Berthe Morisot knows from a young age that she is destined to be an artist but living in nineteenth-century France severely limits her path. As a girl, she longs for the education any male artist would receive, and though her parents support her dream at first, Berthe isn’t even allowed to view some of the great works deemed unsuitable for females.
Before long, she realizes she is uninterested in being any man’s student, wanting instead to explore her own style, painting the world of a modern woman–a real, intimate representation, not the perfection shown by most male artists. When her sister Edma, who originally paints with Berthe, marries and becomes the picture of femininity, Berthe feels the societal pressure to give up her painting and choose a husband. The one man she feels any connection to, fellow artist Edouard Manet, is a controversial rogue, and although she knows he feels for her, too, he marries another.
However, the two cannot break free of their would-be love, and when Berthe decides to model for Edouard, she is more tantalized than ever. As her fascination turns to obsession, Berthe will be forced to choose between her desire to be a respected artist or the fallen lover of a scoundrel. It will take a revolution for Berthe to have either.
This first-person fictionalized autobiography littered with famous Impressionists is the story of a woman’s love affair of both art and a man. In discovering her style, she finds a love she didn’t want and often questions the sanity (and more importantly) the healthiness of that love. As though her struggle to be an independent artist in a world of oppression isn’t already enough, Berthe knows she should dislike, maybe even despise, Edouard but is drawn to the proverbial flame. Unable to have him but unwilling to give him up creates clashing needs: becoming an independent woman but still tangled in what is proper and expected.
On top of her obsession for him, she is torn between admiration and envy of this man who often feels as much repression as Berthe and wonders which she’ll lose first, her determination to paint or her societal constraints.
A modern woman trapped in the nineteenth century, Berthe embodies the female struggle. Limited in infinite ways by societal views on women, she navigates a world of male domination in life as well as art, evolving much more quickly than her beloved Paris. If she marries, she wrestles with whether she is giving in or growing up, but as she matures in both art and life, she becomes angry with herself for her single-minded obsession of Manet and decides he is “not worthy of the woman [she would] become,” a woman (like so many modern women) who will find a way to have both a ground-breaking career and a family. As the list of prohibitions rises, so does her determination, and though her fight is for the individual woman (herself), it transcends that.
Just like Berthe Morisot’s paintings, La Luministe shows a real woman, a woman with hopes and dreams that outreach her environment. Just as Paris was thrust into the turmoil and deprivations of war with Germany, Berthe set herself free in a bloody battle of change. This novel will show readers the beauty and struggle of both the artist and the female spirit.
Paula Butterfield won 1st Place in the 2015 Chaucer Awards for La Luministe. (Because we have split the Historical Fiction Awards into two categories, La Luministe is considered a Goethe Award Winner!)
An ill-fated Spanish expedition in 1541 plays into present-day concerns about preserving Santa Cruz County’s (Arizona) heritage and environment. Along with an engaging yarn, Jane and Carl Bock offer the reader food for thought by presenting a microcosmic picture of the mindless destruction of time-honored customs, traditions, and mores in the pursuit of money and power.
Fans of this widely admired and masterfully written series, Lions and Lilies, will not be disappointed with its concluding, volume, The Traitor’s Noose. The impressive scholarship, riveting dramatic scenes, and sweet romances that characterized the previous books are on full display here as well. The co-authors note, “…this is not a historic account but a ‘medieval adventure with a dash of romance, using history as its background. We have tried at all times to remain faithful and accurate to that history, but it is a fictional story.” Nonetheless, the reader need only review the lengthy bibliography included to gain a sense of the breadth of work the authors undertook to put this magnificent story on the page.