actually the very first step of a much longer process that truly results in our eventual success.

     

    For all writers, both traditionally represented and those who choose to self-publish, there is an expectation and need to market ourselves, our books, and build our author platforms. We are given overarching tools that require us to build, from nothing, a following – on Twitter, Facebook, Instagram, Snapchat, and beyond. For many of us, those tools feel like another place we need to shout into the abyss and hope that a group of people starts to take notice. For me, some days I feel like I tweet for no one but myself – it’s yet one more place that I’m trying to garner a reaction in an already crowded atmosphere, much like pitching a big-time agent.

    P/R – It’s not just for social media posts

    I’m not saying that these marketing tools (for that is really how we are using these social media platforms) are unnecessary. It’s the only way we can reach bigger and newer audiences these days, and they’re certainly a big part of our society and should be maintained. Still, it takes more than a handful of online posts to get good press, and it’s press that can offer more to authors, and get more people in our corner both as our allies and as our readers.

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    When I talk about using public relations (PR) to further an author’s reach, I’m talking about far more than asking the local library to host you as a local author touting your latest book, or even asking the local newspaper to write up a story about your upcoming novel. These outreaches are, of course, a great way to start getting started, especially if you’re not used to pitching stories, and you will get a consistently loyal fan base from the people who live in your area and want to support someone who is their neighbor.

    “The Scoop” is a powerful tool

    But PR is a vastly powerful tool that can be used, with some constant re-phrasing and concise pinpointing, to get your book into bookstores across the country, in unique locations, and ideally in other publications.

    PR means thinking a bit outside of the box. It’s not writing up a press release and sending it to 100 media outlets (though that’s always nice to do to have the information out there and available – and sometimes that garners additional stories as reporters pick up the info if it’s pertinent to their story). PR means pinpointing other writers out there who write for the mainstream or for a blog or a larger audience and giving them a unique story angle (the scoop) that no one else would have, and showing them how it would relate to their own readership.

    signpost-200x3001.pngPR means reaching out to locales that are covered in your book. Perhaps you live in California, but your book is set in the American South – call local bookstores in Mississippi or Alabama, or wherever your book is specifically set and ask for their buyer, explaining that while you are not a local writer, your book is set in their own backyard – something many local places like to tout on their shelves.

    Cross Promotion

    PR means hunting down local events, museum exhibits, charities, and gift stores that touch on your book’s contents. For instance, if you are writing about a historical character – let’s pick Abraham Lincoln, since he’s the most celebrated and written character in American literature – and your local museum is bringing in the traveling exhibit of his wife’s dresses. Ask the curator about putting your book in their gift shop while the exhibit is in town. Then you can cross-promote your book and their exhibit. This works even if the event/exhibit/museum isn’t even in your town. The movement to support small, individual writers, businesses and the like is huge – cash in on that current philosophy.

    Engaging Others

    PR is about going to as many book conferences as you can afford and networking. It’s not necessarily about immediately sitting down and talking about your book to whomever you meet. It’s about asking questions – who are you? What do you do? What’s your day job? You may meet people who are far more entrenched in the publishing and writer’s world who may not read your genre, but may become a friend who you can lean on or use as a sounding board, or who may have further connections that they can offer you, if you’re lucky.

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    Become an Expert

    Using PR can be about hiring or volunteering yourself out as an expert. For those of you who write non-fiction, especially if it’s either biographical or about a particular topic in science, this is huge. Search for speaking opportunities that may not be about books or writing, but about your well-researched expertise. Likely you’ll be able to dovetail your book into a bio, your presentation, your meet & greet. I once went to a conference for event planners. A big-time DJ gave a great one hour presentation that was aimed at giving real-time advice to all wedding professionals, but in the end he was able to tout the book he’d written that was melded into his speech. You wouldn’t believe the line of florists, event planners and cocktail table linen buyers that were lined up to buy this man’s book in the end. His presentation was a great PR moment for him, and a huge windfall in sales.

    HAR-WHO?  HARO

    Offer yourself to local and regional news producers and reporters as someone who is knowledgeable in a certain field. A unique resource, called HARO (an acronym for Help A Reporter Out) sends daily emails several times per day asking for experts – sometimes these reporters want writers, or specialists – and will certainly respond in a quick (deadline-approaching!) fashion about using you as a source. It’s yet another way to garner additional press, name mentions, and authenticate yourself as a writer and as someone who is professionally tied to certain subjects.

    PR is more than marketing – it’s bigger, broader and has very few parameters. Your options can be as far-reaching as you’d like to be – and the worst that can happen is nothing can happen, which leaves you where you started but with more experience in marketing under your belt. If you’re feeling a bit overwhelmed about making initial outreaches yourself, you could always enlist the help of a local PR guru. Some are simply independent contractors and can be paid hourly, or by placement, meaning you don’t owe them anything unless they land you a spot or an article or additional press and exposure.

    Regardless of how you work to get additional recognition as an author, or whatever you do to build your platform, anything, no matter how small, is a success, starting with writing those two little words: “The End”!

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    Note from the Editor:

    Sara Dahmen awarded Laramie Grand Prize for DR. KINNEY'S HOUSEKEEPER

    Sara Dahmen is the Chanticleer Book Review’s 2015 Grand Prize Laramie Award winner for her book, Doctor Kinney’s Housekeeper. She has a background in public relations, television and radio production where she has worked with large-scale clients such as CITGO and Mastercraft Boats. She has recently presented for the TEDx talks. Since 2006, she has run an event planning and coordinating company, with a national award for Best Charity Event in the United States and has worked on red carpet events in conjunction with Universal Studios. She currently works on her new project, American-made kitchen and cookware lines: Housekeeper Crockery and House Copper, which were inspired by Doctor Kinney’s Housekeeper.

  • It’s SHOWTIME – Deadline for Trade Show Representation Fast Approaching

    It’s SHOWTIME – Deadline for Trade Show Representation Fast Approaching

    Theater-spotlight-clipart-image[Editor's note: Chanticleer no longer offers these services]

    It’s Showtime!

    Get your books in the SPOTLIGHT!

    The deadline to reserve your place in our Chanticleer Collection, get discovered, and get exposure at trade shows is August 5th, 2017.

    MPIPA

    PNBA

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    This deadline will allow us enough time to create our on-line catalog for these fall shows:

    Please click the links above to reserve your spot on our table at each.

    What is the big deal about a bookseller trade show?

    Booksellers, librarians, book distributors, Indie and small presses, along with the big-five publishers participate in regional trade shows  to make their book purchasing and business decisions.  These shows are for the trade–not open to the general public. They are an amazing opportunity for books to vastly increase distribution and to gain visibility and book buzz.

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    Why go with Chanticleer? Why not buy your own table?

    Lone authors sometimes pay the exhibitor fees for a booth at these shows, but there are two problems with that. First, the fees can be very high. Second, they are obvious self-promoters. Book buyers often avoid or skim past single author booths. It doesn’t matter if the book is fantastic, all they can see is that someone is paying a lot of money to bring their book to the trade show…and the implication is that the book could not be there otherwise.

    Avoid this stigma by reserving a place for your book on the Chanticleer Reviews Table at regional trade shows. Let someone else tell these buyers that your books are worth reading. This is the power of referral. Also, it is known that Chanticleer Reviews only allows books that have been vetted through our editorial book reviews and/or writing competitions. Chanticleer’s reputation as a professional editorial reviewer  is at stake, so only the best books that meet our requirements are allowed to be on the table. This means we are a trusted source!

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    Hand-selling Books is Alive and Well at Bookseller Trade Shows

    Make sure that your books do not end up on a shelf with hundreds of other books without any sort of old fashion salesmanship going on. We have seen many a book displayed as promised on shelf without the benefit of a human anywhere in sight to connect with or ask questions about the offerings. These sections are usually separated off unto themselves in some low-traffic area of the tradeshow. Books are neatly displayed without regard to genre or interest. Sale sheets are kept in a separate area in a notebook.

    Kiffer Brown and Diane Sillan Isaacs will be hand-selling the Chanticleer Collection right along side of Sillan Pace Brown Publishing + Production books at each tradeshow. They are also collaborating with other publishers to group together for a bigger footprint in the tradeshows.

    Sell Sheets will be displayed beside of the related book for easy pick-up by interested parties instead of being off to the side in a notebook.

    Also, we are happy to work with authors of the Chanticleer Community to set-up and collaborate on specific promotional opportunities with each trade show as a liason. Just make a note in the comment field on the registration form.

    What are the requirements to have a book represented by Chanticleer Reviews Collection? 

    Only titles that have been vetted through Chanticleer Editorial Reviews or through the Chanticleer Writing competitions are eligible for Trade Show Representation. 

    Books must have been awarded a four or five starred review and/or placed as a First-in-Category position in the hanticleer International Writing genre competitions.

    It is recommended you have a distribution channel that bookstore buyers use commonly available for orders (such as Ingram Spark, etc.)

    Each title must have its own Sell Sheet.

    Sell Sheets must be 8 1/2 by 11 inches with the following information:

    • Complete title, author name
    • Genre and sub-genres
    • Publication Date
    • ISBN designation
    • Number of pages for  print versions
    • Cover photo
    • Retail Price
    • Brief synopsis
    • Author brief bio and author photo
    • Marketing blurbs & Editorial Review excerpts
    • Concise awards information
    • Description of available formats
    • Distributor
    • Author website or contact information
    • All on one sheet, so be concise

    See a Sample Sell Sheet. This is what bookstore buyers will be taking with them to place their order from when they are back in their store. Chanticleer does not take orders for books.

    If you want us to design and print your customized Sell Sheet for an extra charge, please ask.

    Distribution channels and offset printing services for the Chanticleer Collections are available. Please contact us at Distribution@Chantipub.com for more information.

    Learn more about Chanticleer Trade Show Representation.

  • Will Your Books Have PRIME Shelf Space in one of the TOP Indie Bookstores in America?

    Will Your Books Have PRIME Shelf Space in one of the TOP Indie Bookstores in America?

    Publisher’s Weekly recognized  Village Books of Bellingham and Lynden, Wash. as one of the top five independently owned bookstores in North America for 2016. (Publisher’s Weekly, Jan. 26, 2016)

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    “…the 2016 PW Awards reflect the growth and vitality of independent bookstores,” said PW senior v-p and publisher Cevin Bryerman. “They are coming off a strong holiday season, and several just opened, or are about to open, second or third locations.” 

    Every year at the Chanticleer Author Conference, we pack a ton of value into the weekend for our authors: from valuable knowledge in workshops and sessions, to a thrilling Awards Gala, to the 3-day Books by the Bay book fair that is managed by Village Books, a national leading independent bookstore.

    bbb poster 2017 smallBooks by the Bay is an exciting opportunity for attendees to sell their books  during the CAC weekend, but to also to gain exposure to a nationally recognized bookseller.

    But wait! That’s not all! Village Books sweetens the pot by offering to the Books by the Bay participating authors of the top 5 bestselling titles of the book fair to continue to carry their title at Village Books after the event. Village Books will also feature the books in their bookstores at Books by the Bay Bestsellers and feature the books on the VB website and in VB’s social media.

    But it doesn’t end there. After the weekend Village Books, our hardworking bookseller, tallies the numbers and comes up with the Top Five Bestselling Titles of Books by the Bay.

    Congratulations to Sharon Anderson, Nicole Evelina, James Wells, Donna Barker and Grant Harper Reid for rising to the top! These titles get the added benefit of remaining for sale and on display in Village Books. They were also featured in the highly circulated Chuckanut Reader.

    Books by the Bay VB Bestsellers lo resRegistration for the Chanticleer Author Conference in 2017 (CAC17) is already open and we have some jaw dropping early bird rates if you register before September 8th. It’s a full weekend of learning, packed with networking, gourmet meals and fun, a full weekend of book sales, and many many residual benefits. We are already receiving registrations! Seating is limited, so don’t miss out!

  • Third in the Seven Must-Haves for Authors series by Kiffer Brown

    Third in the Seven Must-Haves for Authors series by Kiffer Brown

    dreamstime_m_51247787What is the cornerstone of any successful author’s promotional platform? 

    Unlocking the Secrets of Successful Publishing!

    I was asked by Orna Ross of Alliance of Independent Authors to share what I consider to be the “Seven Must-Haves for Independent Authors” at  UPublishU event that was held at the Book Expo of America 2016 held in Chicago. Of course, I agreed!

    However, the Seven Must-Haves are applicable for all authors whether they are self-published, small press published, traditionally published, or hybrid published. Today, I am addressing the second of the Seven Must-Haves for Authors. 

    What is the cornerstone of any author platform? Editorial Book Reviews

    Why? Why is it that the big traditional publishing houses have staff and contractors whose main job responsibility is to secure editorial book reviews for their upcoming releases? 

    First a PDQ lesson about the different types of reviews (and, yes, books should have all four):

    • Editorial Reviews by professional reviewers in the publishing industry (required by librarians before purchase)
    • Peer Reviews by peer authors or same genre authors who further up the top-selling list
    • Consumer Reviews by individual consumers (readers)
    • Manuscript Overviews: these are pre-editing, pre-publication evaluations

    Why are Editorial Reviews Important to Traditional Publishers?

    • Editorial Reviews are needed for pre-launch sales, bookseller tradeshows, sales catalogs, distributor catalogs, sell sheets, and to create marketing collateral.
    • Editorial Reviews establish credibility and competence in the publishing marketplace.
    • Editorial Reviews help set the tone for reader interaction.
    • Editorial Reviews give readers the language and vocabulary to write consumers reviews, thereby, increasing the number of consumer reviews a book receives.
    • Editorial Reviews distinguish your work from the millions of other books that are vying for the reader’s attention and help to crystallize what your book is about (book discovery tools).
    • Editorial Reviews support your author platform by adding evidence that your work has been evaluated and validated by publishing industry professionals.
    • Editorial Reviews are critical to your book’s success in today’s digital age of publishing. Many potential readers may never see your book in print at a book store, but your reviews will be easily available on the internet, add credibility to your books in a digital environment.
    • Editorial reviews connect readers and promote discussion on social media, forums, and book clubs.
    • Editorial Reviews give authors and their publicists something to post, blog, and chat about with their works that a publishing professional has said about a work. Authors can easily re-tweet, share, like, and comment on their Editorial Reviews without sounding “self-promoting.”

    Editorial Book Reviews are consistently one of the most powerful tools available to traditional publishers for promoting their books–making them one of the most powerful tools available to Indie authors for the promotion of their books.

    Authors must recognize the need for strong credentials to demonstrate competence to potential readers, book buyers, librarians, and media professionals.To address the question that comes up the most and to clear the air, I ‘d like to answer this question:

    What about “paid” editorial reviews? Are they “wrong?” 

    Chanticleer Reviews is sent Advanced Reader Copies (ARCs) on a regular basis from the Big 5 traditional publishing companies for us to consider to review for “free.” We are sent the ARCs of future releases six months to a year ahead of the scheduled title launches.

    Let me confirm that these big traditional publishing companies never “pay” for editorial reviews and will, most likely, admonish those authors and publishing houses who do pay for editorial reviews.

    However, I am here to set the record straight. All editorial/professional reviews are paid for–one way or the other. Most indie authors and publishers could not afford to pay Chanticleer Reviews what the traditional big publishers pay us in-kind with promotion and publicity.

    Chanticleer at BEA ChicagoWhoa! That’s right. It is just that the big guys don’t pay us in cash or Paypal. They pay us in-kind with advertising, promotional considerations, press releases, having Chanticleer Reviews name appear on covers of thousands and thousands of books, helping us build relationships with the all important book distributors, and helping us (Chanticleer Reviews) to earn prestige among the traditional publishing houses. How much would we have to pay for this type of priceless promotion? I can’t even think about the number of zeros that would follow the dollar sign. Conversely, how much would we have to charge authors and smaller publishers who do not have staff and contractors to run the p/r machine to match the type of compensation that the big guys offer with each ARC that we receive from them in the mail or from Net Galley?

    That being said, editorial reviews must come from objective, trusted, and unbiased professional editors and reviewers. 

    Chanticleer Book Reviews was established in 2010 when independent authors were still treated unfavorably by many in the book industry, including editorial review companies. Chanticleer was founded on the principle that all authors deserve an equal chance at success. Today, indie authors are finally winning the respect they deserve and Chanticleer remains the young upstart, championing the new, the innovative, and the leading-edge of the book industry.

    “Chanticleer Reviews has quickly risen to the ranks of the premier, respected trade reviews in the industry. Their opinion is highly valued by independent and traditional publishers alike. They have been a wonderful resource for me as an unknown, indie author trying to obtain recognition for my work.” Michael Hurley, author of The Prodigal, The Vineyard, The Passage, and others.

    What do editorial book reviewers look for when evaluating a book?

    • Is the story compelling?
    • Professionalism of editing and formatting
    • Characterization
    • Pacing
    • Continuity of story-line
    • Intriguing opening
    • Satisfying ending (not necessarily “happy”)
    • Uniqueness of story
    • Writing craft
    • Plotting craft
    • Other genre specific criteria

    At Chanticleer Book Reviews, if your work is not well-received, our editors will write a “evaluation” that addresses the major issues and problems found so that the writer may work on improving the quality of the work in question. 

    We do not publish “negative” reviews, but we do give constructive feedback to those who submit their works for an editorial review.

    Positive reviews generate content for:

    • Social Media Posts
    • Point of Sale Marketing Materials
    • Shelf Talkers
    • Press Releases
    • Author Platforms and Websites
    • Meta-data
    • Blogging
    • Interviews
    • Book Discovery
    • Distribution Reviews
    • Increasing Book Sales

    Chanticleer Book Reviews are for the serious author ready for professionally reviewed, unbiased, objective assessments of their work.  

    Does your book to have this “big 5” advantage?

    IF not, submit your work today for the Chanticleer Editorial Review package!

    For more information about the editorial review process at Chanticleer Reviews, please click here.

    To find out how to submit your book for a Chanticleer Editorial Review, please click here.

    SPECIAL DISCOUNT OFFER for Chanticleer Reviews e-news subscribers: 

    And, as a special for those who have read all the way to the end of this article, please accept this discount code for a $50 discount off from the standard $345 rate which includes a two-year digital promotion campaign from date of review posting to the Chanticleer Reviews website.

    $50 Discount Code:  $50CRDISCBEST

    #1 Must Have:

    What is the traditional publishing tool that authors can implement to propel their writing careers to new levels and to earn an income from selling their books?  Click here to read the post: #1 Must-Have 

    #2 Must Have:

    What is the single most important publishing tool for first-time authors? Click here to find out

    Kiffer-Brown-CBR-132x150.jpgAs always, please do not hesitate to contact us with any questions, concerns, or suggestions at KBrown@ChantiReviews.com

    Best, Kiffer Brown

    Inform, Involve, Engage! 

  • What is the Single Most Important Publishing Tool for Indie Authors?

    What is the Single Most Important Publishing Tool for Indie Authors?

    The 2nd Must-Have for Independent Authors:

    What is the single most important publishing tool for first-time authors?

    IMG_20160513_115410I was asked by Orna Ross of Alliance of Independent Authors to share what I consider to be the “Seven Must-Haves for Independent Authors” at  UPublishU event that was held at the Book Expo of America 2016 held in Chicago. Of course, I agreed!

    However, the Seven Must-Haves are applicable for all authors whether they are self-published, small press published, traditionally published, or hybrid published. Today, I am addressing the second of the Seven Must-Haves for Authors. 

    What could be almost or maybe more important than the content of a book? THE COVER!

    Now don’t get me wrong—content is KING/QUEEN. However, when it comes to selling books, especially for Indie published authors, it is the cover that will rule.

    Why is the cover the most important publishing tool for first-time authors? 

    The cover is what makes a reader who has never heard of you or read your other works pick up your book, or click on the link, or choose your book’s digital thumbprint on Amazon’s  Customers Who Bought This Item Also Bought carousel of book covers.

    Book covers are so important that major booksellers demand having the final decision in the cover designs of books that they decide to carry so that the covers will appeal to their particular customer demographics.

    Key Concepts in Book Cover Design (digital and print)

    1. Genre placement – the cover should immediately (less than 3 seconds) convey the genre of the book. Is it an intense suspense/thriller novel? or Historical Fiction? Or How-To?
    2. Category within genre – is it Regency Romance? or Contemporary Women’s Fiction with Southern elements?
    3. Does the color scheme work with the genre?
    4. Do the design elements convey an idea of what the story is about?
    5. Is the cover appealing to the readership that you are targeting?
    6. Is it dated? Covers can and should be refreshed and tweaked at least every five years.
    7. Covers should work whether they are enlarged to be 50 feet tall to hang from scaffolding at tradeshows or whether they are reduced to the size of a thumbnail. Keep in mind that cover design may be slightly different for digital and for print. Slightly.
    8. A book cover is its must important piece of retail real estate. Every inch should be considered for maximum visual and emotional impact.
    9. Make sure that the entire book’s “packaging” (typography, formatting, fonts, and layout) is co-cohesive and that all of the elements are complementary to each other.
    10. Color—use color to convey emotion, time period, genre, theme, etc.

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    Key Elements in Book Cover Design (digital and print)

    1. Many authors/publishers overlook the spine of their books as a prime selling tool. Since most first time authors’ books will be shelved spine-out instead of front cover out, it is very important to make the spine of your books as appealing as possible to your targeted audience. I recommend that first time authors start the design process from the spine and then move forward to front cover and then the back cover.
    2. Each design element should convey the story within.
    3. Typography is part of the cover design and should not be an afterthought. It should enhance the design image of the book and be legible. Resist using the latest curly cues fonts or “urban decay” fonts UNLESS they are easily readable. Do not ever use more than three fonts. If you use one font with a “serif” then you should use a complementary font without a serif.
      1. Here is an example of a font with serifs (extra flourish): Georgian
      2. Here is an example of a font that is sans serif.
    4. Note – interior copy (the story) should always be printed (digitally or print) with a serif font for ease of readability.
      1. Here is a link to a Huffington Post  on  Type Fonts: A Totally Definitive Ranking of Fonts
      2. A post by Joel Friedlander about picking fonts for self-published books. 

    Here is a great link to examples of fonts for book covers that will inspire you.

    My advice to authors is to begin thinking of your cover concept long before you type The END to your manuscript.

    Here are some before and after covers for your consideration. What do you think:

    The Great Symmetry by James R WellsThe Great Symmetry by James Wells before cover

    Now ask yourself:

    What is the genre of this book? 

    What is the story about? Is it fiction or non-fiction? 

    Are you compelled to find out more about what is inside? 

     

    great symmetry james wells

    The Great Symmetry by James Wells after cover

    In less than three seconds, a potential reader can see:

    That this is a science fiction novel and the story is action based — the spaceship looks like it is fleeing something and heading into a dangerous place that must be less scary than what it is escaping from.

    The primary color is “tech-blue.”  Notice how much more pleasing the alignment of the title is and what a difference the typography makes–all caps with a more techie type font. I like how the author’s name and and the book title work together to make a singular visual impression.

     

    Now you pick, which is the before and which cover is the after for The Only Witness by Pamela Beason

    TheOnlyWitness_updated200tallOnlyWitnessCvr-New-copy-e1426269259568.jpg

     

    Another example

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    Here are some photos of book spines to drive the point home about their importance and the 3 second rule of thumb.

    BOOK SPINES MATTER!

    BOOK SPINES MATTER!       Legacy-Cover-w-Spine

                                       

       How will your book standout? How to Increase Book Sales in Book Stores

     

    More exceptional cover designs:

    The Girl and the Clock WOrk Cat - Nikki McCormackNotice  that the reader can immediately tell that this is a steampunk young adult novel that takes place in London,  with a young adult female protagonist and a cat. All of this information is conveyed by the cover design.

    There's Something About MartyCozy mystery readers who like a humorous edge  to their stories can tell immediately that this book may be of interest to them.

    The Treasure of Ching Shih by John GillgrenNo mistaking that this is a children’s book about sea adventures and pirates!

     

     

     

     

     

     

     

    Farewell to a QUeen

     Yep, I read this book to find out what happened to the Queen of the North!

      Your cover should incorporate your author brand along with some 3rd party P/R.

    STRAIGHT-INTO-DARKNESS-front Award

     

    Notice how tastefully that this author differentiates himself from the other millions of authors with his designation of being an award winning author.

     

     

     

     

    Higher Ground by McKendree Long You are probably starting to get the concept….of just how much information a cover is able to convey. Help readers discover your books by using your book’s cover real estate as effectively as possible. Make every little detail work for you. Imagine that your cover is a commercial for your book and make each everyone on those three seconds that you have to hook the potential reader into picking up your book instead of someone else’s or to click on your digital cover instead of someone else’s.

    Covers can sell readers on your first work, but it is the content that will make them come back for book two and three….

     

     

     

     

     

    It is the COVER that will sell your books at industry trade shows when book buying professionals pick up your books’ Sell Sheets.  Make your books standout and get noticed. Start working on the cover concept almost as soon as you start working on the story concept. Use it start finding Beta readers, on your website, with your author platform to start lining up book signings for your book launch, and planning promotional materials BEFORE your launch date. Keep in mind hour your cover will influence your marketing materials and web promotions.

    Remember that it doesn’t matter how much time and money that you spend on getting your book in front of potential readers. If the cover isn’t  engaging to the reader, the reader will not pick it up to look at the inside or read the back cover blurb, or click on the image to for more information and all of your time, money, and effort will be for naught.

    Covers should convey an emotion first. The cover should have a visual impact that grabs the potential reader and makes him/her want to know more about what is inside. The cover must be enticing! 

    milkyway-galaxy.jpg

    This is the second blogpost in the Seven Must-Haves for Author series.

    The first article addresses:

    What is the traditional publishing tool that authors can implement to propel their writing careers to new levels and to earn an income from selling their books? Click here to read. 

    The third article in the series asks: What is the corner stone of any author platform?

    Stay tuned! – Kiffer Brown, Head Hen at Chanticleer Book Reviews

     

  • Top Ten Takeaways from Book Expo of America 2016 by Kiffer Brown

    Top Ten Takeaways from Book Expo of America 2016 by Kiffer Brown

    IMG_20160513_115454Top Ten Takeaways from 2016 Book Expo of America – Chicago

    The Number One publishing industry event in North America and one of the biggest in the world. BEA is the largest gathering of booksellers, librarians, retailers, publishers, rights, licensing, and book industry professionals in North America.

    BEA gave me a press pass that allowed me a carte blanche to walk the show, take in presentations and sessions, attend special events, view the latest products, and meet with exhibitors.

    Here are the ten takeaways that I gathered from overhearing buzz, listening to experts sharing the latest information, and seeing the latest trends at BEA 2016.

    Drum-roll please! 

    The Top Ten Takeaways from BEA 2016

    1. Never ever forget that books for “the trade” (books available to the general public – digital or print) must entertain–even if their purpose is to educate.IMG_20160512_161055
    2. Covers RULE — every spot of a cover whether digital or print is highly valued real estate because it is the number one influencing tool to induce a potential reader to pick-up a book or click on a digital book for more information.
    3. Book buyers for libraries, as a rule, wait to decide on whether or not they will  purchase a book until they can “hold it in their hands” along with requiring that the book has been editorially reviewed (not consumer reviewed). If authors/publishers want to reach librarian book buyers, it behooves them to have their books at the ALA conventions.IMG_20160513_143314 (1)
    4. E-books as a percentage of US wholesale trade market sales are more than 25% of all sales in 2013, 2014, & 2015.  Source: AAP
    5. Readers are “flipping like otters” between e-books and print books.
    6. The publishing market is going global because of E-books. Forty percent of Smashwords/iBooks sales are global. Retail digital platforms (Amazon, Kobo, iBooks, Smashwords, etc.) are global.
    7. Generation Z, X, & Millennials now use YouTube as their Google Search. Keep this in mind when creating channels of book discovery pathways.
    8. Publishers want/need series–not one-offs (single titles)– because that is what bookstores want and, ultimately, what readers want. IMG_20160513_173524
    9. Gen Z, Y, and X want authenticity in engagement. They do not want to be sold to on social media platforms. Gen Z communicates in images — think emoticons.
    10. The nut to crack is to get people to read and buy books rather participate in other kinds of entertainment (gaming, movies, watching TV, etc .) that are competing for their time rather than worrying about Indie vs Traditional publishing.  See Item 1.

    Next year, BEA 2017 will be held in back in New York City and Kiffer Brown of Chanticleer Reviews plans on being there to bring the Chanticleer Community of Authors the latest in publishing news.

    Be sure to check out Kiffer Brown’s marketing blog-post series that she presented at BEA 2016, The Seven Must-Haves for Authors.

     

     

  • The Official List of the Chanticleer 2015 Grand Prize Winners of the Blue Ribbon Writing Competitions

    The Official List of the Chanticleer 2015 Grand Prize Winners of the Blue Ribbon Writing Competitions

    Blue-Ribbons-300x2001.jpgWe are excited and honored to have announced the 2015 grand prize award winners at the third annual Chanticleer Authors Conference’s  Awards Banquet held on Saturday, April. 30th, 2016 at the Hotel Bellwether by beautiful Bellingham Bay, Wash.

    We want to thank all of those who entered and participated in the fiercely competitive 2015 Chanticleer International Writing Competitions.

    Our next Awards Banquet will be held on April 1st, 2017, for the 2016 winners. Enter your book or manuscript in a contest today!

    CBR– Discovering Today’s Best Books with the CBR BLUE RIBBON Writing Competitions!  

     

    The Chanticleer Grand Prize Award 2015 for Overall Best Book:

    Daughter of Destiny - Nicole Evelina

    Nichole Evelina

    Daughter of Destiny by Nicole Evelina was awarded the Chanticleer Overall Grand Prize for the Best Book in the 2015 Chanticleer International Writing Competitions. Congratulations to author Nicole Evelina.  

     

     


    The Chanticleer Genre Grand Prize 2015 Winners are as follows:



    great symmetry james wellsThe Cygnus Grand Prize for SciFi and Fantasy Fiction 2015 was awarded to: 

    The Great Symmetry
    by James Wells

    View Cygnus Category 1st Place Winners



    Rhythm for Sale - Grant Harper ReidThe Journey Grand Prize Ribbon for Narrative Non-fiction 2015 was awarded to:

    Rhythm for Sale
    by Grant Harper Reid

    View Journey Category 1st Place Winners



    There's Something About MartyThe M&M Grand Prize Ribbon for Mystery & Mayhem Fiction 2015 was awarded to:

    There’s Something About Marty
    by Wendy Delaney

    View Mystery & Mayhem Category 1st Place Winners



    The Girl and the Clock WOrk Cat - Nikki McCormackThe Dante Rossetti Grand Prize Ribbon for YA Fiction 2015 was awarded to:

    The Girl and the Clockwork Cat
    by Nikki McCormack

    View Dante Rossetti Category 1st Place Winners



    Valhalla Revealed by Robert A. WrightThe Chaucer Grand Prize Ribbon for Historical Fiction 2015 was awarded to:

    Valhalla Revealed    
    by Robert A Wright

    View Chaucer Category 1st Place Winners



    Doctor Kinneys Housekeeper - Sara DahmenThe Laramie Grand Prize Ribbon for Western, Pioneer, Civil War Fiction 2015 was awarded to:

    Doctor Kinney’s Housekeeper
    by Sara Dahmen

    View Laramie Category 1st Place Winners



    Daughter of Destiny - Nicole EvelinaThe Chatelaine Grand Prize Ribbon for Women’s Fiction and Romantic Fiction 2015 was awarded to:

    Daughter of Destiny
    by Nicole Evelina

    View Chatelaine Category 1st Place Winners



    Blood Relations by Lonna EnoxThe CLUE Grand Prize Ribbon for Mystery/Thriller/Suspense Fiction 2015 was awarded to:

    Blood Relations
    by Lonna Enox

    View CLUE Category 1st Place Winners



    The Aurora Affair - Carolyn HaleyThe Paranormal Grand Prize Ribbon for Paranormal/Supernatural Fiction 2015 was awarded to:

    The Aurora Affair
    by Carolyn Haley

    View Paranormal Category 1st Place Winners



    The Alexandrite - Rick LenzThe Somerset Grand Prize Ribbon for Literary, Contemporary, & Mainstream Fiction 2015 was awarded to:

    The Alexandrite
    by Richard Lenz

    View Somerset Category 1st Place Winners


    Now this is something to CROW about!

    Enter Your Book or Manuscript in a contest!

    Please note that the above awards are for submissions that we received in 2015. The award winners were acknowledge at the 2016 annual Chanticleer Authors Conference and Awards Banquet on Saturday, April 30th, 2016.

    The winners of the 2016 Chanticleer Blue Ribbon Writing Competitions (works entered in 2016) will be recognized at the 2017 Chanticleer Authors Conference and Awards Banquet held April 1st, 2017. Reserve your spot now.

    We invite you to read the Chanticleer editorial book reviews of these stellar works. The reviews will be published on our website and in the Chanticleer Reviews online magazine. If they are not currently posted, they will be posted as they are reviewed! Congratulations, again, to these award winning  authors!

    For more information about the Chanticleer International Writing Competitions, please visit our Writing Contests pages.

    We are currently accepting  2016 and 2017 contest entries: CBR International Blue Ribbon Writing Competitions.

    We would like to thank our sponsors who make the Chanticleer Blue Ribbon Writing Competitions and the Chanticleer Authors Conference possible.

    SPB 300x250The WriterMascot_Books_Logo-2014Village Books LogopnwaWWP book logo 2015 small
    Bublish

  • E-Book Sales as Core of Your Books’ Marketing Plan by James Wells

    E-Book Sales as Core of Your Books’ Marketing Plan by James Wells

    The eBook market is a huge opportunity, especially for indie authors.

    If you’re not focusing on eBook sales as a core part of your marketing plan, you’re missing out.

    great symmetry james wells

    When I published my first novel The Great Symmetry, I printed a few hundred copies and imagined that it would be a great success if I sold them out. I had no idea where I would find the vast majority of my readers.

    Just a year later, about 95% of my sales are eBooks. Every day, readers are buying my book on Amazon and other sites from all over the world.

    To get traction in the eBook market, I tried out new things, made plenty of mistakes, and then had a series of increasing successes. I’m grateful to the authors who helped along the way. Now I’m distilling the most important lessons to help other authors.

     

    At the upcoming Chanticleer Authors Conference, I’ll be presenting a series of three sessions about eBook publishing. The content won’t focus on mechanics like eBook file formats – that’s boring and you can figure out that stuff easily. Rather, we’ll dig into the most important decisions facing an author in the eBook market. The sessions are:

    • eBook Publishing 101: Designing your points of sale (such as your Amazon page) to convert browsers into buyers.
    • eBook Publishing 102: Getting readers to your points of sale. We’ll emphasize the most cost-effective tool around – the discount promotion.
    • eBook Publishing 103: Advanced topics such as series planning, reader magnets, and more.

    An overarching theme of all of these sessions is that your eBooks are a central part of your offering.

    Chanticleer blog post James Wells

     

    For some types of book (especially genre fiction by indie authors), it’s the most important channel for you. This means you should plan ahead for your eBook. For instance, some cover designs look wonderful in print, but are failures online – we’ll discuss how to avoid that pitfall. There may even be reasons to modify the text of your novel to sell well as an eBook.

    It’s ironic because I don’t even like reading eBooks myself. I only just gave in and bought a Kindle last week. But my preference doesn’t matter to the market – your priority as an author should be to make your book available, and well positioned, in the channels where the readers are found. These days, that means eBooks.

    Note from Kiffer Brown

    [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”]

    James-Wells-Author-Picture
    James R Wells, Science Fiction Author

    I would like to thank James R. Wells, the author of The Great Symmetry for sharing his knowledge and experience with the Chanticleer Community.

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  • One Mental Trick That Will Help You Sell More Books by Tim Vandehey and Naren Aryal

    One Mental Trick That Will Help You Sell More Books by Tim Vandehey and Naren Aryal

    Did you know that the average self-published book sells about 200 copies?

    You’re an author and dialed into the world of books, so you probably did know that. But you didn’t know that most of those authors sabotage their own sales, did you? The thing is, that sabotage has nothing to do with the quality of the final product. It’s all about the attitude they adopt once that Kindle hits the Amazon digital shelves, or that box of freshly printed paperbacks arrives at their door still smelling of toner. With the best of intentions and hope in their hearts, they set out to find readers for their work, but they cut their own throats with some variation on this simple nine-word phrase:

    “People are going to be excited about my book.”

    We hate to break it to you, but no, they’re not.

    Sure, your friends, family members and the folks in your writer’s group will be all up in your business to get a copy and post enthusiastic reviews on Amazon. But unless you’ve built up a loyal readership from a previous book, nobody else is likely to care. That’s not your fault. There are a LOT of books competing for eyeballs. Being an author is a thousand times more competitive than most writers realize. Many don’t even think of themselves as being in a competitive field in the first place! But the harsh truth is, if you can’t compete for readers’ interest and attention, you won’t sell books. 

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    How to Increase Book Sales in Book Stores
    The average book store has 7,000 titles

    We’ve seen it hundreds of times: new authors so certain that their books are going to set the world on fire that they don’t even do basic marketing or branding, like launching a nice looking website. Armed with that misplaced optimism, they set their books free on Amazon like baby birds leaving the nest…and the books fall to the ground and die in the hot sun. Sales Rank: 2,000,000. Oops.

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    tLgzJ
    Amazon Book Warehouse

    Don’t be that author. If you want to give yourself a better chance of selling more books, change how you think about the task of selling books and reaching readers.

    Ditch that blind optimism and gird yourself for battle.

    Be proud of your work, but don’t delude yourself into believing that anyone outside your current circle (including your Facebook friends) cares about buying it. Instead, remember this phrase: 

    “No one cares about my book, but I’m going to make them care.” 

    Book-selling is the art and science of figuring out who your ideal readers are, learning what they care about, and then reaching out to them again and again in ways that pique their interest about you and your work. That takes time and persistence, but most of all, it takes understanding that you don’t have a right to readers.

    You have to earn readers. You need a platform, a great brand, an execution plan, a lot of patience, and doggedness. If you have those qualities and really connect with your readers to earn their loyalty, you’ll build an audience for your work for the next 20 years. 

    Note from Kiffer Brown
    How-to-Sell-CraploadTim Vandehey and Naren Aryal are the co-authors of How to Sell a Crapload of Books: 10 Secrets of Building a Killer Author Platform, and the founders of BeastSellers.com, which helps authors build powerful marketing platforms and winning brands.

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    mascotnaren
    Naren Aryal

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    TimV mugshot2
    Tim Vandehey

     

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