Set in the Pacific Northwest in the 1970s, Joel Emmanuel by JP Kenna rewards its readers with the story of a boy coming of age and how he understands the changes around him. Kenna’s style echoes the English novels of the 19th century.
Young Joel Emmanuel Webber, named for a Wobbly executed long ago in 1915, lives with his mother, Nance Raindance, in a cabin on the Skagit River near Seattle before it was a technopolis. Their world is antiquated even for the 1970s and defined by farming, fishing, and basics like a woodburning cookstove, kerosene lamps, and candles. Joel calls his mother by her given name, doesn’t know his father, and lives an open life free of school and, even occasionally, clothing. He is sensitive and easily succumbs to tears.
His small world includes a nearby septuagenarian farmer who is the cabin’s landlord; an Indian from “the Rez” named Billy Sampson and his daughter; and Bruce, a suitor of his mother’s who has become the town’s hustling (and overextended) entrepreneur. This unique upbringing affects how Joel sees the world, as he comes face-to-face with adult matters, while other children his age are happy and oblivious to the difficulties of adulthood.
As the world away from rural Washington slides from President Carter to President Reagan, young Joel’s life changes when his actual father, George, shows up unexpectedly at his ninth birthday dinner.
Of course, George has past transgressions, as we all do. Still, the boy bonds with his father, assisting in his coal business while his mother’s relationship with Bruce becomes complicated. The family takes an apartment in town as Nance moves from selling vegetables at a roadside stand to helping run Bruce’s real estate office. Joel is content with his time on boats and bicycles and at ease with hard work such as splitting wood. However, the interactions between the men in his mother’s life warp his understanding of the world.
Bruce’s precarious financial position – or perhaps his non-Native capitalistic thinking – leads him to repossess his old fishing boat from Billy’s cousin Gerald. The repercussions of this one decision pit Native Americans against townies, and forces Joel to choose sides in the subsequent murder trial.
Kenna weaves his literary suspense like a true master, making farms and equipment come alive, all while using them to represent the flow of change and time. Each place, each scene, each vehicle, and each tool is imbued with meaning. Kenna’s characters have strong relationships with their place in the world, which makes it easy for the reader to internalize. In fact, Kenna captures a way of life that seems impossible today, focusing on the human story and systems of the time, and makes them universal and accessible to contemporary readers.
J.P. Kenna’s story of changing and butting cultures beats at the heart of Joel Emmanuel, and readers will surely enjoy it. Joel Emmanuel won 1st in Category in the Somerset Awards for Literary Fiction and the Clue Awards for Suspense Fiction.
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