Chanticleer Book Reviews

Author: julie-lemense

  • SPOTLIGHT on CHATELAINE and Its Hall of Fame Authors – Romance Novels & Romantic Fiction in all its Forms!

    SPOTLIGHT on CHATELAINE and Its Hall of Fame Authors – Romance Novels & Romantic Fiction in all its Forms!

    Chanticleer Book Reviews is seeking today’s best books featuring romantic themes and adventures of the heart, historical love affairs, perhaps a little steamy romance, we will put them to the test and choose the best among them.

    Find out more about the stunning beauty that Dante Rossetti painted, Jane Morris, at the end of this blog post.

     

    Do you have a romance novel or manuscript ready for readers?

    Do you want to see how it stands up to others in its category?

    Then don’t delay! The CHATELAINE Book Awards division is accepting submissions from both recently published and complete manuscripts in romance and romantic fiction. But this year we’ve moved our deadline – to keep you on your toes!

    The new deadline for the Chatelaine Awards is AUGUST 31, 2020! 

    That’s right, the last day for submissions into the 2020 Chatelaine Book Awards is August 31, 2020. So, if you love Piña Coladas – and getting caught in the rain… I mean, if you like writing about those things, and other things having to do with matters of the heart, including these:

    The Chatelaine Awards Categories are:|
    Contemporary Romance
    Historical Romance
    Adventure & Suspense
    Romantic Steamy/Sensual (Not Erotic)
    Inspirational/Restorative

    Send them in today! What are you waiting for?

    Click here for more information and submission form! 

    Don’t Delay! Enter Today! 

    Insiders’ Tip: Other genre divisions of the Chanticleer International Book Awards have romance categories as well. Multiple submissions of the same work to a variety of  CIBA writing competitions divisions are accepted. Check out our divisions here. 

     

     

     

     

    Please join us in congratulating and reading these top works in this diverse range of all reads Chatelaine: Romance, Chick-Lit,  Women’s Fiction, Inspirational, Suspenseful, and, of course, Steamy and Sensual in the
    CHATELAINE HALL of FAME!

    Nicola Slade took home the Chatelaine Grand Prize Ribbon in 2018 for The House at Ladywell.

    Congratulations to the 2018 CHATELAINE Book Awards for Romantic Fiction  First in Category Winners!

     

    Leigh Grant’s MASK OF DREAMS  took home the Chatelaine Grand Prize Ribbon for 2017.

    The First Place Category Winners of the CIBA 2017 CHATELAINE Awards:

     

     

     

     

     

      M.A. Clarke Scott’s The ART of ENCHANTMENT took home the 2016 Chatelaine Grand Prize.

     

    The First Place Category Winners of the CIBA 2016 CHATELAINE Awards:

     

    Nicole Evelina’s DAUGHTER of DESTINY took both the Chatelaine Grand Prize and the OVERALL Grand Prize winner for 2015.


     

    The First Place Category Winners of the CIBA 2015 CHATELAINE Awards:

     

    Janet Shawgo’s FIND ME AGAIN won the 2014 Chatelaine Grand Prize.

    Find Me Again Janet Shawgo

    The First Place Category Winners of the CIBA 2014 CHATELAINE Awards:

    Kate Vale’s CHOICES was awarded the 2013 Chatelaine Grand Prize and took home the OVERALL Grand Prize for best book of the year!

     

    The First Place Category Winners of the CIBA 2013 CHATELAINE Awards:

    • Historical Romance: The Lily and the Lion by Catherine T. Wilson & Catherine A. Wilson
    • Southern Romance: Swamp Secret by Eleanor Tatum
    • Mystery: The Hourglass by Sharon Struth
    • Jane Austen Inspired: Pulse and Prejudice by Colette Saucier
    • Paranormal: Crimson Flames by Ashley Robertson
    • Christian Inspirational Romance: Chasing Charlie by C. M. Newman
    • Restorative: A Path through the Garden by Nancy LaPonzina
    • Classic Bodice Ripper: To Dare the Duke of Dangerfield by Bronwen Evans

     Who will win the CHATELAINE Book Awards Blue Ribbons for 2020?

    The judging rounds will commence in August! Submit your works today!

    The last day for submissions into the 2020 Chatelaine Book Awards is August 31, 2020. Winners will be announced at our CAC21 conference – scheduled for April

    Click here for more information and submission form! 

    Don’t Delay! Enter Today! 

    And remember our Insiders’ Tip: Other genre divisions of the Chanticleer International Book Awards have romance categories as well. Multiple submissions of the same work to a variety of  CIBA writing competitions divisions are accepted. Check it out here!

    A little information about the Chatelaine Book Awards icon:

    Romance Fiction Award

     

    We feel that Dante Gabriel Rossetti’s Pre-Raphaelite painting of Jane Morris (muse and wife of William Morris) in a Blue Silk Dress captures the many moods of the Chatelaine division of the Chanticleer International Book Awards.  Jane Morris (nee Jane Burden—little is known about her childhood but that it was poor and deprived) was known for her keen intelligence. William Morris fell in love with her when she sat for him as a model. She was privately tutored to become a gentleman’s wife upon their engagement. It is said that she was the inspiration for George Bernard Shaw’s character Eliza Dolittle of My Fair Lady fame. The Blue Silk Dress was painted in 1868 by Rossetti and it currently resides in the Society for Antiquaries of London.  She was 29 when Rossetti painted it. Rossetti and Jane Morris became closely attached until his death in 1882. To read more about the fascinating Jane Morris, click on this Wikipedia page.

  • ONCE UPON A SCANDAL by Julie LeMense – Regency Romance/Historical Romance

    ONCE UPON A SCANDAL by Julie LeMense – Regency Romance/Historical Romance

    Since there’s no such thing as a perfect person, we can’t say that Julie LeMense has written a perfect Regency romance.

    Darn close, though.

    Once Upon a Scandal nails it on so many levels: plot and characters driven by the era they live in; smooth, clean writing; a fully realized heroine who’s smart, vulnerable, resourceful, flawed, compassionate, and funny; an aristocrat hero who’s believable as a man; and a fresh, twisty plot that demands pages be turned to find out what happens next.

    Because the story is a romance, we can expect a happy ending. How Jane and Benjamin are ever going to find it, however, remains a mystery until the end. Both are trapped in their roles in society and hide dangerous secrets behind their identities. Jane actually has to give up her identity and become a false person in order to escape poverty and shame. Her sacrifice, it turns out, helps save her country from a traitor—who just might be her own father.

    Operating in disguise creates a satisfying turnabout, wherein the honest woman rejected by society allures the snobs, doyennes, and chauvinists into eating out of her dishonest hand. Jane observes: “Their strict rules and codes of conduct had been instituted for one reason and one alone: to prove themselves superior. They didn’t judge a person’s suitability by intellect, achievement, or even kindness.”

    That thought forms the theme of the novel and the deceptions practiced throughout it.

    Jane’s identity switcheroo is engineered by Benjamin for his own noble yet selfish purposes, though he soon realizes he’s bitten off more than he can chew and falls crazy in love with the real Jane—jeopardizing both of their masquerades.

    The moral and behavioral strictures of society during England’s Regency period seem unbelievable to those of us reading about it generations later. But they were painfully real at the time and forced many a clandestine affair. This suppression gives plausibility to the characters’ secrets and skulduggery; and the era’s lack of technology as we know it allows them to get away with stunts that would be immediately caught, and widely broadcast, today. Thus, when modern anachronisms appear in the narrative, they draw attention to themselves. The word “feminist,” for example, used in conversation by Jane in 1813, was not actually coined until decades later. Bloopers like this in such a period-sensitive novel raise doubts about the rest in the reader’s mind.

    Fortunately, the story holds its own with romantic intrigue and close brushes with disaster. The result is a conflict parfait, with Jane and Benjamin’s impossible love at the top, overlying the contradictions and inequities of their society, which forms a harsh class division between the haves and have-nots, in a country deep at war. In this multi-layer mess, how can anyone dream that true love will conquer all?

    Jane and Benjamin give it their best shot in this classy, cork-screwy romance that turns scandal on its head.

     

  • An Editorial Review of “Once Upon a Wager” by Julie LeMense

    An Editorial Review of “Once Upon a Wager” by Julie LeMense

    All his life, Alec Carstairs, the eighth Earl of Dorset, has been under pressure from his father to behave in a manner becoming of his station. Alec is expected to follow in his father’s footsteps; settling into the political career that is his legacy by succeeding his father in the House of Commons, and perhaps most importantly, choosing a wife who will be a boon to his career. Unfortunately, the list of candidates that meet the elder Carstairs’s approval most decidedly does not include the unsuitable yet lovely and spirited Lady Annabelle Layton, Alec’s childhood friend.

    Annabelle is everything Alec’s father fears: a headstrong and undeniably beautiful young woman from a family with a certain reputation in London society. Annabelle and Alec, along with her rakish brother Gareth, spent their childhoods together, playing on the Layton estate, but in recent years, Alec has done his best to avoid Annabelle, appalled to have discovered that his feelings have grown into something far stronger than a mere childhood friendship. Not only does he believe such feelings are improper, he is determined to do his duty according to his father’s wishes.

    An invitation to Gareth’s birthday party at the Layton estate threatens to dissolve Alec’s determination to keep his distance from Annabelle. In defiance of his father, Alec spends the weekend with Gareth, determined to keep an eye on his friend who has acquired libertine habits and new, unscrupulous friends. The chain of events that is set in motion during that weekend will affect the lives of all involved for years to come.

    Ms. LeMense has created a cast of characters with whom the reader can immediately identify. The author’s attention to historical accuracy paints a vivid picture of the culture of that timeframe—a society in which honor, duty, and misunderstandings were frequently dealt with according to rigid rules of behavior and communication. Alec and Annabelle’s strength of character carries them through this austere and strict world.

    With a naturally gifted writing style, Ms. LeMense has written an engrossing novel about love, honor, and betrayal. This reviewer looks forward to reading more from this very talented author. Ms. LeMense has penned a nearly flawless debut Regency Romance that will have fans of the genre begging for more.