CHANTICLEER AUTHOR TEN QUESTION INTERVIEW SERIES
with Elizabeth Crowens

Author Elizabeth Crowens has been coming to our conferences (CAC) for a while now – and it is always a good time when she does. In fact, Elizabeth took home the GRAND PRIZE in TWO Divisions in 2021~ The SHORTS Awards for New York: Give Me Your Best or Your Worst and scored majorly in the CYGNUS Awards for A War in Too Many Worlds. And her literary agent just negotiated a 3-Book publishing deal. She is funny, smart, and cares deeply for her fellow authors. In short, she’s a perfect Chanticleerian! I want you to meet her – Elizabeth Crowens.

Chanti: So, Elizabeth, when did you realize that you were an author?

Crowens: When I realized it was too complicated and too expensive to make elaborate feature films all by myself. This, of course, was in the pre-video and pre-smartphone days of motion picture cameras and processing outrageously expensive film stock, of which I had firsthand experience in a film school which touted experimental and avantgarde auteurism rather than commercial productions.

Although I had the cinematographer’s eye, women in that realm faced a lot of restrictions, so I veered toward screenwriting. Never made my mark in that commercial arena either, but I did start a first draft of a novel, which stayed in my closet for many years until I took it seriously, polished it, and had it published. Now, there are three novels in that series, the latest of which is A War in Too Many Worlds, which won last year’s Grand Prize in the Cygnus Awards. The first book of that series, Silent Meridian, won First Prize in the Goethe Awards, and the second book, A Pocketful of Lodestones, won First Prize in the Paranormal Awards. There will be one more novel, The Story Beyond Time, before I complete my Time Traveler Professor series.

 

Chanti: It always amazes me how much you juggle in your work. Good on you! But, how do you come up with your ideas for a story?

Crowens: There’s always something personal when it comes to my story ideas. For my anthology, New York: Give Me Your Best or Your Worst, for years I had always wanted to publish a coffee table book using my photography. When I inadvertently stumbled upon an artist’s grant which could give me that opportunity, I gave it a whirl, not expecting anything to come of it. However, there was one caveat—I had to involve others. That’s when I pitched the project like my popular Caption Contest on Facebook and was really surprised when I won one of those grants. Regarding other stories—they come from all over the place but, once again, there’s always a personal connection some way or other.

Chanti: How do you approach your writing day?

Crowens: If I can wake around 4:30 am and write until 9:00 am when the “business day” begins, that’s considered a productive day. It’s quiet then, and I don’t have to worry about being interrupted by robocalls or having to deal with the frustrating mundane stuff like booking doctor’s appointments or arguing with inept billing departments over why I don’t owe their bills. Hate that stuff with a passion, and it totally gets me out of the creative zone.

Chanti: Ugh. I hate the robo calls! How structured are you in your writing work?

Crowens: To expand upon the previous question, once I’m out of the zone, there’s no way I can force myself to get back on track. Once I have the spare time, I’ll concentrate on reading or watching a film—in the name of research, of course. Got to stay productive—no matter what.

Chanti: Smart. What areas in your writing are you most confident in? What advice would you give someone who is struggling in that area?

Crowens: Dialogue. I think that comes from my screenwriting background. Script length is roughly 110-120 pages. My weakest area would be in setting descriptions and sensory reactions. In screenplays, nearly all of that is eliminated unless it’s vital to the script.

Chanti: That’s good advice. You work in novels and film – two very different practices, two very different places – so I want to ask you about your craft. What do you do to grow your author chops?

Crowens: I attend writer’s boot camps and conferences—a lot of them.

Chanti: We’re always happy to see you at CAC! What craft books have helped you the most?

Crowens: Story Trumps Structure by Steven James. Anything by Donald Maas or James Bell. Stephen King’s On Writing is a classic. Writer’s Digest publishes a lot of good ones.

Chanti: What are you working on now? What can we look forward to seeing next from you?

Crowens: It might be a while since you see my final alternate history/science fiction novel in the Time Traveler Professor series, because I’ve been concentrating on Hollywood mysteries. One of the reasons why I like entering in the Chanticleer Author Awards is that they allow unpublished manuscripts to compete against the published ones. I have three unpublished mysteries which have won first prizes in various categories, and I’m keeping my fingers crossed that the one my agent is currently shopping, will leap beyond a finalist this year in the M&Ms or the Clue Awards.

Chanti: Best of luck to you in the CIBAs! They don’t let me near them, so luck is the only thing I can offer. Do you ever experience writers block? What do you do to overcome it?

Crowens: There are two instances where I hit a wall. One I mentioned previously, and that’s when I’m knocked out of the zone. The other is that cooling off period when I’m completely done with a project. During that time, I catch up on a lot of books and movies, many of which have no relation whatsoever to anything I might need for research on a future book. That’s the time to hit my TBR pile. Often, they might be novels from an author I know.

Chanti: I like how you handle that. It’s productive – and sounds like it’s predictable as well. Good for you! What is the most important thing a reader can do for an author?

Crowens: Give us reviews! Post them on Amazon, even if it isn’t a “verified sale” on Amazon and you purchased your copy at a retail store or book fair, and on Goodreads. NetGalley. Blog about them.

Chanti: You heard it from the author, herself! The most helpful thing is to write the review – and talk up the books!

EXCITING NEWS for Elizabeth Crowens – This just in! 

We are beyond thrilled to announce that Elizabeth received a 3 Book Deal with her agent, Elizabeth K. Kracht for her Babs Norman 1940s Hollywood Mystery series.  The Deal was announced in Publishers Marketplace. Here’s a link to her website where the good news is also mentioned, and another link to her Facebook announcement: https://www.facebook.com/thereel.elizabeth.crowens

Now that’s something to crow about!

Elizabeth entered her unpublished manuscript, Babs and Basil, and the Hounds of the Hollywood Baskervilles, into the Mark Twain Book Awards division of the Chanticleer International Book Awards where it was awarded a First Place Blue Ribbon.

 

Elizabeth Crowens has worn many hats in the entertainment industry in NY and LA for over 25 years. Writing credits include short stories and articles in  Black Belt, Black Gate, and Sherlock Holmes Mystery magazines, stories in Hell’s Heart and the Bram Stoker Award-nominated A New York State of Fright, and three alternate history/SFF novels, which she self-publishes under the name of Atomic Alchemist Productions. Recipient of the MWA-NY Leo B. Burstein Scholarship, NY Foundation of the Arts grant to produce a self-published, photo-illustrated anthology, a Glimmer Train Honorable Mention, an Eric Hoffer Award First Prize, two Grand Prize and four First Prize Chanticleer Review awards. She is represented by Elizabeth K. Kracht at Kimberley Cameron & Associates, is currently writing in the Hollywood mystery genre, and is seeking a traditional publisher.

If you would like to learn more about Elizabeth Crowens author extraordinaire, please like and follow her on her webpage: https://www.elizabethcrowens.com/