In a quiet voice filled with emotion and heartfelt detail, Carolyn Watkins’ The Knock… a collection of childhood memories realistically captures what it’s like for a child when a parent in the military is deployed at a great distance for active duty.
From her own personal recollections as an 8-year-old girl, each vignette weaves an honest perspective of life growing up in a military family. Tapping into the tender parent/child bonds and the feelings of loneliness and anxiety that arise in being separated from loved ones, Watkins’ intentions are to help other youngsters in similar situations, and to let them know that they have a supportive network. Here she explores the importance of family coping skills to include the strengths of a parent on the homefront, the help of relatives, and the care and concern needed for a wounded parent returning from war.
When dealing with her father’s absence, Watkins easily voices notable questions like “Would he remember me?” and “Would he be hurt?” She also recalls how her mom often hid her own emotions to remain stoic and supportive for her children. While the brave front is comforting, Watkins realized how it contributed to more concerns.
Wisely, Watkins sheds important light on the need to be open and express emotions during trying times. The ultimate realization is that shared feelings can make the experience of handling tough situations a bit easier. Watkins also reflects on the adolescent insecurities she felt and how they seemed heightened by constant relocations. Flexibility and adjustment as part of a military family proved key.
While this particular true-life memoir focuses on the ’60s and the war in Vietnam, the story is truly relatable to the conflict of any era. With Dad off to serve in the jungles of a foreign terrain, and Mom at home serving a dual parenting role, a visit from German Grandmother “Oma” helps solidify the cross-generational sentiments of wartime experiences. Stark recollections of visits to a hospital where Watkins saw firsthand the harsh realities of war seem a necessary component. Clearly, a time that helped Watkins gain strength in learning to accept “The Knock” at the door that symbolizes an unsettling fear of the unknown. Such moments undoubtedly helped the family come to understand the heroic efforts of those who put themselves in harm’s way in the fight for our freedom.
Lyndsey Erickson’s soft pastel illustrations easily complement the moving words of this narrative. Whether visualized in the glory of the star-spangled flag flying against a blue-clouded sky; a family gathered around the dinner table featuring an empty chair, that speaks to both togetherness and the solemnity of dad’s absence, or an army helicopter falling from the sky, all depict indelible moments. The importance of letter exchanges, especially during a time before computers and internet communication is sweetly rendered through images of red & blue-bordered airmail envelopes. A small, yet charming note of nostalgia.
The book’s final words include a great springboard of ideas to open up further discussion about family dynamics, challenges, and feelings of universal concern. Though intended for the 8-13-year age group, this gentle, informative memoir shares a powerful message that should be appreciated by readers both young and old.
The Knock won First in Category in the CIBA 2019 Little Peeps Awards for Children’s Literature.





In Fast Backward, David Patneaude’s most recent YA novel, fifteen-year-old Bobby sets out on his morning newspaper route, but what happens next blows his shorts off, literally. First, he witnesses a blinding light that grows into a mushroom cloud, but no one on the military base where he delivers papers will talk about it. Then, on his ride home, a dot in the distance takes on the shape of a girl, a naked girl in the middle of the desert at the side of the road. Thus begins Patneaude’s novel that brings WWII to life through the eyes of a young man torn by his father’s anti-war sentiments, and his uncle’s military patriotism.


In the unique and compelling voice of an aging woman teetering on the edge of financial ruin, Maggie St. Claire’s debut novel, Martha, takes the reader from affluent residential areas of Los Angeles to its urban streets of despair, shadowing a 71-year-old, retired bank teller as she comes to grips with the challenges and adversities that threaten her existence.




Jameson O’Halloran never asked for her life to be so complicated and unpredictable. She never asked for a cheating husband, never asked to be in charge of her father-in-law’s life, and indeed never asked for her brother-in-law to show up looking so irresistible. Since her recent divorce, Jameson has focused on rebuilding her life without the dream family she always wanted. Her toddler, Jackson, takes up most of her time, and when she isn’t caring for him, she is helping her sisters run the family pub in Mayhem, Minnesota, after the death of their father. Jameson is NOT looking for love, not now, maybe not ever again. Still, when her ex-father-in-law suffers a stroke, she is forced into the very delicate position of health proxy for the seriously ill man she still considers family. However, she isn’t alone. Big Win Clarke named a co-proxy, his estranged second son, Scott. Scott, a Project Peace employee, has spent the last ten years abroad, running from his father and from himself, but when he is called to his unconscious father’s bedside, he knows those years spent abroad were a mistake, one he may never get to correct if his father doesn’t recover. When he lays eyes on his beautiful ex-sister-in-law, he can’t deny the attraction drawing him to her. Together they must uncover the truth behind the mystery that sent him running years earlier and hopefully find themselves along the way.

The Royal Air Force struggles for control of the British sky, facing down the daunting numbers of Luftwaffe aircraft across the English Channel. At the forefront of these battles, the Royal Air Force’s young pilots fight to survive under mounting pressure and deadly German Messerschmitts.
“Return now to those thrilling days of yesteryear,” may sound familiar. It’s the opening for the radio version of The Lone Ranger.