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  • The Chatelaine Awards for Romantic Fiction 2015 Official Finalists Listing

    The Chatelaine Awards for Romantic Fiction 2015 Official Finalists Listing

    Romance Fiction AwardThe CHATELAINE Writing Competition recognizes emerging new talent and outstanding works in the genres of  Romantic Fiction and Women’s Fiction. The Chatelaine Awards is a division of Chanticleer International Novel Writing Competitions.

    More than $30,000.00 dollars worth of cash and prizes will be awarded to Chanticleer Book Reviews 2015 writing competition winners at the Chanticleer Authors Conference April 30, 2016!

    The Chatelaine Awards FIRST IN CATEGORY sub-genres  are:

    • Contemporary Romance
    • Romantic Adventure/Suspense
    • Historical Romance
    • Inspirational/Restorative Romance
    • Romantic Steamy/Sensual (not erotica)

    The following titles will compete for the FIRST IN CATEGORY Positions and Awards Packages.

    This is the OFFICIAL FINALIST POSTING  of the 2015 CHATELAINE Novel Writing Competition.

    • Natasha Boyd for Deep Blue Eternity
    • Katharine Giles for The Mystery of the Jeweled Box
    • Nicole Evelina for Daughter of Destiny
    • Ellen Butler for Poplar Place and Planning for Love
    • Dana Faletti for Beautiful Secret
    • John Herman for My Father’s S0n
    • Cynthia Osborne Hoskin for The Tides of Fall
    • Frances Howard-Snyder for  A Difficult Woman
    • Jacquelynn Price for  Higher Learning
    • John Herman for The Counting of the Coup
    • Kaylin McFarren for Banished Threads
    • Terri Lyndie for Wolf Eye Alibi
    • MK McClintock for Blackwood Crossing
    • Susan Örnbratt for The Particular Appeal of Gilliane Pugsley
    • Belangela G. Tarazona for Hiatus
    • Mary Ann Henry for Ladies in Low Places
    • Linda J. Cox for Smolder on a Slow Burn
    • Andrea Downing for Dances of the Heart
    • Cynthia Ripley Miller for On the Edge of Sunrise
    • Nicola Italia for Love In the Valley
    • Nicola Italia for The Tea Plantation
    • Regan Walker for To Tame the Wind
    • Kate Vale for Crossing Paths
    • Diana Green for Bronze Fox
    • Kayce Stevens Hughlett for Blue
    • CG Fewston for  A Time to Love in Tehran
    • Nancy LaPonzina for Yellow Pansies in a Blue Cobalt Jar
    • Jennifer Kohout for  Master Of Tides
    • Elle G. Mraz for Love Me Back to Life
    • Natasha Boyd for Deep Blue Eternity
    • Carolyn Haley for Into the Sunrise
    • Eleanor Webster for  No Conventional Miss
    • Andrea Simonne for  Year of Living Blonde
    • Joanne Guidoccio for  A Season for Killing Blondes
    • Ellen Butler for  Planning for Love
    • Rebecca Hunter for Stockholm Diaries, Caroline
    • Andrea Weir for  A Foolish Consistency
    • Catherine A Wilson and Catherine T Wilson for The Gilded Crown
    • Miriam Polli for  In the Vertigo of Silence 
    • Eleanor Tatum for Gray Lace
    • Jennifer Snow for Falling for Leigh
    • Jennifer Snow for The Mistletoe Melody
    • J.L Oakley for Mist-shi-mus: A Novel of Captivity
    • Danica Winters for Smoke and Ashes
    • Julie LeMense for  Once Upon A Scandal

    This list is the Official Posting of the 2015 Chatelaine Finalists. We will begin announcing the 2015 Chatelaine First Place Category Winners on March 1, 2016. Good luck to all in one of our most competitive novel competitions!

    Note from Kiffer Brown, president of Chanticleer Book Reviews:

    We have moved the Chanticleer Reviews Writing Competition Awards evening up from September to April. Our last awards evening was Sept. 29, 2015 when we presented the 2014 awards. We have moved our awards evening up from Sept. 24, 2016 to April 30, 2016 to announce the 2015 awards winners. This move makes the 2015 awards more relevant and recent for the winning authors. However, the date change has given us only six months to judge all the entries instead of the usual twelve months.  But, after this April 30, 2016 awards ceremony, we will be back to having an entire year for the judging rounds for the 2016 contest submissions whose winners will be announced in April 2017 instead of September 2017. 

    Moving the awards ceremony also means that we had to move the conference and the accompanying book fair also up from September to April, which means we only have six months between CAC15 and CAC16. The reason why we scheduled CAC in September was because it was the only time available on the writer conferences’ schedule. When there was an opening in April, we grabbed it!

    Thank you, again, for your patience and understanding! It is much appreciated.  Please do not hesitate to contact me directly at KBrown@ChantiReviews.com if you have any questions or concerns. 

    The Chatelaine  Finalists will compete for the Chatelaine Awards First In Category Positions, which consists of Four Judging Rounds.  First Place Category Award winners will automatically be entered into the Chatelaine GRAND PRIZE AWARD competition, which has a cash prize of $250 or $500 dollars in editorial services. The CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse.   

    • All First In Category Award Winners will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
    • First In Category winners will compete for the Chatelaine Awards Grand Prize Award for the $250 purse and the Chaucer Grand Prize Ribbon and badges.
    • TEN genre Grand Prize winning titles will compete for the $1,000 purse for CBR Best Book and Overall Grand Prize.
    • A coveted Chanticleer Book Review valued at $345 dollars U.S. CBR reviews will be published in the Chanticleer Reviews magazine in chronological order as to posting.
    • A CBR Blue Ribbon to use in promotion at book signings and book festivals
    • Digital award stickers for on-line promotion
    • Adhesive book stickers
    • Shelf-talkers and other promotional items
    • Promotion in print and on-line media
    • Review of book distributed to on-line sites and printed media publications
    • Review, cover art, and author synopsis listed in CBR’s newsletter
    • Default First in Category winners will not be declared. Contests are based on merit and writing craft in all of the Chanticleer Writing Competitions.

    As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com. 

    Congratulations to the Finalists in this fiercely competitive contest! 

    Good Luck to all of the Chatelaine Finalists as they compete for the coveted First Place Category  positions.

    First In Category announcements will be made in our social media postings as the results come in.

    The Chatelaine Grand Prize Winner will be announced at the April 30th, 2016 Chanticleer Writing Contests Annual Awards Gala, which takes place on the last evening of the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting submissions into the 2016 Chatelaine Awards writing competitions for Romantic Fiction. Please click here for more information or to enter the contests.

     

  • CHEATING THE HOG: A Sawmill. A Tragedy. A Few Gutsy Women by Rae Ellen Lee

    CHEATING THE HOG: A Sawmill. A Tragedy. A Few Gutsy Women by Rae Ellen Lee

    When her bell-ringing employment for the Christmas season ends, Echo Spangler tackles a higher paying job demanding heavy physical labor—one at the local saw mill that is known for paying above minimum wage, but is perilous to one’s limbs.

    Male bosses and a few male co-workers conspire to force her to quit, adding to the daily “business as usual” danger. But she needs this job to pay her bills, and she’s determined not to let the jerks get the best of her. Rae Ellen Lee’s novel Cheating the Hog  is full of snappy writing that conveys the groaning of Echo’s muscles, while also showing her bravado and joy of simple pleasures against her taunting male co-workers.

    Echo presents a gutsy hard crust to her bosses and the men lording over her in the sawmill, but reveals her big heart to three female co-workers, her mother, and old friends. Danger ramps up beyond the job when she tries to help the women escape domestic violence.

    Readers will be engrossed in Lee’s lively narrative style; learning along the way about the workings of the sawmill machinery the fatal chaos it may bring if things go wrong. Lee also brings us to life outside the mill. Echo’s homelife includes her gun-toting mother, but Echo still carries the hopeful sparks of romance in her heart; even if she has to deal with prissy women and thick-skulled men.

    This engaging story shows the life of gutsy women on the sharp edge of poverty–with no extra education­­ and none of the advantages of a relatively carefree upbringing. The author immerses the reader into Echo’s daily life and demonstrate how such women experience the hardships relentlessly tumbling their way, enduring a male-dominated work culture, and living through its dangers. The book’s overarching theme encompasses underprivileged women who work hard, laugh hard, love hard, fight hard, and never give up. They forgive when they can, all the while struggling to show courage against odds most readers hope they will never face.

    People busy with their own lives don’t often give much thought to the hard and dirty jobs millions of men and women do every day. The author shows how (and why) many working folks muster the ability to face danger, fear, and death daily on the job. When readers turn the last page, they’ll be glad that they read the entertaining and enlightening Cheating the Hog engagingly written by the talented Rae Ellen Lee.  

     

  • The CHAUCER Awards for Historical Fiction 2015 Official Finalists Listing

    The CHAUCER Awards for Historical Fiction 2015 Official Finalists Listing

    Pre 1750 Historical Fiction AwardThe CHAUCER Writing Competition recognizes emerging new talent and outstanding works in the genre of  Historical Fiction. The Chaucer Awards is a division of Chanticleer International Novel Writing Competitions.

    More than $30,000.00 dollars worth of cash and prizes will be awarded to Chanticleer Book Reviews 2015 writing competition winners at the Chanticleer Authors Conference April 30, 2016!

    We received an unprecedented amount of entries for the 2015 Chaucer Awards. Due to demand, we will divide the Chaucer Awards into two separate contests for 2016: The CHAUCER Awards for historical fiction prior to 1750 and the GOETHE Awards for Historical Fiction after 1750 until the 1970s.

    This is the Official Finalists List of the Authors and Titles of Works that have made it to the Short-list of the Chaucer 2015 Novel Writing Contest.

    The Chaucer Awards FIRST IN CATEGORY sub-genres  are:  Pre-Historical Fiction, Ancient Historical Fiction, World/International History (non-western culture historical fiction), Dark Ages, Medieval, Renaissance, Elizabethan/Tudor 1600’s, Historical Young Adult.

    The following titles will compete for the FIRST IN CATEGORY Positions and Awards Packages

    • Marc Graham for Song of Songs: A Novel of the Queen of Sheba
    • Daniel K Gilbert for The Eternal Dream
    • Martha Conway for Thieving Forest
    • O.W. Shumaker for  Anna’s Bear -5 Days of Moral Conflict and Fierce Pursuit – In Nazi Germany, 1939 
    • Nicki Chen for Tiger Tail Soup, A Novel of China at War
    • Jim Fuxa for Zizka, The One-eyed
    • Russell Hill & Jeffrey Smith for Mesabi Pioneers
    • Robert Wright for Valhalla Revealed 
    • David E. Huntley – Death Watch Beetle
    • Paul B McNulty for  Spellbound by Sibella
    • Steve Doherty for Operation King Cobra
    • S. Thomas Bailey for Blood Lines-The Gauntlet Runner Book 4
    • Larry K. & Lorna Collins for The Memory Keeper
    • Michael Scheffel for St. Louis Affair: The Adventures of Herbert Falken
    • Andy Kutler for The Other Side of Life
    • Richard Carl Roth for Endangered Eagle
    • T. M. Carter for The Lion of the Cross: Tales of a Templar Knight
    • CG Fewston for A Time to Love in Tehran
    • Joyce DiPastena for The Lady and the Minstrel
    • Catherine A Wilson and Catherine T Wilson for The Order of the Lily
    • Troy B. Kechely for Stranger’s Dance
    • Glen Craney for The Yanks Are Starving: A Novel of the Bonus Army
    • Glen Craney for The Spider and the Stone: A Novel of Scotland’s Black Douglas
    • Leif Gregersen for  Those Who Dare To Dream
    • Kelly-Lynne Reimer for  Broken Glass
    • Amanda Frost for Provenance
    • Deborah Fleming for Without Leave
    • Marina Osipova for The Cruel Romance
    • Brigitte Goldstein for Death of a Diva-From Berlin to Broadway
    • Leon J. Radomile for  The Spear of Lepanto
    • Patrick Gabridge for Steering to Freedom
    • Jocelyn Cullity for The Red Year
    • James Conroyd Martin for  The Warsaw Conspiracy
    • Nancy Foshee for  O’er the Ramparts
    • Susan Örnbratt  for The Particular Appeal of Gillian Pugsley
    • E.A. Haltom for  Gwendolyn’s Sword
    • K.S. Jones for Shadow Of The Hawk
    • Anjali Mitter Duva for Faint Promise of Rain
    • Joan Fallon for The Shining City
    • Joan Fallon for The Only Blue Door
    • Meredith Pechta for The Prejudice that Divides Us
    • Eleanor Tatum for Gray Lace
    • John Hallman for Punic Wars
    • Edmond G. Addeo for A Tale of the Yosemite
    • Bruce Macbain for Odin’s Child
    • Gregory Warwick Hansen  for Pelsaert’s Nightmare
    • Jerrie Brock for Pawn to King’s Right
    • Nicole Evelina  for Madame Presidentess
    • JD Slade for  Last Children of the Valley
    • Jess Curry for  Nixon And Dovey
    • Jayme Mansfield for Chasing the Butterfly
    • Ethel Morgan Smith for Out of Bone
    • Mary Kay Thill for The Uncrowned King: A Story of Lorenzo Medici 
    • E.A. Haltom for Gwendolyn’s Sword
    • Sara Dahmen  for Doctor Kinney’s Housekeeper
    • Joan Fallon for The Shining City
    • Anna Castle for Death by Disputation
    • James B. McPike for The Lost Prophet
    • Paula Butterfield for La Luministe
    • Diana Wilder for  The City of Refuge
    • Glen Alan Burke for Jesse
    • Rose Seiler Scott for Threaten to Undo Us
    • McKendree Long for Higher Ground
    • Helena P. Schrader for  Defender of Jerusalem & Knight of Jerusalem
    • Christian Kachel for Spoils of Olympus: By the Sword

    This is the complete listing of the 2015 Chaucer Finalists. 

    The Chaucer Finalists will compete for the Chaucer Awards First In Category Positions, which consists of Four Judging Rounds.  First Place Category Award winners will automatically be entered into the Chaucer GRAND PRIZE AWARD competition, which has a cash prize of $250 or $500 dollars in editorial services. The CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse.   

    • All First In Category Award Winners will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
    • First In Category winners will compete for the Chaucer Awards Grand Prize Award for the $250 purse and the Chaucer Grand Prize Ribbon and badges.
    • TEN genre Grand Prize winning titles will compete for the $1,000 purse for CBR Best Book and Overall Grand Prize.
    • A coveted Chanticleer Book Review valued at $345 dollars U.S. CBR reviews will be published in the Chanticleer Reviews magazine in chronological order as to posting.
    • A CBR Blue Ribbon to use in promotion at book signings and book festivals
    • Digital award stickers for on-line promotion
    • Adhesive book stickers
    • Shelf-talkers and other promotional items
    • Promotion in print and on-line media
    • Review of book distributed to on-line sites and printed media publications
    • Review, cover art, and author synopsis listed in CBR’s newsletter
    • Default First in Category winners will not be declared. Contests are based on merit and writing craft in all of the Chanticleer Writing Competitions.

    As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com. 

    Congratulations to the Finalists in this fiercely competitive contest! 

    Good Luck to all of the Chaucer Finalists as they compete for the coveted First Place Category  positions.

    First In Category announcements will be made in our social media postings as the results come in.

    The Chaucer Grand Prize Winner will be announced at the April 30th, 2016 Chanticleer Writing Contests Annual Awards Gala, which takes place on the last evening of the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting submissions into the 2016 Chaucer Awards and the Goethe Awards writing competitions for Historical Fiction. Please click here for more information or to enter the contests.

     

  • BUBLISH: Your Questions Answered! and a FREE 30 day Free Trial and More

    BUBLISH: Your Questions Answered! and a FREE 30 day Free Trial and More

    Chanticleer Reviews is honored to have Bublish, a proven book promotion and  marketing tool, as a sponsor of the Chanticleer Reviews Novel Competitions Awards.Bublish and Chanticleer

    Bublish awarded more than $5,000 in services to the 2014 Chanticleer Reviews Writing Competitions’ winners at the Chanticleer Authors Conference Awards Banquet held on September 29, 2015 at the Hotel Bellwether located in Bellingham, Wash.

    The award winners responses were so positive that I asked Kathy Meis, the CEO of Bublish, if there was anyway to make Bublish available at a special rate for the entire Chanticleer Community of Authors. And she said, “Yes!”

    Many of you may not be familiar with Bublish and more than several of the Chanticleer writing contest winners had no idea about the marketing power of the CBR Bublish Awards package. But once they did, the compliments came rushing in!

    And that is when I knew that I had to try  make Bublish marketing power available to all of the Chanticleer Reviews Community of Authors.

    Kathy Meis, CEO of Bublish, enthusiastically agreed!

    I asked her for an exclusive interview to introduce Bublish to the Chanticleer Reviews Community of Authors and Readers.

    And here it is!

    Kiffer: I am excited that you have taken time during the busy holiday season to give us an overview of the Bublish platform–especially when many of Chanticleer Community members are deciding on their marketing strategy for the new year. 

    Kathy: I am delighted to, Kiffer. Bublish is the world’s first complete publishing platform with integrated branding and discoverability features.

    Authors can use Bublish to:

    • write
    • promote
    • sell
    • and track their work.

    Our mission is to help authors reach their target readers, engage them and convert them to lifelong fans. We are committed to helping authors build a dynamic brand that drives more book sales. Every feature we build at Bublish, even our writing and eBook creation tools, works to enhance discoverability and build the author’s brand.

    Kiffer: What problems does Bublish address for authors?

    Kathy: In today’s crowded book marketplace, we know that discoverability is an enormous challenge. First-time and emerging authors face the biggest hurdle when it comes to discoverability. We know that readers are 15 times more likely to seek out and purchase books from authors with recognizable brands. Authors who successfully build a powerful brand can also charge more for their books. Writers who want to build a career as an author, must master brand-building skills in order to be successful. Bublish helps by automatically branding all the samples authors share with readers. The design, the features, the visual elements – it’s all part of our platform for the specific reason of making brand building easier for authors.

    Kiffer: Tell us about some of Bublish’s features.

    Kathy: Our most popular feature is the Book Bubble – our award-winning book sampling tool that combines crucial brand elements with calls to action. Book Bubbles take only minutes to create, and allow authors to:

    • Brand themselves along with their books with every book sample they share
    • Enrich their book excerpt with “the story behind their story” in the Bubble’s. Sharing inspirations, struggles, and your “why” draws readers into their creative journey. Authors get to build a community around their work, rather than feel like salespeople.
    • Efficiently create, share and track social engagement with multiple Book Bubbles from multiple books all from one dashboard. And because Book Bubbles are “evergreen” content, they can be shared over and over across multiple social platforms. Your dashboard grows into a library of branded digital assets that you can weave into your content marketing calendar.
    • Track conversions to the book’s product page at the major online retailers. We work with Amazon, Barnes & Noble, Google Play, iBooks and Kobo.
    • Optimize discoverability in two ways. First by connecting the dots for readers. With one click readers can go from sampling the author’s book in the Bubble to buying that book at their favorite online retailer. If they’re not ready to buy, they can visit the author’s website, view their profile on Bublish or follow them to receive email updates from the author. through automated the SEO (search engine optimization). When an author sets up their profile and their books profile, all the metadata associated with the book (title, subtitle, author’s name, ISBN, cover image, keywords, etc.) all “travel” with the Bubble, so that more readers can find your books through online searches. Secondly, draw interested readers from a social engagement with your Book Bubbles into permission-based email marketing through our “follow” feature.

    If authors choose to write their books on Bublish with our eBook Creator, there are also “rough cut” Book Bubbles that can be shared right from an author’s manuscript. This helps build pre-launch buzz, makes it easy to request reviews, and lets authors capture pre-orders. When the author is finished writing the book, they can select a book template with a single click and generate a beautiful ePub for distribution. There’s no other writing tool like it in the world!

    Kiffer: You’ve been in publishing for a long time, Kathy. What changes have you seen?

    Kathy: I’ve watched the content industry change dramatically in the last 25 years. The rise of mobile devices, digital formats and online shopping has changed everything. You can write the best book in the world, but if no one can find it, it will be lost among the millions of books available at the touch of a button. Authors need new tools to reach and engage their readers and build a dynamic author brand to drive more book sales. Bublish was created to help authors be successful in this transformed book marketplace.

    Here is a link to a Bublish Bubble by best-selling author Joni Rodger: http://bit.ly/1NiNt5W.

    I’ve also seen this industry become more author-centric. No matter whether an author is independent or traditionally published, they’re taking on more of the marketing of their work. I wanted to make it easier for authors to share their work without feeling like salespeople. The Book Bubble was designed to take care of the marketing, branding and discoverability elements, and let the author focus on storytelling – both through their book excerpt and the Bubble’s Author Insight.

    Some of the most powerful brands in the world use storytelling to break through the noise. I wanted authors to have that power, too. I know what it takes to create great content for readers, and I believe every writer deserves a chance to have their books seen by readers. That’s my mission. It’s why I created Bublish.

    Kiffer: What does it cost to subscribe to Bublish?

    Kathy: Our monthly subscription rate is $9.99 and our annual subscription is $99. We have created a special discount offer just for the Chanticleer community. Authors can sign up for our 30-day free trial at bublish.com. No credit card is required to try us out. If they upgrade by January 31, 2016, and use the discount code CHANTICLEER116, they’ll get a full year subscription to Bublish for only $79. That’s 40% off the monthly rate. It’s our way of supporting the great authors who work with Chanticleer.  

    Kiffer: Those are great deals! Thank you and the Bublish Team for your wonderful support and for recognizing this past year’s annual Chanticleer Award winners.

    Kathy Meis and Kiffer Brown: 

    Happy Holidays from Bublish and Chanticleer Reviews!

    • 30 day FREE Trial – no credit card required
    • 40% discount codeCHANTICLEER116  valid until Jan. 31, 2016 for a full year subscription for just $79. 

    Bublish example for Chanticleer Reviews

  • MERRY CHRISTMAS AND A HAPPY PTSD by Christopher Oelerich, a guide for PTSD sufferers

    MERRY CHRISTMAS AND A HAPPY PTSD by Christopher Oelerich, a guide for PTSD sufferers

    “I went away to war one person and came back another, and in my wildest dreams would never have chosen to be the one who came back.” – Christopher Oelerich

    Thus begins this heartfelt discussion of Post Traumatic Stress Disorder by a military veteran who has spent his life helping others deal with the debilitating symptoms associated with the disorder. Christopher Oelerich relates his own personal history, beginning from when he was drafted into the military during the Vietnam War, and continuing through his return to civilian life and his own rocky road to recovery.

    Oelerich eschews political correctness in favor of blunt talk mixed with detailed, empowering strategies that have worked for him, as well as for the military veterans and homeless he has helped over the years.

    PTSD is defined as an anxiety disorder that can be brought on by various types of traumatic events, such as combat in war, extreme natural disasters (hurricanes, tsunamis) or terrorist attacks, the psychological aftermath of which manifests in a range of symptoms—nightmares and flashbacks, alcoholism, drug use, and phantom pain, to name only a few.  Because of these varied symptoms, Oelerich points out that the disorder can easily be—and often is—misdiagnosed by physicians. PTSD also affects women at twice the rate of men, a fact little understood by the general public.

    Oelerich believes that the most important, brutal truth he has learned over the years is that if you are suffering from PTSD, and don’t care to help yourself, no one else will either. Once you accept that underlying truth, he advocates that you must also be willing to employ the discipline and mental toughness required to get through the long process of healing.

    He shares strategies that he has used and also ones that he has implemented in his work with vets and the homeless to deal with PTSD in the hope they will be able to  lead more  productive and meaningful lives. Mixing discipline, advice about dealing with problems one at a time, the healing power of prayer, and many of the tenets employed in drug and alcohol abuse programs, the author crafts a comprehensive program to effectively survive and deal with the disorder.

    The author has given PTSD sufferers a gift by providing an honest account of his own struggles, as well as what he did to eventually overcome them. For those who suffer from PTSD, understanding that they are not alone and that they can help themselves is a huge step toward embracing a recovery program. Oelerich, who has experienced combat and traumatic events, wrote this book as a “How To” guide for combat soldiers, like himself, who suffer from PTSD.

    Merry Christmas and a Happy PTSD by Chris Oelerich is highly recommended for those who suffer from PTSD, for the family members and friends of those who suffer, and for those who are simply interested in having a greater understanding beyond what is reported in the popular press about this debilitating disorder. Oelerich’s methods to overcome PTSD are plain-spoken and practical, with an  overall message of optimism for those with PTSD.

    This is a very personal, no-holds-barred, yet ultimately, empowering discussion of PTSD and its effects on those who suffer from it. The author hopes that Merry Christmas and a Happy PTSD will be used as a tool to reduce PTSD symptoms in others who suffer from it so that they, too, can live healthier and happier lives.

  • The Dante Rossetti Awards Finalist Official Listing for 2015

    The Dante Rossetti Awards Finalist Official Listing for 2015

    Dante Rossetti Awards for YA FictionThe Dante Rossetti Writing Competition recognizes emerging new talent and outstanding works in the genre of  Young Adult Fiction. The Dante Rossetti Awards is a division of Chanticleer International Novel Writing Competitions.

    More than $30,000.00 dollars worth of cash and prizes will be awarded to Chanticleer Book Reviews 2015 writing competition winners!

    The Dante Rossetti Awards FIRST IN CATEGORY sub-genres  are:  Contemporary Young Adult, Science Fiction & Fantasy, Paranormal, Dystopian/Edgy/Urban, Mystery/Thriller/Suspense, Historical Young Adult, YA Adventure, and Romance.

    The following titles will compete for the FIRST IN CATEGORY Positions and Awards Packages.

    This is the OFFICIAL Finalists List for the 2015 Shortlist of the Dante Rossetti 2015 Novel Writing Contest for Young Adult Fiction.

    • Sally Hughes for Bridget Casey: Revelation
    • Philip Carlisle for Time’s Will: Eyes of Phire
    • Robert Joseph for  Long Ago and Far Away
    • Jo Swanson for The Last Rodeo In Kingdom Come
    • Michael Burnam for The Last Stop
    • Kelley J. P. Lindberg for  True Love Never
    • Laurisa White Reyes for Memorable
    • Tristan R.B. for Written in Action
    • Kyle R. Zeller for Knights of the Withering Flame
    • Christopher Allan Poe for Dark Sight
    • Helena Loveland for Ylsnavan
    • E.E. Holmes for Spirit Prophecy: Book 2
    • Maggie Bolitho for Lockdown
    • Tanya Fyfe for Lost and Found
    • Gail Selvig for O.W.L.S. and Other Creatures of the Night
    • Luke Evans for Hex
    • Jo Swanson for The Last Rodeo in Kingdom Come
    • Lis Anna-Langston for Tupelo Honey
    • KB Shaw for Neworld Series
    • Alix Nichols for What If It’s Love
    • Glen Alan Burke for Jesse
    • Ben Hutchins for Lackawanna
    • Jesse Atkin for  The Flying Man
    • Pamela Woods-Jackson for Genius Summer
    • Verity Croker for May Day Mine
    • Robert Joseph for Long Ago and Far Away
    • Aiden Riley for The Red
    • Jamie Zerndt for The Cloud Seeders
    • Pamela Beason for Race with Danger
    • Melissa A. Craven for  Emerge: The Awakening
    • Nikki McCormack for The Girl and the Clockwork Cat
    • Patrick Hodges for Joshua’s Island
    • Michael Burnam, MD for The Last Stop
    • Kathe Maguire for The Harriet Club
    • Suzanne de Montigny for The Shadow of the Unicorn II: The Deception
    • Laurisa White Reyes for Memorable
    • Laurence Sullivan for Rosewall Academy Valentine’s Day
    • Mike Hartner for I, Mary: Book 3 in the Crofter Saga
    • Olivia Wildenstein for Ghostboy, Chameleon & the Duke of Graffiti
    • Suzanne de Montigny for The Shadow of the Unicorn II: The Deception
    • Stephanie DeLuca for Pilgrims 
    • Rikki Leigh Carson for The Princess and the Locket
    • Aiden Riley for The Red
    • Pat Johnson for The Virgin and Marilyn Monroe
    • Danielle Burnette for The Spanish Club
    • Cody Wagner for Camp NO Where – A Healing Home for Gay Kids
    • Michael Beyer for Magical Miss Morgan
    • Michael Sarrow for Mistress of Marrowglen

    This is the Official List of Finalists for the 2015 Dante Rossetti Awards

    The Dante Rossetti Finalists will compete for the Dante Rossetti First In Category Positions, which consists of Four Judging Rounds.  First Place Category Award winners will automatically be entered into the Dante Rossetti GRAND PRIZE AWARD competition, which has a cash prize of $250 or $500 dollars in editorial services. The CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse.   

    • All First In Category Award Winners will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
    • First In Category winners will compete for the Dante Rossetti Awards Grand Prize Award for the $250 purse and the Dante Rossetti  Grand Prize Ribbon and badges.
    • TEN genre Grand Prize winning titles will compete for the $1,000 purse for CBR Best Book and Overall Grand Prize.
    • A coveted Chanticleer Book Review valued at $345 dollars U.S. CBR reviews will be published in the Chanticleer Reviews magazine in chronological order as to posting.
    • A CBR Blue Ribbon to use in promotion at book signings and book festivals
    • Digital award stickers for on-line promotion
    • Adhesive book stickers
    • Shelf-talkers and other promotional items
    • Promotion in print and on-line media
    • Review of book distributed to on-line sites and printed media publications
    • Review, cover art, and author synopsis listed in CBR’s newsletter
    • Default First in Category winners will not be declared. Contests are based on merit and writing craft in all of the Chanticleer Writing Competitions.

    As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com. 

    Congratulations to the Finalists in this fiercely competitive contest! 

    Good Luck to all of the Dante Rossetti Finalists as they compete for the coveted First Place Category  positions.

    First In Category announcements will be made in our social media postings as the results come in.

    The Dante Rossetti Grand Prize Winner will be announced at the April 30th, 2016 Chanticleer Writing Contests Annual Awards Gala, which takes place on the last evening of the Chanticleer Authors Conference that will be held in Bellingham, Wash. 

    We are now accepting submissions into the 2016 Dante Rossetti Awards writing competition. The deadline for submissions is May 30th, 2016. Please click here for more information or to enter the contest.

     

  • SMALL TOWN STORM by Elise K. Ackers – a chilling and dark contemporary thriller

    SMALL TOWN STORM by Elise K. Ackers – a chilling and dark contemporary thriller

    Aptly titled, Elise K. Ackers’s Small Town Storm is an intriguing and electric mystery set in contemporary Olinda, Australia. Jordan Hill and Erica Lawrence were inseparable childhood best friends until one fateful night when Erica’s family was torn apart and Erica disappeared without a trace.

    Jordan has always assumed she died. Nineteen years later, Jordan is the new senior constable in his hometown. He has several issues to contend with, including catching up on the small town gossip he has missed out on over the years while living in Melbourne. But when he runs into Erica, a ghost from his past, things take a turn for the worse.

    Erica, too, is newly returned to Olinda, taking a position as a veterinarian in the same town where she disappeared from all those many years ago. Jordan, who has spent years devastated by her supposed death, is shocked and angry when he encounters her—doesn’t she understand the pain she caused him? Erica, too, is saddened by Jordan’s less than warm response. To make matters worse, a murder has shaken the peaceful town and Erica is the sole suspect. Erica and Jordan must put aside their differences in order to find answers.

    Ackers takes a fascinating premise and enlivens it with sparkling dialogue, small town details, and excellent characterization. Readers will be immediately captivated by both the mystery plot and the burgeoning romance between Erica and Jordan.

    Additional layers of intrigue surrounding why Erica left town nineteen years before and what happened to her family add depth and complexity to the plot. Even secondary characters are well-drawn, lending the story an authentic voice and making the menacing plot palpable and chilling. The novel moves at a brisk pace ratcheting up the suspense level to a crescendo on all fronts. Fans of mysteries and suspense novels will be sure to be captivated by Small Town Storm, but be warned that this is a darker mystery complete with serial killers and gruesome acts.

    Fans of mysteries and suspense novels will surely be captivated by the engrossing Small Town Storm, an intriguing and well written mystery page-turner that will have you double-checking your locks and looking over your shoulder. Elise K. Ackers is certainly one to watch.

     

  • Point of Sale Book Marketing Tips for Holiday Gift Fairs, Author Signing Events, & Temporary Markets – by Kiffer Brown

    Point of Sale Book Marketing Tips for Holiday Gift Fairs, Author Signing Events, & Temporary Markets – by Kiffer Brown

    Happy Holidays from Chanticleer ReviewsQuick and Easy Tips to Get Your Books Ready for the Biggest Book Buying Season of the Year by Kiffer Brown

    Point of Sale Marketing – Are Your Books Ready for the Holiday Season’s Annual Sales Spike?

     

     

    Shoppers are overwhelmed with gift buying decisions at this time of year. The clock is ticking and our lives become even more hectic as the gift giving season approaches; our to-do lists are exponentially expanding as the winter holiday countdown begins.

    Authors (and publishers) need to make sure that the gift buyer has easily accessible information about their books to aid the gift buyer with his/her purchasing decisions quickly and easily.

     Utilizing time proven Point of Sale Marketing methods could make a huge difference in helping gift givers to decide on your book when making purchasing decisions.

    Four Selling Platforms for Books – Make sure that your books are ready to sell across all of  them with these handy tips from Chanticleer Reviews

    1. Online Sales: Amazon, Goodreads (links), Kobo, etc.  Click here for the link to this post.
    2. Brick and Mortar Stores (Independent Book Stores, Barnes & Noble, Gift Retail Stores, etc.). Click here for the link to the post to this post.
    3. Holiday Gift Fairs, Book Fairs, Temporary Markets
    4. Author websites

    Today we will focus on using point-of-sale tips for Holiday Gift Fairs, Author Signings, and Temporary Markets.

    How do you attract potential readers to your table/booth when you are in a sea of authors at a book fair?

    how to standout a book event

    IF possible (and this depends on where the event is held), I always suggest adding some “flair” to your booth.

    Examples are:

    • Signs with your cover(s) enlarged on poster boards or free standing signage.

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    Point of Sale Tips for Book Marketing
    Deserted Lands Series by Robert L. Slater

    • Be sure to dress the part! Dress to reinforce your branding — what your readers expect the author of the title to look like. And this doesn’t mean you have to dress in costume. See the first article for ideas of how to hint at your branding with your dress. If you write Westerns, dress like you are a character from your book. If you write Steampunk, then definitely dress as a “steampunker.” If you write contemporary romance, make sure that you dress with flair – again something that your main characters might wear. Science Fiction author? Then dress in a way that resonates with your targeted reader audience.

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    Author Branding - TIMBER ROSE by Janet Oakley
    Janet Oakley dressed as a “Timber Rose”

    • Business cards! Make sure that you ALWAYS have your AUTHOR business cards available at your signings/booth. Your cards should include your website, social media tags, pen name, email. You do NOT have to list a telephone number on your business cards, but there should be some way of contacting you either through social media, email, or your website’s contact form. I would suggest on the backside of the card that you list your titles and your genre with your website’s URL. The genre that you are writing in should be reflected in your business cards design.

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    ann charles - point of sale
    Ann Charles – best selling author – is a master at book promotion.

    • Don’t forget your own “branding” table cloth to make your area standout from the sea of the inevitable white or black tablecloths.
    • Candy, mints, or treats are standard draws for any author signing! You can also keep them in the back of your display and offer the treats only when you want to make contact with a potential reader.
    • Proudly display any ribbons or awards!

      Chanticleer Award RibbonsChanticleer Award for Best Novels

    • If possible, have a drawing at your table to attract traffic. If you are allowed to give something away make sure that it increases your branding in some tangible way. A key chain, a bauble, a fancy pen, a coffee or teacup, a candle, a handkerchief, a shopping bag…. anything, but your book. However, the item used for the drawing should reflect your book’s branding. 
    • We have buttons and I LOVE BOOKS bumper stickers that we give away at events.

    I LOVE BOOKS bumper sticker

    • Awards Stickers and Shiny “Reviewed” book stickers help to attract the potential readers’ eyes and also help to distinguish your book from the others at the event or on the shelves. FOUR-STARS_1
    • Have a sign up sheet for your newsletter or to gather information. Many times, people who have already purchased and read your book will attend book signings/book fairs just to meet the author. Make sure that you capture the emails of these VERY IMPORTANT PEOPLE who are readers of your work to foster and maintain a readership for your next book.
    • When ever possible stand at the side of your table or in the front of the table. Remove any friction or barriers between you and your potential readers. If you can’t do that, try not to sit unless you are signing a book. Standing makes you seem much more approachable by potential readers. And SMILE!
    • Make your display as vertical as possible. Use boxes under the tablecloth or use stacks of your books at different angles to catch the eyes of potential readers as they pass by.

    Jesikah Sundin LEGACY

    • Before the signing/event/fair and during the signing/event/fair make sure that you post about it in your social media. Remind your friends and associates the day of it. Everyone is busy with many activities vying for their attention. Make sure that your event stays on their radar.Are there community calendars or places where you can post signs about your event? If so, make sure that they are posted at least two to three weeks in advance. If the calendars are printed, you may have to notify the calendar coordinators at least three to four months in advance.
    • Have fun at your event —even if it is with the staff and coordinators. The reason for book-signings, book fairs, seasonal markets is to build awareness about you and your book. Make sure that folks remember a professional author of a particular genre and not some grumpy, desolate “writer” who isn’t selling books.  Make sure that you make a professional and positive impression on each every person who comes into contact with you as an “author.”
    • Cross promote with other authors. Build your network. A new “author colleague” may have connections to get you into another book store, another author event, or book clubs. You never know….

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    Pamela Beason Mystery Author with Robert Dugoni Legal Thriller author
    Pamela Beason author meeting Robert Dugoni at an bookfair!

    • Have copies of reviews or a sheet of review blurbs and author quotes that you can hand out with your website address. Try not to let a potential reader leave your area empty handed. Each person should walk away with at least one item with your website address on it.

     

    • I’ve found that staying an extra thirty minutes longer at almost any event generates sales worth the extra time. I’ve heard authors tell me that their best sales have come after the event was closed and that they sold more in the thirty minutes after the event closed than during the whole event. It is just a weird thing about  the retail biz.

    And my final word of  advice is this (and please forgive me if I am sounding brusque and maybe a bit rude here, but this must be said):

    When you hand a potential reader your book to look at and to consider reading and you can tell that she is  actually reading the book blurb on the back or the opening paragraphs, it is time to be quiet. Just stand there and appreciate the fact that someone is considering your book. Do not interrupt their decision making process or their reading time. This is the time to take a breath. If it is awkward, then straighten something on the table, pop a breath mint, greet another potential reader….

    give readers the space to readRobert Slater signing his book for a NEW READER!

    Always thank the person for taking the time to look at your book whether or not that they purchase it at that time. One author, who I know, said that he only sold one book at an event but discovered that he had sold 40+  e-pub copies on line that very evening. You just never know what is going on in the potential reader’s mind. And yet another reminder why it is always a good idea to have something to hand the attendee with your website address on it and your book’s titles.

    Online Holiday Book Buying

    To summarize the above points:

    • Promote your signing, book fair, and/or marketing event as soon as the date is confirmed.
    • Continue to promote with more intensity as the count-down to the event approaches.
    • Promote during the event if possible. Tweet, Facebook, Instagram, Google+ to remind busy people not to forget to pop by.
    • Bring: business cards, pens, props, review sheets with info and marketing blurbs, ribbons/awards, book stickers, vertical signage, and other ways of making your space standout.
    • Make a professional and positive impression on each person who comes into contact with you as a author.
    • Exude your branding in every aspect possible to make you and your book stand out.
    • Capture email addresses as many email addresses as you can to maintain and nurture the contacts that you made.

    The fourth article in this four-part series will be about:

    Quick Tips to Make Your Website Sell More Books During the Holiday Gift Season.

    Recap of Important Points: 
    • Despite intentions, most gift-givers put off shopping until after Thanksgiving, which leads to our next point.
    • Holiday shoppers spend more than 31 billion dollars on gift cards (National Retail Foundation survey)
    • Today’s holiday buying season has extended all the way through the month of January, as recipients of gift cards begin shopping on December 26th

    Part 1: Increasing Your Online Book Sales During the Holiday Gift Giving Season 

    Part 2: Point of Sale Tips for Increasing Book Sales at  Brick and Mortar Stores 

    Links to authors mentioned in this post:

    Happy Holidays and Wishing YOU Awesome Book Sales! 

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  • ANGELS OVER YELLOWSTONE by Elisabeth Ward – a richly drawn saga

    ANGELS OVER YELLOWSTONE by Elisabeth Ward – a richly drawn saga

    An atmospheric picture from American frontier history, Angels over Yellowstone explores larger societal issues through the lens of one small family’s experience as their lives are dramatically affected by the demands of a growing young nation.

    In the 1890s in Wyoming, the United States government has decided to fully claim lands in the Yellowstone region that were earlier designated as national parkland. The American Women’s Suffrage movement was in full swing, the Sierra Club was founded, the Boston subway being built, and the Wounded Knee Massacre had just taken place—these were just a few of the events that were shaping this young nation at this time.

    In poet/author Elisabeth Ward’s  paean to pioneer life, a young woman, Casey Potter, will be especially affected by this news, when soldiers arrive at her cabin one morning to announce that she, her trapper husband Lang, and their little girl Ginger, must move away so that the land around them can be viewed by tourists, untouched by human influence.

    The simple life they share will be sacrificed to the greater good, to national domain and the preservation of pristine nature.

    Living so remotely from civilization, barely able to think in terms of national agendas, Casey understands only that she and her family have to leave the cabin home they love, forced off the hunting grounds whose bounty has fed their family. But knowing that the soldiers will return soon to burn down their precious homestead, they acquiesce.

    Accepting their fate, the three vacate their hearth and home as they are forced to set out and start anew. However, Casey and Lang return to report their moving on to a fellow trapper. It is their return that brings about fatal consequences. Coming to terms with the loss of her home and then the loss of her husband is almost more than Casey can bear. Casey considers the notion of suicide until she finds solace in simple rituals, what she calls “service” or the simple rituals of everyday life.

    Ward’s characters are lyrically and powerfully drawn as are her evocative images of the time and place of this young nation at the turn of the new century. The author deftly juxtaposes Casey’s reluctant departure from her secure landscape with Lang’s earlier expedition when he met the girl with rust-colored hair: “…After seeing Casey McGregor’s hair he felt everything was dull.” The author interweaves poetry into the story, intensifying the emotional content. The pulse of her plot is unwaveringly strong, holding the reader to the page.

    To some, Ward’s concentration on one white family’s tribulations may seem somewhat skewed, since the biggest losers in the opening of the national parklands were undoubtedly the Native American peoples. Nevertheless, Ward’s tale underscores some larger truths about our twin American conflicting aspirations, to conquer and to conserve.

    Angels over Yellowstone combines a richly drawn saga of personal love and loss with some provoking philosophical questions about the American ethos.

  • FIVE THOUSAND BROTHERS-IN-LAW: LOVE IN ANGOLA PRISON: A MEMOIR Shannon Hager – A rare and authentic view inside the US penal system

    FIVE THOUSAND BROTHERS-IN-LAW: LOVE IN ANGOLA PRISON: A MEMOIR Shannon Hager – A rare and authentic view inside the US penal system

    An authentic and insightful account from behind the bars at one of America’s most storied penitentiaries. Shannon Hager, who worked more than twenty years as a nurse in the deep South’s prisons and jails, shares her inside experiences.

    After her years of connecting directly with this bizarre, labyrinthine system that strips away almost every human right, she retains genuine empathy for prisoners and their families in this award-winning memoir.

    Hager’s drama began ​in 1992 ​when she arrived at the Louisiana State Penitentiary, commonly known as Angola, a name held over from plantation days, denoting the origin of slaves who toiled there. Eighteen thousand acres are surrounded on three sides by the Mississippi River. Angola has been the last stop for thousands of criminals.

    Hager had important tasks as a health care professional, such as tuberculosis testing and investigating HIV/AIDS cases within its walls. Hager ​quickly learned ​that most of the staff were hostile toward anyone trying to help prisoners​. Above all, she was told repeatedly, prisoners were not to be trusted. This led to such paradoxical policies as refusing to allow prisoners to use condoms, because they could be utilized as weapons, or for transporting drugs, even though HIV/AIDS was widespread in the prisoner population.

    ​Though she came to know many prisoners well, and not only befriended but married one, she never got over the feeling of oppression and sorrow that festered inside the prison: “Pain seeped up from the ground like morning fog.”

    When she met Big Kidd, an older ​convict who had spent more years in prison than out, she found herself falling for with this ​charming, seemingly reformed, self-styled disc jockey/preacher. She quit her job to have a relationship with him; Hager became involved with Big Kidd’s family on the outside. She began to understand what relatives and loved ones experience when they have someone near and dear to them in prison.

    Hager poignantly describes her own love story, blooming from the jagged cracks of Angola Prison, as it tries to find enough light and humanity to survive. ​Loving Big Kidd caused her to share some of his suffering:  ​little privacy, no conjugal visits, and hard choices. It is a love that dramatically breaks all rules.

    Hager’s writing style comes from the heart and reflects her gradual immersion into Big Kidd’s reality. Using the common Louisiana practice of nicknaming, she vividly describes the characters she encountered, adopting their ​accents in conversation and sometimes even writing ​in their colorful street patois.

    Discrepancies and shortcomings of the United States penal system that encompassed more than two million people are exposed by Hager in an up close and personal way. Most of the two million prisoners come from unrelenting impoverishment, turbulent environments, and have no education or skills.

    A rare, vibrant view of a complex, dangerous, and at times, inhuman subculture of contemporary society–Five Thousand Brothers-in-Law communicates a significant and compelling message about the poor and oppressed—whoever they are, no matter what their misdeeds. ​