Geckos in the Garden by Ruth Amanda is a children’s counting book that takes readers through a delightful, rhythmic, aesthetically pleasing romp past a series of hidden geckos.
Amanda starts out with just one gecko in the garden. Every page after, one more is added amongst myriad natural details such as flowers, a snail, a palm tree, garden taps, rocks, a mango tree, leaves, a gate, a bird’s nest, a pond, and more.
Amanda demonstrates a natural sense of narrative arc even within a counting book—readers will feel the climax of the adventure when they arrive at the ninth gecko and read the line, “I spot one—two—no, six—no, more! Nine!” The escalation of the words’ momentum makes the ninth and tenth geckos more dramatic. Furthermore, the clever dénouement includes the narrator realizing the geckos might watch them just as much as they watch the geckos, and this is written alongside an adorable picture of a gecko looking in the window of the narrator’s home.
The rhyme and rhythm of the story are extremely satisfying and feel natural, making the book effective at engaging children learning to count.
The counting practice is not just in the words of the story, but in a scavenger hunt for each of the geckos in the illustrations. When a gecko is hidden in a challenging spot, hints like “I bet I’d find more geckos/If I hunted in the hedge” are integrated into the story. This is sure to create a game out of counting that will please children and adults alike. The images are beautiful and clear at the same time—perfect for ease in counting as well as maintaining interest.
Pristine formatting helps the excellent writing style and lovely images to shine.
The font serves the rhythm of the story, with bold words to guide readers toward the correct emphasis in the line. The images are balanced around the words in such a way that the pleasing layout draws the eye in the correct direction down the page. And finally, the consistent placement and slight tilt to the number on each page (“One!” and “Two!” etc.) creates a predictable and comforting routine for young readers to follow, even making it possible for them to anticipate the number that’s coming next.
Geckos in the Garden is the perfect book for a child learning to count through playful means. Amanda makes it easy for an adult reader to read with a satisfying beat because of the balanced arrangement of words. Any child will surely be inspired to count geckos or other creatures like them upon sight even when the book’s covers have been closed for the day.
You’ve arrived at the last page of your story and written those crucial, beautiful words: “The End.”
Finished at last!
Well done! You deserve some time to rest before you dive into the next step of editing your story.
Now, one key piece of advice here is there isn’t a wrong time to put your work in front of a professional for feedback. While this article will take you through steps that will bring your book to be as strong as you can possibly make it on your own, we all are of different skillsets, so if something isn’t for you, that’s when you bring in a professional editor.
It is an objective evaluation of a story idea that is fully formed with a beginning, middle, and end, but still in an early draft stage. The MOV comes before Line Editing and Copy Editing.
No matter who you pick to perform a Manuscript Overview for your book, you should get one. The amount of time and money it saves on editing by being more general and help you go further with your own writing is on thing, but the most important part is it helps keep your book focused and your narrative strong. Traditional Publishing Houses use them, and it makes sense to follow suit.
Typically, an MOV will cover
compelling nature of story
dialogue
character development
does the scenery and setting work with the story
backstory issues
professionalism of editing & formatting
continuity of storyline
plotting and plot-hole issues
writing craft
So, the question remains, how do you get your book to that point: fully formed with a beginning, middle, and end. How do you get it to the best point you can do on your own?
The Reverse Outline
Once you’ve finished your manuscript, even if you already have an outline, you can create one that reflects the actual book you’ve written. From this point, you can edit that outline of your book as is. Working within the outline to create a roadmap to revision often feels much more approachable.
Next off, we have a recommendation from Matt Bell, author of Refuse to Be Done.
Rewrite your book.
You can have the draft you wrote printed out, off to the side, on a separate monitor, whatever feels comfortable, but rewrite it using your new outline as a guide.
Bell’s theory behind this is that you will copy and paste a bad line (or duplicate scene). But you won’t rewrite a bad line.
Not sure where to start in creating your outline? Jessica Brody’s beat sheet from Save the Cat! Writes a Novel can help. Brody breaks down the story into actionable beats you can aim for to keep your book flowing along. Check out her breakdown of story beats here!
Once you’re done rewriting the book, it helps to go through and check to see if you’ve met the goals of a new outline. Ask yourself if your story has a beat and if you can dance to it.
A standard Chanticleer MOV takes 6-9 weeks to finish. While that’s going on, we recommend following D.D. Black’s critical advice whenever you’re in writing limbo: Write the next thing.
Not only will that get you out of your head and allow you to be more objective with your manuscript when it comes back, but it will put you ahead of the game for the next book.
What do our authors say about our MOVs? Read recent testimonials here!
Wow, huge thank you for this second review! It’s so detailed and very much what I was hoping for. The specifics about moving content and clarity are spot on. I knew it needed structural improvements but I was too close to do it. Please pass on my sincere thanks for this work! I’ve only started some of it & already feel a better flow. I’m hoping to possibly even cut about 10k words to make it tighter. – Sheridan Genrich author of REWIRED: Optimise Your Genetic Potential
I’m writing to gratefully acknowledge receipt of the Manuscript Overview of my book. I am so pleased to have this close reading and incredibly helpful insights. These comments are far more beneficial than anything I had expected. It will be a pleasure addressing the editor’s critiques and trying out his concrete suggestions. Please extend to him my genuine gratitude. Chanticleer crows again! – John Feist, author of Edged in Purple and many more
I finally got this copied and read. It’s just what I wanted it to be—a skillful job. I knew there were the kind of holes the editor mentioned, but he’s given me a plan for the revisions. Please pass on my thanks. – Linda Brugger, columnist and accidental author
Please thank the reviewer for a very relevant and detailed review of my manuscript, ANKANAM. I plan to incorporate all his notes! – Vee Kumari, author of Ankanam.
This was just what I needed. I am looking at the book with a new focus and have already started working up the suggested changes. The first thing I did was remove those items the editor mentioned should be deleted. It was a bit painful but necessary. There was plenty of meat in his review, which took me a while to digest, but changes are on the way. These will take some time, but I will likely be interested in the Manuscript Reconciliation process. I can tell the editor spent quite some time researching some of the issues raised in the book, which I greatly appreciated. It helped me see the book more from the reader’s perspective than mine. Please pass along my sincere thanks. – Jim Leonard
Thank you for joining us for this Writer Toolbox Article
There is so much to learn and do with Chanticleer!
From our Book Award Program that has Discovered the Best Books since the early 2010s to our Editorial Book Reviews recognizing and promoting indie and traditional authors, Chanticleer knows your books are worth the effort to market professionally!
When you’re ready,did you know that Chanticleer offers editorial services?We do and have been doing so since 2011.
Our professional editors are top-notch and are experts in the Chicago Manual of Style. They have and are working for the top publishing houses (TOR, McMillian, Thomas Mercer, Penguin Random House, Simon Schuster, etc.).
If you would like more information, we invite you to email us at info@ChantiReviews.com for more information, testimonials, and fees.
We work with a small number of exclusive clients who want to collaborate with our team of top-editors on an on-going basis.Contact us today!
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A great way to get started is with our manuscript evaluation service, with more information availablehere.
And we do editorial consultations for $75. Learn morehere.
Lisa Voelker’s historical fiction novel, The Spoon, takes us back to the 1950s in Hungary during the daring student uprising, and attempted revolution, in Buda and Pest. The author weaves historical facts with fiction in the form of family lore that has been handed down for generations.
We follow scores of people whose lives intersected during this uprising of 1956. The revolution was, at its inception, a time of joyous upheaval, but in less than two weeks became one of devastating dissolution. People fled Hungary by the thousands, but not before giving the Soviet Union a taste of their discontent.
Voelker introduces Rebeka, a member of the Varga family with old ties to the bourgeoisie, who lived a life of privilege on a farm east of Buda and Pest. As well as Peter, a member of the Turea family who attends Budapest Technical University, where students began demonstrating against the Hungarian Government that was under Soviet control.
Voelker’s cast of characters stems from over a dozen families, some involving four generations, so even as this story focuses on Rebeka and Peter, we get the sense that it is truly the story of a nation. It’s the story of a people who are embroiled in the ramifications of a revolution attempt that was less than two weeks long but reverberated for decades.
The national pride and courage of the demonstrators stands out.
Their resilience and continued opposition against the Soviet super-power, pushed forward by the resistance fighters, never wavered. Voelker captures that loyalty and bravery on every page, just as her well-researched novel captures the imagination.
The ultimate mystery of the book is based on actual family lore, and Voelker keeps us turning the pages to find out what the significance and importance of a particular object is. She gives clues that whet our appetites, and with perfect timing reveals the satisfying conclusion.
Rebeka and Peter move through the uprising along with friends, family, and people they meet along the way. Voelker’s mastery in developing these interesting individuals keeps us invested in their stories and their successes— and yes, sometimes their failures.
There are tragedies, as with any war-like situation, and this is an underdog story, much like many international news stories that we see today.
As philosopher George Santayana wrote: “Those who cannot remember the past, are condemned to repeat it.” This idea has been paraphrased and passed down in many variations, but the truth behind it remains, and we commit this error at our own peril.
Voelker plays with themes of liberty, freedom, nationality, family bonds, first love, war, and more.
Her ambitious novel delivers an excellent read while also making connections between the past and the present, and showing us the strength of the family myth— stories that we pass down through generations.
Lisa Voelker’s The Spoon matches the interest of any history buff, any war novel aficionado, or any reader who loves learning while they enjoy a good book.
The Cygnus Book Awards recognize emerging new talent and outstanding works in the genre of Science Fiction, Steampunk, Alternative History, and Speculative Fiction. The Grand Prize Winner, Timothy S. Johnston’s book, The Shadow of War will be promoted for years to come in our annual Hall of Fame article, as well as be featured on the Cygnus contest page year round!
The best part about being a Chanticleer Int’l Book Award Winner is the love and attention you get all year ‘round!
Unanimity is a literary, sci-fi novel for the fans of Becky Chambers’s A Closed and Common Orbit, Alex Garland’s DEVS and Ex Machina, and Charlie Brooker’s Black Mirror. Weaving near-future sci-fi elements with social commentary and queer romantic suspense, the Spiral Worlds series explores the nature of consciousness and how it’s connected to a not-so-secret ingredient-story. As AI consumes the world, intelligence is nothing but the appetizer; the human heart is the main course.
From Chanticleer:
Alexandra Almeida probes the philosophical and ethical depths of wealth, technology, pop culture, and religion in a world ravaged by global warming through her sci-fi adventure, Unanimity: Spiral Worlds #1.
Readers will delight in the gradual reveal of both the technology within the story and the dramatic history between many of those involved with the creation and evolution of that technology.
Tom, a screenwriter, works with Harry, the genius inventor of the world’s most popular AI (artificial intelligence) app, to create a simulation that will nudge people toward acting morally.
What if A.I. had a soul? Could it find redemption?
In a near-future where entire worlds spring from thought, minds struggle to define reality—and claim it. Human colonization of the Metaverse brings us face-to-face with a new class of artificial being, made in our image and yet utterly unknown.
What is a person? Our answer will reshape the universe.
Captain Kara Psomas was pronounced dead when her research vessel slammed into Jupiter.
More than a century later, the crew of the Paralus, a helium mining freighter, find a pristine escape pod with a healthy young girl nestled inside. A girl who claims to be Kara—and she brings a message of doom.
She says she has been waiting in the dark for that exact moment. To be found by that particular crew. Because an ancient cosmic being has tasked her with a sacred responsibility. She claims she must alter the Fulcrum, a lever in time—no matter the cost to the people aboard—or condemn the rest of civilization to a very painful and drawn-out demise.
She sounds convincing. She appears brave. She might well be insane.
Her captain is furious at her. She wasted company resources getting herself killed, and it’s coming out of her paycheck. Now, she’s sitting across from the first other human being she’s seen in six years. His name is Adnan. He claims to come from Earth-but that’s impossible. Earth died a long time ago. If Adnan’s telling the truth, he and the decaying ship the captain pulled him off are nearly a thousand years old.
Wherever he’s from, he’s Shaara’s responsibility now. Which is the last thing she needs. But it’s either that, or the captain sells Adnan into slavery. Shaara knows what that would mean. Most humans do. And something inside her won’t let her abandon Adnan to it: revenant memories, stabbed awake by the look in his eyes.
ReInception will change your mind…whether you want it or not
A hundred years in the future, ReInception is used to modify the brain and eliminate unwanted behaviors, everything from overeating to the worst criminal impulses. Unmodified 20-year-old Leandrea Justus feels ordinary compared to her perfect friends, who like living in a ReInception regulated world.
ReInception is a fiction debut, the first in a new, action-filled sci-fi trilogy with surprising twists, and a story that may be closer to reality than we think.
These are two of the oldest mainstays of the Chanticleer Int’l Book Awards, and the quality improves every year!
Only 10 days left to submit your books to the prestigious CIBAs and embark on an extraordinary journey to success. With over $30,000 in prizes awarded annually, now is the time to make your mark!
The CIBAs offer more than just recognition — they provide a ladder to success with a range of achievement tiers and expert long tail marketing strategies. From the highly anticipated Long List to the prestigious Overall Grand Prize Winner, the CIBA lists energize both authors and readers, maximizing your digital footprint and expanding your fan base.
We are always eager to support the Best Books through the CIBAs. Join the ranks of celebrated authors who have already taken this critical step in their publishing.
Your book deserves to be discovered, celebrated, and shared with the world. Don’t miss the chance to showcase your talent and gain valuable exposure at the Chanticleer Authors Conference (April 3-6, 2025) where Winners from all 25 Book Award Divisions will be announced and honored.
In a world hungry for good books, your story deserves to be heard. Submit now and leave a lasting impression.
In Nova Garcia’s novel, Not That Kind of Call Girl, Julia Navarro-Nilsson balances a lot heavy responsibilities on her plate. She’s the supervisor of the Cascade City Chronicle call center, has just had her first child, and is dead set on saving her newest employee from a lifetime of abuse.
As a Mexican-American, Julia knows first-hand how difficult life can be for a minority woman, so when Carmen Cooper shows up for a job interview, Julia is determined to hire the young college student even though her story and answers to Julia’s question are sketchy. This reluctance to share her personal information intrigues Julia, but Carmen’s life turns out to be much more challenging than Julia would have ever dreamed.
Sussing out the truth behind the timid young woman’s clearly fictional story, Julia turns detective with the help of her reporter friend, Jerry. The two are dogged in their search and discover a secret so deep that it will rock Hollywood — that is, if she can juggle her new baby, her neglected husband, her sexually harassing boss, and an unending visit from her critical mother.
Julia’s detailed character makes her easy to empathize with, especially as she faces issues that many women confront in the real world.
Her biggest personal struggle is with motherhood. After the birth of Trey, Julia expects to be overwhelmed with her love and devotion to this tiny person. However, when she doesn’t feel those things — feeling almost the opposite actually — she is shocked and disappointed in herself. She has no immediate connection, instead suffering from postpartum depression.
To add to her fears of motherly inadequacy, she endures multiple bouts of mastitis — landing her in the hospital on one occasion— and she finds that maternity leave feels like a prison sentence rather than a chance to bond with Trey. She hates that she is missing work and hates that she hates that! Julia’s muddled feelings leave her frightened and uncertain, far from her sense of self pre-motherhood.
Like many women, Julia has a hard time accepting her body for what it is.
She has never been a petite size four, like her still-attractive mother, who always pressures her to conform to a different standard of beauty. Julia is tall and full-figured, a curvy, sensual woman. Post-birth, she feels “fat” and unattractive. Because she has to continue wearing her maternity pants (another very common experience), Julie feels as though she has failed again in some way. Though her adorable, loving husband Charlie still tells her she is beautiful and shows her that he continues to find her desirable, Julia has a hard time engaging in any physical contact. Her mother’s comments don’t help the situation, and with her confidence in tatters, Julia stress eats, continuing an unhealthy cycle.
Julia takes great pride in her position as call center manager for the local newspaper, but that position comes with near-constant harassment from her boss.
She cares about her employees, knows their problems, and is fighting for their jobs as the newspaper owners negotiate a sale of the business. In fact, it’s this level of concern that leads to her involvement in Carmen’s tragic life. Julia takes her job seriously and maintains high expectations for herself, but at every turn her boss Carlton Cressey epitomizes a villain to all of womankind. He makes jokes about various body parts and propositions Julia directly for sex. Even though she is a hard-working employee, likely his best, he can only see her body and face, so not only is Julia worried about her employees losing their jobs, she is also worried about losing her own if she reports him to HR.
Julia is a strong, normal woman. She’s not a superhero or a rich Country Club wife. She’s real, and many readers will identify with the problems she faces.
In 1974, Lori Lee Peters was an impressionable thirteen-year-old growing up in the suburban town of Lodi, California. The wider world—from which her parents sheltered her and her sisters—fascinated Lori. She was curious about everything, informed about little, and dependent on friends to fill gaps with the knowledge she craved.
Religion was a topic rarely discussed in her household. So when friends shared their beliefs about God as fact, Lori thought her days on Earth were numbered. She carried this news with her for decades as a deadly secret she couldn’t share with her family. Little did she know that her father—her hero—had a secret of his own.
From Chanticleer:
God, the Mafia, My Dad, and Me by Lori Lee Peters begins in the voice of a child, compelling not just for its narrative honestly, but for the fact that it might not be reliable. As the book opens, we learn that this narrator firmly believes she will be killed.
Readers can easily see through the childlike hyperbole, but that doesn’t detract from the intrigue. How did a kid come to such an extreme conclusion? Is there any seed of truth to it? These questions will hook readers from the start.
Author Peters set out to write a book about her dad. God, the Mafia, My Dad, and Me tells the true story of her father, and his fascinating work helping the FBI tackle Mafia activity in Lodi, California. Yet in the end, this is a memoir in which the compelling lead character – young Lori – overshadows her father in many ways.
In the spirit of The Glass Castle and The Burning Light of Two Stars, Antonia Deignan delivers what New York Times best-selling author Julie Cantrell calls a “a heart-shattering memoir of painful truth and soulful healing.”
As a child, Antonia perceived her father’s nighttime visits as special acts of love. On some deeper level, though, she knew what was happening wasn’t right. To escape, she began creating imaginary worlds and used dreams to transport her away from her fears. As she got older, Antonia traded those fantasies for dance—but despite her outlets she remained trapped underwater, without a lifeline to make her feel fundamentally safe.
Nanette J. Davis Ph.D. – Raging Currents: Mental Illness and Family
A surprise sink-or-swim lesson at the tender age of nine opens this gripping memoir of love, mental illness, and care giving. A swirling narrative carries readers from pre-WWII Illinois to the infamous Oregon State Mental Hospital of the 80s and forward along a harrowing chasm carved by dysfunctional parents, inhumane social systems, and driven by Dr. Nanette Davis’s powerful love for her mentally-ill sister and son. Raging Currents spans mental health therapies from sedation and isolation, to twelve-step programs, tough love, and modern neuroscience-driven treatments.
From the childhood of a strong-willed, fiercely independent, and curious girl to the roles of supportive sister, wife, and mother, Davis shares her life’s foundation, development, and endless devotion to those she loves. Expertly weaving social norms in compelling prose, Davis offers the wisdom and reflection of age through the clear-eyed recollections of a trained sociologist. Her ever-increasing understanding of compassion is the bedrock of this insightful and vulnerable telling. Raging Currents offers more than an inspiring memoir: it provides practical advice and solace for modern caregivers, friends, family, and people living with mental illness.
When Barbara Terao moves into a new home in Washington, two thousand miles from her husband in Illinois, she doesn’t know when—or if—she’ll ever live with him again. Her diagnosis of breast cancer three months later changes both of them in ways they never imagined.
In the ensuing months, Barbara’s husband and adult children show up to help her through a year of difficult treatments and surgery, and Barbara, in her Whidbey Island cottage, learns to listen to her heart and intuition. Nurtured by Douglas fir forests, the Salish Sea, and her community, she changes her life from the inside out. Her journey, she realizes, wasn’t about leaving her husband so much as finding herself. Reconfigured in body, mind, and spirit, Barbara finally has words for what she wants to say—and the strength to be a survivor.
What would you do if you received a message from a stranger telling you that your daughter, who is traveling alone in Turkey, is having some sort of mental health episode?
Dear Psychosis, is a confronting, dramatic and no-holds-barred account of a family’s experience following their daughter’s first-ever psychotic episode in Istanbul, and her later diagnosis of bipolar disorder.
To some, it may be a warning, to others a story of hope. Most of all, it shows how the love and care given by strangers and family alike paved the way for their daughter’s recovery and inspired the family to break the silence around mental illness.
On a blazing summer day in Missouri, 1956, eight-year-old Richard discovers a sparkling rock on the railroad tracks near his home—and is fascinated. In that same year, he makes another unexpected discovery—an aching, forbidden desire to be a girl. A lifetime of secrecy follows until, at the edge of a cliff in remote southern Idaho, he faces a decision—to die as a man or live as a woman.Transformations is more than a memoir of transgenderism. It reflects important crossroads we all encounter in our lives—times of self-doubt and failure, other moments of great success and joy. It is a journey all of us share, one leading to that profound question we, at some point in our lives, must ask ourselves: Who am I?
Soar a Burning Sky won the 2022 OZMA Grand Prize Award for Fantasy Fiction!
with Award-Winning Author, Steven Michael Beck
Steven Michael Beck was the OZMA Grand Prize Winner for Fantasy Fiction at the 2022 CIBAs, hosted by the 2023 Chanticleer Authors Conference. His book, Soar A Burning Sky looks at a world linked to Earth’s, and both planets are in danger due to the harsh realities of Earth’s drastic climate change.
He is also an award winning commercial director and Visual Effects art director on films like Indiana Jones and the Last Crusade, The Abyss, and The Hunt for Red October.
We were so glad to meet Steven and Vicki back in 2023 and are delighted to present this interview.
Chanticleer: To begin with, tell us a little about yourself! How did you start writing?
Beck: Writing has always been part of the creative process for me. As a filmmaker, treatments and screenplays were, and are the preemptive language of my craft. Being able to convey characters, camera movement, narrative arcs complete evocative moments, could only be done by putting words to the page. Given I’d always had the practice, longform wasn’t much of stretch—or so I thought.
Chanticleer: Film and writing always seem to have huge overlap. We run into that a lot with Book to Screen interest at the Conference. When did you realize that, in addition to being a director, you were also an author?
Beck: Here’s the odd answer… I don’t want to be a writer. I have a story to tell, and I want to get it out before I’m no longer able to write anymore. Which isn’t the same thing as wanting to be a writer. What I’d love to be is a relieved human being, thankful we finally got a handle on climate change. I see my contribution to that resolution as being the writer on this one story.
Steven Michael Beck directing Isaiah Washington on the set of the Ghost Ship.
Chanticleer: The issues of climate change are serious, and we’re glad to see the shift in fiction to address this too. Would you say that’s the genre you focus on here?
Beck: My genre is eco-dystopian fantasy. Solving climate change, or at least putting a dent in it is an eco-dystopian fantasy. The only ones capable to do this are those destined to inherit it. Thus, I’m trying to speak to them directly.
Chanticleer: Tell us a little about your writing process. Where do you land on things like idea generation, writing, and writing rules?
Beck: Lol. Rules? There are rules? In coming up with ideas for a story, I imagine a scene, and then let it go. Before it hits the presses, I indent, and re-edit it several times in over in order to get it right. I imagine. It informs. We then edit together.
For the writing day, I write in the mornings until I’m starved. Then I break for lunch, and then edit in the afternoon. Can’t write at night, lest I take it to bed.
Where the writing magic happens!
Chanticleer: It sounds like you’re a fairly intuitive writer. When you’re not writing what are you up to?
Beck: I’m the type of person who’s constantly curious about the creative process. That said, I have a rather inflatable muse. She takes me everywhere; film, design, sculpture, writing, construction, architectural design… Wherever she goes, I follow.
Chanticleer: An inflatable muse? Oh, I hope there’s a picture that explains that! Thinking about the support of muses, what are areas in your writing that you are most confident in? What advice would you offer to writers struggling in that area?
Steven Michael Beck wrestles with his next scene as the Muse looms over him.
Beck: I’m most confident in writing dialogue. Again, I believe that’s due to all the years writing screenplays. Regarding advice… Listen to the conversations around you as you develop original voice. One informs the other.
Chanticleer: How would you say being an author affects your involvement in community?
Beck: It sorely keeps me from it. Writing is a monk’s existence—if you’re going to be good. Which means, you sequester yourself away for hours at a time, day after day, months on end. Sure, you could spend the remaining hours at some bar, Bokowski-ing it, but that’s not community.
Chanticleer: That’s unfortunate that it feels like being an author and participating in community are at odds with each other. Do you feel like there’s a way you can promote and improve literacy in your community still?
Beck: I’m a columnist in our local paper as well as being a local author. One feeds the other when it comes to community dialogue.
Chanticleer: That is so true. Thinking of people reading your column, who would you say is the perfect reader for your book?
Beck: Anyone ages 12-54 who’s concerned their world won’t be here someday. Hopefully I can convince them my work is fantasy.
Chanticleer: So often fantasy and reality intersect, which is one of the great joys of writing. As a final question, what excites you most about writing?
Beck: The sense of discovery. You never expect to find what you do when you write. It’s magical, frustrating, shocking, and complex, all at once. Which is odd when you’re writing a cookbook.
Steven and Vicky Beck at Chanticleer Authors Conference
Chanticleer: Indeed! Thank you so much for making the time for this interview!
You can sign up for the Napa Valley Register and read Beck’s column here.
Steven Michael Beck spent the last 30 years pursuing the art of storytelling through advertising, film, and television. Specializing in visual effects-oriented concepts (and their often-unique storylines), his direction has constantly reflected infatuation with animation—the notion that any object or idea either contained ‘life’, or could be conjured into such (needless to say, he had an imaginative childhood). These projects and life lessons have been nothing if not steppingstones, leading him to see the potential of a new type of storytelling through combinations of sculpture, photography, text, and found object.
Edged in Purple by John W. Feist welcomes readers to a place outside of time and space, a liminal space where characters of myth wait to return to their fated stories.
The Fold is a beautiful land, a near-utopia shepherded– literally– by Thetis and Peleus of Greek mythology. They raise the heroine of Shakespeare’s The Winter’s Tale, Perdita, after her father had accused her mother of betraying him with another, the whole sad story a product of his own paranoia.
Perdita’s story is proceeding as it was written. She has already met Florizel, the man who should be the hero of her romance– when her story is intersected by another. Just as The Winter’s Tale features royal courts, doomed relationships, mistaken identities, and family murder, so too does an ancient Greek drama: the Oresteia of Aeschylus, the story of Agamemnon after the Trojan War.
Orestes, the hero of that ancient tale, joins Perdita in the fold, pulling both of them from the paved road of fate.
They fall in love. Florizel goes mad with jealousy and proves that she’s MUCH better off with Orestes– as he pursues the lovers out of The Fold and into a reality that none of them are quite prepared for.
The reality they wake up in is that of the late 19th century, among the ruling class of the teetering Austro-Hungarian Empire of the Habsburgs, not far from Archduke Franz Ferdinand’s date with destiny.
Edged in Purple begins as a whimsical combination of fantasy and mythology.
Characters such as Orestes and Perdita’s adopted mother Thetis mingle with characters from the classics of literature– not just Perdita herself but nearly all of the personae from The Winter’s Tale. Peleus implies that characters from countless other stories have passed through The Fold on their way to their own endings, whether happy or not.
This setting offers a wealth of possibilities for stories to mingle and morph, which Edged in Purple explores to excellent effect.
It turns two familiar stories into one brand new adventure, transforming The Winter’s Tale into the kind of love vs. power romantic triangle that defines such stories as The Princess Bride, with Orestes, Perdita, and Florizel taking the roles of Wesley, Buttercup and Prince Humperdinck, respectively.
However, the curtain of fantasy is pulled back and the characters must inhabit the bodies of very real historical figures. And yet still, they seek to control their own fates.
After all, they managed it once, back in The Fold.
But as fantasy transforms into historical fiction, their lives become fixed to moments in time. And as Orestes– now Franz Ferdinand– learns, the wheels of history can’t be steered as easily as a story.
The two very disparate parts of Edged in Purple are equally compelling, and while that switch from fantasy fairy tale utopia to oncoming historical tragedy could send some readers for a spin, those interested in the blending of genres will be enthralled by this mirrored tale.
For readers who do make the leap, Franz Ferdinand and Sophia’s impossible happy ever after is both compelling and heartbreaking. Recommended for readers who enjoy portal fantasy, historical fiction, and tragic romance.
Fatherhood has changed dramatically over the last century. Once limited to being a hands-off leader of the family, fathers have become a loving, supportive, involved parent that we turn to for help, advice, and sometimes the keys to the car. This Father’s Day, June 16th, we celebrate all the amazing fathers and father figures in our lives!
The Evolving Role of Fatherhood
Let’s look back at the fathers of yesterday to celebrate the great dads we have today!
Fathers from Colonial Times to the Civil War
Traditionally, fathers in the US were stoic figures who taught their boys to work and found suitable husbands for their daughters. While showing the love they had for their children at home was discouraged, soldiers from the Civil War expressed their true feelings toward their children through letters from the battlefield.
Fathers of the Progressive Age
The industrialization of the nation freed up a father’s time to spend with their children, but World War I and II forced many fathers to leave their families to fight overseas. During the turbulent times of the Great Depression that followed gender roles became more flexible, allowing fathers more time with their children while their wives worked outside the home to support their families.
Fathers After WWII
Parenting went under the microscope after WWII, with many studies focused on parental roles and their affects on children. Results found that fathers of this time participated more in the lives and development of their children than ever before, but traditional parenting stereotypes were still in place.
60’s Fathers
Cultural and political shifts impacted fatherhood tremendously in the post-WWII baby boom, but the Vietnam War stymied the movement to further expand a father’s role in the family. Time away from their families and undiagnosed PTSD issues kept many fathers from fully participating in family life.
Fatherhood by 1999
Fathers evolved rapidly in the 1980s and 1990s. Economic stability gave fathers more time to spend at home and participate in their children’s lives in new ways, setting up new expectations for their children and encouraging them to chase their dreams. Harsh discipline was traded in for guidance and encouragement to do better.
Fatherhood in the 21st Century
The gender equality movement of the 21st century has allowed fathers to push aside the old concepts of being a sole provider and disciplinarian in favor of becoming an equal co-parent alongside their significant other. Today’s dads are now involved in all activities of the home, from child rearing to grocery shopping, allowing them to be more confident, emotionally available, and playful with their children.
And then there is Vatertag in Germany
In Germany, Father’s Day always takes place 39 days after Easter Sunday which makes it happen on a Thursday. Father’s Day is also the same date as Ascension Day. Vatertag is also known as Mannertag in the east part of Germany.
Participants go for walks and treks with handcarts, wagons, wheelbarrows, bicycle trailers, and other modes of transporting beer, grills, pretzels, snacks, portable speakers, etc. Also, it is tradition to decorate the carts with birch branches. The story is that in the old days, men would take to the fields for a fruitful harvest. In true German tradition, after the prayers, celebrating with beer, mead, and ale would commence.
Hats off to all the great fathers out there on Father’s Day!
Chanticleer Celebrates Father’s Day with Inspiring, Fun, and Compelling Stories about Fatherhood!
God, the Mafia, My Dad, and Me by Lori Lee Peters begins in the voice of a child, compelling not just for its narrative honestly, but for the fact that it might not be reliable. As the book opens, we learn that this narrator firmly believes she will be killed.
Readers can easily see through the childlike hyperbole, but that doesn’t detract from the intrigue. How did a kid come to such an extreme conclusion? Is there any seed of truth to it? These questions will hook readers from the start.
Author Peters set out to write a book about her dad. God, the Mafia, My Dad, and Me tells the true story of her father, and his fascinating work helping the FBI tackle Mafia activity in Lodi, California. Yet in the end, this is a memoir in which the compelling lead character – young Lori – overshadows her father in many ways.
Based on real people and events in 1918 France, One of Four by Travis Davis begins with a young French girl, Camille, who stumbles upon a diary lying next to an unknown American soldier. He was killed among his comrades in a German ambush near the banks of the Aire River, as he tried to protect his fellow soldiers. When Camille comes of age, she leaves her hometown to seek a better life in Paris. There, she is killed after joining a German resistance group. But before her death, she tucked the soldier’s diary in her Bible and hid it in a local bookstore.
Decades later, a man by the name of Walter travels to France with his son, Alex, to whom he’d become estranged after the painful divorce from Alex’s mother. He hopes this will be a journey of healing and exploration and that their time together will revive their shaky relationship. While there, Alex purchases the Bible left by Camille many years ago. By reading the hidden diary entries of the soldier together, Alex and Walter’s relationships takes an unexpected turn.
Robert Smalls’ life should have been one for the history books.
Smalls was born a slave in Beaufort, South Carolina, in 1839. When the first shots of the Civil War were fired upon Fort Sumter, Smalls was an experienced helmsman aboard a small cargo ship plying the coastal waters of South Carolina and the neighboring states. Once the war broke out, he found himself working to support a cause that kept him, his wife, and their children locked in chattel slavery.
But in a daring escapade that fell somewhere between a raid and a rescue, Smalls planned, with the help of his fellow crew members (also slaves) aboard the CSS Planter, to abscond with the ship, its cargo of munitions taken from Fort Sumter, and bring their families. The plan was to sail the ship as though its white officers were still on board, pretending to be carrying out their orders—at least until the ship was out of the reach of Fort Sumter’s guns.
Robert Dugoni’s novel,The World Played Chessexamines the demands of society and family, through the dawning adulthood of three different men in three different eras.
Vincent Bianco, a Southern California lawyer raises his teenage daughter and high-school-senior son. He unexpectedly receives the Vietnam journal of William Goodman, with whom he had worked construction in 1979. Goodman scribbled the journal in pencil during desperate breaks in his service in Vietnam. This record describes Goodman’s harsh initiation and horrifying acclimatization to the war.
Mirroring the Marine’s rapid maturation in the jungles of southeast Asia, Bianco recalls his own privileged coming of age. He compares it with his son Beau’s coming of age in present-day 2016 and 2017.
In A Story of Whoa, Chris Corbett shows one way that parents can explain the often loud and frightening problems of the world to children, and how anyone can make a difference.
Whoa watches the news every night with his father, where tragedy, injustice, and cruelty so often take center stage. Seeing these terrible things happening on TV, Whoa decides the time has come to step up. With his father’s support, he learns every martial art he can, ready to do battle with the toughest challenges in the world!
With patience and encouragement for Whoa’s many KERPOWS!!!, his father helps him discover that fighting injustice often goes beyond physical strength.
We would like to wish all fathers, fathers-to-be, stand-in fathers, and those who possess the fathering instinct, a very Happy Father’s Day!
Thank you for joining us in celebrating the Fathers in our life!
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Thank you again to the authors who wrote these wonderful books, and to fathers and father figures around the world! You are so loved and appreciated!