Category: Marketing

  • Chanticleer Author Marketing Primer: Hashtag How-To

    Chanticleer Author Marketing Primer: Hashtag How-To

    Authors marketing their books on social media need know how to use hashtags. Hashtags are a fairly simple concept, an effort to index categories among posts, but for the newcomer to social media they can be intimidating. Even those who know about hashtags may not be aware of the intricate ways to maximize their benefits.

    Hashtag Types:

    • Organic/Topics
    • Promotion (brands, products, people, events, etc.)
    • Discussions/Issues
    • Activities (Day-of-the-Week/Themes)
    • Asides (humor, reflection of emotions, feelings, states of minds related to the post)

    Why do we use hashtags?

    There are many reasons to use hashtags, but keep in mind that our most important reason for using a hashtag is to enhance our exposure among people who don’t follow us. Even if you have one Twitter follower, using #amwriting has the effect of increasing your followers for that one post by showing it to anyone who is searching on that topic.

    If you are using a hashtag that is unique or has very little exposure–which you might do to create a branding effect, or spawn a new social activity (like #YouMightBeAWriterIf)–you would pair it with a hashtag with higher exposure to give your post better support.

    Basic Hashtag etiquette:

    • Don’t go overboard. Use two, maybe three. More than that will communicate “this is spam” to people.
    • Use clear and concise hashtags, generally. Long hashtags are not easy to read. So keep them to a minimum and know that if you do use one some eyes will slip past without comprehension.
    • Use hashtags that are relevant to your post and help people find the posts they want to find. Think of it like creating an index at the back of a cook book. If cream puffs were listed under #shrimp that would confuse and possibly upset a lot of people.

    Where to Place Hashtags

    Hashtags may be used on any social media, and are typically found within a post in an #organic fashion, or at the end of the post like an index word. Twitter is a platform where the hashtag is so endemic that it often becomes like punctuation, performing its function while remaining nearly invisible to readers, as long as it’s not overdone.

    Using a hashtag as part of a sentence is understood and accepted on Twitter, probably due to the character limit. But on Google+ and Facebook the hashtags are used less and can be intrusive in the middle of sentences. When in doubt on Facebook and Google+, add your hashtags to the end of your post, even on a separate ending line.

    If your hashtags sticks out like a sore thumb, it may communicate “this is spam”, especially on some platforms, and that may create a negative reaction to the post.

    How to vet a Hashtag

    Always run a search of the hashtag on Twitter or the platform you will be using, to make sure the other posts using it will be good company for your posts. You don’t want to accidentally use a hashtag that has a lot of inappropriate content under it–or worse, co-op a hashtag meant to promote an important social issue for your own self-promotion.

    Next use https://ritetag.com/hashtag-search to look up your hashtags to see how well they will serve as promotional tools. RiteTag will give ratings to guide you.

    These results will change over time, but here are a few examples of the different ratings that RiteTag uses to vet hashtags:

    #Free shows up as red with a “!” and a message “Don’t use this hashtag or you will get lost in the crowd”. The statistics show that people are tweeting over 5000 times an hour under that hashtag–lost in the crowd is right!

    #Writing shows up as green with a lightning bolt and the message “Use this hashtag to get seen now”. The statistics show it’s being used nearly 300 times an hour, but over 3.5 million people are seeing those posts. But keep in mind whats hot today could be gone tomorrow.

    #Pubtips shows up as blue with an hourglass and the message “use this to be seen over time”. The current stats don’t look very impressive, but the history shows that it has regular and consistent surges in activity.

    #Pubtip (I intentionally used this one to demonstrate how one little letter can make a difference) shows up grey with a crossed circle and the message “don’t use this, very few people are following it”. The stats are almost empty and the history shows very low usage.

    Enjoying these tips? Learn how to market and sell more books at our upcoming Chanticleer Authors Conference. #SeriousAuthors register for #CAC17

  • 10 New Year’s Resolutions for Authors to Improve Marketing and Book Sales

    10 New Year’s Resolutions for Authors to Improve Marketing and Book Sales

    What are your next moves?
    What are YOUR Next Moves in 2017?

    Five Free Action Items to Strengthen your Author Platform in 2017

    1. Spiff up point of sale information on Amazon Author Central – Read our handy how-to article on using Author Central.
    2. Create your author media kit – A page on your website which contains, at the very least, your official bio, both long and short versions written in third person, your official author image, nice and large, with a good quality resolution.
    3. Write your book club questions – Read our article on how to write your questions and pitch to book clubs, written by two of our speakers for the upcoming Chanticleer Author Conference.
    4. Create an editorial calendar for 2017 – Plan your blog and social posts ahead so you never miss an important time sensitive topic. Make a spreadsheet to track holidays and days devoted to important social issues which you might want to post about such as: Banned Books Week, or Independent Bookstore Day, or Indie Author Day (celebrated by local public libraries).
    5. Make an appointment to meet with your local book store’s buyer – If your books are not on the shelf of your local book store, often all it takes is making an appointment with the right person. If your books are on their shelf already, it’s a good idea to touch base now and then, ask about special display opportunities and events you can get involved in.

    Five Ways to Invest in your Author Career Business in 2017

    1. Commission your professional head-shot – Have you been using an assortment of photos taken with your phone for your author photo? A professional photo will boost your confidence and give the impression to potential readers that you are serious about your craft. Show them they can expect your books to be worth the time and money you are asking them to invest, by making a little investment yourself.
    2. Hire a professional cover designer – Take a hard look at your book cover. A good cover can make or break your book sales. Don’t make the mistake of thinking any good artist can make a book cover. There are subtle and even subliminal cues for each genre that communicate to readers through your book cover. Read our article on the concepts professional designers use to create book covers that can mean the difference between hundreds or thousands of book sales per year. It is worth the investment.
    3. Improve your book with editing services – even if your book is already published. The digital age allows for tidying up those little typos and “orphans and widows.” The editorial process is an essential tool for authors. There are a range of services available and every one of them can help improve your book. A better book means more book sales. Satisfied readers will be create buzz, write reviews and become dedicated fans for future book sales. Investing in editing is not as simple as hiring an editor, most editors specialize in one specific type of editing. Read our article on the 5 different types of editing services to understand what you are getting when you hire your editor.
    4. Invest in your author website – If you don’t have an author website yet, you need to get one. If you have a website, when was the last time you refreshed it’s look and design? Website fashions come an go, keeping your site design fresh tells visitors that you are still “there” and they can expect fresh content if they come back often, or a response if they comment.
    5. LEARN – Professional development for authors is never ending. More information exists about writing than one person can probably absorb in a lifetime. You can read books, sign up for classes, get a coach, go out with publishing professionals for lunch or an after work drink to make connections and build relationships, and attend author conferences and stay in contact with those you meet. Make a professional development budget for 2017 to improve your craft as well as your business skills.

    What are your next moves? We’d love for you to share them with the Chanticleer Community of Authors!

    HAPPY NEW YEAR!

  • How to Add Your Chanticleer Editorial Review to Amazon

    How to Add Your Chanticleer Editorial Review to Amazon

    Yay! You received your Chanticleer book review and it filled you with pride to see all the glowing things the reviewer had to say…now what? A few things are obvious. Quote it on your book cover, your website, social media, marketing materials, etc.

    One of the most important things to do with your review is adding it to the “Editorial Reviews” section of your book on Amazon Author central.

    It’s also one of the most often missed opportunities among authors.

    Some authors are intimidated by Author Central, but it’s a very easy system to use, and we are going to show you exactly what to do. (If you are already comfortable with Amazon Central, skip the next section and scroll down to the Quick List of Steps for Adding Your Editorial Review to Amazon)

    Meet Author Central

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    This is a screenshot of the welcome page when you visit authorcentral.amazon.com and log in with your Amazon username and password. In this one little square of webpage real estate you have, at your fingertips, everything you will need to manage your books: keep your author profile up to date, add and edit book information, check on your sales–even access Kindle Direct Publishing (KDP), CreateSpace, and the Audio Creation Exchange (ACX) to manage your books if you are self published.

    The important thing to note is this extra place to add and edit your book. Most people know about KDP and how to upload and edit books. But after you have added your book to KDP, you also have to “add it” on Amazon Central.

    To do that click on “Books” in the menu options (as seen in the image above). On the next page you will see this:

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    And if you have already added books you will also see a list of your own books. If you have a publisher actively involved in updating the Amazon information for your book, you may want to discuss your using Amazon Central with them first, because changes to sections here may prevent them from making future changes to those particular sections in their own access panel for your book.

    To add a book, click the button and search for it by author or title, if it’s available on Amazon, you will find it quickly (if it’s not available on Amazon then you still need to add it to KDP and/or CreateSpace–and that is another article entirely).

    When your book is listed on the “Books” page of your Author Central you can click the title and access its details. In “Editorial Reviews”  you will find all kinds of goodies to play with!

    You will see something like this:

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    This Review slot is what we are after. You can also add things in the other slots if they are needed, but keep in mind these are the bits that your publisher won’t be able to edit anymore if you change them. (Also you won’t be able to change them over on the KDP side either, so you will always have to come back here to make your changes).

    When you click the “add” button next to Review, a window will pop up to enter the text as well as a detailed set of instructions from Amazon on how format your reviews and their guidelines.

    Choose a good quote from your Chanticleer review, a couple sentences, without too many “…” between snippets (you don’t want it to look pasted together like a ransom letter). Remember less is more. Use words that convey excitement and opinion about your book. Don’t waste your quote on plot description, that’s what your synopsis is for.

    For example: “A riveting adventure…” — Chanticleer Reviews

    Once you’re happy with it, hit preview and save. That’s it. It couldn’t be simpler.

    Quick List of Steps for Adding Your Editorial Review to Amazon

    1. Log in to author central
    2. Go to your Books Page
    3. Click on the title of the book you want to edit
    4. Under Editorial Reviews, click “add” review
    5. Enter an exciting snippet from your review that clearly shows the reviewers opinion about your book and attribute it the Chanticleer Reviews (e.g. – “A riveting adventure…” — Chanticleer Reviews)

    By adding your review you are taking advantage of the authority and reputation that a Chanticleer Review brings with it. You’re showing people that your book was vetted by a respected source within the publishing community. Remember your editorial review is one of the single most valuable tools available to you in persuading readers to take a chance and buy your book. If you don’t use it, you are missing book sales.

  • BOOKSELLER CONFIDENTIAL — What Are Booksellers Seeking to Buy for Stocking Their Shelves?

    BOOKSELLER CONFIDENTIAL — What Are Booksellers Seeking to Buy for Stocking Their Shelves?

    While Chanticleer Reviews was exhibiting books vetted by our reviewers and writing competitions at several Independent Bookseller Association Trade Shows this September, I was able to observe (a marketing habit of mine) professional book buyers in action. Their traits  were consistent with what they were seeking to fill their shelves. Also, I was able to ask the book buyers what they were looking for in particular to make their buying decisions.

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    A Sea of Books

     

    Book buyers  “walk the show” rather quickly as they scan for covers that pique their interest enough to stop and inquire. Book covers had, maybe, two or three seconds to catch a book buyers attention.

    They do this because this is how most readers (aka customers) shop for books in their bookstores. Most independent book stores carry approximately seven thousand books. Inventory must be refreshed constantly to keep the core clientele coming back and to attract new clients.

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    Book Buyers with Sell Sheets

     

    TOP TEN OBSERVATIONS of the Independent Booksellers Association Trade Shows (so far)

    1. The book store buyers were there to discover “new finds” for their patrons—not just the New York Times bestselling books. Many said their patrons shop with them to discover new authors.
    2. They want to know what the author is doing to push sales on all fronts (websites, p-o-s, social media, etc.)
    3. Book buyers want to know if the author is reaching out specifically to her targeted audience.
    4. Are authors promoting their books in social media platforms that are targeted for their genres?
    5. Do authors supply point-of-sale promotions (shelf-talkers, shiny award stickers)?
    6. Is the book an award winner? Are there shiny stickers to attract the eyes of the readers? (Yes, I am repeating the bit about shiny stickers.)
    7. Does the cover list review blurbs and endorsements?
    8. Stores are becoming more event oriented. Is the author willing to do an event at book stores (not just a reading)? Events add value to a title and author brand.
    9. Booksellers LOVE series! They love series and the promise of works to come.
    10. Booksellers can tell the quality of a printed book in a heartbeat and at thirty paces.
      • It is an unspoken tenet that Booksellers do NOT want books printed by CreateSpace/Amazon — primarily because they are not available through the usual distribution channels.
      • Booksellers do NOT want books from certain vanity presses and/or  author services known to be disreputable because of terrible past experiences. Everyone in the business of book selling knows about this unspoken list of disreputable publishing houses.

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    This Cover Sells Itself

    The NITTY GRITTY

    • Booksellers do not care if a book is traditionally published, Indie published, or small press published. They care if the book will sell itself as it sits on the shelf–will the cover reach out to the targeted audience and pique interest? Booksellers want to know what the author/publisher is doing and will do to create book buzz.
    • Booksellers do want to offer independently published books that have been vetted, but unless the authors are  local community members, they want the books to come through the typical distribution channels.

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    Book Buyers Asking Questions about Carrying Indie Books while another book buyer is reading the back cover of one of the books in the Chanticleer Collection.

     

    However, they do care about:

    • Covers — covers must be compelling, perfect, targeted, and sell the book by itself while sitting on a shelf. The cover must convey:  Genre, Sub-genre, time period, mood (humorous, scary, romantic, light reading, intense, etc.), age appropriateness, targeted audience, tone, and the TITLE! The cover must convey ALL of this information in seconds.
    • Professional Reviews (Editorial Reviews)
    • Professional Editing
    • Professional Formatting, Typography, and Graphic Design and Layout
    • Availablility through traditional distribution channels (Baker Taylor, Ingram Spark, etc.)
    • Conventional credit terms that are available through the distributor.
    • Are the books returnable to the distributor?
    • A minimum of 40 percent discount off retail price
    • Ease and reliability of re-ordering from a stable supplier/distributor/publisher in to restock a bestselling book quickly

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    Simon & Schuster Book Covers

    What Independent Booksellers do care about is meeting their sales goals so that they can continue as a going-concern (staying open and in business). To do this, they must keep their clientele coming back by offering unique books and great “discoveries,” hosting events, and providing excellent service. 

    GOOD NEWS!

    At each show, I met NEW INDIE bookstore owners who have just opened their stores in the past six months or were opening in November for the upcoming holiday season. All the bookstore  owners told me that they were bringing in approximately $75,000 to $100,000 (in wholesale dollars) of books to initially stock their shelves.

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    Book Buyers Inquiring about Author Events

    Independent Booksellers do care about the quality of the books (content, cover, editing, formatting, and design) that they stock because the books reflect the quality of the bookstore.

    AND, one more time, booksellers care the most about the cover (front, back, spine, dust jacket) which sells the book by attracting the targeted audience, acting as a point-of-sale promotion, and getting the book in the reader’s hands.

    NEVER underestimate the power of the cover–especially for first time authors. The cover of the first book will sell it, and then is the content that will sell the second book.

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    Denver MPIBA Show – Book Buyers Cruising the Show

     

    Kiffer’s TOP OBSERVATIONS

    • Either the cover attracted the bookseller to pick it up and check it out, OR the book did not exist — books with less than stellar covers seemed as if they were invisible or just did not exist.
    • The cover must convey the genre, sub-genre, tone, mood, and be compelling to its targeted market in a glance.
    • There must not be any question from the cover as to whether or not the book is  a mystery, sci-fi, thriller, romance, etc. If there is any question as to its targeted readership—it is a pass to the book buyer.

    In Closing

    I am proud to say that the booksellers were impressed that the Chanticleer Reviews team members staffing the booth knew so much about the books that we were exhibiting and the authors.  They found the author sheets given to them to take back to their offices very professional for Indie authors. They also were pleased to know that the titles were available in our printed and online catalogs, and that each and every book we were representing was vetted by us—Chanticleer Reviews—either with a top Chanticleer review that they could read and/or that the books were award winners in the Chanticleer International Writing  Competitions.

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    Kiffer Brown Hand-selling the Chanticleer Reviews Collection

    Only books that received a four or five star Chanticleer Review and/or have been awarded a First in Category Award in the Chanticleer Reviews Writing Competitions are eligible for exhibition at the Chanticleer Reviews trade show booths for Booksellers and Librarians.  If your book has received a coveted four or five star review from Chanticleer or was Short-Listed in the Chanticleer International  Book Awards, it will be eligible to participate in Chanticleer’s exclusive trade show representation service.

    Here is a comment from the owner of Village Books (one of the top five independent bookstores in the U.S.), Paul Hanson:

    Kiffer, your Bookseller Confidential article is SPOT ON. Thank you for spreading good and accurate information!”  Best, Paul Hanson, Village Books

    Thank you, Paul!

     

     

     

    Another Note from Kiffer Brown: a tip of the hat to one of my favorite authors:  Anthony Bourdain and his best-selling book, Kitchen Confidential. 

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  • New Issue of Chanticleer Reviews Magazine — FALL 2016

    New Issue of Chanticleer Reviews Magazine — FALL 2016

    We are excited to present the latest issue of the Chanticleer Reviews e-magazine!

    Chanticleer Reviews Fall 2016 IssueThis issue features an exclusive interview with Kathy L. Murphy, the Queen of the Pulpwood Queens Book Club. Find out more about her 650 book club chapters in this article, written by Sean Dwyer, on page 7.

    What is your WRITER Horoscope? Check out page 38 to see what the stars have in line for your writing life.

    As a special treat for the cold Autumn days ahead, we have included a heartwarming short story by Sean Dwyer, The Mystery of the Little Match Girl.

    And, we are always excited to spotlight our Chanticleer Award Winners.

    The majority of the magazine is dedicated to our reviews, including some great new book discoveries from Historical Fiction to Children’s Books to Westerns to Cozy Mysteries and chilling Thrillers. Not to mention some reviews of Chic-lit, Science Fiction, and Self-Improvement. And, with Halloween right around the corner, we had to include reviews of top Paranormal reads!

    We want to thank award-winning author and artist, Nancy Canyon, for allowing us to feature her artwork on the cover, “Pink Adler.”

    Hint: You can always find saving discount codes in every issue! 

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    Click “Follow Publisher: chantireviews“!

    Enjoy this latest issue of Chanticleer Reviews magazine and be sure to subscribe, by finding the “Follow Publisher: chantireviews” just below the bottom left corner of the magazine. We also appreciate “hearts” and shares!

    Special Offer: Those who subscribe now will receive a free paid one year subscription when we take the magazine from an e-zine to a print magazine.

    We hope you enjoy reading this new issue of the Chanticleer Reviews Magazine. Don’t delay! Subscribe today!

     

     

     

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  • WRITING as an OLYMPIC SPORT by Sharon E. Anderson– award-winning author

    WRITING as an OLYMPIC SPORT by Sharon E. Anderson– award-winning author

    Back when I didn’t know any better, I thought that if an author had talent, she would never, ever have to revise her work. Her words would flow onto the page, pristine and poignant, ready to be read by her adoring fans.

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    Bebe Daniels photo
    Bebe Daniels giving it all in the name of creative endeavor.

    I imagined she wore a cream-colored silk robe – although it could have been pink, yellow or light blue because my successful author was gleaned from a 1920’s black and white movie – cigarette attached to one of those long holder-thingies, she would slink across her high-rise Manhattan apartment and wait for her man-friend to pour her a glass of champagne and fix her up a plate of caviar on little toast rounds whilst reading her reviews in The New York Times. Anything less would be, well, amateur.

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    Of course the reviews are absolutely glowing — as am I.

     

    Like everything else in life, I’ve learned a few things: I don’t live on the East coast, caviar from the grocery shelf doesn’t taste the same as the kind in the can served at expensive restaurants, nothing comes easy–even if you’re talented, and that smoking is bad for you.

    As an author, I may be able to write quickly, but revisions are where the story comes to life – like an athlete practicing a sport. She may not run a stellar hurdle race the first time out of the gate. She may, in fact, fall over the first hurdle and every subsequent hurdle thereafter as she endeavors to complete the race. It isn’t easy. Hurdles are hard and to someone like me, dangerous. But every day she’s back at the track working on her timing, her form, the craft of her sport.

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    Authors have their own hurdles to jump.
    Authors have their own hurdles to jump.

    It’s the same thing authors do. We work hard at our craft and sometimes it feels as if we have fallen. The important thing is to get up and continue learning, producing, developing our craft. Our prize isn’t an Olympic Gold medal, though. Our prize is a great book with awesome reviews (and maybe an award or two).
    Sharon2014-24-of-48Many thanks to Sharon E. Anderson to allow Chanticleer to publish her timely blog-post that reminds all of us authors the importance of being persistent and to continually push ourselves to hone and develop our writing craft.

    Sharon is the  award-winning author of several short stories, screen plays, and books. She says,

    “Most of my work has to do with the darker side of life. I’m somehow drawn to the anti-hero, the villain, the underdog. But I’m not your typical horror writer, either. In nearly all of my stories you will find hope, redemption, and humor, because if you can’t laugh, you’re already in hell.”

     

     

    Tig the Cat

    Sharon is also the president of the Skagit Valley Writers League, human servant to Tig the Cat, mother and wife, and a great all-around gal!

     

    Curse70sEbook     The Curse of the Seven Seventies 

    Cassandra Blake is having a very bad day. Her fiancé dumps her for a silicone debutante and convinces her to store his boxes of precious research. If that wasn’t bad enough, she’s just moved into a cottage stocked only with tinned sardines packed in oil, canned peaches, and 30- year-old Scotch.

    Heartbroken, hungry, and a little bit drunk, Cassandra soon realizes that just when she thinks things can’t get any worse, sometimes they can get very strange…like finding a skeleton in the basement of her newly inherited cottage.

    But when that skeleton suddenly becomes a hot, romantic, and business savvy vampire named Varo…well, things can get a little better. That is…until his infamous older brother shows up, and their centuries old sibling rivalry threatens her chance at true love.

    Can their love survive her conniving ex-fiancé, Varo’s vengeful brother, and the Curse of the Seven 70s?

    Edgy, modern, and one humorous vampire tale — an entertaining and fun read. Chanticleer Reviews [/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]

  • Using Public Relations to Get Your Book Extra Recognition by Sara Dahmen, award winning author

    Using Public Relations to Get Your Book Extra Recognition by Sara Dahmen, award winning author

    “The End” is the first step

    There’s that moment when you write the words “The End” that every writer achieves. It feels good, right? Then comes the next thought that edges almost immediately into our consciousness: “Now what?” It’s an eating type of thought that chews away at our sense of accomplishment with finishing a writing project. “The End” is actually the very first step of a much longer process that truly results in our eventual success.

     

    For all writers, both traditionally represented and those who choose to self-publish, there is an expectation and need to market ourselves, our books, and build our author platforms. We are given overarching tools that require us to build, from nothing, a following – on Twitter, Facebook, Instagram, Snapchat, and beyond. For many of us, those tools feel like another place we need to shout into the abyss and hope that a group of people starts to take notice. For me, some days I feel like I tweet for no one but myself – it’s yet one more place that I’m trying to garner a reaction in an already crowded atmosphere, much like pitching a big-time agent.

    P/R – It’s not just for social media posts

    I’m not saying that these marketing tools (for that is really how we are using these social media platforms) are unnecessary. It’s the only way we can reach bigger and newer audiences these days, and they’re certainly a big part of our society and should be maintained. Still, it takes more than a handful of online posts to get good press, and it’s press that can offer more to authors, and get more people in our corner both as our allies and as our readers.

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    When I talk about using public relations (PR) to further an author’s reach, I’m talking about far more than asking the local library to host you as a local author touting your latest book, or even asking the local newspaper to write up a story about your upcoming novel. These outreaches are, of course, a great way to start getting started, especially if you’re not used to pitching stories, and you will get a consistently loyal fan base from the people who live in your area and want to support someone who is their neighbor.

    “The Scoop” is a powerful tool

    But PR is a vastly powerful tool that can be used, with some constant re-phrasing and concise pinpointing, to get your book into bookstores across the country, in unique locations, and ideally in other publications.

    PR means thinking a bit outside of the box. It’s not writing up a press release and sending it to 100 media outlets (though that’s always nice to do to have the information out there and available – and sometimes that garners additional stories as reporters pick up the info if it’s pertinent to their story). PR means pinpointing other writers out there who write for the mainstream or for a blog or a larger audience and giving them a unique story angle (the scoop) that no one else would have, and showing them how it would relate to their own readership.

    signpost-200x3001.pngPR means reaching out to locales that are covered in your book. Perhaps you live in California, but your book is set in the American South – call local bookstores in Mississippi or Alabama, or wherever your book is specifically set and ask for their buyer, explaining that while you are not a local writer, your book is set in their own backyard – something many local places like to tout on their shelves.

    Cross Promotion

    PR means hunting down local events, museum exhibits, charities, and gift stores that touch on your book’s contents. For instance, if you are writing about a historical character – let’s pick Abraham Lincoln, since he’s the most celebrated and written character in American literature – and your local museum is bringing in the traveling exhibit of his wife’s dresses. Ask the curator about putting your book in their gift shop while the exhibit is in town. Then you can cross-promote your book and their exhibit. This works even if the event/exhibit/museum isn’t even in your town. The movement to support small, individual writers, businesses and the like is huge – cash in on that current philosophy.

    Engaging Others

    PR is about going to as many book conferences as you can afford and networking. It’s not necessarily about immediately sitting down and talking about your book to whomever you meet. It’s about asking questions – who are you? What do you do? What’s your day job? You may meet people who are far more entrenched in the publishing and writer’s world who may not read your genre, but may become a friend who you can lean on or use as a sounding board, or who may have further connections that they can offer you, if you’re lucky.

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    Become an Expert

    Using PR can be about hiring or volunteering yourself out as an expert. For those of you who write non-fiction, especially if it’s either biographical or about a particular topic in science, this is huge. Search for speaking opportunities that may not be about books or writing, but about your well-researched expertise. Likely you’ll be able to dovetail your book into a bio, your presentation, your meet & greet. I once went to a conference for event planners. A big-time DJ gave a great one hour presentation that was aimed at giving real-time advice to all wedding professionals, but in the end he was able to tout the book he’d written that was melded into his speech. You wouldn’t believe the line of florists, event planners and cocktail table linen buyers that were lined up to buy this man’s book in the end. His presentation was a great PR moment for him, and a huge windfall in sales.

    HAR-WHO?  HARO

    Offer yourself to local and regional news producers and reporters as someone who is knowledgeable in a certain field. A unique resource, called HARO (an acronym for Help A Reporter Out) sends daily emails several times per day asking for experts – sometimes these reporters want writers, or specialists – and will certainly respond in a quick (deadline-approaching!) fashion about using you as a source. It’s yet another way to garner additional press, name mentions, and authenticate yourself as a writer and as someone who is professionally tied to certain subjects.

    PR is more than marketing – it’s bigger, broader and has very few parameters. Your options can be as far-reaching as you’d like to be – and the worst that can happen is nothing can happen, which leaves you where you started but with more experience in marketing under your belt. If you’re feeling a bit overwhelmed about making initial outreaches yourself, you could always enlist the help of a local PR guru. Some are simply independent contractors and can be paid hourly, or by placement, meaning you don’t owe them anything unless they land you a spot or an article or additional press and exposure.

    Regardless of how you work to get additional recognition as an author, or whatever you do to build your platform, anything, no matter how small, is a success, starting with writing those two little words: “The End”!

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    Note from the Editor:

    Sara Dahmen awarded Laramie Grand Prize for DR. KINNEY'S HOUSEKEEPER

    Sara Dahmen is the Chanticleer Book Review’s 2015 Grand Prize Laramie Award winner for her book, Doctor Kinney’s Housekeeper. She has a background in public relations, television and radio production where she has worked with large-scale clients such as CITGO and Mastercraft Boats. She has recently presented for the TEDx talks. Since 2006, she has run an event planning and coordinating company, with a national award for Best Charity Event in the United States and has worked on red carpet events in conjunction with Universal Studios. She currently works on her new project, American-made kitchen and cookware lines: Housekeeper Crockery and House Copper, which were inspired by Doctor Kinney’s Housekeeper.

  • It’s SHOWTIME – Deadline for Trade Show Representation Fast Approaching

    It’s SHOWTIME – Deadline for Trade Show Representation Fast Approaching

    Theater-spotlight-clipart-image[Editor's note: Chanticleer no longer offers these services]

    It’s Showtime!

    Get your books in the SPOTLIGHT!

    The deadline to reserve your place in our Chanticleer Collection, get discovered, and get exposure at trade shows is August 5th, 2017.

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    This deadline will allow us enough time to create our on-line catalog for these fall shows:

    Please click the links above to reserve your spot on our table at each.

    What is the big deal about a bookseller trade show?

    Booksellers, librarians, book distributors, Indie and small presses, along with the big-five publishers participate in regional trade shows  to make their book purchasing and business decisions.  These shows are for the trade–not open to the general public. They are an amazing opportunity for books to vastly increase distribution and to gain visibility and book buzz.

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    Why go with Chanticleer? Why not buy your own table?

    Lone authors sometimes pay the exhibitor fees for a booth at these shows, but there are two problems with that. First, the fees can be very high. Second, they are obvious self-promoters. Book buyers often avoid or skim past single author booths. It doesn’t matter if the book is fantastic, all they can see is that someone is paying a lot of money to bring their book to the trade show…and the implication is that the book could not be there otherwise.

    Avoid this stigma by reserving a place for your book on the Chanticleer Reviews Table at regional trade shows. Let someone else tell these buyers that your books are worth reading. This is the power of referral. Also, it is known that Chanticleer Reviews only allows books that have been vetted through our editorial book reviews and/or writing competitions. Chanticleer’s reputation as a professional editorial reviewer  is at stake, so only the best books that meet our requirements are allowed to be on the table. This means we are a trusted source!

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    Hand-selling Books is Alive and Well at Bookseller Trade Shows

    Make sure that your books do not end up on a shelf with hundreds of other books without any sort of old fashion salesmanship going on. We have seen many a book displayed as promised on shelf without the benefit of a human anywhere in sight to connect with or ask questions about the offerings. These sections are usually separated off unto themselves in some low-traffic area of the tradeshow. Books are neatly displayed without regard to genre or interest. Sale sheets are kept in a separate area in a notebook.

    Kiffer Brown and Diane Sillan Isaacs will be hand-selling the Chanticleer Collection right along side of Sillan Pace Brown Publishing + Production books at each tradeshow. They are also collaborating with other publishers to group together for a bigger footprint in the tradeshows.

    Sell Sheets will be displayed beside of the related book for easy pick-up by interested parties instead of being off to the side in a notebook.

    Also, we are happy to work with authors of the Chanticleer Community to set-up and collaborate on specific promotional opportunities with each trade show as a liason. Just make a note in the comment field on the registration form.

    What are the requirements to have a book represented by Chanticleer Reviews Collection? 

    Only titles that have been vetted through Chanticleer Editorial Reviews or through the Chanticleer Writing competitions are eligible for Trade Show Representation. 

    Books must have been awarded a four or five starred review and/or placed as a First-in-Category position in the hanticleer International Writing genre competitions.

    It is recommended you have a distribution channel that bookstore buyers use commonly available for orders (such as Ingram Spark, etc.)

    Each title must have its own Sell Sheet.

    Sell Sheets must be 8 1/2 by 11 inches with the following information:

    • Complete title, author name
    • Genre and sub-genres
    • Publication Date
    • ISBN designation
    • Number of pages for  print versions
    • Cover photo
    • Retail Price
    • Brief synopsis
    • Author brief bio and author photo
    • Marketing blurbs & Editorial Review excerpts
    • Concise awards information
    • Description of available formats
    • Distributor
    • Author website or contact information
    • All on one sheet, so be concise

    See a Sample Sell Sheet. This is what bookstore buyers will be taking with them to place their order from when they are back in their store. Chanticleer does not take orders for books.

    If you want us to design and print your customized Sell Sheet for an extra charge, please ask.

    Distribution channels and offset printing services for the Chanticleer Collections are available. Please contact us at Distribution@Chantipub.com for more information.

    Learn more about Chanticleer Trade Show Representation.

  • What Works in Hollywood: The < 33 Principle

    What Works in Hollywood: The < 33 Principle

    diane-isaacs-brings-dominant-experience-from-movie-industry-to-wutznxt-222x300Our Guest Post today is written by Diane Sillan Isaacs. Diane brings more than two decades of experience in film and television industries as an executive film producer, president of production for Don Johnson Productions at Universal and Paramount pictures, president of development and production for Green Moon Productions where she produced films for Antonio Banderas and Emma Thompson.

    Most recently, Diane has joined the Chanticleer Team as Creative Director, and also partnered with Kiffer & Andy Brown to form SillanPaceBrown Publishing + Production, a new publishing platform that specializes in global rights and vertical product integration for intellectual properties based on stories.


    What is a Writer’s Prerequisite to Admission to Tinseltown?

    Seems like every writer you meet in Hollywood has a HOT! script in their bag, eager to pitch their story to producers and anyone with media contacts.

    Random hems and haws, kindas, umms and ya-knows have left many a talented writer with their script curbside. These short storylines, known as loglines, are essential in the film industry and working screenwriters (key adjective) have their magic bullet in the chamber ready to fire off with every handshake and chance meeting to first, spark a reaction, second, be asked to tell more, or third, be invited to send their script in for a read.

    Most have learned to prepare and practice a quick one-liner of their story to hook fast and furious interest before the elevator doors open, or the valet pulls the Tesla around. The fast pitch of their +/- 100 page script [with a lot of scenes and dialogue] is the prerequisite to Tinseltown’s admission.

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    The <33 Principle

    I call it the < 33 principle. Tell me your story in less than 33 words to give me a sense of genre, main characters, obstacles, twists and high concept, and you got my attention. Of course, the script has to live up to the logline, but a well-constructed logline is the first key to get in the door. Turns out the stories that hold up under the strict discipline of time and words are the ones with the best Velcro and have a better chance to go the distance.

    At a recent literary conference, a number of authors approached me to tell me about their [hot!] book. Used to streamlined loglines, I was taken back at the oftentimes meandering descriptions about the story, the opening scene, side stories, past lives, psychological thinking, flash forwards and more. While authors enjoy a literary license to write as the please, the story still needs the discipline of a succinct logline. Like screenwriters, authors need to be able to tell his or her story in less than 33 words with all the elements to seduce me and have me ask for more. “Me” is code for your potential readers, agents, publishers, colleagues- audience of any and all kind!

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    The Origin of the Logline in Hollywood

    As a film producer, I appreciate the value of the logline vetting process. Given the amount of material [did I mention every writer has a hot script in their bag?], the slushing process comes in the form of a logline. It started in the early studio days, where contracted readers would write the logline on the binder of the vaulted scripts for producers to get a quick sense of the story at a glance. Loglines are also an amazing tool for the writing process to make sure all the elements of the book are aligned with the story foundation.

    There may be the rare exception of someone that asks for the long, drawn-out, over-explained and complicated version first, but you already have a few versions of that in the archives. Now, let’s get you lean and memorable.

    What works in Hollywood…works in Publishing.

    Log in. Log on. Logline!  Here’s the Logline Challenge:

    Go to a mirror, set your timer for :15 seconds. Imagine the image staring at you just asked you what your book/story. Start Jeopardy music for added anxiety.

    A _____hero does___ when ____happens and then____ but the world_______ [your own Mad Libs variation]

    Time’s up. Did you have to think about it? Did you false start a few times? Did you fudge things around until you cobbled together a line or two? Did you forget the best part? Was it nearly impossible to distill your massive story down to a concise sound bite?

    Or did it have a zesty punch that piqued curiosity and imagination of your mirror image? [Thumbs up, Thumbs up?!]

    So even if you got a positive reaction from your alter ego, know that he or she is biased. It’s time to create a logline, or perfect the one you started- one that seamlessly rolls off your tongue at a mere thought of your book.

    It’s time to brand your story with a compact package of words that will astonish and delight. It’s a craft of its own!

    It’s probably the most important tool to pitch your book, sell your book and, oh yeah, write your book. Your logline should be with you before, during and after writing your story. Without it like a business without a plan, a charity without a mission or an ad campaign without a hook. Pointless.

    Take the time to streamline it down. Count the words (<33, please), time the statement (< :15, thank you), and practice it so that it comes across as off-the-top-of-my-head casual when a friend, colleague, stranger, hairdresser, neighbor, flight attendant, future fan, or agent asks ‘what’s your story about?’.

    Note from Kiffer Brown:

    Diane will present two Logline workshops (one on Friday, March 31st and one on Saturday, April 1st) at the 2017 Chanticleer Authors Conference. The workshop is included in the registration fee. Participation is limited to 12 attendees at each session. Signup is encouraged at time of registration.

  • Will Your Books Have PRIME Shelf Space in one of the TOP Indie Bookstores in America?

    Will Your Books Have PRIME Shelf Space in one of the TOP Indie Bookstores in America?

    Publisher’s Weekly recognized  Village Books of Bellingham and Lynden, Wash. as one of the top five independently owned bookstores in North America for 2016. (Publisher’s Weekly, Jan. 26, 2016)

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    “…the 2016 PW Awards reflect the growth and vitality of independent bookstores,” said PW senior v-p and publisher Cevin Bryerman. “They are coming off a strong holiday season, and several just opened, or are about to open, second or third locations.” 

    Every year at the Chanticleer Author Conference, we pack a ton of value into the weekend for our authors: from valuable knowledge in workshops and sessions, to a thrilling Awards Gala, to the 3-day Books by the Bay book fair that is managed by Village Books, a national leading independent bookstore.

    bbb poster 2017 smallBooks by the Bay is an exciting opportunity for attendees to sell their books  during the CAC weekend, but to also to gain exposure to a nationally recognized bookseller.

    But wait! That’s not all! Village Books sweetens the pot by offering to the Books by the Bay participating authors of the top 5 bestselling titles of the book fair to continue to carry their title at Village Books after the event. Village Books will also feature the books in their bookstores at Books by the Bay Bestsellers and feature the books on the VB website and in VB’s social media.

    But it doesn’t end there. After the weekend Village Books, our hardworking bookseller, tallies the numbers and comes up with the Top Five Bestselling Titles of Books by the Bay.

    Congratulations to Sharon Anderson, Nicole Evelina, James Wells, Donna Barker and Grant Harper Reid for rising to the top! These titles get the added benefit of remaining for sale and on display in Village Books. They were also featured in the highly circulated Chuckanut Reader.

    Books by the Bay VB Bestsellers lo resRegistration for the Chanticleer Author Conference in 2017 (CAC17) is already open and we have some jaw dropping early bird rates if you register before September 8th. It’s a full weekend of learning, packed with networking, gourmet meals and fun, a full weekend of book sales, and many many residual benefits. We are already receiving registrations! Seating is limited, so don’t miss out!