Author: Kirk Smith

  • An Editorial Review of “The Falling Sky” by Pippa Goldschmidt

    An Editorial Review of “The Falling Sky” by Pippa Goldschmidt

    What would it be like to discover two connected galaxies that The Big Bang theory says are impossible?

    Not many people have even imagined facing this question, but in The Falling Sky Pippa Goldschmidt takes readers into the mind of an astronomer who not only observes the connected galaxies but can’t find anything wrong with her own work—no matter how hard she tries to refute her findings.

    This conundrum creates a human drama as fraught with turmoil and heartache as any found in the best novels of any genre.

    Only half of Goldschmidt’s novel is about astronomy, however. The chapter titles alternate between “Now,” in which Jeanette is a young scientist, and “Then,” which focus on her early childhood. Reflections on “Then” are also woven into the fabric of chapters on “Now,” so the reader can understand how Jeanette’s tragic and disturbing childhood has shaped her ambivalent present. This, by the way, is not a story of childhood sexual abuse. Nor does it in any obvious way tie her early childhood experiences to her present sexuality, although I’m sure some readers will find connections.

    In an exquisite scene on a Chilean mountaintop in the first “Now” chapter, Jeanette escapes the windowless control room of the telescope to gaze at the night sky the way she did as a child.

    “She quickly gets her sea legs as she navigates her way from the jewels of the Southern Cross to the fragile puff of the Large Magellanic Cloud, and on to the crowded centre of the Milky Way. There is a rhythm involved in moving from star to star that she can match to her breathing, so at the peak of each breath she arrives at a star and then swings herself onto the next one, spanning the darkness.”

    A paleontologist who finds a fossil inconsistent with the theory of evolution and a climate scientist who discovers a declining temperature trend contrary to global warming are in exactly the same predicament. The controversies surrounding “negative results” in science should make serious readers want to experience the thoughts and feelings of a realistic scientist confronted with a discovery that doesn’t fit the explanation accepted by nearly all trained scientists in their field.

    For readers who aren’t scientists, the most important feature of this part of the story, and the most surprising to many, will be the doubt, even disbelief, that follows such a discovery. Back in Edinburgh, Jeanette tackles head on the possible reasons why her observation might have some explanation that is completely consistent with the Big Bang. The average person may even find Jeanette’s tenacious refusal to accept her own painstaking work pathologically perverse. Experienced scientists, however, will empathize completely.

    And when Jeanette finally decides to publish her finding, hoping someone else will figure out what’s wrong, the reader sees from the inside what it is like to defend research that is inconsistent with a major theory. Her personal stakes are high because her reputation is sure to be questioned. Her job and long-term future could be on the line, too. Several nicely described scenes of in-house seminars and conference papers add weight to the readers’ understanding of Jeanette’s skepticism and her ambivalence about publishing the observation.

    There’s a risk that this review will lead some readers to think The Falling Sky is a cautionary tale about how scientists who deviate from orthodoxy are punished by the scientific establishment. Goldschmidt will quickly disabuse them of this popular misconception.

    Jeanette, the protagonist,  is very much part of the scientific establishment and fiercely committed to its standards, goals and theories. She wants exactly what her colleagues want: more evidence and evidence from different lines of investigation. The latter is nicely embodied in a space telescope project going on in Edinburgh, as well as a lovely subplot involving a galaxy survey. In these details, Jeanette perfectly embodies how almost every young scientist would behave.

    In an important scene Jeanette is pushed into a television appearance that quickly turns into a nightmare that will ring true for any scientist interviewed by the media. Two television “celebrities” misunderstand and ridicule her, and then, ignoring all the qualifications of careful science, they insist on the simpleminded conclusion that one negative finding demolishes a theory that explains tens of thousands of equally careful observations.

    The Falling Sky resolves some of Jeanette’s personal conflicts but leaves the scientific mysteries open to further investigation. No other ending could be more appropriate and authentic. To say more about the story would give away the wonderful twists and turns of the plot. Lay readers and scientists alike will find Goldschmidt’s novel entertaining and discover in Jeanette a thoroughly captivating and charming person, one who will resonate in memory long after they have read the last page of the book.

     

  • An Editorial Review of “Petroplague” by Amy Rogers

    An Editorial Review of “Petroplague” by Amy Rogers

    If you’re a fan of techno-thrillers, you’ll want to read Petroplague by Amy Rogers just for the breath of fresh air it brings to the genre, especially by its characters—all realistic scientists behaving like real scientists would–and a fresh plot that avoids some of the tired clichés—lots of murder, mayhem, and a protagonist who performs a series of almost superhuman feats, one after another, and emerges unscathed. If you don’t usually read techno-thrillers, this one’s definitely worth picking up for the same reasons—it’s different.

    Christina Gonzales, the protagonist, is attractive and has a pleasant personality. However, she doesn’t wear make- up, and she dresses with comfort in mind. She’s investigating a strain of petroleum-eating bacteria, like those used to assist clean-up efforts after the Exxon Valdez disaster, for her PhD thesis at UCLA. Her bacteria, Syntrophus, are different in that they are anaerobic, and they work in concert with other bacteria deep in crude oil deposits to produce methane, the principle ingredient in natural gas. She is also helping her thesis adviser, develop a strain of E. coli that will produce isobutanol, a good but expensive substitute for gasoline.

    Christina shares an apartment with her cousin River and River’s boyfriend, Mickey, which is near the UCLA campus. The real action begins when we learn that an eco-terrorist bomb, which exploded in an underground storage tank of an abandoned gas station in South LA, destroyed Christina’s pilot project and thesis. The tanks, loaded with instrumentation, were filled with low-grade crude oil infected with Christina’s oil-eating bacteria. It quickly becomes clear that Christina’s bacteria were also released by the explosion and have evolved into aerobic organisms that are gobbling up gasoline, diesel fuel, and jet fuel. Also, out of their underground anaerobic environment, the bacteria are producing, not methane but acetic acid and hydrogen, an odorless, invisible and extremely explosive gas. This is the beginning of the LA petroplague.

    Cars, trucks and planes grind to a halt as Christina’s bacteria consume their fuel, while free hydrogen gas causes explosions and fires around the city. In an artful twist, Christina realizes that she has inadvertently passed information to the eco-terrorist. As the cast of characters continues to grow, Rogers weaves them into an intricate plot as the science becomes intriguingly more complex.

    Amy Rogers, a Harvard educated, M.D., and Ph.D.,  writes thrilling science-themed novels that pose “frightening what if? questions.” She grounds her thrillers in fact until the last possible second. Then she blurs the lines between fact and fiction. This is where Rogers well-crafted explanations maneuver her readers to become wrapped up in the story-line and with its compelling characters.

    In the interest of scientific literacy, Rogers added five-pages of technical notes at the end in which she explains the scientific details (with references, bless her heart) and distinguishes between and the  parts where, she admits, “I made this stuff up.” I can recommend Petroplague without hesitation to readers fascinated by real science as well as to my most science-phobic friends. The revelations in her writing will make readers feel like they are insiders in a field that only an elite few understand.

  • An Editorial Review of “The Honest Look” by Jennifer L. Rohn

    An Editorial Review of “The Honest Look” by Jennifer L. Rohn

    In The Honest Look, Jennifer L. Rohn has given life, as only a writer can, to one of the most important aspects of scientific research and science itself—the human aspect. For that reason alone, it is a significant novel about science, but it is also a very beautiful and touching story. The Honest Look could dramatically change the way readers who are not scientists understand the scientific method and what scientists must do in their pursuit of ground breaking research.

    When Claire Cyrus arrives in Amsterdam to begin her job as a senior scientist at a biotech start-up called Neurosys, she is immediately perceived as an interloper by her peers. She quickly falls in love with Amsterdam, only to realize after she takes an apartment there that, while the city is a great tourist destination, it’s not a comfortable place for most expats.

    Undaunted, Claire, perceived as an offbeat prodigy, responds to her outcast status by disappearing into her work, putting in long hours and often sleeping overnight in an armchair she commandeers for her lab. Enterprise and hard work seem to  pay off. She demonstrates that she can ready the company’s only drug to begin its Phase I clinical testing. Simultaneously, a most unlikely romance develops with one of the firm’s principals. But then, just when the success of her contributions promises to solidify her place in the company, she accidentally finds something that doesn’t fit into the working hypothesis on which the company’s only drug is predicated.

    What makes Rohn’s book so noteworthy is that it turns a negative result into a vivid human drama. Most of the time scientists focus on finding evidence that “supports” a general hypothesis, theory or principle, but they also understand that a single negative finding can ruin the generality of every principle and theory in science.

    When a slip of Claire’s thumb takes a sample outside the cells she’s studying, her curiosity and belief in the scientific method lead her to run the incidental sample through her apparatus instead of disposing of it. To her surprise, the analysis doesn’t come out the way the Universal Aggregation Principle predicts it should. And if the principle isn’t true, then Neurosys’ only drug shouldn’t work.

    Now what?  This is where research can get either nasty or exciting, and for Claire, it is both.

    Rohn’s sensitive and perceptive handling of characters’ feelings, a complicated love triangle,  evocative descriptions of Amsterdam, and a realistic glimpse of the daunting years that young scientists must endure to make their reputations add up to a compelling  and engaging read.

    The Honest Look by Jennifer L. Rohn is a thought provoking and riveting  “Lab Lit” novel that draws you into this specialized world and the competitive environment of research scientists.  Highly recommended.