Fine artist and award-winning author Ron Singerton turns his astute attention to some little-known history, enmeshed in immortal names and enduring truth in his mystery romance novel, The Refused.
The story boils from the first page, depicting families from the North and South in 1859 America. The brewing conflict will pull all of them into its orbit. In the South we meet Charlotte, her half-brother and slave, Jerome, who sail to France at war’s end.
Life and love in Paris become the vibrant heartbeat in The Refused.
Jack Volant, an aspiring painter and Union cavalry officer, wounded at Gettysburg, travels to Paris following the war to become a more accomplished artist. It is there that he begins a tumultuous relationship with Charlotte, a sculptor who sells her work to Empress Eugenie, wife of the Emperor, and a noted art patroness.
Jack’s younger brother Steven, while still in America, becomes embroiled in an affair with a professor’s wife. When the professor, an expert shot, learns of it, he challenges the young man to a duel. Fearing for his life, Steven changes his name and flees to Paris where he engages in the eerie occupation of unwrapping mummies in the salons attended by the elite.
All these dynamic characters, many involved in intrigue and murder, will interact in the decadent City of Light. They enjoy its ambience for only a short time, however, before war finds them once again. In 1870, the influence of the Empress, Prussian militarism and national rivalry will lead to disaster for France in the Franco Prussian war, the siege of Paris. In the chaos, Charlotte, deeply in love with Jack, waits anxiously as he attempts to save his brother and Jerome from the Prussian onslaught.
The Refused is more than the title of a novel.
Jack will find himself accepted by and creating new works alongside the Impressionist painters. Their adopted sobriquet, the Refused, stems from their rejection by the mainstream critics of the day. Their band includes Manet, Monet, Pissarro, Degas, Cezanne, and Renoir. They all resolve to paint what they want and hope for success, even if it be posthumous.
This novel explores far more than artistic expression.
Even after Prussian victories in the field, Paris holds out and becomes a hotbed of the Parisian underclass, the Communards. Jerome, with his sympathy for the desperately poor, joins the movement, putting his life in danger. As turmoil explodes around them, Jack, Charlotte, Steven, and Jerome attempt to survive as the reign of Emperor Louis Napoleon III and the Second Republic implode around them.
Singerton writes with verve and intelligence. He fashions several interwoven plots in numerous historical settings, while making all his players come to life as credible people, some with high aspirations and others with low scruples.
The author provides useful background in his “Author’s Notes.” He cites the real people and fact-based events that he selected for this engaging tale. The narrative encompasses formal dueling, womanly wiles, shadowy views of a typical morgue, costuming, cafés, conditions in Paris in wartime, and many other fine touches that powerfully immerse the reader in the times and places.
Singerton served in Asia with the US military, was a Civil War cavalry reenactor, an art and history teacher, and enjoys saber fencing and horsemanship. He has penned notable works of historical fiction. And significantly, he is also, like several of the book’s protagonists, a professional artist. All these interests weld neatly together into this enthralling novel, sure to please his current audience and garner new readership.
Read our reviews of Ron Singerton’s other books by clicking on their titles, A Cherry Blossom in Winter, The Silk and the Sword: Gaius Centurion, Book 2, and Villa of Deceit: A Novel of Ancient Rome.
