Edged in Purple by John W. Feist welcomes readers to a place outside of time and space, a liminal space where characters of myth wait to return to their fated stories.
The Fold is a beautiful land, a near-utopia shepherded– literally– by Thetis and Peleus of Greek mythology. They raise the heroine of Shakespeare’s The Winter’s Tale, Perdita, after her father had accused her mother of betraying him with another, the whole sad story a product of his own paranoia.
Perdita’s story is proceeding as it was written. She has already met Florizel, the man who should be the hero of her romance– when her story is intersected by another. Just as The Winter’s Tale features royal courts, doomed relationships, mistaken identities, and family murder, so too does an ancient Greek drama: the Oresteia of Aeschylus, the story of Agamemnon after the Trojan War.
Orestes, the hero of that ancient tale, joins Perdita in the fold, pulling both of them from the paved road of fate.
They fall in love. Florizel goes mad with jealousy and proves that she’s MUCH better off with Orestes– as he pursues the lovers out of The Fold and into a reality that none of them are quite prepared for.
The reality they wake up in is that of the late 19th century, among the ruling class of the teetering Austro-Hungarian Empire of the Habsburgs, not far from Archduke Franz Ferdinand’s date with destiny.
Edged in Purple begins as a whimsical combination of fantasy and mythology.
Characters such as Orestes and Perdita’s adopted mother Thetis mingle with characters from the classics of literature– not just Perdita herself but nearly all of the personae from The Winter’s Tale. Peleus implies that characters from countless other stories have passed through The Fold on their way to their own endings, whether happy or not.
This setting offers a wealth of possibilities for stories to mingle and morph, which Edged in Purple explores to excellent effect.
It turns two familiar stories into one brand new adventure, transforming The Winter’s Tale into the kind of love vs. power romantic triangle that defines such stories as The Princess Bride, with Orestes, Perdita, and Florizel taking the roles of Wesley, Buttercup and Prince Humperdinck, respectively.
However, the curtain of fantasy is pulled back and the characters must inhabit the bodies of very real historical figures. And yet still, they seek to control their own fates.
After all, they managed it once, back in The Fold.
But as fantasy transforms into historical fiction, their lives become fixed to moments in time. And as Orestes– now Franz Ferdinand– learns, the wheels of history can’t be steered as easily as a story.
The two very disparate parts of Edged in Purple are equally compelling, and while that switch from fantasy fairy tale utopia to oncoming historical tragedy could send some readers for a spin, those interested in the blending of genres will be enthralled by this mirrored tale.
For readers who do make the leap, Franz Ferdinand and Sophia’s impossible happy ever after is both compelling and heartbreaking. Recommended for readers who enjoy portal fantasy, historical fiction, and tragic romance.
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