Author: chanti

  • TAPPING the EXPERTS – Researching for Your Works in Progress by Carol M. Cram

    TAPPING the EXPERTS – Researching for Your Works in Progress by Carol M. Cram

    Guidelines for Connecting with Sources and Experts While Researching Novels

    Editor’s Note: Whether or not you write Thrillers, Science Fiction, Mysteries, Contemporary Social Themes, YA,  Historical, or any genre, these guidelines for connecting with sources and tapping experts will come in handy.

    One of the questions I get asked frequently when people discover I like to write historical novels is “How do you do your research?” I don’t have a pat answer (I wish I did!). The reality is that I “do my research” as I’m writing a novel and that, for me, it’s my least favorite part of the process. There, I said it!

    I know many historical novelists who adore research, who like it even more than writing, but I’m not one of them. I like research. I enjoy prowling through dusty libraries and doing endless Internet searches and reading stacks of books, but most of the time I’d rather be writing my story.

    That said, I have picked up some techniques over the past few years that I’ll share in this blog to help you find your feet when you’re researching and writing a novel set in the past. Getting the facts right is very important. You discover that the first time a reader finds a mistake (and tells you about it).

    In my novel set in early 19th Century London, I had a character refer to the third season of the year as “Fall.” A British reader set me straight, in no uncertain terms. Thank goodness she was a Beta reader and I was able to catch the error before the novel was published!

    Books are great, the Internet can’t be beaten for looking up and verifying facts quickly, and libraries are awesome. But even better are the academics who write all those books and articles. In other words, the experts. Many experts are happy and eager to share what they know with you. And many go well beyond just answering questions.

    Following are some tips and advice for reaching out and working with subject matter experts.

    Do your homework before contacting a subject matter expert. You don’t want to waste an expert’s time asking questions that you could easily answer yourself with a bit of reading. Consult books and articles to become as conversant as you can with the subject and then prepare a list of specific questions to focus the discussion. Experts who see that you’ve made an effort to understand their field are usually very generous with their time and interested to hear about your Work in Progress.

    Keep the number of questions reasonable. A half-hour interview is about right, although if your expert wants to go on longer, sit back and enjoy! You never know what great information you’ll get—often on a subject you weren’t looking for but that will fit beautifully into some part of your story. Experts are often fascinated by the creative process and may suggest plot ideas based on their more in-depth understanding of the period. When an expert says something like “What if you have your character do such and such…”, listen up!

    Experts care a great deal about their fields of expertise and as a result, most welcome the opportunity to work with a novelist to bring their knowledge to a wider audience. An academic I consulted for The Muse of Fire told me how thrilled he was that someone apart from his students was interested in early 19th Century British theater.

    Make sure you end an interview with a request for additional book and research recommendations. Most experts are happy to provide you with more references than you’ll probably have time to read.

    Find experts by looking up faculty lists at universities, consulting bibliographies, conducting searches for specialist groups, and asking for recommendations. You can click the Ask a Librarian link on any Library website to get all sorts of academic questions answered. Before contacting experts—generally by email—familiarize yourself with their credentials and read at least some of their articles and books. When you take the time to read their writing, you’re more likely to ask intelligent questions.

    Photo Credit: Myrabella / Wikimedia Commons
    Soldiers in front of the wood of Hougoumont during the reenactment of the battle of Waterloo (1815)

    Another place to find experts, particularly in specific historical eras, is to seek out re-enactment groups and themed events such as Renaissance Fairs. Here you’ll find experts who have really steeped themselves in your period and are eager to share what they know.

    Approach experts with a polite email that includes a short description of your Work in Progress and a few sample chapters. In my experience, experts are most eager to help when I give them an opportunity to first read my work. Many want to be sure they are associating their names with writing that they personally like.

    For all three of my novels, I’ve been fortunate to have experts give me advice during the writing process and then to read drafts of my novel to catch stray errors. Several of them became almost as invested in the accuracy of my novel as I was and are now fans!

    In your introductory email to an expert, make sure you include your own web address in your signature line and a short summary of your own background and credentials. I know that several of the experts I’ve reached out to told me they checked out my website before replying to my request. They understandably wanted to verify my background and learn about my books before connecting with me.

    Thank experts in your acknowledgments. I always include historical notes at the end of my novels to cite books I consulted while writing. I also personally thank experts with whom I’ve connected personally. Everyone appreciates being thanked.

    Send complimentary copies of your novels to experts who have provided you with significant help. I think it’s money well spent to let the people who have helped me know how much I appreciate them.

    We are incredibly fortunate as novelists to be able to easily connect worldwide with experts in a dizzying array of subjects. I’ve visited with the curator of the Narrenturm—an anatomical museum housed in Europe’s first insane asylum in Vienna; taken tea in London with an expert on 19th Century women composers; become good friends with a professor of medieval art history, and connected with several wonderful specialists in early 19th Century British theater. Each of them did much more than just answer my questions. They actively contributed ideas about plot and character motivation appropriate to the era I was writing in and inspired me to explore all sorts of new ideas.

    You never know what might come from your interactions with experts once you get the nerve to approach them – respectfully and after having done your homework.

    And then all you need to do is weave what you’ve learned into a compelling novel that people will not want to put down. Easy, right?

     


    Carol M. Cram, CIBA Award-Winning Author (both Goethe and Chaucer Historical Book Awards) for these outstanding novels:

    Carol M. Cram will announce the new CHAUCER Book Awards winners on Saturday, April 27, 2019, at the Chanticleer International Book Awards ceremony. She is also presenting at the sixth annual Chanticleer Authors Conference. Her award-winning historical fiction books will be available in the CAC19 Books By the Bay Book Fair hosted by Village Books on April 27 & 28, 2019.

     

  • Cami Ostman – psychotherapist, editor, writing coach

    Cami Ostman – psychotherapist, editor, writing coach

    Cami Ostman holds a B.Ed. in English from Western Washington University and an M. S. in Marriage and Family Therapy from Seattle Pacific University. She is the author of Second Wind: One Woman’s Midlife Quest to Run Seven Marathons on Seven Continents, co-editor of Beyond Belief: The Secret Lives of Women in Extreme Religions, a contributor to Adventures Northwest and to her own blog, 7marathons7continents.com. Cami is also the founder of Red Wheelbarrow Writers, a community of writers in Western Washington and a blogger for psychologtoday.com. She has been profiled in Fitness Magazine and her books have been reviewed in O Magazine, The Atlantic, and Washington Post. Having spent fifteen years as a psychotherapist, and now serving as a writing coach and editor, Cami specializes in helping authors “figure out what they really have to say.” She is currently working on a novel and on her second quest memoir.

    Cami has long been interested in how the words we use to describe ourselves actually serve to CREATE our identities. Her experience in writing supports this, as does her work as a psychotherapist for the past fifteen years. When she wrote about turning herself into a runner on a quest to do a marathon on every continent, she became a runner on a quest to do a marathon on every continent.

    Cami will present the following sessions on Sunday, April 28th

    Making Money with Back End Programs: How to take the content of your non-fiction book and create programming people will pay you for.

    Master Mind Your Book: Using the Story Spine as a tool to move you forward when your writing gets stuck.
  • 10 Question Interview with Multi-Award-Winning Author, MICHELLE RENE – Book Discovery, AuthorLife, Book Marketing

    10 Question Interview with Multi-Award-Winning Author, MICHELLE RENE – Book Discovery, AuthorLife, Book Marketing

    * On the weekend of her new release, The Dodo Knight, we invite you to get to know one of our favorite authors, the incomparable, Michelle Rene!

    Recently I had the opportunity to interview the creative advocate and the 2017 CIBA Overall Grand-Prize Winning Author, Michelle Rene, in our 10 Question Interview Series. It is no wonder her novels, short stories, and articles are consistently gaining recognition and winning awards. She is not only over-the-top talented, she is also generous with her time.

    Michelle Rene won the CIBA Overall Grand Prize in 2017 for her novel, Hour Glass, a unique and entertaining twist on the Calamity Jane legend, complete with engaging characters and extraordinary storytelling! A novel we highly recommend.

    Chanticleer: Tell us a little about yourself: How did you start writing?

    Michelle Rene: I’ve been writing since I was a kid. I actually spent a whole summer vacation hand-writing a two-hundred-page novel when I was thirteen. However, I was also very invested in art. I had my first artist job in video games at age sixteen, so when it was time to choose my career/college path, I chose to go to art school.

    While art was paying the bills, I continued to write, honing my craft and learning all I could about

    this ever-changing literary world. It was in 2014 that my first novel was published. I Once Knew Vincent went on to receive several indie awards, including Chanticleer’s First in Category for the Chaucer Award.

    Since then, I’ve had numerous novels, novellas, short stories, and essays published. Several went on to win significant indie awards. I’m extremely proud to say my novel, Hour Glass, won Chanticleer Review’s Best Overall Book Award for 2017.

    Chanticleer: We are very proud of your Overall WIN, as well! Congratulations! Let’s talk about genre. What genre best describes your work? And, what led you to write in this genre?

    Michelle Rene: I have a love/hate relationship with genre. The necessities of it are obvious. In the world of marketing, we have to know how to market a story and who to market it to. As far as my reading habits, I just look for a good story. I don’t really care what kind of story. In writing, I like that same freedom.

    That being said, I would say I write historical fiction and speculative fiction. Every once in a while, they overlap. I call myself a creative advocate, and most of my life has been in the pursuit of creativity. Writing speculative fiction quenches that thirst.

    As for historical fiction, I’m a huge museum buff, and history fascinates me. I count it a duty to try to make time periods and historical figures come to life as something more than names and dates on a page.

    Chanticleer: That’s what we love about you – and that’s why Hour Glass won! Do you find yourself following the rules or do you like to make up your own rules?

    Michelle Rene:  I’m not a fan of writing rules. The idea is rather rigid for something as creative as writing. I think there are good practices and guidelines to be aware of, but I always cringe when I hear someone say, “you can’t…” when criticizing someone’s stylistic choice. For every hard-and-fast writing rule, there is someone who broke it beautifully.

    My advice for emerging authors who ask for my “rules” is rather unimpressive. Don’t give up. That’s my only rule for writing. Keep going. Write more. Figure out your voice through trial and error.

    Chanticleer: Really, that’s the best advice anyone could give. Don’t Give Up. We should make t-shirts… What do you do when you’re not writing? Tells us a little about your hobbies.

    Michelle Rene: I’m a trained artist, so I like to paint, sculpt, draw, etc. I’m a firm believer in the idea that all creative ventures work toward telling a story in some way. I adore museums, reading, audiobooks, and learning new things. I’m also a belly dancer and occasionally perform at festivals and Renaissance fairs.

    Chanticleer: I’ve seen your costumes! You’re serious about everything you do. That’s very impressive. Where do your story ideas come from?

    Michelle Rene: I have no idea. Get it?

    Seriously, I tell everyone that my muse is extremely abusive. I once read that an author pictured her muse as this quiet girl who whispered beautiful, creative things to her through the bars of a vent.

    Mine is a sledgehammer-wielding jerk who shows up when I’m trying to sleep and regularly bashes in my head until I write the story. Sometimes, I see something interesting at a museum or a get inspired by a painting, but the story I want to tell hits hard and is a nuisance until I write it.

    Chanticleer: Good for you to pay attention to that muse. I mean, how could you help but pay attention! Name five of your favorite authors and describe how they influence your work.

    Michelle Rene: I have an extremely eclectic taste in reading, so this will look like a random list. Harper Lee because To Kill a Mockingbird was one of the first books I read over and over again. She showed me how to inject poetry in your prose in a simple way. David Sedaris because I’ve never laughed so hard in my life, and he taught me about humor in the absurd. Mary Roach because I never knew I liked reading or writing nonfiction until I read Stiff. Neil Gaiman because he has the same skeptical beliefs I do about genres and writes that way. Finally, Charlaine Harris because she’s one of the only authors who can write about vampires, shifters, and fairies, and I’ll eagerly read every book in her series.

    Chanticleer: Great list of authors. I, too, love Mary Roach for Stiff, but I suppose that’s no surprise to those who know me… Give us your best marketing tips, what’s worked to sell more books, gain notoriety, and expand your literary footprint.

    Michelle Rene: There are two things I’d list here. One is a slow burn marketing technique, and the other is a quick one. The quick boost is to run a sale (either discounted or free) and blast it through every social media and subscription channel you can for the day the sale begins. I’m not a believer in keeping your book discounted for more than a few days though.

    The slow burn technique takes a lot more effort but has the longest tail of benefit. Go to conferences, enter contests, and teach classes where you can. If you do those things, you will connect with amazing people who can help you along the way in ways you can’t imagine yet.

     

    Some of Michelle Rene’s other books for you to explore!

     

     

     

     

     

     

    Alice Liddell was the muse for Lewis Carroll’s Alice in Wonderland. But before the book was published, a rift opened between Carroll and the Liddell family. Also dubbed the “Liddell Riddle,” historians still speculate as to what happened to separate the famous author and his muse. Michelle Rene has imagined a beautiful and heart-breaking story of a special friendship and its unfortunate end. Told from the viewpoint of Alice herself, The Dodo Knight will transport you to Victorian England… and into the heart of a very special little girl. Pick up your copy of The Dodo Knight today!

     

     

     

     

    Chanticleer: Good tips. Thank you for those. What are you working on now? What can we look forward to seeing next from you?

    Michelle Rene: I’m working on two projects. One is a sci-fi mystery series about a psychoanalyst who can go into peoples’ minds. Currently, I have the first book done and am working on number two in the series.

    The other project is a historical fiction novel based Dr. Mary Edwards Walker. She was a Civil War surgeon when women weren’t allowed to do that, and she was the only woman to be awarded the Medal of Honor.

    Chanticleer: Oh, both sound delicious! I cannot wait to read them. Speaking of readers, what is the most important thing a reader can do for an author?

    Michelle Rene: Rate our books, review our books, tell your friends, and share our posts. In today’s literary world, there is a sea of books coming out every day. Word of mouth is our best long-term sales generator. If you tell people you liked my book, they are more likely to believe you than any advertisement I put out there.

    Chanticleer: This is so true. Thank you for saying that. What excites you most about writing?

    Michelle Rene: It is a powerful and equalizing force in the world. As long as you can string sentences together, you have a voice. Your story can be told. It doesn’t matter how old or young you are. Your wallet and waistline have no bearing. You don’t even have to be formally educated. Everyone’s story is possible, and stories change the world.

    Chanticleer: Thank you, Michelle, for participating in our 10-Question Author series. You are delightful! 


    Don’t you want to follow and like everything Michelle does? I do! Please check out her links – and share this interview with your friends!

    https://twitter.com/MRene_Author

    https://www.michellereneauthor.com/

    https://www.facebook.com/mrene.author/

    https://www.instagram.com/mrene_author/

    mewing_arts@yahoo.com

    Michelle’s Bio:

    Michelle Rene is a creative advocate and the author of a number of published works of science fiction, historical fiction, humor and everything in between. She is the author of novels, short stories, essays, and video games.

    She has won indie awards for her historical fiction work. Her novel, Hour Glass released to rave reviews from Kirkus and Publisher’s Weekly. It won Chanticleer Review’s “Best Book of the Year” award in 2018. Her experimental novella, Tattoo, released with a starred review in Publisher’s Weekly and was listed in Foreword Reviews top eight sci-fi/fantasy books this spring.

    When not writing, she is a professional artist and all-around odd person. She lives as the only female, writing in her little closet, with her husband, son, and ungrateful cat in Dallas, Texas.

     

  • BLESSINGS and CURSES by Judy Kelly – Christian Mystery, Mystery/Suspense, Contemporary Romance

    BLESSINGS and CURSES by Judy Kelly – Christian Mystery, Mystery/Suspense, Contemporary Romance

    Olivia Douglass has completed her college coursework in religious education and is set to graduate. Her adoptive parents and sister and will be on hand for the occasion along with her steady beau, Claude. But she harbors a painful secret: contrary to their expectations, she has decided not to go on to become a priest, even though she has been preparing to do so for several years.

    Since childhood, it seems, Olivia has felt a curse upon her, some wickedness that follows her, making her unworthy of a religious profession. That feeling has returned at this crucial juncture to cast a shadow over her plans. Understanding, but unsure she should give up her plans, Olivia’s parish priest sends her on an errand of mercy – to pray with Leon, a man on death row with only two weeks to live.

    Assisted by fellow church member Wesley Johns, meeting the prisoner proves far more difficult than Olivia had imagined. She persists, though, and tries to access the spiritual nature of this hate-filled man who kidnapped and slaughtered numerous women and children. As Olivia gets to know Leon better, she simultaneously forms a friendship with Wesley, and they discover that they have a link, Wesley shares in the curse that envelops her—and like her, longs for a way out.

    At the same time, her parents’ reaction to Olivia meeting and praying with Leon is odd and rather disturbing. On top of that, her sister begins to reveal signs of her own cursed and tormented life. Finally, Olivia will confront her ghosts, and theirs, in a brave and daring move.

    Author Judy Kelly writes with skill and intelligence, building her plot step by step so that even when the reader begins to think that the outcome is inevitable, a twist crops up to turn the tale in yet a new direction. Visits to the prison have a knowledgeable feel, and the character of Leon is vividly depicted as he at first crudely and violently rejects Olivia’s help, then gradually comes to accept and welcome her, and finally accedes to her spiritual support on the next to last day of his life.

    Kelly draws her characters with depth, from the twisted psychology of a serial killer to Olivia’s growing tenderness toward Wesley, and with it, the revelations prodding her about Claude’s dark side.

    Blessings and Curses combines themes of romantic love, family ties, religious aspirations and coming of age with a slowly unfolding, at times terrifying glimpse of genuine evil.

     

  • The 2020 CANDIDATE by Lloyd Bruce Miller – Political, Presidential Bid, Non-Fiction

    The 2020 CANDIDATE by Lloyd Bruce Miller – Political, Presidential Bid, Non-Fiction

    There are so many hopefuls gearing up for the United States 2020 election, what’s one more?

    Meet Lloyd Bruce Miller, 75-year-old who wants your vote. Or not. You see, Mr. Miller is a complicated man. Crazy, some may say – and why not, for he calls himself ‘crazy’ several times throughout his bid for the presidency.

    In all actuality, it is uncertain whether or not Mr. Miller is indeed throwing his hat into the ring for 2020. He realizes he’s a “nobody” but goes on to comment that if “Trump could win, I don’t see why I, or anyone for that matter, couldn’t be a valid candidate.” By the way, Mr. Bruce did make a run for mayor of New York City back in 2009, he even registered, but Michael Bloomberg stole the election from underneath him. It’s as simple as that.

    Reading through his 10,962-word bid for the 2020 Presidency (this is, the point of fact, what Mr. Miller’s book is all about), we begin to wonder who this man is. Where did he come from? He helps us out on page 24 by stating that “…(he) doesn’t really want to be president. (He’s) a fictional character in a story or novel.” We should all think of him in this way.

    And yet, he has these thoughts…  “I am a lunatic of some sort, a screwball in a novel. My name is Harold. That’s enough for you to know, at least for now.” He goes on to say, “The man who wrote something called ‘Utopia’, Thomas Moore I believe, must have been also a little crazy, like me.” Further along, he gives himself the title, “Harold the madman.”

    From my perspective, there is nothing unusual for a politician to be a ‘madman.’ Most politicians have to be a little off in order to open themselves up to ridicule and public display. That being said, should you wish to cast your vote for Harold the Madman in 2020, you should know what he stands for, what his policies are, and how he approaches things.

    Here’s a head’s up, Harold the Madman is not ‘politically correct’ in any fashion. Reading through his bid, here is what I’ve discovered:

     

    1. Criminal Justice System. Criminals should be treated with respect and reasoned with. Therefore, no prison terms in years; prison terms should be measured by if the individual has had a real change.
    2. Bullies have a right to bully. It’s a matter of protecting their Freedom of Speech. Victims of the so-called bullying should “toughen up.” (I warned you…) But, even so this is the age of “Jordan Petersen” and his penchant for political incorrectness that attracts both support and criticism.
    3. #Metoo. It is, according to Harold the Madman, wrong for a woman to ruin a man’s career simply because he touched her. It’s up to women to tell men what behavior is right or wrong. He arrives at this because “100 French actresses came forward opposed to the Me, too, movement*.” Also, according to HtM, “women and men play sexually with each other.” He is also from the “Mad Men” era, much like that uncle we all have and care for but disagree with at Thanksgiving dinner. Perhaps Harold the Madman isn’t a misnomer after all, but perchance a lingering after effect?
    4. Freedom of speech is the foundation of a free society; therefore, people have the right to talk about wanting to kill themselves, wanting to kill other people, etc. Because the only way to help these people is to talk to them and reason with them. HtM is opposed to the Suicide Hotline, and they are monitored by the government, and the government is more interested in collecting information about you to aid in your arrest**.
    5. Foreign policy. Because HtM doesn’t have a lot of experience with foreign policy, he is going to leave it in the hands of the military. He believes in compromise and Manifest Destiny. This allows for the policy he proposes next: Because we cannot fit “the entire population of the whole world into the area of the current United States… you are welcome to join us, but now, your land is our land, part of the United States under the jurisdiction of our federal government.” At first, HtM will focus on friendly democracies like “… Mexico, Canada, Israel, South Korea, Taiwan, Japan, France, Germany…” and extend the invitation to become part of the United States. Undoubtedly, HtM will find support for his foreign policy platform as I did see a red truck the other day with “I LOVE WALLS” painted across both sides of it.
    6. “Compromise is actually the force which enabled the human race to survive over the centuries. Without compromise, no nation could even be formed or last a day. Compromise, more than anything else, is the basis of human society.” This is when HtM starts to make some sense and I found myself nodding my head in agreement—just when I was shaking my head in confoundedness on some of his other platforms.

     

    While it is true that there certainly is much in his proposition to scratch your head about and ponder over, the true beauty of The 2020 Candidate is the freedom by which its author can express his opinions. That, after all, is the American Way.

    And then in his closing remarks, he recommends that we all need to talk to each other and get to know each other on an individual basis. Because there are so many variations of us communication is key—if not the most important agenda of his bid.

    In closing, if you choose to read Harold the Madman’s bid for the presidency, please read it through to the end. It’s not so “mad” after all…

    All things considered, Lloyd Bruce Miller, a.k.a. Harold the Madman, is a unique character and perhaps someone with whom one might like to sit down for a conversation and a pint at Samwise Gamgee’s Old Gaffer’s table at the Green Dragon.

    **This is not our view at Chanticleer Reviews. Suicide Hotline is a vital service in our society, one we could scarcely do without. So if you are thinking of doing something dangerous to yourself or someone else, we strongly encourage you to reach out to this service at: https://suicidepreventionlifeline.org/ or call them at 800-273-8255

  • BRITFIELD and the LOST CROWN by C. R. Stewart – Action/Adventure, Coming of Age, Mystery/Caper

    BRITFIELD and the LOST CROWN by C. R. Stewart – Action/Adventure, Coming of Age, Mystery/Caper

    Tom and Sarah are best friends who reside in a dilapidated English orphanage housed in a 16th-century castle. Only this castle isn’t the kind that inspires romance or chivalry; Weatherly orphanage is run like a maximum-security prison where children are forced to work, creating goods that are sold in the local village.

    Many orphans have tried to get beyond Weatherly’s gates and have failed. Mr. Speckle, a scurrilous caretaker, prowls the grounds, keeping constant surveillance, ensuring the children are working and staying in their place. But Tom is a daring lad, often going on “raids” to steal books from the private library of Weatherly’s owners for his friends to read. Mr. and Mrs. Grievous, a dreadful pair who frown upon any sort of learning, run the orphanage.

    One day, Tom and Sarah resolve to get out of Weatherly – forever. Ahead of them, the path is long, twisting, and dangerous, filled with a whirlwind tour through the English countryside. Here, author Stewart sharpens his focus and showcases the beauty and mystery of Great Britain. Readers will discover the places that are dear to the author’s heart as Tom and Sarah travel far and wide, including places such as the Midlands, Canterbury, Windsor Castle London and many more. But trouble is always nipping at Tom and Sarah’s heels, and when the renowned Detective Gowerstone takes up the case, the pair are nearly captured. They only escape by commandeering a hot-air balloon!

    As we follow them on their clandestine route, we begin to learn more about who Tom might be—and why some highly placed operatives would like to see him eliminated altogether. It all goes back 150 years to the disappearance of the mysterious Britfield dynasty and the ascendancy of Queen Victoria, leaving one to wonder, Did the wrong person get the crown?

    Britfield and the Lost Crown delivers as a detailed and intriguing first-in-series read that is sure to capture the attention of the middle grade and young adult crowd and those who love the Y/A action and adventure genre. Readers journey through the English cities and countryside beautifully rendered in the narrative. The book also includes maps and intelligent background information about the setting and history with access to online illustrations and commentaries on castles, villages, and towns where our heroes visit. Overall, Britfield weaves plot, texture, storytelling, and fascinating characters into a winning combination and enriching experience for adventure fans.

  • ELEMENTS of SUCCESSFUL FICTION – Writing Fiction Guidelines by Jessica Morrell – Writers Toolbox Series

    ELEMENTS of SUCCESSFUL FICTION – Writing Fiction Guidelines by Jessica Morrell – Writers Toolbox Series

    The best fiction touches the deep layers in us. A writer achieves this effect by embedding dozens of techniques into his or her story. – Jessica Page Morrell

    Dramatic Question 

    Compelling fiction is based on a single, powerful question that must be answered by the story climax. This question will be dramatized chiefly via action in a series of events or scenes. If you are writing a romance, the question always involves whether the couple will resolve their differences and declare their love. In a mystery the dramatic question might be will Detective Smith find the serial killer in time to prevent another senseless death? In The Old Man and Seathe dramatic question is will Santiago catch the big fish and thus restore his pride and reputation?

    An Intimate, Simmering World 

    An intimate world isn’t created by merely piling on details. It means your story world has the resonance of childhood memories, the vividness of a dream, and the power of a movie. It’s filled in with shadows and corners and dogs and ice cubes and the sounds and smells of a dryer humming on wash day and a car blaring past, rap music shaking the windows. These details lend it authority, potency, and a palpable physical existence.

    An intimate story takes us to a specific place and coaxes us to remain there. An intimate story is lifelike and feels as real and complicated as the world the reader inhabits. When he finishes the final pages and leaves the story world, he should feel the satisfaction of the ending, but also a huge sense of loss. Like a friend has moved to another town just when the friendship had reached a level of closeness and trust.

    Characters Built from Dominant Traits

    Create main characters with dominant and unforgettable traits as a foundation of personality. These traits will be showcased in the story events, will help him achieve or fail at goals, and will make the story person consistent. For example, Sherlock Holmes’ dominant traits are that he is analytical, Bohemian, opinionated and intelligent. These traits are showcased in every story he appears in along with secondary and contrasting traits. When the character first appears in the first scene, he arrives in the story with his dominant traits intact.

    Emotional Needs

    Protagonists and the main characters are people with baggage and emotional needs stemming from their pasts. These needs, coupled with motivation cause characters to act as they do. For example, in Silence of the Lambs Clarisse  Starling is propelled by childhood traumas to both succeed and heal the wounds caused by the death of her father.

    Significance 

    The storyline focuses on the most significant events in the protagonist’s life.

    Motivation Entwined with Backstory 

    Motivation, the why? of fiction, is at the heart of every scene, fueling your character’s desires and driving him to accomplish goals. It provides a solid foundation for the often complicated reasons for your character’s behaviors choices, actions,  and blunders.  Motivating factors provide trajectories for character development, as a character’s past inevitably intersects with his present. Your character’s motivations must be in sync with his core personality traits and realistically linked to goals so that readers can take on these goals as their own.

    Desire 

    Desire is the lifeblood of fictional characters. Not only do your characters want something, but they also want something badly. Santiago, in The Old Man and the Sea desperately wants to restore his reputation and also wants his friendship and partnership with the boy to resume. And in the lonely hours when he is far out at sea, desperately struggling to hang on to the fish and fighting off sharks, we see his fierce desire acted out and the price he pays for it.

    You can bestow on your character flaming red hair, an endearing, crooked grin and a penchant for chocolate and noir movies, but if she doesn’t want something badly, she’s merely a prop in your story, not a driving force. But if she wants to win the Miss Florida contest, take over her boss’ job, or become the first female shortstop for the Atlanta Braves, then you’ve got a character who will make things happen and a story that will be propelled by desire.

    Threat

    Fiction is based on a series of threatening changes inflicted on the protagonist. In many stories, these threats force him or her to change or act in ways he or she needs to change or act. Often too, what the protagonist fears most is what is showcased in a novel or short story. It can be fear of losing his family, job, or health with this dreaded outcome providing interest, action, and conflict.

    Causality 

    Events in fiction are never random or unconnected. They are always linked by causality with one event causing more events later in the story, which in turn causes complications, which cause more events, which cause bad decisions, etc.

    Inner Conflict 

    A fictional character doesn’t arrive at easy decisions or choices. Instead, he is burdened by difficult or impossible choices, particularly moral choices, that often make him doubt himself and question his actions. Inner conflict works in tandem with outer conflict—an physical obstacle, villain or antagonist–to make the story more involving, dramatic, and events more meaningful.

     Complications   A story builds and deepens by adding complications, twists, reversals, and surprises that add tension and forward motion. Plots don’t follow a straight path, instead, there are zigzags, dead ends, and sidetracks. Complications create obstacles and conflict, cause decisions to be made, paths to be chosen.

     Midpoint Reversal 

    The middle of a novel comprises more than half its length. At about the midpoint of most novels, a dramatic reversal occurs. The hunter becomes the hunted; a second murder occurs proving the detective has been wrong in his suspicions; a former lover arrives in town to complicate a budding romance. This reversal keeps the middle from bogging down and becoming predictable and also breathes new life and often a new direction into the story.

    Satisfying Ending 

    every story needs an ending that satisfies the reader while concluding the plot. The final scenes, when the tensions are red hot and the character has reached a point of no return, must deliver drama, emotion, yet a logical conclusion. This is not to suggest that every plot ends with a shoot-out or physical confrontation because some endings are quieter, more thoughtful. Some endings are ambivalent, some a dramatic or a violent clash of wills. But there is always a sense that all the forces that have been operating in your story world have finally come to a head and the protagonist’s world is forever changed.

    The end is just the beginning…

    A Note from the Editor: A satisfying ending is one of the top, if not the top, reasons why books go viral and what will make your reader want to read your next work. Make sure that the you put as much effort in to a satisfying ending as you do into your opening hook—if not more. Kiffer Brown

    Jessica Morrell is a top-tier developmental editor and a contributor to Writer’s Digest magazine, and she teaches Master Writing Craft Classes at the Chanticleer Authors Conference that is held annually along with teaching at Chanticleer writing workshops.

    Jessica Page Morrell

    Jessica will teach a Master Class and advanced writing craft sessions at CAC19

    Workshops and Sessions Jessica will teach at the 2019 Chanticleer Authors Conference: 

    Immersive Fiction: Writing Fiction so Readers Land Amid Your Story and Don’t Want to Leave. Ever.

     

    We live in a clattering, distracting world that pulls at readers’ attention and senses. To compete your fiction needs be immersive, as in an alternate reality that your reader can enter into. Thus your readers are experiencing it, not simply reading it. An immersive story is an intimate, sensory story. It takes place in a world that a reader can see, smell, feel, and hear and it’s based on characters readers come to know and care deeply about. With the opening pages, readers are swept into a world that is so resoundingly real and intricately constructed that they leave their ordinary lives to venture forth and live daily along with the characters.

    Immersive Fiction Part 1:  Atmospherics

    Readers want to feel as if they’re part of a story world interacting with viewpoint characters. Fictional worlds that are immersive are nuanced, intricate, and alive with significant details. We’ll sort through what makes details significant and necessary. Plan to delve into atmosphere and tone, often under-appreciated techniques in a writer’s toolbox, yet they can be so effective to heighten suspense, create reality, and underline emotions and key moments. We’ll highlight how to use weather, lighting, interiors, unsafe places, and what I call “surround sound.” Finally, we’ll also discuss the key elements needed of world build in realistic genre fiction such as historical, sci-fi, and fantasy, and to make your stories memorable and immersive.

    Immersive Fiction Part 2: Your Sometimes Heart-breaking, Sometimes Messed-up, Sometimes Heroic Fictional Cast

    For many writers, the most fun of creating a story is fleshing out characters who battle, grow, and plop into heaps of trouble. Because readers need relatable, yet irksome, yet potent story people to follow and fret over. Their flaws and mistakes drive us crazy, their choices and moral dilemmas worry us sick, their triumphs feel as sweet as our own.
    Characters first need to be intriguing and readers need to meet them at a pivotal, irreversible moment. From there they’ll tread where we dare not, fall in love with losers and sometimes winners, and take on monsters when we’d be cowering. But still characters, including secondary characters, need a vivid essence and need to be bigger than life. And by story’s end they need to grow, also called an arc. This workshop will delve into the more intricate aspects of character building and creating arcs, the art of creating characters who will live in the reader’s heart and memory.

    Immersive Fiction Part 3: Stakes and Motivations

    One major reason that people ‘buy into’ storytelling of all types is that there are serious stakes involved. Readers need to feel as if they also have a stake in the story. Stakes create tension, but most of all dread in a story because a character’s happiness, perhaps even his life, depends on them. The stakes might mean saving a vulnerable child snatched by a creepy predator, or saving the galaxy, or defeating Voldemort and his Deatheater.

    Motivations are the reason characters attempt any action in a story. You’ll learn that motivations are deeply felt, drive a story, and will require a character’s chief personality traits to fulfill. We’ll discuss how motivations reveal backstory and a character’s inner world, create goals, and will exact a cost as the story progresses. We’ll discuss a variety of stakes, motivations, and goals so that you’ll learn clear examples of how all are entwined with plot and character.

    If you would like to learn more about the sessions and Master Writing Craft Workshops please click on this link that goes to https://www.chantireviews.com/chanticleer-conference/

  • Betsy Graziani Fasbinder – Public Speaker Trainer – Author Focused Sessions at CAC19

    Betsy Graziani Fasbinder – Public Speaker Trainer – Author Focused Sessions at CAC19

    Betsy Graziani Fasbinder – Speaking Coach & Memoirist

    Betsy Graziani Fasbinder speaks at writers’ conferences all over the country and coached writers for their book launches, agent pitches, media interviews and book promotions. She is known for “demystifying” public speaking for them and showed them how to gain the confidence needed to talk with passion about their books and their ideas.  Teaching fellow writers, offering them practical skills, inspiration, and a way to playfully overcome stage-fright is a passion of hers.

    She has been a public speaking trainer speaking skills for more than twenty years with  Fortune 500 companies, with non-profit organization leaders, along with artists and authors.

     

     

    Betsy will teach these sessions at CAC19:

    • From Page to Stage: Inspiration, Tools, and Public Speaking Tips for Writers
    • Memoir Writing Craft

    FROM PAGE to STAGE:

    • Manage and often overcome their fears of public speaking
    • Launch their books, projects, and businesses with a confident, authentic voice
    • Discuss their passions with authenticity and impact
    • Use a simple storytelling structure to design their content efficiently, and tailored to their goals and specific audiences
    • Engage listeners by creating memorable content and meaningful connection to listeners
    • Prepare to participate on panels, in media interviews, and other “conversational” presentations
    • Adapt their content for workshops or conference talks
    • Speak comfortably in virtual environments: conference calls, video, audio presentations, and podcasts
    • Handle challenging questions and strong opposition from listeners by defending their position without getting defensive
    • Master the use of visuals like PowerPoint or whiteboards to enhance their message, rather than compete with it
    • Learn to value being “present” over being “perfect” so that authentic connections are made with listeners

    Memoir Writing Craft:

    Whether working with a memoirist facing a troubling memory or a fiction writer experiencing the loud voice of the “inner critic”, Betsy offers structure and support techniques to writers in overcoming the obstacles of fear and doubt as they write.

    Have you registered yet?

    https://www.chantireviews.com/services/Conferences-&-Awards-Banquet-c9758702

  • Links to All 16 Divisions of the Chanticleer International Book Awards 2018 Semi-Finalists

    Links to All 16 Divisions of the Chanticleer International Book Awards 2018 Semi-Finalists

    STATUS of the Judging Rounds for all Sixteen Divisions of the 2018 Chanticleer International Book Awards – the 2018 CIBAs – Official Notification to the CIBA 2018 Semi-Finalists

     

    We have just completed the final sweep of all of the 2018 Chanticleer Int’l Book Awards submissions. All of the divisions have announced the authors and titles that have moved forward to the SEMI-FINALIST positions.

    We always check for stragglers, the inevitable stray, and late ratings coming in from judges (they do this as a labor of love for books and authors), and other anomalies that are just the nature of tracking the thousands of entries that we receive despite our state of the art integrated software program for tracking, DRM, and interaction with the judges.

    The works that made it to the 2018 SEMI-FINALIST are currently in the final rounds of judging to discover which ones will move forward to the limited First Place Categories and the coveted grand prize position for each division. The Overall Grand Prize for Best Book will be determined from the 16 divisions’ grand prize winners.

     

    Here are the links to the 2018 Chanticleer International Book Awards SEMI-FINALISTS for All 16 Divisions. The CIBA ceremony and banquet will take place on Saturday evening of the 2019 Chanticleer Authors Conference that will take place April 25 – 28, 2019 in Bellingham, Wash.

    These are the OFFICIAL and FINAL LISTINGS for the 2018 CIBAs SEMI-FINALISTS. The next notification will announce the First Place Category Winners and the Grand Prize Winners and will go out on April 30, 2019.


    Cygnus Award for Science Fiction

     

    The CYGNUS Book Awards for Science Fiction Semi-Finalists

     


     

    The JOURNEY Book Awards for Narrative Non-fiction Semi-Finalists

     


    Cozy Mystery Fiction Award

     

      The M & M Book Awards for Mystery & Mayhem Semi-Finalists

     


    Gertrude Warner Children's Chapter Books

     

    The GERTRUDE WARNER Book Awards for Middle-Grade Readers Semi-Finalists

     


    Dante Rossetti Awards for YA Fiction

     

    The DANTE ROSSETTI Book Awards for Young Adult Fiction Semi-Finalists

     


    Pre 1750 Historical Fiction Award

     

    The CHAUCER Book Awards for Pre-1750s Historical Fiction Semi-Finalists

     


    Post 1750s Historical Fiction Award

     

    The GOETHE Book Awards for Post-1750s Historical Fiction Semi-Finalists

     


    Western Pioneeer Civil War Fiction Award

     

    The LARAMIE Book Awards for Western, Prairie, & Civil War Fiction Semi-finalists

     


    Romance Fiction Award

     

    The CHATELAINE Book Awards for Romantic Fiction Semi-Finalists

     


    Thriller Suspense Fiction Award

     

    The CLUE Book Awards for Suspense and Thriller Fiction Semi-Finalists

     


    Early Readers and Picture books

     

    The Little Peeps Book Awards for Picture Books and Early Readers Semi-Finalists

     


     

     The OZMA Book Awards for Fantasy Fiction Semi-Finalists 

     


     

    The PARANORMAL Book Awards for Supernatural and Paranormal Fiction Semi-Finalists

     


     

    The GLOBAL THRILLER Book Awards for Lit Lab and Global Thrillers Semi-Finalists

     


    Mainstream Contemporary Fiction Awards

     

    The SOMERSET Book Awards for Literary, Contemporary, and Satirical Fiction Semi-Finalists

     


     

    The I & I Book Awards for Instructional and Insightful Non-Fiction Works Semi-Finalists

     


    INFORMATION

    Each of the Semi-Finalists has been notified individual by email from the president of Chanticleer Reviews, Kathryn “Kiffer” Brown at  KBrown@ChantiReviews.com We will send the second and final round of email notifications to the 2018 Semi-Finalists starting on Monday, March 25, 2019.

    The email includes links to Semi-Finalists Digital Badges, Semi-Finalists Book Stickers, a discount code for CAC19, and other information along with a significant discount code for CAC19 registration packets.

    The 2019 Chanticleer Authors Conference will take place on April 26, 27, & 28, 2019.

    The Master Classes taught by J.D. Barker and Jessica Morrell will take place on Thursday, April 25, 2019. Registration is required. 

    The Books By the Bay Book Room will be managed by Village Books and will be open to the general public on Saturday and Sunday. Sunday will be the Book Fair day with author signings.

    There are six different registration packages available for CAC19.

    The 2018 CIBA Banquet and Ceremony will take place on the evening of April 27, 2019. For more information, please visit the latest web post for the latest information, status, and updates about timing, photo opportunities, etc. Registration is required to attend the CAC19 and the CIBA Banquet and Awards Ceremony* and tickets are required for admittance.

    Good luck to all of the 2018 CIBA Semi-Finalists as their works compete in the final rounds of judging.

    Each of the authors whose works made it into the CIBA Semi-Finalists should be very proud!  Congratulations! You definitely have something to crow about! 

    *And, finally, you do not have to be present at the conference or the awards ceremony to win, but it sure is a lot more fun!

    Btw, the Submissions Deadline for the 2019 CYGNUS, JOURNEY, and M&M Book Awards is April 30, 2019! Don’t delay. Enter today!

     

  • Chanticleer International Book Awards Update, Info, & Status for All Divisions

    Chanticleer International Book Awards Update, Info, & Status for All Divisions

    STATUS of the Judging Rounds for all Sixteen Divisions of the 2018 Chanticleer International Book Awards – the 2018 CIBAs

    We have just completed the final sweep of all of the 2018 Chanticleer Int’l Book Awards submissions. All of the divisions have announced the authors and titles that have moved forward to the SEMI-FINALIST positions.

    We always check for stragglers, the inevitable stray, and late ratings coming in from judges (they do this as a labor of love for books and authors), and other anomalies that are just the nature of tracking the thousands of entries that we receive despite our state of the art integrated software program for tracking, DRM, and interaction with the judges.

    To see the Official CIBA SEMI-FINALISTS post for each division, please click on the link at the end of this posting. 

    The works that made it to the 2018 SEMI-FINALIST are currently in the final rounds of judging to discover which ones will move forward to the limited First Place Categories and the coveted grand prize position for each division. The Overall Grand Prize for Best Book will be determined from the 16 divisions’ grand prize winners.

    Frequently Asked Questions

    When will the 2018 CIBA 1st Place Award Winners and the Grand Prize winners be announced?

    The 2018 CIBA First Place Award Winners and the Grand Prize Winners for Divisions along with the Overall Grand Prize will be announced on Saturday, April 27, 2019, at the Chanticleer Authors Conference (CAC) and CIBA Banquet and Ceremony at the Hotel Bellwether’s Ballroom, Bellingham, Wash.  The official announcements will be posted on the website by Tuesday, April 30th, midnight PST.

    The CIBA Awards Ceremony will kick off with the cocktail hour starting at 6 o’clock. The bar and the photography area will open at half-past five o’clock.

    Some people have their own cheering section.

    Jesikah Sundin when her book, LEGACY, was announced the Dante Rossetti Grand Prize Award Winner for Young Adult Fiction

    Photography Opportunities

    Dwayne Rogge is the professional photographer who will be on hand to take photos before, during, and after the CIBA ceremony. All digital photographs taken by Dwayne at the CIBA ceremony will be made available at no charge after the event. An email will be mailed out to all conference attendees with access codes and the website where the photos will be made available before May 8th. There will be a “step and repeat” backdrop sign that will be used for the award winners photos and group shots.

    We advise all SemiFinalists to have their photos taken prior to the ceremony during the cocktail hour.

    Janet Shawgo overjoyed with her Chatelaine Book Awards Grand Prize! We love this photo!

    What to Wear? 

    We have seen quite the range of dress from black-tie and formal wear, suits, cocktail attire, and since we do live in the Pacific Northwest, very casual attire. Please keep in mind that CIBA ceremony will have some awesome photo opportunities. And there will be a lot of Tweeting, Instagramming,  and Facebook postings going on throughout the evening.

    CIBA Overall Grand Prize Winner and Laramie Grand Prize Winner Michelle Rene

    Timing

    The ceremony begins at seven o’clock in the evening with recognition of all the Semi-Finalists who are in attendance with dinner immediately following. Past award winners will announce this year’s First Place Award Winners for each division after recognizing the respective Semi-Finalists in each division.  Representatives from the CIBA sponsors will award their prize packages to the winners. Presenters and Keynote speakers will also take part in the ceremony.

    The Banquet

    The distinguished Hotel Bellwether’s Executive Chef Peter Birk will bring his Pacific Northwest classically based preparations with a modern twist to the CIBA banquet table. A buffet service is employed to accommodate the many food preferences of such an eclectic gathering of authors from around the globe.

    No-Host Bar

    A no-host bar will be available in the Hotel Bellwether’s ballroom that will offer quite a range of wines, PNW beers, cocktails, and soft drinks.

    Ceremony Program

    All attendees to the 2018 CIBA ceremony and awards banquet will receive a souvenir ceremony program listing all the Semi-Finalists, Sponsors, and Presenters. Many attendees use this guide to mark the winners, get autographs and contact information from those they have met at CAC.

    Post Ceremony 

    The Book Room at the CIBA Banquet and Ceremony will be open shortly after the ceremony for book purchases.

    After Party Gathering

    By ten o’clock in the evening, most attendees will head over to the Fireplace Lounge at the Hotel Bellwether and the party continues on there.

    PRIZES – Yes, there will be Blue Ribbons and Prizes and some author will take home a $1,000 check for Overall Best Book! 

    You know you want one! 


    Exciting News for the 2018 Chanticleer International Book Awards winners! Publish Drive will award these prizes to the Award Winners! 

    • 1 Overall Grand Prize for Best Book – One-year free subscription option ($1,200 USD)
    • 16 Division Grand Prize winners – a $240 USD gift certificate for the PublishDrive Subscription
    • 1st Place Category Division Winners – A metadata health-check consultation ($100 USD/each)
    • All Semi-Finalists in attendance – one-month free use of our services- A code will be given to you when you pick up your registration packet at CAC19.

    The total for the  Prize Package from PublishDrive is valued at more than $40,000 USD. Whoa! Thanks, PublishDrive!

    Learn more about their global bookselling platform by visiting www.PublishDrive.com 


    AND NOW FOR THE LINK to the 2018 CIBA SEMI-FINALISTS. Good luck to all in the final judging rounds. If your work made it to the SemiFinalists position, it is a WINNER! – No matter what.

    https://www.chantireviews.com/category/contests/

    We will do a second post with individual division links. This one is long enough!

    Hope to see you soon at the 2019 Chanticleer Authors Conference and the 2018 CIBA Banquet & Ceremony!