The Dante Rossetti Book Awards recognize emerging new talent and outstanding works in the genre of Young Adult. The Dante Rossetti Book Awards is a genre division of Chanticleer International Book Awards (#CIBA).
Rossetti Book Awards is looking for the new best books featuring stories of all shapes and sizes written to an audience between the ages of about twelve to eighteen. Science Fiction, Fantasy, Dystopian, Mystery, Paranormal, Historical, Romance, and Literary.
Information about the #CIBA Long Lists and Short Lists
These titles have moved forward in the judging rounds from SLUSH pile to the 2018 Rossetti Book Awards LONG LIST (aka the Slush Pile Survivors). We incorporate the Long List when the judges request an additional round of judging to accommodate the number and/or quality of entries received. These entries are now in competition for the 2018 ROSSETTI SHORT LIST. Short Listers will compete for the Semi-Finalists positions. Semi-Finalists will compete for the coveted First Place Category Winners of the 2018 Rossetti Book Awards in the final rounds of judging. The First Place Category winners will automatically be entered into the Dante Rossetti GRAND PRIZE AWARD competition. The 16 CBR Grand Prize Genre Divisions Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse. First Place Category and Grand Prize Awards will be announced and recognized at the Chanticleer Awards Banquet and Ceremony on Saturday, April 27th, 2019, Bellingham, Washington.
These titles are in the running for the SHORT LIST of the 2018 ROSSETTI Book Awards novel competition for Young Adult Fiction.
2018 Dante Rossetti Book Awards for Young Adult Fiction – The LONG LIST
Andrea R. Smith – Ensnared
Janeen Swart – The Hidden Truth
JoAnna Rowe – Flowers & Fire
Olivia Bernard – The Balance and the Blade
Averil Drummond – Gloam
Jennifer Healey – Speak American
Alexander Edlund– Keelic and the Pathfinders
KB Shaw –From the Shadows
Dan Morales –The Scouts of St. Michael Operation Archangel
Carmela A. Martino – Playing by Heart
Robert Wright Jr – Unwanted
David L. Carter – From the Edge of the World
Gina Detwiler – Forlorn
Cheryl G. Bostrom – Climb, Run, Drown
Alex Paul – Tookan Attack
Annaliese Plowright – Bleeding Hearts
D.C. Carlisle – Surviving Eros: The Paradox of Jayne Le Faye
Susan Miura – Healer
Lynn Yvonne Moon – Whispers
Leslea Wahl – An Unexpected Role
Anne Sweazy-Kulju – Grog Wars, Dos
Tiffany Brooks – Reality Gold
C.A. Gray – Uncanny Valley
Molly Lazer – Owl Eyes: A Fairy Tale
Luke Jacket – Stuck-up Scumbags of the Eighth Grade
Tom Edwards – The Honourable Catherine
Andrea and William Vaughan – 2nd Gen
Denise Lammi – Lucid World
Mara Gan – Joined
P. L. Hamilton – League of Potioneers
Jacinta Jade – Change of Chaos
Chuck Vance – Sneaking Out
Andrea Murray – Something New
Andrea Murray – White Knight
Susan Faw – Soul Sacrifice
Sarah Mendivel – Sam’s Theory
Christy Nicholas – The Enchanted Swans
Jennifer Alsever – Ember Burning: Trinity Forest Book 1
All Short Listers and SemiFinalists will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
Good Luck to each of you as your works compete for the Dante Rossetti Book Awards Short List.
To view the 2017 Rossetti Book Awards winners, please click here.
PJ Devlin, Deen Ferrell, Susan Faw, DJ Munro, Rebekah N. Bryan, 2017 Dante Rossetti Book Award Winners
The Dante Rossetti Grand Prize Winner and the First Place Category Position award winners will be announced at theApril 27th, 2019 Chanticleer Book Awards Annual Awards Gala,which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash.
We are now accepting submissions into the 2019 Dante Rossetti Book Awards writing competition. The deadline for submissions is May 30th, 2019. Please click here for more information.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.
The Journey Book Awards recognize emerging new talent and outstanding works in the genre of Narrative Non-Fiction and Memoir. The Journey Book Awards is a genre division of Chanticleer International Book Awards and Novel Competitions (CIBA).
These titles have moved forward in the judging rounds from the Long List to the 2018 Journey Book Awards SHORT LIST (aka the Slush Pile Survivors). We incorporate the Long List when the judges request an additional round of judging to accommodate the number and/or quality of entries received. These entries are now in competition for the 2018 Journey Semi-Finalists List. First Place Category winners and the Journey Grand Prize winners will be selected from the Semi-Finalists and the winners will be announced at the Awards Banquet and Ceremony on Saturday, April 27th, 2019.
Chanticleer International Book Awards is looking for the best books featuring true stories about adventures, life events, unique experiences, travel, personal journeys, global enlightenment, and more. We will put books about true and inspiring stories to the test and choose the best among them.
These titles are in the running for the 2018 JOURNEY Book Awards Semi-finalists list for the Narrative Non-fiction Fiction and Memoir CIBA Awards. Good Luck to all of the CIBA Journey Short Listers 2018!
Joy Ross Davis – Mother Can You Hear Me?
Sean Dwyer – A Quest for Tears: Overcoming a Traumatic Brain Injury
Philip Muls – Mind on Fire: A Case of Successful Addiction Recovery
H. Alan Day with Lynn Wiese Sneyd – Cowboy Up! Life Lessons from Lazy B
Andrew Jurkowski and Lisa Wright – Between The Swastika and the Bear: A Polish Memoir 1925 – 1948
Janice S. Ellis – From Liberty to Magnolia: In Search of the American Dream
Kayce Stevens Hughlett – SoulStroller: experiencing the weight, whispers, & wings of the world
Liberty Elias Miller – The Heart of the Runaway
Karen A. Anderson – The Amazing Afterlife of Animals; Messages and Signs From Our Pets on the Other Side
Jeff O’Driscoll, MD – Not Yet
Julie Morrison – Barbed
GySgt L Christian Bussler – No Tougher Duty, No Greater Honor – a memoir of a Mortuary Affairs Marine
Terry Milos – North of Familiar: A Woman’s Story of Homesteading and Adventure in the Canadian Wilderness
Janis Couvreux –Sail Cowabunga! A Family’s Ten Years at Sea
Dennis M. Clausen – Goodbye to Main Street
Russell Vann – Ghetto Bastard, A Memoir
Dr. Rick Scarnati – God’s Light
Rebecca Brockway – Miss Matched at Midlife: Dating Episodes of a Middle-Aged Woman
Austin M Hopkins – The Loose Ends Became Knots
Katrina Shawver – HENRY: A Polish Swimmer’s True Story of Friendship from Auschwitz to America
Lou McKee – Klee wyck Journal
Donna LeClair – IMMUNITY: Entitlement of Wealthy Political Notables
Cheryl Hughes Musick – The Day the Musick Died
Cheryl Aguiar – Great Horned Owlets Rescue: Where There’s a Will, There’s a Way…
Journey Book Awards for Narrative Non-Fiction 2018 Judging Rounds
Slush Pile (all entries)
Long List (Slush Pile Survivors)
Short List (Stickers and Digital Badges available (Website and e-newsletter notifications. Please LIKE and Follow Chanticleer Book Reviews to be tagged in social media).
Semi-Finalists (notified by email) Selected from Short List.
First Place Category Positions (announced at the CIBA ceremony in April, 27th 2019. (Selected from Semi-Finalists). Ribbon packages, stickers, digital badges awarded.
Journey Book Awards Grand Prize winner (selected from First Place Category Positions). Ribbon packages, stickers, digital badges awarded.
CIBA Grand Prize Winner
CIBA Grand Prize Winner (selected from the 16 CIBA divisions grand prize winners). $1,000 cash prize, CIBA ribbon packages, stickers, digital badges awarded.
All Short Listers will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
Susan Marie Conrad, 2017 JOURNEY GRAND PRIZE WINNERJourney Book Award Winners
Good Luck to each of you as your works compete for the JOURNEY Book Awards Semi-Finalists positions.
The JOURNEY Grand Prize Winner and the Five First Place Category Position award winners will be announced at theApril 27th, 2019 Chanticleer Book Awards Annual Awards Gala,which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash.
We are now accepting submissions into the 2019 JOURNEY Awards writing competition. The deadline for submissions is April 30th, 2019. Please click here for more information.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.
Once you decide to embark on the adventure of self-publishing, take some time to clearly articulate your purpose and vision. Is your writing a hobby or are you wanting to commit to something broader? Remember, this is your experience and you can craft it in any way that feels just right for you.
If you decide to pursue going the distance, it is important that you accept the fact that there is a learning curve to self-publishing and to give yourself permission to feel occasionally overwhelmed and sometimes scrambled. Below are action steps and informational links to help us ink up our hands, Self-Publishers, and take on the task.
Establish a Budget:
Some authors publish their work on a shoe-string budget doing their own editing, acquiring public domain images or designing their own cover designs, setting up their own files for printing, etc. Others choose to spend more and hire a content and/or copy editor, professional cover artist, typesetting, etc. Depending on your piggy bank and your vision, you may spend anywhere from a few hundred to thousands of dollars.
Acquire Your ISBN(s) – INTERNATIONAL STANDARD BOOK NUMBER(s):
An ISBN is the most important identifier you can possibly give your book – that will assist book buyers worldwide to search and find your novel. The number (along with its barcode) will link to essential information, sales tracking, catalogs for bookstores, libraries, and online sellers. Each version of your book will need its own ISBN – in addition, if you are involved in a major rewrite, or you’ve just gotten your rights back from your publisher, you will need to acquire a new ISBN for your book. Take a deep breath, it’s not that difficult.
Unless you are absolutely sure this will be your only book and you will never, ever revise it, I suggest buying multiple numbers. It is both convenient and economical to purchase ISBNs ( as a bundle (www.bowker.com ). There are providers out there who will offer to sell you ISBN numbers, but Bowker is the official source for the United States and worldwide, and well, why wouldn’t you go to the source?
Work with a Skilled Editor:
Some self-publishing authors choose to work with friends, family or other authors who serve as their editor. People often assume that editing is only about correct punctuation and spelling. That is a myth sometimes used to rationalize why we don’t need to spend money on a “professional” editor. If you can jiggle some more coins from your publishing piggy bank, I believe it is of utmost importance to place your manuscript in well-seasoned, competent editorial hands. Nothing says “poor quality” and “I don’t believe my work is relevant” louder than a poorly edited book. Network with other authors who have established successful relationships with their editors and secure recommendations.
Chanticleer Aside: Do you know that Chanticleer Reviews has a host of Industry-tested, skilled editors just ready and willing to work with you? Well, we do! We cover all aspects of editing from Manuscript Overviews, Proofreading, LineEditing, and Copyediting. Simply contact us for details, at: Editor@ChantiReviews.com
Cover Art:
What captures our attention when we are buying books? The cover! Good covers are the first point of a sale. How many times have we read a book and as the story unfolds we go back, again and again, to look at the cover? Good cover art reflects the story. Again, network with your author friends and contacts to explore options. My sister, artist Kathleen Noble, (www.watercolorwonderpaintings.com) does the cover art for my books. Unless the artist is your sister or a talented, generous friend, working with a cover artist can cost more or less $300 – $600 to purchasing licenses for photography and artwork that can range in the thousands of dollars.
Kiffer Brown says (along with many queried independent booksellers) that your book’s cover is the number one tool to selling your book. The content between the cover will sell your next book.
Here are some helpful links to explore for book covers:
SelfPubBookCovers This site walks you through their predesigned templates. You choose your picture array, your font, any quote you want on the cover. Once you settle on a design, the site promises the uploaded images that make up your design are yours and yours alone.
99Designs Simply put, upload what you are looking for (your genre, character, setting) and in a few days, you will be able to choose from 99 designs for your cover. This site allows voting, so that is an interesting way to find out which cover resonates best with your potential readers.
Fiverr On the go since 2010, Fiverr is a site that offers competitive designs from an array of artists for a reasonable price.
Choose Your Typesetter, Printer, & Distributor:
There are many venues to choose from in getting these steps accomplished. I suggest working with a book production professional to layout your book. Most of us do not have the skills to do the nitty-gritty needed to execute a book’s final exterior, interior design, cover layout, typesetting, and formatting. Once you have the final files then you can then upload them to book-selling platforms. If you want Indie Booksellers to sell your books in their brick-and-mortar stores, then you should consider uploading your books to IngramSpark (www.ingramspark.com) for print-on-demand and e-book publishing. Distribution is through Lightning Source, www.ingramcontent.com. CreateSpace is another on-demand publishing service that is owned by Amazon (www.createspace.com). There are many options which you can view on the web. *You may wish t0 utilize artists and designers on 99 Designs and Fiverr to accomplish the typesetting for print and ebook.
Copyright, Library of Congress:
A very informative site is www.loc.gov. Don’t let the amount of information overwhelm you. Just take your time and peruse as you learn. You can call their helpline and very kind people will assist you.
Protect your work by registering your work at the Writers Guild of America (WGA) Here is why you should: “…The registration process places preventative measures against plagiarism or unauthorized use of an author’s material. While someone else may have the same storyline or idea in his or her material, your evidence lies in your presentation of your work. Registering your work does not disallow others from having a similar storyline or theme. Rather, registering your work would potentially discourage others from using your work without your permission.”
Business License & Dept. of Revenue:
I formed an LLC (Limited Liability Company), Noble Press, and submit quarterly tax reports. I have yet to pay a penny. Guess you know what that means! But now that my books have been out there a few years and selling, I am beginning to make money after expenses. Not much and I certainly won’t quit my day job, but enough to say “Yahoo!” These are a few helpful links: www.sba.gov, and www.irs.gov. There are many sites online offering to take your money to set up your business. I strongly urge you to do this yourself as it is important as a self-publisher and business owner to be educated on every aspect of setting-up, running and maintaining your self-publishing business. Remember, the business is a separate entity from your writing. I find writing much more enjoyable but the business aspect is a necessity for meeting my goals and is proving rewarding in itself. Be patient with yourself as you learn, asking many questions.
Final Thoughts:
In conjunction with finishing your final edits, allow four to six months to complete all the business pieces. I say, again, that it is important to be organized and to track where you are in each step of every process. In addition to my online and hard files, I keep a writing and publishing journal and make dated notes all along the journey. It has helped me time and time again to look back and see when what occurred as well as my thoughts.
Make a weekly and monthly schedule. For instance, two mornings a week tend to the business aspects, and three days a week focus on your editing and writing. You will change it up along the way as you figure out what works best for you but, if you can begin in an organized, systematic fashion, you will feel productive and not stymied by too much to do and losing your way. Well, you may still lose your way from time to time but you will never be lost! You will have a vision, a well thought out plan, and be ready to go! Next month we will discuss marketing and promotion.
Remember, “Keep falling in love with the potential of what you are doing!”
Gail Noble-Sanderson is the author of two works of historical fiction, both of which are self-published under her own Noble Press. The Lavender House in Meuse is an emotional, intriguing, and sensitive account of the crises of World War I and one woman’s journey towards recovery and growth.
Her second novel, The Passage Home to Meuse won 1st Place in the 2017 Chatelaine Awards, the Chanticleer International Book Awards (CIBA) for romantic fiction.
Both books are available through Amazon and Village Books.
The Goethe Book Awards recognize emerging new talent and outstanding works in the genre of Late Historical Fiction set after the 1750s. The Goethe Book Awards is a genre division of Chanticleer International Book Awards (#CIBA).
Chanticleer Book Reviews is looking for the best books featuring Late Period Historical Fiction. Regency, Victorian,18th Century, 19th Century, 20th Century, World and other wars, history of non-western cultures, set after the 1750s, we will put them to the test and choose the best among them. (Looking for Chaucer Pre-1750 Book Awards or Laramie Western/Pioneer/Civil War Book Awards, just click on the links.)
Information about the #CIBA Long Lists and Short Lists
These titles have moved forward in the judging rounds from SLUSH pile to the 2018 GOETHE Book Awards LONG LIST (aka the Slush Pile Survivors). We incorporate the Long List when the judges request an additional round of judging to accommodate the number and/or quality of entries received. These entries are now in competition for the 2018 GOETHE SHORT LIST. Short Listers will compete for the Semi-Finalists positions. Semi-Finalists will compete for the coveted First Place Category Winners of the 2018 GOETHE Book Awards in the final rounds of judging. The First Place Category winners will automatically be entered into the Goethe GRAND PRIZE AWARD competition. The 16 CBR Grand Prize Genre Winners will compete for the CBR Overall Grand Prize for Best Book and its $1,000 purse. First Place Category and Grand Prize Awards will be announced and recognized at the Chanticleer Awards Banquet and Ceremony on Saturday, April 27th, 2019, Bellingham, Washington.
These titles are in the running for the SHORT LIST of the 2018 GOETHE Book Awards novel competition for post-1750s Post Historical Novels.
Peter Curtis – Cafe Budapest
Michelle Cox – A Promise Given
Bruce Joel Brittain – Brother Daniel’s Good News Revival
Patricia Suprenant – Behind the Scarlet Letter
Patricia Suprenant – Journey to the Isle of Devils
Harold Coyle – No Small Thing, A Novel of the American Revolution
John Hansen – Unfortunate Words
Trevor D’Silva – Fateful Decisions
K. M. Sandrick – The Pear Tree
John Thomas Everett – No Slave To Reason
Tom Edwards – Jane Sinclair
Jackie Jobe Haines – Little Mill on Beaver Creek
Ruth Hull Chatlien – Blood Moon: A Captive’s Tale
Richard Alan – American Journeys: From Ireland to the Pacific Northwest (1854-1900) Book 2
Richard Alan – A Female Doctor in the Civil War
J.P. Kenna – Allurement Westward
Jocelyn Cullity – Amah & the Silk-Winged Pigeons
J.L. Oakley – Mist-chi-mas: A Novel of Captivity
Ellen Notbohm – The River by Starlight
J. R. Collins – Living Where the Rabbits Dance
Josanna Thompson – A Maiden’s Honor
Carol M. Cram – The Muse of Fire
Noelle Clark – Stone of Heaven and Earth
Rosalind Spitzer – Anna’s Home
Neal Katz – Scandalous, The Victoria Woodhull Saga, Volume II: Fame, Infamy, and Paradise Lost
Rita Dragonette – The Fourteenth of September
Sharon Hart-Green – Come Back for Me: A Novel
Meredith Pechta – The Prejudice That Divides Us
Jeffrey K. Walker – Truly Are the Free
Jeffrey K. Walker – None of Us the Same
Ronald E. Yates – The Lost Years of Billy Battles (Book 3, Finding Billy Battles Trilogy)
J. Victor Tomaszek – The Tatra Eagle
Pat Wahler – I am Mrs. Jesse James
R. S. Rowland – Portrait of a Bitter Spy
Kit Sergeant – 355: The Women of Washington’s Spy Ring
All Short Listers and SemiFinalists will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
Good Luck to each of you as your works compete for the GOETHE Awards Short List.
2017 Goethe Book Awards Winners Joe Vitovic & Peter Greene Grand Prize
To view the 2017 Goethe Book Awards winners, please click here.
The Goethe Grand Prize Winner and the First Place Category Position award winners will be announced at theApril 27th, 2019 Chanticleer Book Awards Annual Awards Gala,which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash.
We are now accepting submissions into the 2019 GOETHE Book Awards writing competition. The deadline for submissions is June 30th, 2019. Please click here for more information.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.
LongPost captain Benjamin Lasak has been making deliveries for over 100 years, an unheard-of feat for his fellow postmen. During his time in pre-programmed space travel on the Pelagius, he usually enjoys the solitude, his outdated paper books, and the cryo-sleep, which keeps him looking twenty years old, but when Lasak wants to distract Mic, his floating game console, from her imminent win at their favorite game, he decides to ignore LongPost protocol and follow the suspicious appearance on his screen.
Suddenly, Lasak finds himself stranded on a planet both familiar and unique. His first contact is with a sadistic alien known on Earth as Jack the Ripper, whom Lasak inadvertently releases from his prison vault. Lasak and Mic must join forces with Michael Carlin, Jack’s original imprisoner, to recapture Jack before he can destroy this world or worse, return to Earth.
Jack Out of the Box is an “Alice in Wonderland” journey down the rabbit hole, a marriage between steampunk, paranormal, dark fantasy, and alternate reality. Jack’s world is a mixture of the old and the new, where Victorian lamplighters and high-tech control panels existent in the same plane. From a village stuck in nineteenth-century England to Elysian Fields where Mother Nature becomes corporeal, every corner presents a new, intriguing environment.
However, the planet entrapping Ben’s ship isn’t all fun and games. It is, in part, a dark prison world, where Jack once reeked more havoc than he ever did on Earth, holding and breeding his human victims. The graphic descriptions of his previous violence darken the beauty of the landscape and its mostly rural residents. At times, the description of violence is disturbing, especially when juxtaposed against the idyllic.
This complex novel includes both metaphorical and concrete imagery in Jack’s world, including representations of Heaven and Hell, demons, and even Lilith. Jack introduces himself as Bell, but he doesn’t “ring true,” and later the reader will see the destruction of the pristine countryside by Jack’s animalistic creations, a fitting metaphor of man’s destruction of the beauty in the world.
Mic’s existential journey to awareness is the real story of the novel. Created by an MIT professor, she is more than just an unbeatable gamer sidekick. The fate-like, “accidental” purchase of Mic seems like a play on destiny, and when she is given her forbidden awareness, Mic steps into that metaphorical area where she begins to question her existence. The exploration of Mic’s consciousness is short-lived but is indeed an interesting discussion; perhaps, it will continue into the sequel.
Dark fantasy and paranormal/alternate reality lovers alike will enjoy the unusual world that Timothy Vincent offers in Jack Out of the Box. It’s a journey from which the reader may never wish to return.
Recommended.
“Timothy Vincent’s out of this world dark fantasy/thriller, Jack Out of the Box takes readers on a fantastically frightening voyage where choices matter – and one wrong choice releases dark and violent chaos back into the world.” – Chanticleer Reviews
I first met Joe Collins at CAC18 this last April. He’s a tall, quiet man who carries himself with a certain nuance, a particular look in his eyes that lets a person know he’s looking for fun. He writes from the heart and although he won 1st Place in the Goethe Awards for 2017, his book could have done just as well in the Laramie Awards.
I am honored that Joe took the time to participate in our 10 Questions Interview Series. He has a lot to say and I hope you enjoy this piece as much as I do.
Let me introduce you to J.R. (Joe) Collins:
Chanticleer: Tell us a little about yourself: How did you start writing?
Collins: I was raised in the Southern Appalachian town of Blairsville, GA. Our whole county had a population of around eight thousand at the time of my birth, 1962. I spent my growing up years helping my father farm beef cattle and attending the local school for my education. I went to church as a kid. Learned a deep respect for a love that would sacrifice itself for me. I believe I was considered normal by the local folks. You knew everybody in my confined, little world, and their business, too, whether you wanted to know it or not. News traveled fast because of how the telephone worked. Most all the homes were on a “party line,” if you had a telephone at all. You knew folks’ business because you could listen in on your neighbor’s phone conversations over that “party line.” The older generation was judgmental to a point. That mattered to families. You didn’t want folks thinking bad of you or yours.
My trail after high school began by following the same path many of the kids from my area walked. College, job, then family. I couldn’t stay on that trail long, though. I discovered competitive golf after a couple years in college and turned pro after obtaining an Associate degree. Spent many years beatin’ that little ball trying to catch a break while working at different golf courses here, there, and yonder. I loved it. Did okay for a small-town, mountain-born boy. I got no regrets. Won a few good tournaments. Maybe I should’ve been a caddie?
Met my wife at the ripe old age of thirty-five. We have two kids, Alex and Emma, they’re twins. Fortunately, we all get along for the most part with little tension outside of normal weekly stress. We like the outdoors but have regrettably had little time over the years to enjoy vacationing there because of work and the crash of the economy. I do regret that.
I started writing because I wanted to tell a story. A story of my heritage to some degree. A story to enlighten those who read it about a frontier that came and went with little recognition outside a state of confusion about the grave mis-justice done to the native Cherokee. I won’t claim all that is in (or will be in) my books as actual, but I can guarantee you they are based on fact in my imagination. I love that about writing. I’ve always enjoyed a good “yarn” be it a ghost story that will haunt my nights, a mystery that challenges my intuition or an adventure that will take me to someplace I may never see. Introduce me to people I would never meet otherwise. It is a true blessing when I learn someone has enjoyed my work. Somebody give me a hug!
Chanticleer: We do love you, Joe! When did you realize you that you were an author?
Collins: That’s an easy one. It’s when I heard my name called out for First in Category at the Chanticleer Awards Gala. I for sure knew I belonged behind the scenes writing when I broke protocol and absent-mindedly went for the ribbon Kiffer was holding without shaking Gregory’s hand first. “What a stupid I am” — I feel terrible about that. I hope he understood. Accepting that ribbon was extra special to me. That’s the moment I knew I could actually think of myself as a writer. Thank you guys soooo much!
Chanticleer: Those of us who have won awards know what it’s like to be in that is-this-really-happening? moment. I’m sure Gregory Erich Phillips knows exactly what that’s like! What genre best describes your work?
Collins: Historical Fiction for sure. I love learning about history that is based in the lives of those who actually lived it. I respect heritage, so I enjoy creating stories combining the two. Those aspects wound together give me great pleasure when I write. My publisher told me early on in the publishing of my first book, “Write from your heart when you write, Joe. Don’t force it if it doesn’t fit.” I follow that. I want my reader to enjoy their trip back in time to a place they will never see outside of my book, and to be comfortable with the journey. I want them to experience the surroundings of each scene like they are actually standing there watching in person. To taste the smells, feel the air, hear the sounds and to comprehend the emotion I want them to feel. I love taking them back as they read. I’ve heard it said that history repeats itself. I believe history stays with us if we as authors write it, understand it, feel it; then our readers can believe and be transported. I want folks to escape to a world I completely understand. All they need do is be willing to go inside my mind for a while. It’s not such a bad place, really.
Chanticleer: That’s wonderful, Joe. Can you tell us a little more about it?
Collins: I grew up in a part of the Southern Appalachian that holds a rich history of ancestral heritage for those who were founded there. I basically grew up an only child as my siblings are much older than me. Being the only child on a big cattle farm surrounded by mountains and forest is heaven for a boy of my put together. My imagination had unlimited boundaries. I hunted constant when game was in season. I fished when hunting wasn’t allowed or whenever I got a hankerin’ for some fresh, juicy cold-water trout. One stream I would fish regular produced a lot of Brown Trout, another produced more Rainbow Trout. Just depended on which flavor I had a taste for as to where I’d go try and catch fish. Those days are gone. The fish have lost their flavor. The creeks and rivers now polluted with housing and folks. What a shame.
We got little in the way of television reception where I lived growing up, so entertainment had to be something other than watching TV. On some evenings after we’d worked hard on the farm all day, Dad would take Momma and me and we’d go visit the old-timers at their original family homes where they were born, then raised their own kids, and still lived in then. Some were family, others not so much. I loved goin’ with my dad and doing that. Sittin’ out on the porch rocking in a chair made right there in the work shed of whatever elder we were visiting. I’d rock and listen to their tales while they smoked or chewed tobacco. Spitting dark, brown burley tobacco juice out between their fingers while thinking on thoughts about the tale they were spinning. You had to watch where they spit that stuff because it would splatter in all directions when it landed. Get all over your feet and ankles if you were in too close. I heard stories from the days of old that sank into my soul. Are they in my book? Some, maybe. Remnants, mostly. The ideas? – for sure.
Of course, where I grew up was rich in Indian ancestral heritage as well. As a kid, I hunted the plowed bottoms up and down the river Notla whenever I got the chance hoping to find Indian made artifacts. After a good rain was the best time. We found some unbelievable things, too. Seriously, you wouldn’t believe a body could make such as we found on occasion from just the natural resources right where whatever it was you found was laying. I could live like settlers did back in those days. I can relate. I guess that’s why I like historical fiction so much. It takes me back to a time in my life where I had no worries. We all need a little of that from time-to-time. I miss it. #GroupHug.
Joe received this beautiful cake from his work family. #GroupHugJoe showing off his beautiful cake! Sure looks good!
Chanticleer: Do you find yourself following the rules or do you like to make up your own rules?
Collins: I don’t like rules. I trust myself and my judgment more than I do most folks who make the rules. Politicians and government folk are prime examples of rule makers who care little for the common folk — ask the Native American. Being a person of faith, and knowing what lies ahead, I get confused as to why we have locks? Or why we hire our own to protect us from ourselves? I prefer a time when folks looked after them and theirs. In writing, I follow that same train of thought. Conversation can be lawless!
Chanticleer: You’re giving us a lot to think on, Joe. Thank you! How do you take all of these memories, all of these stories, and come up with a full-length novel?
Collins: If I can live it in my mind, I can make it into a story. I try to pull everyday occurrences and mix those with any corresponding relative history that I know about. That concoction has to settle in my center for me to know it’s something I can focus on. But, the difficulty comes when I try to pinpoint the objective of why I want to write about that particular subject. It has to satisfy my soul. If it ain’t there, it ain’t to write. But, God.
Chanticleer: How structured are you in your writing work?
Collins: Aghhhhhhhhhh! Hahahahahahaha! STRUCTURED? Don’t even know what that means. I write when I can feel the words going on to the paper (screen). I need to work on this area of my “authorshipness” profile. Hahahaha! I love you guys! I know y’all are structured. I saw it first hand in Bellingham back in April.
Chanticleer: [Don’t you just love this guy? #GroupHug]How do you approach your writing day?
Collins: That all depends on where I am in the writing process of the particular thing that I am writing. For a novel, I can spend a lot of time with story content and character development or I can work on the comfort of the read if I’m well enough along. The priority status of either of those two aspects will designate the attempts I will make for any particular day. Stories have to flow to achieve [the desired] effect. A story written poorly does not catch the imagination of the reader even though the topic is of interest. I prioritize where I believe a reader would want to be in the progression of what is taking place at a certain point in the story. Then, of course, you sit down to write and it all comes crashing down. No reason just crashes. Your mind shuts off. That’s when you reach for something other than your pencil (laptop) . . . like bourbon. No more writing that day. Sometimes intention to write and creative juices are way too far apart for my simple mind. I try to plan and prioritize, but it doesn’t always go the way I want. On those kinds of days, we all need a hug.
Chanticleer: [#Group Hug] What are you working on now? What can we look forward to seeing next from you?
Collins: Right now, I’m finishing the final book in the trilogy I call, “Home from Choestoe”, that I’ve been working on for the last few years. Originally, I’d planned on four books but I’m ready to move on. I want to start something else. Being raised in the Southern Appalachian Mountains offers many different opportunities to write about interesting topics. I haven’t fully decided on what my fourth book will be about as of yet, but it will come to me before long. I have some ideas, but nothing has settled with me that would spur me on to write a novel.
Chanticleer: What is the most important thing a reader can do for an author?
Collins: Enjoy what we write, then tell others so they can hopefully enjoy it as well. Give us reviews that we can share. Selling books is important, sure, but most all good stories have an underlying point of concern. If a reader finds that and is moved by it, then that is all we can hope for as authors. That, to me, is the most important consideration for what we do. Is the reader touched by what we write? Do they feel, then understand what we are saying? Let’s hope they get it because that’s why we do what we do. It sure ain’t for the money.
Love you guys! Take care, and God Bless . . . Joe
We certainly love you back, Joe! Thank you for spending some time with us today.
If you liked this interview with author J.R. Collins, please leave a comment below. We love being connected to our amazing author community, don’t you?
Book Reviews are tools every author can use – wisely!
TYPES OF REVIEWS
Generally speaking, there are four types of reviews you will encounter. Here they are:
Trade/Editorial Reviews – These reviews are written by professionals in the publishing industry – quality matters here.
Peer Reviews – Done by other authors or professional peers
Manuscript Overviews – The professional writer’s first step in the editing process.
Consumer Reviews – These are written by readers – quantity is what counts here search engine operations and algorithms.
Editorial Book Reviews
Each type of review serves a specific purpose, and each type resonates with different kinds of book buyers and serves different purposes.
Editorial Reviews
Editorial Reviews aka Professional Trade Reviews provide useful information for publishing professionals for preparing for book launches.
Post Launch: Traditional Publishers and Book Publicists also know that editorial reviews set the tone for consumer reviews.
Publishing Professionals know that editorial reviews give readers (and consumers) the language and terms to discuss books, thereby, making it easier for readers and fans to write reviews. Because more reviews generate more book buzz and trust me, book buzz is what you want, you will want to make it extremely easy for readers (aka book consumers) to leave a review.
Make sure that blurbs of your book’s editorial reviews are listed in the Editorial Reviews section of your book’s Amazon page. Blurbs from Editorial Reviews are also handy to have when uploading your book’s information in the ISBN forms and in the information upload page of your book on digital platforms. Review blurbs also help Indie bookstores to determine if your book would sell in their stores.
PEER REVIEWS
Peer reviews have run into some problems lately. While it’s tempting to trade review for review with your author friends, be careful where you post them. Some large retailers have caught onto the review-for-review and have subsequently pulled reviews they suspect come from other authors. I’m not saying you shouldn’t review your friends’ books – you should! In fact, you need to be fostering those relationships with other authors. But don’t be surprised if your reviews are pulled from the giant’s webpage. So, when you seek reviews, don’t just seek peer reviews only. Go for a mix!
And remember to get peer reviews, you must give peer reviews. Make it part of your marketing checklist to read your peer writers’ books and then review them. Remember the reviews do not have to be long — 25 -to- 50 words for a consumer review will work and will be just as effective as a 250 -to- 500-word review. Quantity is what counts here.
One hundred consumer reviews are what we hear it takes to get on Amazon’s radar for SEO and algorithms.
A final word of advice regarding consumer reviews: If you do receive an unfavorable review or even a scathing review (it happens to even the most successful authors), do not react or respond especially if they fall into the “troll” category. Never interact with a “troll” — just don’t. No good will come from it. As hard as it may be to do, focus on the positive reviews. If writing craft issues (changing POV, grammatical errors, typos, etc..) are mentioned in the review, address the issues and correct them. In today’s digital world, there is no reason not to.
MANUSCRIPT OVERVIEWS
Manuscript Overviews is dollar for dollar, one of the best writing tools you can utilize. Traditionally published authors receive great editing and feedback from agents and senior editors on early drafts, a benefit that most self-publishing authors never receive. When feedback comes early in a work’s progress it allows the author to not only create a more polished final product but also publish more works and build their backlist.
When working with an agent or publishers, the author works on a rough draft – the early drafts of a novel. He creates the theme, the characters, the setting, the tone, the story, the plot lines, the dialog style, and selects the genre and has an audience in mind (YA or mystery fans, fantasy or Science Fiction readers, etc.). After the author creates the story with a beginning, middle, and end, she then sends this early unedited draft of the story to his editor or agent to read and to get feedback.
Editing a Manuscript
This is exactly what a Chanticleer Manuscript Overview is: An objective evaluation of a story idea that is fully formed with a beginning, middle, and end, but still in an early draft stage. The Manuscript Overview comes before LINE EDITING and COPY EDITING.
CONSUMER REVIEWS
Consumer Reviews are awesome. Don’t we all like to hear what total strangers think of our work? I mean, cringe-worthy as these types of reviews can be, they are important. How do you get them? That’s an interesting question. My statistics show that for every 100 queries you send out to review your book, you may get 8-10 actual reviews in return. I’m talking about sending your books out to bloggers, reviewers and the like. But those reviews do drive the Average-Joe reviews. The more you get of one, the likely you will increase the other. This is where your mailing list comes in handy – a topic for another blog… sorry.
Now that we’ve got the four types of reviews covered, what do you do with
a review once you have it?
After getting your reviews, make sure you are using them effectively. By that, I mean, use them everywhere! Post them on your websites and your book covers. Splatter them all over your social media! Share them with your friends – use snippets of them in your marketing collateral. Use them as a way to introduce your book to your local libraries and brick and mortar stores.
Let’s break it down.
Online retailers (Amazon, Kobo, Apple) have specific places for you to insert editorial review blurbs. Many brick-and-mortar stores will place shelf-talkers with trade review excerpts near your displayed books.
Have a REVIEWS page on your website where you place quotes – or entire reviews. Insert links to the original reviews and always give attribution!
The book cover is the place for trade/editorial and peer review blurbs. (It’s a cover – don’t cram an entire review on there!) Choose the top or bottom of your front cover to place awards, book stickers – some piece of information that draws the book reader to your book. Put the review blurbs on the back cover or if you have a lot of meaningful blurbs, you can use the first couple of pages of your book to place these. Again, don’t overwhelm the reader with the entire review. Be selective. It will pay off.
What’s so different about a Chanticleer Editorial Review?
You may have known I was going to talk about Chanticleer Reviews, right? I mean, that’s what we do…
Here’s the deal, a Chanticleer Editorial Review is professional, unbiased, and fair. We don’t compare cozies to thrillers. We compare the work, put it to the test, and write the review. We always send our authors a “Not for Publication – Awaiting Comments from Author/Publisher” copy. This way the author and publisher can read the review and approve it or kindly ask us to not publish. It’s your choice. Simply put, we are not in the business to embarrass anyone – only help. We love to help authors. It’s what we do.
And one more thing… if you’re in need of a review and you would like to order a Chanticleer Review, here is our special offer for July. I repeat this offer is good until July 31, 2018 – midnight. Here’s what to do:
Share this article THREE TIMES on three different social media sites
Take a screenshot of your shares and post those in the comment section of this article with the phrase “I would like a $50 discount on my next Chanticleer Editorial Review!”
OR tag us using @ChantiReviews on Twitter and Facebook or Instagram!
We will message you with your discount coupon code.
Please join us in congratulating and (reading) these top works in this classic American genre—the Western.
Chanticleer Book Reviews is looking for the best books featuring cowboys, the wild west, pioneering, civil war, early North American History, and the Contemporary West! Submit your works today and we will put them to the test and choose the best among them in the LARAMIE BOOK AWARDS, a division of the Chanticleer International Book Awards (CIBA).
Michelle Rene’s HOUR GLASS took home the Laramie Grand Prize Ribbon for 2017 and the OVERALL Grand Prize Ribbon for the Chanticleer Int’l Book Awards
CIBA Overall Grand Prize Winner and Laramie Grand Prize, Michelle ReneClick on the cover for the Amazon link.
Click on the Hour Glass book to order from Amazon
LARAMIE BOOK AWARD WINNERS for 2017, a division of the CIBA.
LARAMIE BOOK AWARDS Winners T.K. Conklin, Nick K Adams, J.L. Oakley, Michelle Rene, Kiki Watkins
The 2017 books have all won a Chanticleer Book Reviews package!
The Hour Glassby Michelle Rene ***LARAMIE GRAND PRIZE WINNER*** and OVERALL BEST BOOK Chanticleer Reviews
Away at War: A Civil War Story of the Family Left Behind by Nick K. Adams
Threads of Passion by T.K. Conklin
Desertion by Michael Aloysius O’Reilly
Death in the Black Patch by Bruce Wilson
Jacquie Roger’s HOT WORK IN FRY PAN GULCH: Honey Beaulieu Man Hunter Series took home the 2016 Laramie Grand Prize. Click on the cover for the Amazon link:
Laramie Grand Prize – JACQUIE ROGERS
First Place Category Winners for 2016 are:
Click on the hyperlinks to read their Chanticleer awarded reviews
The Laramie Grand Prize Winner for 2015 was WIDOW: Flats Junction Series by Sara Dahmen (Originally titled Doctor Kinney’s Housekeeper)
Sara Dahmen awarded Laramie Grand Prize for DR. KINNEY’S HOUSEKEEPER — now WIDOW 1881 (Book One of the Flats Junction Series)WIDOW: Flats Junction, Book One – Click on the cover for the link to Amazon
Women’s Historical:Sara Dahman – Doctor Kinney’s HouseKeeper ***Grand Prize Winner*** (Retitled: WIDOW 1881 – Book One of the Flats Junction series)
Can a gunfighter ever truly hang up his guns and settle down in one place? When Colt Evans is wounded in a fight, he flees – as far away as he can get – searching for a place to heal. What he finds has the potential to change his life forever and make him yearn to settle down. But, will his past stay behind him?
Injured and on the run, Colt Evans stumbles upon a remote homestead owned and operated by Amelia McCollister and her two siblings. The orphaned siblings have strong feelings about gunfighters as their parents were shot to death by outlaws several years earlier. Due to this sad fact, when the well-known gunfighter arrives at the homestead, Amelia is reluctant to open her home to the man.
Despite this, she follow her nature to heal rather than harm the wounded Colt against the warnings of the doctor and Marshall of the town. As she nurses Colt back to health, Amelia’s strong misgivings about this stranger seem to disappear. Colt finds that the longer he is with Amelia, he doesn’t want to leave. However, he knows that someone will eventually come looking for him. He does not want to stay and bring trouble to Amelia and her siblings; however, the longer he remains on the homestead, the stronger his feeling for Amelia grow.
As Colt had feared, his enemies find him. The danger is just too severe for Amelia and her brothers, so Colt leaves. However, once a gunfighter, always a gunfighter – at least in reputation. When Colt is ambushed and left for dead, the only thing that keeps him alive is his last drive to find Amelia, the love of his life.
Lynda J. Cox has crafted an enjoyable novel of the Old West. Nelson’s writing is engaging and flawless as she weaves the needs and desires of her two main characters against the brutal reality of the 1880’s into the story. This is a classic romance set-up, and it works to the readers’ delight. The book presents a well-balanced mix of romance and gritty 1887 Wild West action. This combination makes for one page-turning Western epic.
The Devil’s Own Desperado by Lynda J. Cox won First Place in the 2015 LARAMIE Awards!
The Cygnus Book Awards recognize emerging new talent and outstanding works in the genre of Science Fiction, Steampunk, Alternative History, and Speculative Fiction. The Cygnus Awards is a genre division of Chanticleer International Book Awards and Novel Competitions (CIBA).
These titles have moved forward in the judging rounds from Long Listers (Slush Pile Survivors) to the 2018 Cygnus Book Awards SHORT LIST. These entries are now in competition for the limited 2018 Cygnus Semi-Finalists from which the First Place Category Positions will be chosen. The Cygnus Book Awards Semi-Finalists and First Place Positions along with the CYGNUS Grand Prize Award Winner will be announced at the Awards Gala on Saturday, April 27th, 2019.
Deadline for 2018 CYGNUS Book Awards submissions was April 30, 2018. We are now accepting entries into the 2019 CYGNUS Awards.
Chanticleer Book Reviews is looking for the best books featuring space, time travel, life on other planets, parallel universes, alternate reality, and all the science, technology, major social or environmental changes of the future that author imaginations can dream up. Hard Science Fiction, Soft Science Fiction, Apocalyptic Fiction, Cyberpunk, Time Travel, Genetic Modification, Aliens, Super Humans, Interplanetary Travel, and Settlers on the Galactic Frontier, Dystopian, we will put them to the test and choose the best among them.
These titles are in the running for the top 2018 CYGNUS Book Awards novel competition for Science Fiction positions! Good Luck to All!
Matthew D. Hunt – Solar Reboot
Sarah Katz – Apex Five
Paul A. Vasey – Trinity’s Legacy
Catori Sarmiento – The Fortune Follies
Stu Jones & Gareth Worthington – It Takes Death to Reach a Star
Tessa McFionn – To Discover a Divine
Isadora Deese – Right of Capture
Jim Cronin – Recusant
Lou Dischler – Meet Me Under the Comet
Richard Mann – Zeus 25 – Jory and Zenobia
Justine Avery – The One Apart: A Novel
Phillip R. Onagan – Within The Gambit
Ryan London – Pillars of the Mortal Monarchies
Pamela LePage – Virtuous Souls
Denise Lammi – Lucid World
Mark Daniel Seiler – River’s Child
M. Black – Electric Gardens
Samuel Winburn – Ten Directions
Rhett C Bruno – Titan’s Wrath
Daniel Zadow – Pigeon
KB Shaw – From the Shadows
J. I. Rogers – The Korpes File
ElizabethCrowens – Silent Meridian, Book 1
Elizabeth Crowens – A Pocketful of Lodestones, Book 2
Alexander Edlund – Keelic and the Pathfinders of Midgarth
Ted Neill– The Selah Branch
Gareth Worthington – Children of the Fifth Sun
Congratulations to these authors for their works moving up from the 2018 CYGNUS Long List to the Short List. These novels will now compete for the (Semi-Finalists) Positions!
The CYGNUS Short Listers will compete for the SemiFinalists positions that will compete for the CYGNUS First-In-Category Positions. First Place Category Award winners will automatically be entered into the CYGNUS GRAND PRIZE AWARD competition. The CBR Grand Prize Genre Winners will compete for the CIBA Overall Grand Prize for Best Book and its $1,000 purse.
John Yarrow, CYGNUS Grand Prize Award Winner for The FUTURE’S DARK PAST (2017)James R. Wells Awarded the Cygnus Grand Prize for THE GREAT SYMMETRY (2015)
All Short Listers will receive high visibility along with special badges to wear during the Chanticleer Authors Conference and Awards Gala.
Congratulations to the Short Listers in this fiercely competitive contest!
Good Luck to each of you as your work competes in the 2018 CYGNUS International Book Awards.
The CYGNUS Grand Prize Winner and the Five First Place Category Position award winners will be announced at theApril 28th, 2019 Chanticleer Book Awards Annual Awards Gala,which takes place at the Chanticleer Authors Conference that will be held in Bellingham, Wash.
Bennett Coles CYGNUS Grand Prize for VIRTUES of WAR (2013)
We are now accepting submissions into the 2019 CYGNUS Awards writing competition. The deadline for submissions into the 2019 CYGNUS Book Awards is April 30th, 2019. Please click here for more information.
As always, please do not hesitate to contact us with any questions, concerns, or suggestions at Info@ChantiReviews.com.